The Superhero Multiversal Crossover Events Are Among Us

The biggest and latest thing now with live-action superhero films and TV shows are the crossover events that feature previous versions of superheroes and supervillains showing up to lend a hand or imperil the current heroes. The most recent and one of the best examples was seen in Spider-Man: No Way Home where the Spider-Man (Tom Holland) of the Marvel Cinematic Universe (MCU) met two older versions of Spider-Man (both played by Tobey Maguire and Andrew Garfield) that appeared in their own films.

Of course, fans will be in for a treat this week as Doctor Strange in the Multiverse of Madness debuts and promises to deliver a the mother of all crossover events as the worlds of the MCU, previous Marvel films and more will interact. But that’s not all, next year The Flash will be about its own crossover event as the title hero’s (Ezra Miller) time travel antics will create alternate timelines and have him meet previous film versions of DC’s superheroes; notably Batman, reprised by Michael Keaton.

There have been other examples of multiverses in superhero films and TV shows. The TV series Loki, heavily dealt with this theme as the title villain (Tom Hiddleston) was a Loki from an alternate timeline that ultimately did not die as he escaped the events that led to his death in Avengers: Infinity War. This Loki grappled with knowledge about his potential fate, time travel and bizarre variants of his being, which included an alligator version of Loki (!). The events of the TV show probably led to the multiversal crisis befalling the MCU.

The Disney+ animated series What If…? exclusively explores other versions of the MCU, such as one where T’Challa never became Black Panther but instead became Star-Lord, or a world where zombies have overrun the MCU. More importantly at least two characters introduced in the What If…? series will appear in Doctor Strange in the Multiverse of Madness. They are a dark version of Doctor Strange and a Peggy Carter who recieved the super-soldier serum instead of Steve Rogers. In one segment when a superpowered Ultron and the Watcher fought, their battle raged across different universes, including what may be the Star Wars universe. This series is inspired by the Marvel Comics title What If…? which explored different outcomes and events of the Marvel Universe, only the animated series focused on the MCU and for the most part the series was fun to watch.

Another terrific animated presentation from Marvel was the masterpiece Spider-Man: Into the Spider-Verse, which took place in an alternate world where a blond Peter Parker died as Spider-Man and Miles Morales took his place as a new Spider-Man. In his adventures he met alternate versions of Spider-Man including an older, jaded version of Peter Parker, Peter’s old girlfriend, Gwen Stacy and a cartoon pig. The film won the Oscar for best animated film and two sequels will be coming out starting next year.

Marvel is not the only one dealing with animated alternate worlds. DC has released several animated films based on their Elseworlds imprint, which is their own take of alternate universes. We’ve witnessed adaptations of popular Elseworld tales such as Superman: Red Son, Gotham Under Gaslight, and The Dark Knight Returns. These films were excellent adaptations of the source material or were inspired by the original premise.

DC has already had its live-action forays into alternate worlds. Crisis on Infinite Earths was a television crossover event that took place across DC’s Arrowverse TV shows. The event was a very loose adaptation of the classic comic book mini-series about multiple timelines and universes in DC being combined into one. The highlight of that event was, of course, the cameos, Easter eggs and appearances of DC heroes and villains from various live DC films and TV shows that were not part of the Arrowverse. For instance, we got to see Burt Ward reprise his role as Dick Grayson from the 1960s Batman TV show, we revisited the world of Smallville, and Brandon Routh appeared as Superman in a combination sequel to Superman Returns and loose adaptation of the classic comic book mini-series Kingdom Come. But the biggest surprise was that the TV version of the Flash (Grant Gustin) briefly met the film version played by Ezra Miller.

As to the rest of the crossover event, it was acceptable. Being these were Arrowverse shows with limited budgets, the result was what one would expect. Still, it was often entertaining and seeing the concept of a multiverse realized was fun, especially the end of the event which gave us tanatlizing glimpses into other worlds and stories.

These stories about multiverses and alternate characters and situations seemed unheard of fairly recently. Aside from the logistical hurdles of clearing rights and enticing actors to return to roles, the film and TV executives also feared that such stories would be too confusing. Sure, comic book readers and fans would understand the concept of alternate timelines and situations but the average person might not. Fortunately, as we have seen lately, these live-action presentations have been very successful, especially Spider-Man: No Way Home, which became one of the highest grossing films of all time. Still, the writers and showrunners have to be able to thread the needle carefully and tell a compelling and clear story. Otherwise, the result will be a confusing and unsatisfying film or TV show. The important thing to remember is that these are fun and fascinating explorations of our favorite characters. So for now, let’s enjoy and celebrate. these crossovers and multiverses for what they are.

Big Changes Coming For DC & The DCEU

This past week Discovery officially took over Warner Bros. and its properties including DC Comics and DC Entertainment. After doing so, the company (rebranded as WB Discovery) announced they were radically overhauling DC Entertainment and its superheroes, specifically their films and TV shows including those of the DC Extended Universe (DCEU). Even though there have been very successful DCEU efforts like Aquaman and Peacemaker, other releases did not exactly hit the high bar when it came to box office sales or critical/fan reception (Wonder Woman 1984). The goal of the restructuring is to make the DCEU genuinely competitive with the Marvel Cinematic Universe (MCU).

This would mean that a head honcho would be hired to oversee the production of DCEU films and TV shows in the same manner that Marvel Studios president, Kevin Feige, does with the MCU. This also implies that the DC films and TV shows will be more coherent and less disjointed, while some once-prominent properties will get more attention. In fact, WB Discovery stated that Warner Bros. allowed top tier properties like Superman “languish” to the detriment of the DCEU and DC.

The Snyderverse and Stalled Efforts

Frankly, the coming changes are a much needed shot in the arm for DC and the DCEU, which has lacked a strong visionary leader. Previous leaders like Walter Hamada, Geoff Johns and Zack Snyder proved to be unable to present a clear direction for their films. Only Snyder came the closest to presenting a vision that was coherent. Unfortunately, Snyder is also a film director and when his Batman v Superman: Dawn of Justice did not impress critics and fans, and Justice League failed to reach the success of The Avengers, he was ushered out of the door by Warner Bros. and the DCEU that he helped create basically fell apart. Part of the problem with Zack Snyder being in charge with the DCEU (or the Snyderverse as some fans called the early films) is that although Snyder is a gifted director, what was needed to oversee the films was a producer in the mold of Kevin Feige. A producer is tasked with the production of films or TV shows and brings a guided vision to entire productions. Directors are focused on individual films first and bring their own stamp to what they film. It is not possible given a director’s schedule to expect him or her to oversee the vision of several films at once.

Even before Snyder’s exit, projects were stalled after big announcements, while conflict occured with many actors and filmmakers. Directors and writers joined and left projects. Then there were the casting headaches Warner Bros. faced from the fact that Henry Cavill, cast as Superman in the Snyderverse, was for all purposes, dismissed to the outlandish and criminal behavior of Ezra Miller, whose film The Flash has not even come out yet. Then there is the fact that The Flash was in perpetual development hell for the longest time as directors and writers exited the film left and right. Now, there are rumors that Miller will be fired from his role and in his situation it would be easy. Since The Flash deals with the title hero time traveling and alternate universes, just reshoot the ending to replace Miller with a new actor. Even Grant Gustin from the TV version of The Flash would be a better choice, although that casting may be too confusing for some.

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Where Are the Star Trek: Deep Space Nine Followups?

As we get ready for the second season of Star Trek: Picard to stream in a few short days and we have seen Kathryn Janeway (Kate Mulgrew), or rather her hologram, appear as a one of the main characters in Star Trek: Prodigy, these developments begs the following question. Where are the Star Trek: Deep Space Nine (DS9) followups?

Ever since DS9 aired its final episode back in 1999, we have yet to see any meaningful followup or sequel to the show. Its reputation has increased significantly over the years as fans have come to appreciate how innovative and unique DS9 was compared to other Star Trek shows.

What set Star Trek: Deep Space Nine apart were several factors. Start with its premise, it took place on a space station, not a starship. This helped develop long-running arcs and storylines over several episodes and seasons that explored the socio-political landscape of Star Trek. What was interesting was that this predated the current model of TV shows with their season-long arcs. What also set DS9 apart from other Trek shows (at least, until recently) was that it had a darker, grittier tone with more mature and grounded stories and characters. No one was purely good or evil, not even its main character Benjamim Sisko (Avery Brooks), who suffered from PTSD over a Borg attack that killed his wife. In one infamous episode “In the Pale Moonlight” he manufactured evidence to entice the Romulans to enter the Federation’s war against the Dominion. The show was riddled with anti-heroes such as Quark (Armin Shimerman), the greedy Ferengi bartender, and Garak (Andrew J. Robinson), a former Cardassian spy with a nebulous past. Many of the characters like Major Kira (Nana Visitor) struggled to adjust to a new life. In her case, Kira was a former terrorist/freedom fighter who found herself as Sisko’s second in command and operating under Federation rules. Star Trek: Deep Space Nine explored controversial issues such as racism, religion, and the impact of war. In fact, DS9 was noted for running a long storyline where the Federation was at war with the Dominion and many of its related stories had clear anti-war messages.

Even though Star Trek: Deep Space Nine was a success, it was not as well regarded by fans and critics because it deviated too much from traditional Star Trek tropes. However, over the years, more and more people have come to appreciated DS9 for its unique merits and is now considered one of the best, if not the best, Star Trek TV shows.

But, ever since “What You Leave Behind”, the final episode of DS9, aired there has not been any meaningful followup or sequels to the show, aside from other media like books and comics. There have been some minor references to the show in other Star Trek TV shows and film over the years. The most notable one was an appearance of Odo (René Auberjonois) as a holographic character in the Star Trek: Prodigy holodeck-centric episode “Kobayashi”. Meanwhile, Star Trek: The Next Generation continues in Star Trek: Picard, characters from Star Trek: Voyager such as Janeway and Seven of Nine (Jeri Ryan) are currently appearing in Star Trek: Picard and Star Trek: Prodigy, respectively.

So, why hasn’t DS9 been revisited? A full reunion is not possible anymore since Auberjonois and a couple of other DS9 actors have passed away, and Brooks is no longer actively acting. Still, it would be great if several DS9 characters could reappear in current Star Trek TV shows or have some episodes or films take place in the DS9 station or nearby locales. There are many lingering questions about Star Trek: Deep Space Nine that fans want answered. Will the Dominion return to threaten Earth and the Federation? What happened to the planet Bajor? Did it ever join the Federation? What happened to the Cardassians after they were defeated in the war? Will Sisko return after joining the Prophets in their non-linear plane of existence? Being that he now exists outside of time and space, he can in theory return to our existence at any time, including the current Star Trek shows.

OK, showrunners. We the fans of Star Trek: Deep Space Nine have been very patient. We are waiting to revisit this innovative and novel corner of the Star Trek universe. Let’s make this happen.

Peacemaker Joyfully Revels In Violence And Silliness

Peacemaker is the first TV show set in the DC Extended Universe (DCEU) and streams on HBO Max. It’s also a spinoff of The Suicide Squad and follows the further adventures of the idealogically fanatic superhero Peacemaker/Chris Smith (John Cena), who was rightly left for dead at the end of the film.

After been rescued and hospitalized by the U.S. government group A.R.G.U.S., as seen in the post-credis scene of The Suicide Squad, Peacemaker is recruited by that group’s black ops team to fight alien creatures who inhabit host human bodies and are called Butterflies because of the way the aliens appear.

The black ops team is made up of an eclectic group of goofy or over-the-top violent characters including the deadly and tough A.R.G.U.S. agent Emilia Harcourt (Jennifer Holland), John Economos (Steve Agee), an insecure tactical support agent, Leota Adebayo (Danielle Brooks), a new A.R.G.U.S. recruit who becomes good friends with Chris, and their exasperated mercenary leader Clemson Murn (Chukwudi Iwuji). An unofficial recruit is Adrian Chase aka the costumed Vigilante (Freddie Stroma), an overeager sociopath who looks up to Peacemaker and fashions himself as Peacemaker’s best friend. But that is actually Peacemaker’s pet bald eagle, Eagly.

As the group carry on their mission to eliminate the Butterflies, they learn a lot about each other and gradually earn each other’s trust, respect and even friendship. The one person who is most affected by the experience is Chris himself who begins to question his extreme jingoistic view of life and even becomes likeable.

In The Suicide Squad, the Peacemaker was a real jerk, a total D-Bag, and when he was supposedly killed off, hardly anyone mourned him unlike the other characters. But the TV show went to great lengths to humanize him and it paid off. Yes, he is still a jerk who is too cocky, but we learn that beneathe that false bravado hides a wound psyche and the emotional center of Peacemaker.

The TV show is written by James Gunn, who also directed most of the episodes. Much of the success of the show is due to the film director who reinvented the Suicide Squad and presented a possible new direction for the DCEU. As always, Gunn demonstrates his twisted filmmaking skills thanks to his well-written characters and fast-moving scripts, which keeps surprising viewers. All the actors are especially good in this show and bring an extra dimension to their characters. Cena was the best surprise with his role because of the way he is able to show different levels to his character.

As is James Gunn’s forte, Peacemaker excels at its level of cheekiness, graphic violence, and its overall raunchy nature. This is certainly not a show for the kids to watch, but DCEU fans will love the jokes, Easter eggs, and stylized action. There are a few cameos by DCEU characters that actually work and add to the show’s enjoyment. Fans of hair and glam metal bands will love the soundtrack which is peppered generously with many songs. The standout song used in Peacemaker is, naturally, Wig Wam’s “Do You Wanna Taste It” and it fits so well with the show’s hysterical dance number in the opening credits.

Be patient with the first episode or two as Peacemaker settles in and establishes the characters and situations. While it and the main character may be off-putting, by the second or third episode, viewers will get wrapped up and engaged with the bizarre and irreverant nature of the show as the characters are actually changed by their adventures.

After dealing with the inane Arrowverse, Peacemaker comes at the right time as the DCEU now thankfully is represented in the TV medium and it can herald a new era for DC-based TV shows.

The Uneven Book Of Boba Fett

The Book of Boba Fett is the latest Star Wars TV show and is streaming on Disney+. It serves as a spinoff of the popular TV show, The Mandalorian, and a sequel of sorts to previous Star Wars films, but in this case focusing on the mysterious bounty hunter, Boba Fett (Temuera Morrison).

Boba Fett was supposedly killed by a giant sarlaac in the film Return of the Jedi, but being that he was a fan favorite, he had to come back, as he did in various books and stories. In Star Wars canon, he officially returned in the second season of The Mandalorian and the post-credits scene of that show’s season finale showed Boba Fett taking over the criminal underworld in the planet Tattooine with his partner, the assassin Fennec Shand (Ming-Na Wen).

The series is in some ways part Western, part gangster drama as flashbacks reveal how the bounty hunter survived from being eaten by the sarlaac and his emotional transformation from a cold-blooded killer to someone who is more empathic and honorable. At the same time, the episodes chronicled his ordeal of being a crime lord and dealing with deadly competitors, namely the Pyke gang – intergalactic spice dealers who want to take over Boba’s turf.

There have been many complaints about The Book of Boba Fett, many of them are valid, but overall, the series is fine. It’s just that it should have been better and could have been if it had a better narrative flow and its scripts were more fine tuned. This is surprising considering the episodes are written by Jon Favreau (he shared a co-writing byline with Dave Filoni in the sixth episode), who was the mastermind behind The Mandalorian. What gives? Interference from the top execs at Disney? Maybe one day, we’ll learn the full story behind the scenes.

The narrrative flow of the series was quite jarring at times and also infuriating. The best example of this are with the fifth and sixth episodes. For some reason, the show stopped being about Boba Fett and became a mini-season for The Mandalorian as the story abruptly shifts to Din Djarin (Pedro Pascal) and we see what he and Grogu have been up to since the second season of their show ended. Boba Fett only appears once in the sixth episode in what is basically a cameo, while he is completely absent in the fifth episode. It did not make sense to do this, especially being that The Book of Boba Fett only has seven episodes. At least, these two episodes were well done.

The impression we are given is that the showrunners or Disney did not like where the main story was going or ran out of ideas and panicked by going back to what excited viewers. This was not fair to Boba Fett’s story and associated characters. Those two episodes could have been used to further develop these characters. We could have learned more about Boba and is time before The Empire Strikes Back. They should have shown more of how he was before his spiritual transformation so that his metamorphosis would have more impact. Maybe they wanted to perserve some of his mystery. Who knows?

Fennec’s back story could have been explored, or Boba’s old rival, Cad Bane (voiced by Corey Burton) could have appeared sooner and being more directly tied to the tragedy that Boba underwent during his recovery. Or even the minor characters of Tatooine could have been fleshed out more. Even the dumb cyborg biker gang, who were poorly conceived and executed.

There are many plot holes that are undeniably irritating and make the characters look stupid. Here’s an example, in the final episode during the big showdown with the Pyke gang, why didn’t Boba or Din get into their spaceships and just lay waste to the criminals as they attacked the town of Mos Espa? Boba Fett kept bragging about how much money he had and could afford to hire extra muscle, yet his army only consisted of the silly biker gang, two Gamorrean pig guards, Din and Fennec, and later some townspeople from nearby Freetown. Did Boba Fett actually expect to defeat an entire army of Pykes and their allies with what he had? Also, it would have made more sense and been more satisfying if the townspeople that helped him where actually residents of Mos Espa. You know, seeing that Boba is fighting for their town, the people could have decided to help him. Why did he hire the biker gang when he first met them? Nothing they did gave the impression they were qualified to be formidable fighters. Then in one flashback scene, Boba takes his spaceship and has it hover directly over the mouth of the sarlaac to look for his armor. Guess what happens? The tentacled monster attacked his ship and nearly killed him. Wouldn’t that ship have sensors to scan the animal from afar? Maybe his time fermenting in the sarlaac’s stomach damaged his brain more than we know.

This does not mean The Book of Boba Fett is a bad TV show. There are so many great things about it. Take Temuera Morrison, who delivers a fine performance as the grizzled former bounty hunter trying to find a purpose in his life. Boba’s spiritual journey when he is first a captive then a valued member of the Tusken Raiders was inspiring as he built relationships with the clan and we learned more about their culture. That is why it was so devastating when later in the flashbacks Boba finds his adopted clan massacred.

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