Batman v Superman Heralds The New Superhero Movie War

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After waiting impatiently for many years, DC Comics fans at last get their own version of a superhero cinematic universe with the release of Batman v Superman: Dawn of Justice. The DC Extended Universe (DCEU) actually began with 2013’s Man of Steel, which focused on DC’s first superhero Superman/Clark Kent (Henry Cavill), but it featured Easter eggs that referenced a larger DC universe. Batman v Superman: Dawn of Justice is the first real DCEU film that explores this cinematic universe. And director Zack Snyder picked a huge event for this DCEU film: the first meeting between DC’s titans Superman and Batman/Bruce Wayne (Ben Affleck). But the big question is–is it good? After all, there had been much anticipation about the film for over a year, but then rumors started surfacing last month that Warner Bros. was supposedly nervous about the film based on reactions from early screenings.

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The reaction from critics has been harsh and further added to the worries that the film would kill off the DCEU before it could take off. Well, in my opinion these early reviews do the film something of an injustice (no pun intended). Batman v Superman is a good precursor to the much anticipated Justice League and does have excellent fight scenes between the two heroes. The buildup to the battle is effective in showing the lives of both Bruce Wayne and Clark Kent. Wayne is an older, bitter crime fighter who has seen his share of death and destruction, especially in the excellent prologue scene where he witnesses Superman’s fight with General Zod (Michael Shannon) from the earlier Man of Steel movie.  The experience of seeing so many of his employees dying in the chaos cements his suspicion and fear of Superman as a menace to the whole world.

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Clark Kent for his part is seen as struggling with the concept of being a god to many people and a devil to others, including the scheming Lex Luthor (Jesse Eisenberg), who manipulates both Batman and Superman into a deadly battle for his own twisted sense of order. This whole concept of gods and monsters and our reaction to them is a key element of the film and is what drives our main characters. Scenes with Clark having heart to heart conversations with both Lois Lane (Amy Adams) and his mother Martha Kent (Diane Lane) about who he is are shown in contrast to Bruce Wayne’s attempts to come to terms with his life as a crime fighter and feeling of not having accomplished much in his life.

In regards to laying the ground work for future films, we see Wonder Woman (Gal Gadot) who is a mysterious presence for much of the film until her big appearance near the final battle with DC super villain Doomsday. Her appearance in an old photo from World War I obviously sets up her forthcoming film and she does well playing the Amazonian warrior. We also see intriguing cameos of Justice League members Aquaman (Jason Momoa), Cyborg (Ray Fisher) and The Flash (Ezra Miller). All of which should increase the anticipation of the actual DC equivalent to Marvel’s The Avengers.

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The issue I have with the film is that all of this exposition and world building do take a while to get through and it does take time to finally get to the long awaited fight between Superman and Batman. As for the fight itself, it is well choreographed and brutal, but it is short and is not really the climax of the movie. I think maybe this is a problem of the marketing and title of the film. Dawn of Justice is a good description, but calling it Batman v Superman and having trailers show almost nothing but fight scenes can give someone the wrong impression of what the film is. It is not wall to wall action with Batman and Superman beating each other senseless. It is instead a continuation of the universe established in Man Of Steel and an exploration of what would happen if these otherworldly beings suddenly showed up on our world. Some reviews will state that this is all a bore, but I found a lot of these ideas interesting. However, the pacing of the film does suffer a bit when the second hour sets in and you want Batman and Superman to finally confront each other.

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In terms of the cast,  Ben Affleck is effective at showing a world-weary Bruce Wayne who is still traumatized by his parents death and also a brutal and aggressive Batman. His attempts to acquire kryptonite and later rescue of Martha Kent show a visceral fighting technique and willingness to go far to achieve his goals. Although, his depiction of apparently killing some enemies is not really consistent with the character and will be controversial. Jeremy Irons’ Alfred is very good as his faithful but skeptical servant Alfred. Henry Cavill does a fine job showing his conflict with trying to be a good reporter and find out who Batman is, while at the same time being the world’s saviour and dealing with everyone’s increasing suspicions of him. Jesse Eisenberg’s Lex Luthor is a mixed bag. He does well showing Luthor’s obsession with Superman and desire to destroy him. But his manic way of behaving is at odds with the character’s earlier interpretations of being calm, cool and in control of everything. Gal Gadot does much with her limited screen time as Diana Prince/Wonder Woman and is already an audience favorite.

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Overall, I do like this film and am looking forward to more DCEU films like Suicide Squad and Justice League. Some of the criticisms it has gotten are valid but this is in no way a bad movie like some critics are saying. I just think it was not marketed properly and does take too much time to get to the advertised fight. However, seeing the DC trinity in action was a thrill and I hope to see more standalone films for these three characters to further explore their interesting backgrounds. Batman v Superman: Dawn of Justice does the job of introducing all of the DC universe’s main characters and should satisfy fans who have waited a long time to see them come alive on the big screen.

 C.S. Link

Daredevil Stays Ahead Of The Curve With Its Sophomore Season

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The Netflix/Marvel Studios streaming TV show Daredevil blew away critics and fans alike last year when it premiered. Bolstered by a sensitive yet sturdy performance by Charlie Cox as blind New York lawyer Matt Murdock, who is the vigilante Daredevil, the series was unparalleled. Daredevil rose above its comic book roots and became one of the, if not the, best superhero TV shows ever made.

daredevil at churchNow Daredevil returns for a second season that just became available for streaming and it deftly avoids the sophomore curse. Matt Murdock is still moonlighting as the superhero Daredevil, who uses his enhanced senses (except sight) to fight crime, and dealing with the damning responsibility to fight for justice. Except now, new headaches have entered his locale of Hell’s Kitchen in the forms of the deadly vigilante Frank Castle (Jon Bernthal) and Matt’s former-lover-turned-assassin Elektra Natchios (Elodie Yung).

Both antagonists come in the wake of the void left behind when the crime lord, Wilson Fisk, was defeated by Daredevil last season. Many criminal elements are trying to fill that void but a deadly one-man army is taking them out. As these stories go, this man, Castle, quickly catches the attention of Daredevil and unlike past thugs Matt is used to dealing with, Castle is more than a match.

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Then Matt’s world is turned even more topsy-turvy when Elektra re-enters his life, just as he and his assistant Karen Page (Deborah Ann Woll) start to grow closer to each other. Like a moth to a flame, Matt is drawn to his former lover who is an equally deadly killer in her own right.

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This season of Daredevil is simply terrific. It still delivers the hard-boiled, violently graphic scenes while further acknowledging its comic book roots. From the very first episode, a comic-book drawn sweeping vista of New York City that is laced with the sounds of summer violence, to the gut-wrenching fights that are too vicious to watch at times, Daredevil continues to demonstrate why it is still the best superhero TV show.

three amigosAside from the stunt work and the noirish cinematography, what anchors Daredevil are the above-par performances. Charlie Cox still delivers a nuanced and ground portrayal of a man trying to quell his savage side, while on the opposite end Jon Bernthal nearly steals the show with his wounded, savage performance as Castle. This version of the Punisher is arguably the best one yet as Castle terrifies everyone with his single-minded mission to punish the guilty while emoting some pathos as his story is unveiled. Even the supporting cast like Elden Henson as the always amiable Fogyy Nelson has many memorable scenes that truly buttress the main actors.

Along with Jessica Jones and given how successful Marvel Studios has been with this endeavor, perhaps the studio should just concentrate on these Netflix productions rather than the pedestrian efforts on ABC. The second season of Daredevil demonstrates this idea wholeheartedly.

Lewis T. Grove

 

Captain America: Civil War Trailer #2

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Wow that was intense! Marvel Studios just released the second trailer for May’s Captain America: Civil War and it is just jammed full of “Wow!” moments, especially at the end (more on that later).

Even though Batman v Superman: Dawn of Justice is taking center stage lately and for good reason, I get the feeling that come May, the DC movie will be forgotten once Captain America: Civil War comes out. It’s because by now, we’re all familiar with these beloved characters on screen (and the actors portraying them) and have rooting interests on one side or the other. Iron Man (Robert Downey, Jr.) is well entrenched and uber popular thanks to Downey’s performances and the good memories from the first Iron Man film. As for Captain America (Chris Evans), seemingly overnight, well ever since the release of Captain America: The Winter Soldier, he became a star that is popular with the masses.

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This trailer has so many terrific scenes, such as Ant-Man (Paul Rudd) jumping off that arrow, or War Machine’s (Don Cheadle) literal fall to Earth. But the big surprise was the end reveal of Spider-Man (Tom Holland) and he looks terrific and spot on! He vaguely sounds like the Andrew Garfield version of Spider-Man but the costume looks more authentic to the comic book version. But why does he have to be on Team Iron Man? Iron Man is such a tool. Anyhow, enjoy this second trailer for Captain America: Civil War

Waldermann Rivera

The Would-Be Legends Of Tomorrow

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Legends of Tomorrow is the latest superhero TV show airing on the CW network taking place in the so-called Arrowverse (named by the show Arrow, the progenitor of this shared universe) and is an ensemble show featuring B-lister superheroes from DC Comics. In many ways, it’s an ambitious program, one of the first to star a superhero team. A show of this scope should scream “difficult to pull off” just in terms of special effects, scope of the story and air time for the characters. There are many things that Legends of Tomorrow gets right and many missed opportunities.

As an ensemble show, there isn’t one true lead character among the mostly colorful group, but the premise of Legends of Tomorrow is jump-started by time traveler Rip Hunter (Doctor Who’s Arthur Darvill). In the future, the immortal supervillain Vandal Savage (Casper Crump) has taken over the world and killed Hunter’s family.

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Defying his group, the Time Masters, Hunter steals a time-traveling spaceship called the Waverider (a nod to the time-traveling character from DC Comics) and travels to our time to recruit a team to stop Savage’s rise to power throughout history. The eclectic group he gathers includes Ray Palmer/The Atom (Brandon Routh), whose armored suit allows him to shrink; Martin Stein (Victor Gerber) and Jefferson Jackson (Franz Drameh), who make up the combined fiery entity Firestorm; Sara Lance/White Canary (Caity Lotz), the martial artist anti-hero featured on Arrow; Kendra Saunders (Ciara Renée), who discovered she is the reincarnated warrior priestess Hawkwoman; and the sibling criminal supervillains from The Flash, Leonard Snart/Captain Cold (Wentworth Miller) and Mick Rory/Heat Wave (Dominic Purcell).

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When Hunter initially recruits the team to help him stop Savage in the past (starting with the 1970s), he doesn’t tell them that the reason he recruits them is because they have minimal impact on the timeline so their disappearances from normal time wouldn’t really matter. Once they learn the truth, most are crestfallen, but decide to use this opportunity to make a difference outside of their eras and become actual legends.

This TV show, has been described as a mix of Doctor Who and Guardians of the Galaxy. That is an apt way of putting it, but it doesn’t reach the heights of those properties. Much of the time, Legends of Tomorrow is a lot of fun to watch and is fast moving. Cluttered with Easter eggs and nods to all things genre and meta (at one point Snart made a typically snarky statement about having experience breaking out of jail–a tongue-in-cheek reference to Miller and Purcell’s last collaboration Prison Break), and unlike the ABC/Marvel Studios TV shows, it takes full advantage of the shared universe it occupies. old arrowIt’s thrilling to spot characters from other shows making guest appearances and all the time traveling allows for a further exploration of the Arrowverse.  One of the best episodes to date was the most recent one “Star City 2046”, which featured a post-apocalyptic Star City where Oliver Queen/Green Arrow (Stephen Amell) was MIA and the city was taken over by Green Arrow’s nemesis Deathstroke, actually Deathstroke’s son (Jamie Andrew Cutler). In a nice tribute to the classic graphic novel The Dark Knight Returns, Queen shows up missing an arm and has to be inspired to fight for his city again  with the help of Connor Hawk (Joseph David-Jones), who takes up the mantle of Green Arrow.

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Still, as much fun as that episode was, it had a flaw in its logic. Sara wanted to help Queen out, but Hunter did not want to get involved because that would be interfering with time and that as a past event in his time it was set and could not be changed. Yet, he wants to travel throughout history to find Savage and alter the timeline. This diminishes Hunter and makes him seem selfish. Then there is the concept that 2046 was the past and set in stone for him, but is the future for the others, so otherwise malleable. There are attempts to address the problems with time travel in the show but they are uneven at best.

snart and legendsThat unevenness is the basic tone and flaw of Legends of Tomorrow. Some plots and subplots are engaging and fun, other times the stories are rushed and thin without any subtlety. The same criticism applies to the characters. This was quite apparent in the pilot episode. Rip Hunter just shows up and asks them to joni him and most of the characters all-too-willingly oblige without deeply questioning Hunter or exploring their motive to leave their lives on a lark. It does take pains to develop them and some of the actors like Miller steal scenes with their acting prowess, but the show struggles to juggle all these characters. That is probably a reason why Legends of Tomorrow killed off the character of Carter Hall/Hawkman (Falk Hentschel) early on to thin the herd. But frankly, it wasn’t a loss since his performance as Hawkman was rather wooden.

Like the team, Legends of Tomorrow isn’t quite legendary, but it has huge potential. Given enough time and guidance, it may find its footing and move past its inspirations and become something of a legend.

José Soto

 

 

On The Precipice Of The Superhero Movie War

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Well fans, we are just about a month away from the commencement of the Superhero Movie War when Batman v Superman: Dawn of Justice debuts in theaters. Roughly six weeks later, the second round of the Superhero Movie War goes off with the release of Captain America: Civil War. Both cinematic juggernauts are the opening salvo between DC Comics/Warner Bros. and Marvel Comics/Disney and the duel between the rivals promises to be way beyond epic.

Some may say that the war started already with the release of Deadpool but that wouldn’t apply here since Deadpool was released by 20th Century Fox and is therefore not part of Disney/Marvel Studios’ Marvel Cinematic Universe (MCU). On a side note, an argument can be made that Deadpool and therefore the rest of the Fox X-Men films are part of the MCU because of the wrecked helicarrier plainly seen in Deadpool’s climax.

Putting Deadpool aside, the next two superhero films to be released this year represent the apex of both rivals and have many similarities. Chiefly, the concept of superheroes fighting one another and public mistrust of superheroes. Luckily, just by looking at the trailers and what’s been revealed so far, Batman v Superman: Dawn of Justice and Captain America: Civil War are different enough from each other though the average low-information film critic who hasn’t read a comic book in decades may disagree.

On that note, can anyone predict how good will these two films be? Got me. The trailers look fantastic, but we all know better. Both films have advantages and disadvantages. Let’s start with Batman v Superman: Dawn of Justice.

superman meanThe first film to enter the Superhero Movie War is the  monumental first meeting between DC’s comic book giants and the second film in the DC Extended Universe (DCEU).  2013’s Man of Steel was the first film of the DCEU and while successful it wasn’t the super-hit that Warner Bros. hoped for. Many purists complained that it was too dark and humorless and went against Superman’s character. These critics, obviously, can’t be pleased that Man of Steel’s director Zack Snyder is directing Batman v Superman: Dawn of Justice and the two-part Justice League film coming out in 2017 and 2019. There are complaints about the casting of Lex Luthor, the look of the villain Doomsday, the inclusion of too many characters starting with Wonder Woman and Aquaman.

There have been recent Internet grumblings that the second DCEU film is making Warner Bros. nervous because of mixed reactions from early screenings. The rumblings were so bad, that many websites starting speculating if Zack Snyder would be replaced as director for Justice League and that even that film would be shelved for another Batman solo film. OTH, last year there were reports that screenings for Warner executives brought about standing ovations. But news of less-than-enthusiastic reactions to the film this late in the game is cause for worry. snyder JLLet’s be clear here, this film isn’t going to flop, it will rake in hundreds of millions at the box office, but it’s also a very expensive film and according to many sources has to gross $1 billion dollars to make a profit. That is a tall order given its release date. Originally it was a summer film but was slated directly against Captain America: Civil War so DC/Warner Bros. blinked and instead of releasing Batman v Superman: Dawn of Justice later in the year, it was decided to beat Marvel/Disney to the punch by premiering it first without any competition. But Ben Affleck’s interpretation of Batman has won over many skeptics and Gal Gadot’s Wonder Woman looks incredible and beautiful. To dispel the negativity, Warner Bros. announced today that Justice League, Part I will begin filming this year on April 11 and that Snyder will be directing it and its conclusion. So all the nervousness among DC fans could just be jitters and sensitivity over been beaten over the head for many years by MCU fans.

cap 3As for Captain America: Civil War, it has a similar problem in that it is jammed with so many characters. This might’ve been fine with a superhero team movie but it’s a Captain America film. How can he be the main character if there are so many distractions? Having too many players helped sink last year’s Avengers: Age of Ultron. Another potential problem is that Captain America: Civil War is the third film in the Captain America trilogies and historically the third films in trilogies are considered weak entries. Then there is a unique MCU film curse in that this film is the second film directed by the same team that directed Captain America: The Winter Soldier, Joe and Anthony Russo. The second Captain America film was hailed as a masterpiece and all that, but the last two times a director helmed a second MCU film, the results weren’t great. That would be Jon Favreau and Joss Whedon, who directed Iron Man & Iron Man 2, and The Avengers and Avengers: Age of Ultron respectively.

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Honestly, it’s hard to say if the Russo Brothers can break this curse. But Marvel Studios has confidence in them and showed this by giving them the next two Avengers films to direct. Then there go the Internet rumors again about early reactions, however, in this case, there are reports that the third Captain America film delivers the goods. One thing that is different with this film and the DCEU film is that to date, there have only been two trailers shown and neither gave us a peek at the one superhero everyone is dying to see: Spider-Man. Whereas, Batman v Superman: Dawn of Justice has had a few trailers (including TV spots), some of which gave away vital plot points. The lack of trailers for the MCU film is a good way to build up anticipation and demand, while the DCEU film marketing is designed to raise awareness and put butts in theater seats. Frankly, both approaches work.

So which film will end the opening round? Which one will be the critical and box office darling? Seriously, there is good reason to say that both films will do fine and we should be thankful that A) We’re getting some plum choices to watch and B) that both studios were wise enough not having their films directly compete against each other and forcing us fans to choose which film to watch on the opening weekend.

T. Rod Jones