Wither Physical Media? Or The Downside Of Digital Streaming

By now, we all know about how physical media is dying, especially after the retailer Best Buy announced last year they would discontinue selling DVDs, Blu-rays and 4K disks this year. This is largely due to the prevalence of digital media and digital streaming services like Netflix, Hulu, Max, and so on, and declining sales of physical media. These platforms made it much more convenient to access and watch your favorite films and TV shows without the bother of physically getting up, searching through your DVD/Blu-ray library and inserting disks into a player. However, something has been lost with the downfall of physical media. Or is it truly dead?

By announcing that physical media was doomed, interest has increased in fans and collectors to obtain the remaining physical media, especially in secondary markets, as fans are now actively hunting down copies of their favorite films. What helped drive the hunts was a major flaw that became clear with the rise of digital media: the availability of a favorite film or TV show.

On paper, digital media and streaming takes care of the problems with buying and collecting physical media, namely storage and the ease of accessing your favorite Star Trek episode. The problem is the streaming market has become so diversified that these services feel like you’re accessing incomplete libraries. A draw of streaming was the vast libraries they boasted. This was the case when Netflix was the only large streaming service years ago, but with the coming of Disney+, Max and other streaming services, these companies understandably took their toys and went home. Good luck if you subscribed to Netflix to watch the latest Marvel superhero film. You might get Morbius or some knock-off film, but if you want to watch Iron Man or Avengers: Infinity War you’ll have to subscribe to Disney+. The same thing happened if you wanted to watch Star Trek. While you can watch some of the films on other services, for the “complete” Star Trek library you have to subscribe to Paramount+, which offers little else that would interest the average Star Trek fan. And by “complete” we have to keep in mind that Paramount+ cancelled and removed Star Trek: Prodigy from their service. Now you can only see that show on Netflix, which will exclusively stream the second and final season of Star Trek: Prodigy.

Anyone sees where this is going? Essentially, you have to subscribe to all the major and even minor digital streaming services to be able to access the films and TV shows you want to see. That is if they have the rights to stream them. Anyone want to see Outland? Never heard of it? No surprise. Outland was a sci-fi crime drama that starred Sean Connery as a sheriff on a mining station on IO. It copied the gritty and grounded look of Alien but was a well done film. Now where can you find it. Sure, anyone can buy it digitally, but why should they if they are supposed to easily access it on digital streaming? Also the money spent to download Outland is comparable to buying a physical disk.

The same issue has been noted online with the sci-fi film Cocoon. It was successful back when it was released in the 1980s, it even won Academy Awards, but it is unavailable on physical media and you have to hunt for it on streaming. Then there is the situation with trying to watch the original version of Star Wars, no bloody Episode IV or other silly subtitles, and where Han shoots first! Many fans hoped that Disney+ would have streamed the original vision of George Lucas, but to date that has not happened. The only way to see the unaltered Star Wars is by purchasing old VHS cassettes, laser disks, and DVDs. Of course, the quality won’t be 4K but at least it is accessible to you and owned by you.

The problem with buying digital downloads of films and TV shows is that you don’t actually own the downloads. Disney+ boasted that with its service you could download their content to watch anywhere on any device. But do you get to keep the downloads if you unsubscribe? If you can please drop a comment below.

Many owners of the PS5 learned the hard way that their digital downloads are not theirs to keep forever, as it was announced late last year that any Discovery+ content that was purchased and downloaded would be removed from PS5s. So, what is the point of buying downloads if you cannot keep them? With DVDs and Blu-rays, the disks are yours forever, you can watch them at anytime just as long as you have a player, which are very cheap these days. Of course, a problem with all the media platforms is the availability of old and obscure content. There are countless sci-fi, fantasy and horror films and TV shows that have basically disappeared since they are not streaming (usually due to rights issues) on any service and if they had a DVD or Blu-ray release, they have gone out of print a long time ago. This makes me glad that I never got rid of my DVD copy of Peter Jackson’s The Frighteners since it is a favorite that cannot be easily seen these days.

What can a genre fan do? Sure you can subscribe to every streaming service but that is expensive and you’ll be stuck paying for subpar services just to access a film or TV show, which can be removed at anytime, often without notice. This happened to me when I was binging Snowpiercer on Max and stopped watching it a few episodes away from its season finale. The next day the entire series was removed from Max. This streaming service was infamous for removing other genre content because the parent company did not want to pay residuals to writers and so on. Such content included Raised By Wolves and Westworld. Anyone who intended to watch the complete series is out of luck these days.

Another thing that makes physical media superior is that many disks come with unique interactive menus and features that you cannot get on a digital download. Some like The Lord of The Rings films are renowned for the exhaustive content on their Blu-rays and 4K disks like extensive behind-the-scenes features, production art, games, and of course deleted scenes. You certainly won’t get this much material in a download!

The best option is to shop for obscure products on second-hand online services that specialize in obscure and out-of-print DVDs and Blu-rays. But be prepared to pay a lot. Then there is cable or satellite TV. Yes, the point of streaming services was to enable viewers to cut the cable cord, but many times, cable is the best place to watch obscure genre films. However, while sales these days of physical media are past their heyday, they are still being made. It is easy to see a time when physical media makes a comeback like vinyl records did as streaming services and digital downloads become more expensive and inconvenient for fans. But for now, make a point of actively seeking out and buying your favorite obscure sci-fi film like Silent Running or the original version of the Star Trek TV shows. You never know if an increase in sales would have an influence on the decision makers in Hollywood. Besides a Blu-ray or 4K disk library definitely looks cool on display in your homes!

The MCU Woes, Part II: How To Correct Itself

The latest online trend has been to bash Marvel Studios and its Marvel Cinematic Universe (MCU). Toxic trolls have been pouring out with uncontrolled glee proclaiming Marvel Studios is too woke and deserves to fail. They point to the disappointing reception for many of the MCU’s latest offerings as proof that the brand is dead. Further adding fuel to the fire, Marvel Studios has delayed many of its productions to improve them.

It is undeniable that the MCU brand has taken some hits and is not regarded as highly as it was during its heyday, to call the brand dead or beyond repair is a gross exaggeration.

Thankfully, Marvel Studios and its parent company Disney have recognized the situation and are taking concrete steps to course correct and ensure the MCU regain its reputation for quality superhero films and TV shows. Sure, the MCU has taken its lumps, but what brand is not immune to this? Many times it is good to take a tumble, this gives one the chance to learn from mistakes and improve. This is what is going on with the MCU.

First of all, Marvel Studios has shown the willingness to scrap what they have worked on and start over. One example is the Daredevil: Born Again TV show which has been scrapped and been redone. Another example is that Captain America: Brave New World has been delayed in order to rework it due to a poor test screening. Then there are the rumors that Kang will be written out of the future films and TV shows in favor of Doctor Doom. This would take care of the situation with Jonathan Majors facing trial for domestic abuse, especially if he is found guilty. These examples demonstrate that Marvel Studios is willing to take the necessary steps to take the time to produce the best projects possible.

Better Scripts Needed

However, the first and most important step that needs to be taken is to devote more time to the scripts. Allow the writers to tell proper stories and DO NOT GO INTO PRODUCTION UNLESS THE SCRIPTS ARE COMPLETED TO EVERYONE’S SATISFACTION. This would largely take care of the problem of realizing a film is not working and having to do major retooling with it in post-production. This is why recent projects like Secret Invasion fared so poorly. It’s been reported that Secret Invasion had major overhauls and rewrites in the middle of its production, which is why the end product seemed so underdeveloped and rushed. On the other hand, look at two recent MCU successes: Loki Season 2 and Guardians of the Galaxy, Volume 3. Both productions had well-crafted scripts that were full of heart and flowed well. More importantly the stories logically reached their conclusions while servicing the characters. This is a major reason why both projects received so much acclaim and performed well.

Even though it is important to follow a certain narrative as dictated by the higher ups and to meet deadlines, the screenwriters should be given more autonomy with their scripts. It is also important at this point with the MCU to hire great writers who have a record of turning in terrific and solid screenplays.

The same should go with directors. This is a difficult task given that Marvel Studios is more hands on with their productions than normal. Still, the past has shown us that great directors like James Gunn and Ryan Coogler, and the Russo Brothers can work within the confines of an MCU production and deliver great films. Oftentimes, Marvel Studios hires relatively unknown directors who wilt under the pressure and demands of the studio and turn in mediocre films or TV shows. Marvel Studios has to make sure that the best possible directors are hired for their projects. If they want to go with lesser known (and cheaper) directors, have them feel their oats with some of the TV shows. Michael Giacchino is a prime example of this. Known only for his film scores, Giacchino blew everyone away with his directing duties in Werewolf By Night.

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The MCU Woes, Part I: How Did It Get To This?

Given all the downbeat news lately about Marvel Studios’ Marvel Cinematic Universe (MCU), it’s pretty understandable why MCU fans are so alarmed. It was not that long ago when the MCU was an undisputed entertainment behemoth that could not do anything wrong.

Now, there have been noticeable tumbles with their projects, especially this year. Ant-Man and the Wasp: Quantumania underperformed in the box office, the Disney+ TV series Secret Invasion was widely derided and what was worse is that the recently released MCU film, The Marvels, is performing worse than the third Ant-Man film.

Then the behind-the-scenes turmoil further added to the impression that the MCU is falling apart. Reports have revealed that productions were rushed and reshot. This explained why many MCU films and TV shows felt so disjointed and undeveloped.

Another dilemma involved the actor Jonathan Majors who plays Kang the Conqueror and is slated to be the major villain in the next few MCU films. He was recently arrested for domestic abuse and Marvel Studios and its parent company, Disney, is struggling over what to do with Majors and the character of Kang because if he is found guilty this would disrupt any upcoming films or TV shows.

Then there is the issue of what direction should the overall MCU should take. In the first three phases of the cinematic universe there seemed to be a goal that the films were reaching towards. Although the Multiverse Saga has been introduced in the Phase Four and Five of the MCU, many films and TV shows have ignored the concept and as a result the overall narrative of the MCU seems aimless and less interconnected than previous films.

Adding to the disjointed and convoluted nature of the current MCU is that a lot of characters and storylines have been introduced but many of them have not been followed up. For example, what happened with the Eternals after the Celestials kidnapped half of them? What is the story behind the Hulk suddenly having a son? Will we ever see Hercules carry out his quest of vengeance against Thor? What happened to the symbiote fragment that was left behind in the main MCU by Venom? What happened with the crusade of the United States against aliens?

What happened behind the scenes was that most of the productions had their scripts drastically altered during filming, which led to a slapdash feel to the finished film or TV show. This in turn strained the special effects department who were forced to work under insane deadlines and resulted in horribly bad special effects that in some cases were tweaked after a film or TV show was released.

What was worse is that the MCU was such a victim of its own success that the higher-ups at Disney demanded more projects from Marvel Studios to pad out the roster of Disney+ inventory. The reason for this as many know was due to the launch of Disney+, which had few original programs, and the COVID-19 pandemic. Both incidents caused Disney to demand more productions to be launched on the streaming app since it was the only way to present the MCU productions during the outbreak of the pandemic. As a result multiple projects were put into production, even though the demand for some of them was questionable. Does anyone actually want to see an Ironheart TV show?

This stretched ability of Marvel Studios to deliver quality films and TV shows and people noticed. Productions were rushed in order to meet deadlines and were heavily reshot during post-production. This in turn not only drastically changed some plots but disrupted the narrative flow of the stories. The results were less than satisfying films and TV shows, though the quality of the MCU productions varied. Still for every WandaVision or Black Panther: Wakanda Forever there was a Secret Invasion or Eternals. Marvel Studios saw diminished returns for their projects, which became very apparent this year given how poorly Ant-Man and the Wasp: Quantumania, Secret Invasion and The Marvels were recieved.

So is all lost? Is the MCU headed in the same direction as the hapless DC films?

No, to both questions.

Marvel Studios has shown that it’s capable of putting out truly great films and TV shows. Just look at this year’s offerings of Loki and Guardians of the Galaxy, Volume 3. There is still demand and goodwill for upcoming MCU projects like the third Deadpool film and Avengers: Secret Wars. But more importantly, the film studio and Disney are being proactive and are addressing the situation. The best days for the MCU may still be ahead of us.

In a follow up post, we’ll look at what Marvel Studios can do to right the ship and point out how they are taking concrete steps at this moment.

The Five Nights at Freddy’s Movie Spoiler Talk!

The long-awaited live-action movie version of the classic online game Five Nights at Freddy’s or FNaF has excited fans. Unlike critics who do not understand the FNaF franchise, fans recognized how faithful the movie was to the franchise while developing its own identity. With that, it’s time for SPOILER TALK about the Five Nights at Freddy’s movie! For anyone who has not seen the FNaF film yet, you’ve been warned…

Touching upon an issue brought up earlier with my review of Five Nights at Freddy’s, some things should’ve had a little more explanation than they were given. The main reason I say this is because fans have a general idea of some characters and ideas, but to someone else, it’s a complete mystery that makes them think “Okay? So, what?” The prime culprit of this issue is none other than Golden Freddy. Sure, his spirit is very present in the movie, but the animatronic is only seen for three scenes and is never elaborated upon. That leaves me with many questions: how did he get to Abby’s house? Why is he so withered? Even if I have a general reason as to why, HOW is he still functional? Although he is only seen for two minutes, he still looks very good, and I’m very happy with the practical effects (no surprise there!).

To talk about cameos and Easter eggs, I am happy with the people they brought on! We all knew CoryxKenshin would be in the movie, playing as the taxi driver, but no one expected MatPat as a waiter, as he convinced us that the filmmakers treated him dirty. Both cameos were hilarious and I’m sure they’re both very happy that they were able to be included. The self-proclaimed “King of FNaF”, Markiplier, unfortunately had a planned cameo, but ultimately could not film a scene, as it conflicted with the filming of his own movie that is coincidentally also based on an indie horror game, Iron Lung. Talking about Easter eggs, I was genuinely shocked to see references to Five Nights at Freddy’s history in the movie. Sparky the Dog, the franchise’s first ever, fan-made hoax character had a diner named after him and possibly even an animatronic suit to himself. MatPat’s name tag also had “Ness” on it, which is a golden reference to one of his theories based off two whole different franchises where he argues that Sans from the indie game Undertale, was actually a Nintendo character named Ness from the Earthbound series. Only Scott Cawthon would be able to reference both another indie horror game AND Nintendo at the same time! I also really loved the opening credits for the music and the pixel art. They were both PERFECT for FNaF’s general vibe!

Let’s talk about secrete characters in this movie. Emma Tammi confirmed a couple of weeks ago in an interview that there was a character in the Five Nights at Freddy’s movie who was not seen in any promotional material. That begged the question, who was that character? I genuinely do not know which character it specifically was, as there were multiple featured characters. I have a list of possible characters she could’ve been talking about.

Shadow Freddy, who was seen in a hidden YouTube video made an appearance in the movie as the suit that babysitter Max gets stuffed inside after dying. I must admit I’m a little disappointed that he didn’t get any story relevance, but I probably should’ve expected that, as it probably would’ve been too early for him. Another character was Sparky the Dog (or possibly Fetch, the fan base is still working that part out). Yes, Sparky wasn’t seen in any advertising, but I think Emma would’ve been talking about a character that was important to the story, so this leaves me with two more culprits who I was able to predict in my last essay!

Balloon Boy was only seen on one of the children’s drawings, but we didn’t know if he actually would’ve made a physical appearance in the movie. Luckily, we now know the answer is yes, he appears as a troll character in the form of a mini figurine. Ironically, he was probably the character with the scariest jump scares in this entire movie, which only fuels my hate-fire for him. The last culprit, who still seems to be a mystery, is the Puppet, or sometimes referred to as the Marionette.

We have speculated that she would make an appearance in the movie, as she was the one to give the children the gift of resurrection after they were killed by William Afton, but it seems like she wasn’t included in the movie. That is until people noticed at the end of the amazing end credits that the same cryptic voice that would spell words in the FNaF 2 mini-games was included in the movie and spelled out something. I couldn’t make out what it said myself, but after close examination, (and Peacock’s subtitles), we know that it spelled “C-O-M-E F-I-N-D M-E”. As this was being spelled out, fans noticed the familiar theme of her music box playing in the background, implying the Puppet is directly speaking to Mike, prompting him to find her. This isn’t the end of this manhunt, however. After going through the movie, fans started noticing in certain scenes that you could barely make out shapes in the backgrounds that look very similar to the Puppet. The Puppet may be in the movie, but she is lurking in the background, usually on the ceilings.

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The Five Nights At Freddy’s Movie Is Coming!

After nine long years of waiting through countless script rewrites (12 to be exact), overall restarts, company changes, and even director switches, the Five Nights at Freddy’s movie is finally upon us. In just one week, we will see the beloved animals we’ve become acquainted with on the big screen. As a fan of the online game Five Nights at Freddy’s (FNAF) since 2014, to say I’m excited for this movie is the understatement of the century. Jason Blum, Emma Tammi, and of course, Scott Cawthon worked tirelessly through the many road bumps of production and were determined to deliver Freddy and the gang to the big screen.

Alright, you may be wondering, “How big of a FNAF nerd is this guy?” and to that I say, be prepared. My journey started where most people did, with famous YouTuber,  Markiplier’s Five Nights at Freddy’s gameplay. I remember being frightened and Bonnie’s uncanny appearance in the thumbnail when I was only a kid (I didn’t even know he was a bunny back then, since his ears are cropped out of the frame on that video).  Since then, I’ve kept up with every game entry, piece of media, and how could anyone forget the massive waves of merchandise, good or mediocre. My room ia practically walled with many of the franchise’s posters, I have over 60ish plushies, and I have almost every book ever produced in the franchise. To say this movie was a dream come true is underexaggerating my excitement! Alright, you may be wondering, “How big of a FNAF nerd is this guy?” and to that I say, be prepared. My journey started where most people did, with famous YouTuber,  Markiplier’s Five Nights at Freddy’s gameplay. I remember being frightened and Bonnie’s uncanny appearance in the thumbnail when I was only seven (I didn’t even know he was a bunny back then, since his ears are cropped out of the frame on that video).  Since then, I’ve kept up with every game entry, piece of media, and how could anyone forget the massive waves of merchandise, good or mediocre. My room is practically walled with many of the franchise’s posters, I have over 60ish plushies, and I have almost every book ever produced in the franchise. To say this movie was a dream come true is underexaggerating my excitement!

The four main animatronics, Freddy Fazbear, Bonnie, Chica, and Foxy have been treated with immense care when thinking about how to translate them into real-life functioning robots and suits. They are almost ripped straight from the video games, and I couldn’t be more grateful for that. I think despite it being a horror movie, it has a major chance to stand out among great video game adaptations, alongside The Super Mario Bros. Movie, Sonic the Hedgehog 2, and Arcane. It is projected to be the highest grossing opening for any horror film ever, which shows the power of our fan base. It’s safe to say I think we are all excited for this movie!

And of course, how could we wrap up our discussion of the FNAF movie without talking about Scott Cawthon’s upbringing. When Scott was starting off with computers, he first made direct-to-video short movies; in fact, they were Christian movies! He made a less than stellar paycheck doing this, so he eventually turned to game development. His first notable game was titled: The Desolate Hope. In this game, you play as a sentient coffee maker running through this dark and mechanical world filled with giant robots. Of course, this would be part of the inspiration for Five Nights at Freddy’s, but the true spark was with his last game before FNAF, Chipper and Sons Lumber Co.

This game was thought by most people as just okay. Some people thought it was bad however, and one person left a review that would change the course of Scott’s life. Scott was not a “great” modeler back then, so this person commented that the game was boring, and that Chipper looked like he was a scary animatronic bear and belonged in a horror game. SPARK! After this, Scott put together Five Nights at Freddy’s, which was about a security guard in a Chuck E. Cheese-type of restaurant at night who is stalked by deadly animatronic robots that came to life. Cawthon even looked to fund the game online. Unfortunately, he raised zero dollars, but of course, releasing it through self funding more than paid back for the development of the game.

Now that we’ve talked about the developer, I think it’s time to talk about what I think the story of the movie will be. Spoilers will indeed follow.

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