New Battlestar Web Show Has Blood & Guts

The new web-based show Battlestar Galactica: Blood & Chrome was actually a two-hour pilot commissioned by the Syfy channel for a possible TV series. Sadly, the network decided not to greenlight the show and one has to wonder why because this pilot truly captures the feel of the late Battlestar Galactica.

Battlestar Galactica: Blood & Chrome is a prequel to the remake ofBattlestar Galactica but a sequel of sorts to Caprica. It takes place during the oft-mentioned Cylon War that was fought between humanity and the cybernetic Cylons that they created in the Caprica show.

The main character is a young William “Husker” Adama (Luke Pasqualino), an idealistic, eager rookie pilot who is out to win the ten-year war against the Cylons. Seeing Adama as a hotshot, brash pilot is a startling contrast to the grizzled commander we’ve seen in the Battlestar Galactica remake. This presentation is very novel. We’ve could’ve been given a similar Adama who while still young would have many of the older Adama’s traits. But the character is refreshingly shown as being an idealist who by the time he’s commander of the Galactica has grown weary.

After a brief intro that shows various colonial cities across the Twelve Colonies under Cylon attack, Adama is shown excelling at a simulator viper fighter program. Later he’s assigned to the Battlestar Galactica; at this time, the ship isn’t an aging relic but considered one of the best ships in the colonial fleet. Expecting to be given a top-of-the line viper, Adama is disappointed that instead he’s tasked to pilot a rundown, workhorse raptor ship with cynical co-pilot Coker Fasjovik (Ben Cotton). It’s from Coker that we see the older Adama’s characteristics; bitter and disgruntled about the year, Coker is a short-timer who just wants to coast through his remaining few weeks left of service. Naturally, we get a strong feeling that he won’t live long enough to complete his tour but Coker is a likeable character nonetheless. And of course, the two butt heads over their natural differences. Still they have a mutual, grudging admiration for each other.

They are given a mission to transport Dr. Beka Kelly (Lili Bordan), formerly a Graystone Industries employee, who has vital information about the Cylons, to a rendezvous point with a colonial ship. Upon arriving, they discover the ship has  been destroyed by Cylons. After destroying some Cylon raiders (styled after the old raiders seen in the original show), they proceed to a set of coordinates and encounter a fleet of supposedly lost and destroyed colonial ships. Once they drop off Kelly, Adama volunteers himself and Coker to transport Kelly to her objective; to meet up with a contingent of marines on a frozen moon deep in Cylon territory.

Blood & Chrome is an exciting and thrilling joy to watch that is engaging and well produced. Each ten-minute segment ends in a nail-biting cliffhanger that leaves one wanting to find out what happens next. True, there are many of the standard war plot devices and characters (the routine mission that goes wildly wrong, grizzled vets, gung ho recruits, etc.) in this web show but they work well. The presentation has a gritty feel that feels exactly like the remake.  It also has some nods to Caprica and serves as a solid bridge between the two shows. The special effects and production design are simply superb and top notch.. This isn’t a cheap, digital knock-off. It looks just like it could fit in as a companion piece to the remake. It’s truly amazing considering that Blood & Chrome was actually filmed using digital sets.

Battlestar Galactica: Blood & Chrome is so good that one doesn’t mind watching this on a computer or mobile device as opposed to the comfort of a couch and TV. But for those that can wait for traditional viewing methods, the pilot will air complete on Syfy in February and be released on DVD, Blu-ray and download in the same month. Hopefully the reaction to this pilot will be strong enough for the commissioning of at least more web episodes or maybe even a series.

Waldermann Rivera

Spider-Man’s Greatest Moments, Part III

As Marvel celebrates the 50th anniversary or birthday of their greatest superhero Spider-Man, here are some more elements that has best defined everyone’s favorite web-slinging hero. These aspects and many others are the reason why Spider-Man continues to captivate many fans.

A Doubtful Everyman What makes Spider-Man such an endearing hero is the fact that he isn’t the most powerful superhero. He isn’t even the smartest. He gets by with his pluck and determination and sometimes by knowing when to retreat and come back to fight another day.

While he is quite a powerhouse when he puts his mind to it, often he fights more powerful foes or the villains just happen to gain the upper hand. This usually led to bouts of severe doubt. This happened very early in his career in The Amazing Spider-Man # 3, which was the first appearance of his arch nemesis Doctor Octopus. Early in the issue, Spidey easily captured some robbers and he mused to himself that his crimefighting career was too easy. Little did he know that a few pages later he would get a major thumping when he first fought Doctor Octopus. He was so humiliated by his defeat that he considered hanging up his costume until a high school lecture by the Human Torch about not giving up, inspired his alter ego Peter Parker to get back into the fight and eventually defeat Doctor Octopus.

There was another moment when he had to prepare to fight Doctor Octopus in Peter Parker, The Spectacular Spider-Man # 78. Most of that issue dealt with Spidey coming to grips that he might not survive the oncoming battle with Doc Ock and was mentally preparing for the ordeal. It was notable because in that issue, Peter took time to say goodbye in his own way to his loved ones. Of course, readers knew that he would come out the winner but he didn’t and his fears and doubts made him very relatable to readers.

Often Peter winds up berating himself over his choices and the consequences from them. He blames himself for his Uncle Ben’s death, for causing his Aunt May so much stress over his disappearances, and so on. The sad thing is that many times Spidey is correct in blaming himself. One of the more boneheaded things to happen to him is that he failed to graduate college (The Amazing Spider-Man # 185) because he didn’t have the required credits and didn’t notice this due to his superhero activities.

When it comes to his anguish nothing could top the aftermath of his girlfriend Gwen Stacy’s death in The Amazing Spider-Man # 121. In that infamous issue, the Green Goblin kidnapped Gwen to lure Spider-Man to the George Washington Bridge. At one point, the Green Goblin tossed her off the bridge and Spidey snagged her with his webbing. As he pulled her back up, he was congratulating himself on having saved his girlfriend. But what he didn’t realize was that his action actually snapped her neck and killed her. The issues that followed illustrated his rage and grief and to this day, he’s has been shown to be still haunted by her death as would any one of us.

Supporting Cast Unlike many superheroes Spider-Man has been blessed with an excellent supporting cast. Starting with his Aunt May, always on the verge of death until recent writers realized that plot point was used once too often. She first came off as an overbearing mother type, but over time, May Parker learned to let go of Peter and became supportive of him. May had an intriguing development where she learned of her nephew’s secret identity following a brutal battle he had with Morlun (The Amazing Spider-Man # 35, Volume II). However, her knowledge of Peter’s secret identity was undone by the infamous “One More Day” storyline that rebooted the Spider-Man universe.

The most glaring casualty of the reboot was the dissolution of Peter’s marriage to Mary Jane Watson. Aside from Gwen Stacy, Mary Jane is Peter’s greatest love and ever since her first full introduction (The Amazing Spider-Man # 42) she rocked his world and won over many readers with her flash and verve. Mary Jane was there to pick up the pieces after Gwen died. Her most shocking revelation came at the end of The Amazing Spider-Man # 257 when she admitted to Peter that she always knew he was Spider-Man. This knowledge was a barrier to their on-again-off again relationship, but they eventually married. Naturally, his Spider-Man activities conflicted with his domestic life to the point that she left him at one point (The Amazing Spider-Man Annual 2001), though they later reconciled. Foolishly, TPTB at Marvel Comics decreed that Spider-Man couldn’t be married because they felt the marriage plot line was stale. Hence the “One More Day” story where Spider-Man made a deal with Mephisto to save his Aunt May at the cost of his marriage. But even though they aren’t married in the new timeline, it was shown in recent issues that they still have feelings for each other, so it may not be over. Continue reading

The Future Of Star Wars

With the purchase of the Star Wars franchise and Lucasfilm by The Walt Disney Company, there has been much speculation as to what will happen now with the franchise. Here are some ideas that I have as to what will happen and what should happen.

The Movies: The most obvious thing that will happen now is a new trilogy of films starting in 2015 (Episodes VII, VIII and IX). it will be a new story line created by George Lucas and written by Michael Arndt. Some fans wanted the Thrawn trilogy of books (written by Timothy Zahn) to be made into films but it seems the new Star Wars movies will be about the Skywalker clan taking place long after Return Of The Jedi. Lucas has said in the past that any sequels would be about this and it seems this will come to pass as it should. On a side note, the trio of stars from the original trilogy Mark Hamill, Harrison Ford, and Carrie Fisher have recently stated that they would be interested in appearing in the new films. If that will happen or if they will even reprise their famous roles remains to be seen. One interesting idea I heard about years ago after Revenge Of The Sith was released was a movie that takes place hundreds of years before A New Hope with a young Yoda at the center. It would be nice for Disney to make this happen after the new trilogy is done.

TV Shows: The popular Star Wars: The Clone Wars animated series is in its fifth season. A sixth season is in the works, and will air on the Disney XD channel instead of the Cartoon Network. Hopefully the long-delayed, live-action show will get a green light with Disney’s backing and dollars. Something else I would like to see is another CGI animated series like The Clone Wars, but one that takes place during the original trilogy, perhaps between A New Hope and The Empire Strikes Back. It could detail the Galactic Civil War and seems to be a ripe area for interesting Star Wars stories.

Video Games: The bounty hunter-themed game Star Wars 1313 will be released next year as planned for the PS3 and Xbox 360. As to what future games Lucasarts should tackle, many fans keep waiting for Star Wars: Battlefront 3 which has not been made yet. Maybe under new ownership this game will finally see the light of day. One series I would love to see revived is Rogue Squadron. The last game in that series was Rogue Squadron III for the Nintendo Gamecube in 2003. Flying Star Wars starfighters in scenes from the movies was thrilling and definitely should be revisited.

Disney Parks: Right now the recently updated Star Tours is in Disney’s Hollywood Studios in Orlando FL and Disneyland in Anaheim, CA. I would not be surprised to see more rides and experiences like this one expanding to more of Disney’s parks (aside from the updated Star Tours premiering next year in Tokyo Disneyland). Why not use the same ride system in Soarin’ where riders are elevated over a huge film and recreate the attack on the Death Star? Perhaps even a whole section of a park can be devoted to Star Wars. This is something I would like to see happen. Or even an entire Star Wars-themed park, with each section named after the different planets of the saga. Instead of Main Street USA, how about Coruscant Central? Having lunch at the Mos Eisley Cantina, or visiting the Jedi Temple all seem like really neat experiences and would absolutely be a big hit with tourists and fans.

Regardless of what happens, having Star Wars under the Disney umbrella does present  several new opportunities for the franchise. Hopefully whoever makes the decisions will do right by Star Wars and not dilute the brand or over saturate it. Either way, this is a very interesting and exciting time for Star Wars fans.

C.S. Link

Sci-Fi Heads Of State

 

Romney? Obama? Who’s your choice for president? Would you rather choose someone else? Well how about these presidents and heads of state that have appeared in science fiction? Love them or hate them, they were memorable leaders.

The Despotic

Science fiction is probably the best vehicle for showcasing villainous presidents. Look at it this way, few will get offended with these fictional tyrants that star in cautionary tales that take place in dystopian times.

Take President Erwin Rexall in the classic Frank Miller/David Gibbons mini-series Give Me Liberty. Though not the main character in the comic book, his presence in lieu of his harsh policies had an impact on Give Me Liberty’s heroine, Martha Washington. An exaggeration of Ronald Reagan, Rexall was a far-right, callous man who cared little for the average American. His successor, Howard Nissen was the complete opposite, a far left liberal who turned out to be a drunken incompetent. Eventually Rexall has his brain implanted into a robot’s body and continued his presidency after Nissen was assassinated.

A more infamous president was Lex Luthor as seen in the pages of Superman. Holding the highest office in the land, allowed Luthor to be an effective thorn on Superman’s side. Adding insult was Luthor’s early popularity, though he didn’t do anything to prevent aliens from destroying Topeka, Kansas. Eventually, he fell from grace and power thanks to the efforts of several superheroes.

But more well-known despotic heads of state have been seen on film. The most recent one was Mr. Thompson in Atlas Shrugged, Part II. Played by Ray Wise, Thompson, although never referred to as the president, is the socialist head of state in the U.S. who implements unpopular reforms and mandates that strip away citizens’ rights. Another recent tyrant was President Snow (Donald Sutherland) in The Hunger Games. He wasn’t a prominent character in the book but appears in the film. Seemingly laid back, Snow actually has a sadistic demeanor.

One truly despicable despot was Greg Stillson in The Dead Zone. Based on the Stephen King book of the same name, the hero Johnny Smith discovers with his psychic powers that a local politician (played by Martin Sheen) will become a crazed president who unleashes a nuclear holocaust. The future scenes where he defies everyone’s pleas and launches nukes were quite chilling. The character also showed up in The Dead Zone TV series.

While the U.S. has had youthful presidents (keeping in mind that presidents in their forties like Kennedy or Clinton or Obama are considered young), there was Max Frost (Christopher Jones) in the film Wild In The Streets. A socially conscious and ambitious rock star, Frost manipulates politicians to pass a constitutional amendment that lowers the voting age and when a person can run for president. This allows the youthful rocker, whose in his twenties, to ride a wave into the White House where he becomes a dictator that banishes old people into re-education camps.

The Incompetents

Not all future presidents are dictators, many are just not up to snuff. There was President Chet Roosevelt (John Ritter) in the comedy Americathon where a bankrupt U.S. has to hold a telethon to raise cash. Then there was President Dwayne Elizando Mountain Dew Herbert Camacho in Idiocracy who leads an illiterate nation and is all about style but no substance. By the end of Idiocracy, it falls on the modern-day hero who winds up in that future, Joe Bauers a.k.a. Not Sure, to begin the re-education and salvation of American citizens by becoming president himself. But the most ill-suited president has to be Peter Sellers’ indecisive President Merkin Muffley in Dr. Strangelove.

Leaders On Television

There have been notable presidents or leaders in several sci-fi TV shows. For instance Lisa Simpson in The Simpsons was shown to be president sometime in the future in the episode “Back To The Future”. The most recent world leader was President Elias Martinez in The Event. Skillfully played by Blair Underwood, the president seemed unsure of how to handle the alien refugees the government was holding captive, but by the series’ end, President Martinez became more determined and decisive in protecting the U.S. and the world. The show Jack & Bobby took place in modern times but was framed by bookending commentaries by people in the future. One of the boys featured in the show grows up to become president years into the future. In the anthology show The Outer Limits, one episode “Trial By Fire” featured a newly inaugurated President Charles Halsey (Robert Foxworth), who unexpectedly has to deal with a first contact situation. An alien armada is on its way to Earth and Halsey has to decide if they are friendly or not. President Halsey is wracked with the knowledge that his decisions will severely impact life on the planet.

But the best known fictional presidents in sci-fi TV have to be Laura Roslin (Mary McDonnell) and Gaius Baltar (James Callis) seen in the remake of Battlestar Galactica. Roslin was the sole surviving member of the president’s cabinet following a surprise robotic Cylon attack on humanity. Although inexperienced, Roslin quickly grows into her role, becomes presidential and ultimately helps save humanity. Baltar on the other hand is more complex. Best seen as an enigmatic anti-hero, Baltar is responsible for the near extinction of humanity by the Cylons. There were broad hints that Baltar was insane but cunning and he aided the surviving humans. Eventually Baltar defeated Roslin in a presidential election and settled humanity on a habitable world. His presidency was unpopular especially after he surrenders humanity to an invading Cylon force.

Heroic Leaders

Not all presidents in sci-fi are evil or incompetent. Many were shown in a positive light and were even heroic. Roslin in Battlestar Galactica was heroic during her appearances in the show. Superman himself served as president of the United States in a fantasy “future” story in Action Comics Annual #3. Thanks to his diplomatic skills, Superman/Clark Kent has a successful presidency where he brings about world peace and lowers the deficit (thanks to some help from Aquaman, who dredges up sunken ships laden with treasure).

Another potential president was Steve Rogers. In the pages of Captain America # 250 he is approached to run for president of the U.S. but eventually declines. In the comic book What If Captain America Had Been Elected President? # 26, Rogers has a successful presidency, one of his major accomplishments being to make America energy independent. In the mini-series The Last Avengers Story, it’s stated that in the future Rogers becomes president of the U.S. but is apparently killed in his third term. Recently in The Ultimates # 16 the Steve Rogers in that universe is elected president of the U.S.

Other positive presidents seen in movies include Tom Beck (Morgan Freeman) in Deep Impact, who helps the U.S. and the world to recover from a comet strike, and the two Federation Presidents seen in Star Trek IV: The Voyage Home and Star Trek VI: The Undiscovered Country. It should be noted that Captain Jonathan Archer from Star Trek: Enterprise eventually becomes the first President of the Federation. But out of all these fictional sci-fi presidents probably the most heroic one  is President Thomas Whitmore from Independence Day. Patterned loosely on Bill Clinton, Whitmore is a young, beleaguered commander-in-chief who heroically leads the nation in fighting off an alien invasion. Although his military role in the final counterattack against the aliens is implausible it was heroic. Seriously, it is a stretch to believe that one of the few remaining world leaders will be allowed to fly a fighter jet to lead an attack on alien invaders. But he does give one heck of a rousing speech. So would any of these candidates earn your vote?

Lewis T. Grove

2012 Doomsday Scenarios: Month Ten

Among the many well-known apocalyptic worries, the idea of supernatural creatures rising up and destroying our world, while hardly unlikely, captivates many people.

Doomsday Scenario No. 3: Vampires, Zombies & Monsters, Oh My!

Supernatural monsters have been a mainstay in many cultures going back centuries. They were convenient scapegoats for things that went wrong and filled in the dark void of the shadows. These monsters either won so that a moral could be learned or were vanquished by the forces of good. Lately, stories have appeared where the monsters have triumphed and defeated humanity en masse. Certain monsters are more popular than others and fit into a doomsday scenario more easily than others. Of course, these supernatural monsters are impossible, right? Well science fiction has found ways to make them plausible.

Vampires In The Blood

The stylish and grotesque vampires have populated many blood curdling tales for centuries. As true creatures of the night, vampires arose from their coffins after sunset to prey on the living. The way to become a vampire isn’t to just die but to be bitten by one. That suggests that these creatures probably transmit a virus that transforms a living person into a vampire.

Richard Matheson’s classic novel I Am Legend has a vampiric virus decimating humanity and resurrecting them as vampires and taking over the world. The book and the films based on it (The Last Man On Earth, The Omega Man and most recently I Am Legend) presented us with an empty, decimated world with a sole human survivor and his desperate fight not just against countless vampires but to develop a cure.  There are other works about viruses that turns people into vampires and imperils the world. Two books that come to mind are The Strain by Guillermo Del Toro and Chuck Hogan and The Passage by Justin Cronin. The Passage is set in the near future where a virus quickly transforms most of humanity into vampire-like creatures who take over the world. The anthology novel Under The Fang features several short stories about humanity conquered by vampires.

As for films about vampires ruling the world, in addition to I Am Legend, there was Daybreakers, which took place a few years after a virus turned most of humanity into bloodsucking creatures. Daybreakers showed a world literally turned upside down as the vampire denizens populated major cities, but lived underground away from the sun and basically carried on with their lives. They just needed to farm the few remaining humans for nourishment. A variant of the vampire virus is the sci-fi film Lifeforce, which was based on the book The Space Vampires by Colin Wilson. This time vampire-like aliens were brought back to Earth by astronauts and it wasn’t blood that the aliens fed on. It was the titular lifeforce of people. As an added bonus, many of their victims also became vampiric and hunted humans for their lifeforce.

Zombie Apocalypse

The undead flesh eaters are undeniably the most popular monsters to use for post-apocalyptic tales. Look no further than the hit AMC series The Walking Dead. It wasn’t always so, until the late 1960s zombies were relegated to stale horror yarns usually dealing with voodoo. Then George Romero came along and changed the sub-genre forever. His classic film Night Of The Living Dead gave us a world on the brink of a societal breakdown as undead corpses roamed the countryside and feasted on the living.

Romero directed sequels that were very popular but the zombie apocalypse genre didn’t reach maturation until around the millennium, which coincided nicely with all the jitters about the coming apocalypse. Video games like Resident Evil, comic books like The Walking Dead, books like World War Z and films like 28 Days Later (not technically about zombies but it follows the same route) reinvigorated and amped up the zombie genre. The zombie apocalypse is so prevalent in pop culture that even the CDC put out  a comic book detailing how they would deal with such an event. Zombies are perfect metaphors for the chaos and decay that will follow the fall of civilization as humans are displaced as the apex predators. Also these stories are useful for illustrating how we would behave during the downfall of society. Will we return to our savage ways? Will we use our pluck and ingenuity to survive? How much stress can we withstand before we break down completely? And how will we find that perfect Twinkie? (Note: see Zombieland for more on that last question.)

Monsters, Etc.

Humanity has always feared monsters as seen in various mythologies. This morbid fascination continued well into modern times with countless books, stories and movies about monsters both large and small terrorizing the world. An often used motif is that of an ancient, slumbering giant that is awoken by modern humans and then wrecks destruction across the world. Godzilla is an excellent example and best personifies the Japanese kaiju films. But Godzilla had predecessors that need to be mentioned. One of the earliest modern imprisoned monsters is the famous Cthulhu first written about in H.P. Lovecraft’s short story “The Call Of The Cthulhu”.  An ancient entity described as part human, part dragon and part octopus, the Cthulhu had a cult that wanted to unleash the giant monster onto our world. This entity has been alluded to in other works by Lovecraft.

In film, the very first giant monster to be unleashed was the fictional rhedosaurus in The Beast From 20,000 Fathoms. Loosely based on Ray Bradbury’s short story “The Fog Horn”, the rhedosaurus was a dinosaur woken up by a nuclear blast and thus threatened the world not just with its destructive path but by its radioactive emissions. Destructive monsters have since plagued the silver screen with the Japanese kaiju films and American works like Q, Gremlins, John Carpenter’s In The Mouth Of Madness, Reign Of Fire, Cloverfield, The Cabin In the Woods and the upcoming Pacific Rim. In these films, the giants were mysterious and awakened inadvertently by humanity. Once unleashed they outmatched our military might and upended civilization as they destroyed cities and killed many people. Often entire cities and famous landscapes are decimated as seen in Cloverfield. And sometimes it was shown that the monsters won as the misshapen horrors from In The Mouth Of Madness  or the dragons in Reign Of Fire overran the world.