Aug 13 2019

Is Star Wars Losing Its Luster?

The title of this post sounds click baity, but it brings up a nagging thought among many fans over the beloved sci-fi franchise. There are many indications that Star Wars is losing its luster with the general public. No need to worry, Star Wars is not going anywhere, but the property just doesn’t seem to be capturing our excitement these days. Instead that is going to Disney’s other blockbuster IP, the Marvel Cinematic Universe. Star Wars is still a behemoth that brings in tons of dollars to Disney, but the evidence is becoming more clear. Let’s look at some facts:

The property has been swept up in the toxic culture wars that is strangling our society. It started with the release of the controversial Star Wars: The Last Jedi, which has enraged many conservatives fans who accused it of being too politically correct.
The mixed to negative reaction to The Last Jedi, not just from haters but many die-hard Star Wars fans helped lead to the failure of Solo: A Star Wars Story. That in turn led to the cancellation of planned Star Wars films.
Disney head Bob Iger admitted that too many Star Wars films were being released too quickly and cited this as a reason for Lucasfilm to cut back on Star Wars films.
Even though there is another Star Wars film coming out later this year, the enthusiasm for it is not as high as it was for previous Star Wars films.
Merchandising sales are down, with many retailers severely discounting Star Wars toys, especially those related to the Disney-era films.
The recent opening of Star Wars: Galaxy’s Edge at Disneyland has not brought in the massive crowds that Disney anticipated.

So, what is happening and why? The answers are not quite simple and it really depends on context. Yes, Star Wars is a victim of the stupid culture wars going on but that has affected other properties and franchises as well. Yes, there are too many sites and videos from haters infesting the web, but they also target Star Trek and even Marvel. Then the fact that these places champion underdog properties indicates that many of them just want to kick at the top dog of the moment. What didn’t help Star Wars is how Rey was written to be a Mary Sue and how the deconstruction of Star Wars in The Last Jedi alienated many die-hard fans who hated what writer/director Rian Johnson did with the characters.

There are many reasons why Solo didn’t perform well. A big part of it was due to the backlash of The Last Jedi, which is unfortunate because Solo was actually a fun film that evoked the traditional adventurous Star Wars films.

The scaling back of Star Wars films is a natural reaction to the mixed reception of recent films. However, more films are still being planned and the Disney streaming service, Disney+, will premiere this year The Mandalorian, the first live-action Star Wars film and it is highly anticipated. Plus, the same service will include a new season of the beloved animated series, Star Wars: The Clone Wars, which has many fans excited. So, for now, Star Wars’ future lies with television to keep us satiated until the next standalone or saga film.

All this hand wringing over the property could wind up being silly if the next film, Star Wars: The Rise of Skywalker, recaptures the magic and leads to new films coming out sooner. Given how Star Wars: The Last Jedi turned out, it is nearly certain that The Rise of Skywalker will play it safe and give fans what they want. In the long run, it could wind up hurting the franchise in the same manner that some were ultimately turned off by Star Wars: The Force Awakens because it was too derivatives of A New Hope. But a short-term win is called for.

Let’s face it, Disney went overboard with the marketing and merchandising of the property At first, it worked wonders for the company when they acquired the IP in 2012. The build up to The Force Awakens was immense and was a genuine phenomenon. Unfortunately, this led to Disney slapping the Star Wars label on practically everything. If we thought creator George Lucas was bad with the merchandising when he owned the property, Disney took the marketing to the nth degree. it is only natural that there would be a backlash and this led to lowered sales.

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Jul 29 2019

Avatar: Looking Back At The Sci-Fi Epic

After it was announced recently that Avengers: Endgame had finally dethroned Avatar to become the all-time box office champion, everyone was whooping and hollering in joy. Sure, we’re entitled to feel that way and celebrate because Avengers: Endgame is so well regarded. But lost in all the hoopla was how dismissive many people were toward director James Cameron’s film which came out ten years ago. Yes, we all are entitled to our own opinions about everything, but some were too quick to put down Avatar, which is not warranted.

Even when Avatar came out in December 2009, there were those who were very critical towards the sci-fi epic. A common gripe was that its story was weak and derived from the “going native” trope, which is why Avatar was sometimes called Dances With Smurfs. Another critique was its too-on-the-nose environmental message or its simplistic evil capitalists vs. noble savages motif. These are valid points, but Avatar should not be disregarded so casually.

For its time, Avatar captured the world’s imagination thanks to the rich and immersive effects and world that James Cameron and his team of effects wizards created. Almost everything about the world of Pandora (a habitable moon orbiting a distant gas giant a few lights years from Earth) looked alien. From the six-legged creatures to the ultraviolet forests to the floating mountains. This was a landscape never before seen in live action. It was and still is breathtaking to take in.

While the story may be too familiar, it does resonate and has relevance to our times. It was reported back then that some viewers experienced a type of depression because they realized how unlike Pandora the Earth was with its pollution and disappearing nature. Now, climate change and other environmental concerns have become a more tangible problem and we can appreciate the idea of a pristine, untouched-by-man world. This is also inspiring many to look for other worlds and can be seen as a drive for the new upcoming space race. Avatar showed many the possibilities of what lies beyond our solar system.

Of course, the special effects and 3D technology are still unrivaled to this day. Cameron is known to be a perfectionist and insisted on the best usage of effects technology and 3D. This was why it took so long for the film to be made and this goes for the sequels that are only now being filmed. The result of Cameron’s strict standards was that audiences were floored by the stunning 3D and effects that gave the feeling that we were truly in an alien world. The 3D technology isn’t cheap and the top dollars spent on Avatar shows, and it lead to a new boom in the use of 3D in films. Sadly, much of the 3D in other films couldn’t compare and that is because truly impressive 3D has to be filmed with special cameras and is very expensive. Most films that use 3D these days are actually using a conversion process. Much of the time, it’s done well, but it cannot compare to Avatar.

Many critics state that the film isn’t anything without the effects or the 3D. That is not so. Avatar is actually very entertaining with exciting battle scenes and genuine moments of awe. The story is basic but effective; in the future, Jake Sully (Sam Worthington), a paraplegic former vet, takes an assignment on an alien moon being mined by a large company. He is to infiltrate the moon’s native sapient species, who are called the Na’vi, and get intel to use against them. He ingratiates himself by having his consciousness fused into a cloned version of the Na’vi. Over time, he comes to empathize with the Na’vi and eventually joins their side to fight off the human invaders. We have seen this story before, most famously in Dances With Wolves, but it is effectively reimagined in a sci-fi trapping that works for this epic. The film is still awe inspiring and packs some emotional weight. Just watching that final battle of humans against the Na’vi is so thrilling and inspiring.

It has been said that Avatar has not remained in the public eye for very long. That is debatable, the film represents the pushing of boundaries and a good example of this is with the land it inspired in Disney’s Animal Kingdom theme park. In the land themed to Avatar, which opened in 2017, visitors were and still are awestruck by how alien and majestic the land looks with its Pandoran forestry and even more with its headline ride that simulates what it is like to be a Na’vi riding a flying banshee. Interest has been renewed for the property and although cynics like to say that no one cares about the upcoming sequels, it is foolish to bet against James Cameron. Undoubtedly, he will create another winning sci-fi epic, the likes that he is famous for. Avatar 2 or whatever it will be called may not supplant Avengers: Endgame but it will most likely be a big hit and help keep Avatar in the public eye. Maybe by then, the original film will be looked at more fondly.

Jul 10 2019

All 23 MCU Films Ranked

The Marvel Cinematic Universe (MCU) has been with us since Iron Man in 2008 and has been comprised of three phases. Twenty three films later, the MCU’s Infinity Saga is now complete with the release of Spider-Man: Far From Home, which heralded the conclusion of Phase Three of the MCU.

Now it’s time to rank all the MCU films to date. We’ve done this before back in 2015 when Phase Two ended but since then eleven more MCU films have been released which changed the previous ranks of films. Also, upon further viewings the older MCU films have either aged well and are actually higher ranked or are haven’t aged well and went down in ranking.

Looking back at the films, it is remarkable and necessary to note that there isn’t a terrible film in the lot, which is amazing considering there are 23 films. Even the lowest ranked films have their merits and are better than many other films of different franchises. Not all the films are classics, but almost all are solid and enjoyable superhero films that are among the best of the genre.

**23. Thor: The Dark World (2013)**

Coming in at the bottom of the list is the first sequel to Thor. Despite Chris Hemsworth’s star power and natural charisma as the God of Thunder, Thor: The Dark World is a very routine superhero film that is quite forgettable.

It has its moments such as Tom Hiddleston, who is always reliable as the mischievous Loki and the final fight. But the film was listless and wasted Christopher Eccleston’s talents as Malekith, an uninspired enemy with lazily thought-out motives and background.

**22. Iron Man 2 (2010)**

This sequel to Iron Man could have been good, even great. It featured many interesting subplots and with some tinkering the villains could have been among the MCU’s best. Instead, we got a mishmash of conflicting plots that don’t go anywhere.

Thanks to the film’s scattered tone, Tony Stark regressed in character and reverted back to being an unsympathetic, narcissistic jerk. Adding to the flaws was that it was obvious that the film was being over-managed by film executives who wanted to use it to lay the groundwork for the MCU instead of ensuring this was a good film in its own right.

**21. Ant-Man and the Wasp (2018)**

This sequel to Ant-Man is not a poorly made film, it has many fine merits such as a winning cast and great effects. The problems with Ant-Man and the Wasp is that it doesn’t have the same energy as Ant-Man, often the humor comes off as forced, and feels more pedestrian than its predecessor. Not even the unusual sight gags are as funny or inventive as in the original.

Making matters worse is that the film featured some of the worst villains in the MCU. They make the much-criticized Yellowjacket in Ant-Man seem like Thanos, yes, they’re that uninteresting. Still, it’s not a bad film but should have been so much better.

**20. Avengers: Age of Ultron (2015)**

The first sequel to The Avengers is sometimes frustrating to watch because it reeks of 1) wasted potential and 2) having too many cooks in the kitchen or rather execs in the editing room. Reportedly, director Joss Whedon was ordered to include scenes and subplots that had little to do with the main story and his frustration showed in the final product.

But worse than that, Avengers: Age of Ultron felt by the numbers and crammed with too many characters. It was unable to recreate the fun and energy of the first film. But, there are some terrific sequences, namely the battle between the Hulk and the Hulkbuster and the party scene where Steve Rogers nudges Thor’s immovable hammer, so there is that.

**19. Captain Marvel (2019)**

This is a fine, decent film that does a better than expected job of showing how the modern MCU was set up. More than that, Captain Marvel expands the cosmic side of the MCU while laying the groundwork for the future of the cinematic universe.

What holds this film from ranking higher is that it’s rather flat at times and feels like a formulaic superhero film. Captain Marvel is alright for what it is, but it doesn’t truly stand out like many MCU films. Making things worse is Brie Larson’s sometimes wooden performance as the title character.

**18. Doctor Strange (2016)**

The Sorcerer Supreme’s debut film might have ranked higher on the list if only it didn’t feel like we’ve seen this kind of film before. An arrogant tool learns some humility and becomes altruistically heroic in time for the end credits. This doesn’t mean that Doctor Strange is a bad film, not at all. It’s professionally put together with amazing special effects and imagery that has never been seen before. Plus, Benedict Cumberbatch is an inspired casting choice for the title character.

However, Doctor Strange sometimes feels formulaic and routine in between the hallucinogenic magic shows. Downgrading the film further is its main villain, a rather forgettable evil wizard with murky motivation and cliché dialogue. More screen time should have gone to Dormammu, the ultimate big bad revealed at the end. The confrontation between Doctor Strange and Dormammu was ingenious and its resolution was a welcome change from the typical fisticuffs.

**17. Iron Man (2008)**

As the very first MCU film, Iron Man holds a distinctive place in many people’s lists. No doubt, the success of the cinematic universe is due to this solid superhero film that defied the odds. Before it was released, many doubted that the burgeoning Marvel Studios could pull off a successful superhero film with a B-list character. Thankfully, they were proven wrong. Robert Downey Jr. shone in the role of his career as Tony Stark and was one of the main reasons why the MCU took off.

But looking at it objectively, the film has its faults. After a thrilling and engaging first half, it bogs down as we impatiently wait for Stark to build and use the iconic red-and-gold Iron Man armor. The villain didn’t help matters either. Jeff Bridges is OK as Obadiah Stane but didn’t have much presence and this lessened the final conflict between the two. However, the film’s post-credits scene was a true zinger and gave birth to the MCU.

**16. The Incredible Hulk (2008)**

The only solo Hulk film from Marvel Studios is its redheaded stepchild, which is a shame. There are so many admirable qualities to the film and it revamped the character after the ill-received film version from 2003. Besides, The Incredible Hulk was a favorite film of someone very dear to me, so it holds a special place. The film is often overlooked but it’s important to the MCU. As the first film after Iron Man it featured many references and Easter eggs that helped solidify the MCU. It also was the first MCU film to crossover characters as seen with Tony Stark’s appearance late in the film.

The film cleverly echoed the vibe from the successful TV series of the 70s and 80s by having its tortured hero Bruce Banner living life as a fugitive as he tried to cure his condition of turning into the Hulk. In his only appearance as Banner, Ed Norton, successfully captured the essence of his comic book counterpart in that Banner was a geeky, unassuming man who had a lot of pent-up rage. He actually was better at the role than Mark Ruffalo, but alas, studio politics and Norton’s actions during filming prevented him from reprising the role.

**15. Black Panther (2018)**

It may be heresy to admit it, but while Black Panther is a groundbreaking and captivating superhero film (and the first one to be nominated for a Best Picture Oscar), it is overrated. Taking away its world building, merits and cultural impact, Black Panther has its flaws like some cheesy CGI and it takes a while for the film to take off during its first act. But when it does, wow, it soars off with great velocity. This happens when T’Challa directly faces the film’s villain Killmonger.

Michael B. Jordan is one of the film’s greatest assets as the savage Killmonger thanks to his compelling back story. His story intertwines finely with the film’s theme about the actions and sins of our fathers defining and shaping us. Once Killmonger enters the stage to claim the throne of Wakanda, the film grabs you much more than the eye-popping visuals of the advanced African country.

**14. Iron Man 3 (2013)**

Believe it or not, Iron Man 3 is a very well done film and unbelievably the best Iron Man solo film with exciting sequences. It created a lot of controversy when it was released due to the nature of the villains and certain plot twists. This turned off many fans, but the twists were genuine surprises that paid off.

What makes Iron Man 3 stand out is that it was basically a deconstruction of the title hero. We got to see Tony Stark at his most vulnerable as he grappled with PTSD from the events of The Avengers, and this made him more human. We saw there was more to this wounded man than his snarky jokes and false bravado. Then we saw how heroic and resourceful he was without his armor. This film certainly deserves another, more objective look.

**13. Spider-Man: Far From Home (2019)**

There are many plot holes in the second Spider-Man MCU film, but it’s a blast with so much heart and boasts some of the greatest MCU post-credits scenes. As with the previous Spider-Man film, this followup showcases the precarious balance that teenage superhero Peter Parker holds between his normal high school life and that of his web-swinging, heroic alter ego.

There are many memorable sequences and laughs, though not all of them land. Overall, the film is fast-paced and engrossing with dazzling effects and fights. The main cast has perfected their performances in this sophomore effort. One of the highlights is Jake Gyllenhaal who plays the villainous Mysterio with obvious glee. The fight scenes between him and Spider-Man are some of the MCU’s best and at times emulate the trippy nature of the Spider-Man/Mysterio fights featured in the comics.

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Jul 3 2019

Spider-Man: Far From Home Is A Winning Epilogue To The Infinity Saga

Spider-Man: Far From Home is the epilogue to the 23-film Infinity Saga or the final Phase 3 film of the Marvel Cinematic Universe (MCU). As such, the film is another winner for Marvel Studios and Sony Pictures, who still owns the film rights to the Marvel Comics superhero.

The film is solidly part of the MCU, as shown in its opening moments as the world is recovering from the events of the last two Avengers films. It was good to see the everyday reaction to Thanos’s snap and the sudden return of half of the world’s population, called the Blip in the MCU. For Peter Parker/Spider-Man (Tom Holland), the impact of the Avengers films weighs heavily on him as his mentor Tony Stark is no longer around. He feels the pressure of trying to be the next Iron Man while enjoying his normal teenage routines. The biggest thing on his mind, aside from his Spider-Man duties, is working up the nerve to tell his fellow high school classmate, MJ (Zendaya) that he likes her. The two of them, along with other classmates, spend most of the film in Europe on a school trip. While in the Old World, Peter is contacted by the clandestine head of S.H.I.E.L.D. Nick Fury (Samuel L. Jackson) to help Quentin Beck/Mysterio (Jake Gyllenhaal) with dealing with these giant elemental creatures that are attacking Europe. Beck is supposedly from a parallel Earth that was destroyed by these creatures and wants to prevent the same disaster from happening in the MCU Earth. Beck quickly earns Peter’s trust who then begins to confide in him all his doubts and fears. But as comic book fans know there is much more to Beck than he would have one believe.

The latest Spider-Man film is the quintessential summer film. It’s fun, exciting, humorous and moves at a brisk pace, particularly in the second half. At the same time, unlike most summer blockbusters this film has depth and engages you emotionally. All the actors are spot-on perfect in their roles and embody the characters they portrays. This especially goes to Tom Holland who has an earnest energy and nervousness that makes his Peter Parker very endearing. This portrayal of Spider-Man feels authentic and captures the essence of the beloved superhero. He makes mistakes, big ones, but his heart is in the right place. It’s why we root root for him. Meanwhile, Zendaya adds much more dimension and humanity to her role of MJ. Now, she is more personable while keeping her spunky and sardonic attitude that made her so funny in Spider-Man: Homecoming. She and Holland have a nice chemistry as a budding and sweet romance develops between the two young people, which works. It’s not as intense as with Andrew Garfield and Emma Stone in the The Amazing Spider-Man films, but their romance has a tender sweetness that offers a nice respite from all the fantastic effects and explosions.

As far as Spider-villains go, Mysterio is certainly a fantastic entry into Spidey’s rogues gallery with a unique power set, comic-book accurate costume, and motivation. His background and purpose differs a lot from his comic book roots, but they fit in easily within the MCU and there are some great and surprising call backs to previous MCU films. His drive and presence in the film doesn’t quite match the depth and desperation of the Vulture in Spider-Man: Homecoming, but Gyllenhaal is just great in the role and injects a lot of passion into his role. The fight sequences between him and Spidey capture the spirit of their comic book encounters complete with the weird illusions that rival some of what we’ve seen in Doctor Strange.

There are some issues with Spider-Man: Far From Home, namely the high school antics and gags. Unlike the previous film, here they fall flat many times, which is puzzling since director Jon Watts pulled it off so well in Spider-Man: Homecoming. With this film, the antics come off as unfunny distractions, though some gags hit the mark. Still, it is not a fatal flaw with the film, but for the next film, the filmmakers should consider retooling this aspect or getting rid of it altogether.

Right now, the future of the MCU Spider-Man films is uncertain because Spider-Man: Far From Home is supposedly the last Spider-Man film in the agreement between Marvel Studios and Sony. It would be a horrific shame if these films couldn’t continue and Sony took Spidey back because there is so much more that can be done with him.

This is clearly evident in one of the post-credits scenes that is an absolute shocker. Seriously, they cannot leave us hanging like they did. On another note, the other post-credits scene is equally as important because it heralds the direction that the MCU will take from this point on. Spider-Man: Far From Home both stands on its own as a winning Spider-Man film and as an coda to the wondrous 23-film MCU.

José Soto

Jun 25 2019

How Marvel Studios Can Fix The X-Men Films

Now that Dark Phoenix is over and done with when it comes to the Fox X-Men films, it is time to turn to Marvel Studios. As the inheritors of the X-Men film franchise, the studio has some work cut out for them. The X-Men films do need some retooling after all, and there are a few fixes that Marvel Studios can implement as they integrate the mutants into the Marvel Cinematic Universe (MCU).

Let the Mutants Rest

Fortunately, Marvel Studios is doing the right thing here, which is hard for some to accept considering the demand for the MCU to feature the X-Men. Marvel Studios head, Kevin Feige, repeatedly stated that there aren’t any plans to introduce the X-Men right away into the MCU and one of the main reasons is that the film studio already has plans for the MCU for the next few years. Trying to force the X-Men into the crowded, but beloved, cinematic universe would be too much.

Then, after the bad taste that the last two X-Men films left fans with (sans the solo releases of Deadpool 2 and Logan), it is best for now to let the mutants rest. This will enable Feige and others the time to properly retool the franchise and cast its characters. Plus, imagine the built up anticipation for the X-Men. By the time they return, they will have a genuine comeback.

Be Faithful to the Comics and Characters

The X-Men comics from Marvel Comics were at one time among the most popular and revered comic books and for good reason. This was not because of their flashy costumes, and unlike Fox, Marvel Studios should not be afraid to use the comics costumes. Rather, the popularity was due to the wonderfully developed characters and situations. The Fox X-Men films have had a mixed record with the characters. At times they were fairly faithfully represented, other times not so much. Plus, some characters like Wolverine were allowed to hog the highlight and as a result many popular characters like Cyclops or Storm were given scant screen time.

It is too easy to allow uber favorites like Wolverine dominate a film, but this is a mistake. The comics were successful because they were about a team with diverse characters. In other words, an ensemble. Ample time and issues were devoted to each of the X-Men members, which is why there are so many popular characters. Perhaps, Marvel Studios should do what Fox did with their prequel films and not feature Wolverine (which happened for the most part) and probably Magneto, as well, at least for the beginning. This leads to another fix.

Explore Other Villains

Magneto has played a prominent role in the Fox X-Men films, usually as an adversary, and for good reason. He is one of the greatest and most developed villains in Marvel Comics. To not use him in a major film is unheard of, but necessary at this point. He needs some rest at the moment, and a well thought-out reimagining. For instance, even though his Holocaust/World War II backstory is very powerful, it makes the Master of Magnetism very old today. Just look at the criticism in Dark Phoenix where Magneto still looked youthful in the film’s 1990s setting compared to his first introduction in the 1960s-set X-Men: First Class. Another more recent real-world conflict or tragedy will have to be used such as the Yugoslav Wars or the Chechen War.

There are so many other worthy foes that the X-Men can face aside from Magneto. Take for example Mr. Sinister, Nimrod, Onslaught, the Marauders or the Freedom Force. Each of them are powerful, menacing foes with fascinating back stories and motives. Marvel Studios could also lean into its successful cosmic side and introduce the Brood or the Shi’Ar Empire. The latter force could then be used to properly adapt the “Dark Phoenix” storyline.

Go Epic and Personal

The X-Men are renowned for their epic story arcs like “Dark Phoenix”, “Days of Future Past”, “Age of Apocalypse” and “House of M”. These stories spanned several comics including other non-mutant titles and weren’t afraid to go big and tragic. The Fox X-Men films often felt like they were holding back when they tried to go epic. One exception was X-Men: Days of Future Past. But they dropped the ball on “Dark Phoenix” twice already and truncated the story. When adapting these stories Marvel Studios should not hesitate in going big. Of course, you can adapt them to fit the film and budget like Captain America: Civil War, but the film studio should not hold back.

On the other side of this equation, the X-Men films in the MCU should not forget to make the films personal. Fox did fine with this aspect for many of their films like the first X-Men, where we saw what it felt like for a young person to experience being a mutant for the first time such as with Rogue. Other films that grounded the mutants included Logan, which explored Wolverine facing old age as he was slowly dying, and X-Men: First Class, which showcased several young adults grappling with their newfound powers. However, many of their other films glossed over personal journeys. A good example is X-Men: The Last Stand, which barely examined the ramifications of a mutant cure. But that was just one of that film’s flaws. Many of the comics had outstanding small, personal stories that explored what it was like to be a mutant in today’s world. This is the core concept of the X-Men comics: how to fit into a world where you are feared and hated. As long the future X-men films stick to this, then they will be beloved.

So, anyone reading this have their own ideas of how to fix the X-Men films? Drop a comment and share your thoughts.

Starloggers

Observations, Reports & Remarks From Out Of This World & Beyond

Category Movies

Is Star Wars Losing Its Luster?

Avatar: Looking Back At The Sci-Fi Epic