Tag Archives: Disney

Jun 23 2024

Sci-Fi Properties That Should Be In Theme Parks

Many of us will head to the theme parks this summer to enjoy abundant thrill rides and attractions that are based on beloved sci-fi properties like Star Wars, Tron, Avatar and Jurassic Park. While it seems like many sci-fi films and TV shows have been adapted into popular rides and attractions, there are actually a gold mine’s worth of material that either haven’t been done yet, are no longer available or are only available in the less visited theme parks throughout the world. Let’s explore some sci-fi properties that should be featured in more popular theme parks.

Alien/Predator

Both sci-fi/horror properties have been featured as haunted house attractions in Universal Studios’ Halloween Horror Nights, while Alien was part of the sorely missed attraction The Great Movie Ride at Disney’s Hollywood Studios. Although both properties don’t gel well with the standard Disney family friendly image and their current parks, they are popular IP owned by Disney and should be considered for some kind of dark ride that is geared for adults.

Back to the Future

The old Back to the Future: The Ride simulator attraction closed years ago in the Universal Studios theme parks to make way for The Simpsons. The original ride is still remembered fondly by fans of the film trilogy and ride enthusiasts. With the rumor going around that Universal may get rid of The Simpsons since that property is now owned by Disney, why not remake the original ride, but with better special effects to rival Avatar: Flight of Passage?

Battlestar Galactica

There is a roller coaster based on Battlestar Galactica in Universal Studios Singapore, but much more can be done with this property. A trackless simulator ride would work where a random ride operator accompanying the riders could be revealed to be a Cylon. Or go for a high-tech simulator ride that takes you on an epic space battle as you defend the Galactica from Cylon raiders like with Star Tours.

Doctor Who

This is what you do with a Doctor Who ride, have guests line up to enter a blue police box/phone booth which turns out to be the TARDIS! After exploring the time ship and guided by an actor playing the Doctor, guests can choose which door to go through that leads them into some kind of dark ride or walk-through attraction. The choices can lead to an adventure featuring the Daleks, the Cybermen or even the Weeping Angels. Voila!

Godzilla

At one point, the Japan pavilion in Epcot was supposedly going to have a ride based on Godzilla, but of course that never happened and is why that area is usually skipped by visitors looking for an attraction. A ride featuring the world’s most famous kaiju could be in the form of a simulator/trackless ride like Skull Island: Reign of Kong, or be more like the old Kongfrontation ride in Universal Studios with jaw-dropping giant animatronics of Godzilla himself that we can see up close.

Mad Max

This is soooo easy. Put out a motorized stunt show on a recreated barren, desert wasteland. Throw in lots of jury-rigged vehicles, including a V8 Interceptor and a War Rig, plenty of stunt driving and performers, and there you go: a Mad Max themed stunt show. Other options can be explored for a Mad Max-themed attraction. Just don’t do anything like that Fast and Furious abomination at Universal Studios.

The Matrix

Think of the awesome attraction The Bourne Stuntacular at Universal Studios Orlando or the closed Terminator 2- 3D: Battle Across Time show. One featuring the Matrix could be a similar theater attraction could be where patrons are released from the Matrix itself and witness an epic, live-action stunt show with dazzling effects where our rescuers battle deadly Agents in a theater setting.

Planet of the Apes

Genting Skyworlds in Malaysia has a trackless ride called Invasion of the Planet of the Apes that looks pretty interesting. Some kind of deal should be made to bring the attraction to the Disney parks since Disney owns the property. Disney’s Animal Kingdom would be good spot for Invasion of the Planet of the Apes or any other ride/attraction based on the other great sci-fi franchise from the ’70s that is still popular today. After the ride, guests can go visit the gorilla exhibit at the park.

Star Trek

Those of us fortunate enough to have visited Star Trek: The Experience still have fond memories of it. Based in the Las Vegas Hilton, Star Trek: The Experience was how Galaxy’s Edge was supposed to be for Star Wars, a fully immersive mini-park/themed area that celebrated all aspects of Star Trek. The mini-land featured two attractions, one was a simulator ride that took place on a faithfully recreated Enterprise D set, while the other was a 4D movie featuring the Borg and characters from Star Trek: Voyager. Both attractions would work today with some minor upgrades or there are many options that could be utilized for Star Trek. There is so much material ranging from the original TV show through today’s Trek offerings that an entire park can be built that is solely focused on Star Trek. If only!

WALL-E

This sci-fi property based on the classic Pixar film is a no-brainer for Epcot with its environmental themes and the cute robot. WALL-E is practically tailor made for Epcot. Yet for all the IP flooding the park these days, it is a mystery as to why WALL-E isn’t included aside from a minor playground for young children. A trackless simulator ride with animatronics taking place onboard the Axiom with WALL-E trying to protect the plant he found on Earth would be more than suitable.

José Soto

Aug 27 2023

Disney + Has Damaged Pixar, Star Wars & Marvel

When it was announced that the streaming app Disney + would feature exclusive content for their purchased intellectual properties Star Wars and Marvel, most fans were understandably excited. In the closing years of the 2010s both properties were riding high, especially Marvel with its Marvel Cinematic Universe (MCU). The people running Disney + promised that subscribers would have access to a vast video library of its properties and that the exclusive content would be top-of-the-line when it came to quality. At first, this seemed to be the case. At first.

Shortly after Disney + became available, the COVID-19 pandemic hit, which shut down theaters and the streaming platform became the only medium available to get new content based on Disney IP, Pixar, Star Wars and the MCU. Due to the pandemic many films were delayed and this happened with the Pixar films scheduled for release. At the same time, Disney was desperate to generate streaming traffic for Disney + and to gain subscribers, new product had to be available. The easiest solution was to take the delayed films like Soul and premiere them exclusively on Disney +.

For a short while, this tactic worked, but unlike the other MCU films that were released exclusively in theaters, Disney kept debuting other Pixar films like Luca and Turning Red on the streaming app. This gave the impression that the Pixar films were inferior in quality, because people began thinking that these films were not good enough for theatrical releases. Also, when the Pixar films Lightyear and Elemental actually premiered in theaters, viewers were conditioned to wait for them to come out weeks later on Disney + and save some money. To be fair other streaming apps like HBO Max did this as well, but this tactic was abandoned soon after studios realized they were losing revenue. It took Disney some time to forego premiering some of their films on the app.

The app premiered with The Mandalorian, the hit TV show set in the Star Wars universe about a Clint Eastwoodish, intergalactic bounty hunter and his infant alien ward. The Mandalorian became a huge hit and actually helped keep the Star Wars brand alive. Actually, for a couple of years it was the only Star Wars-related property for fans to watch. Obviously, Disney had to put out more Star Wars content and last year more Star Wars-related TV shows streamed on Disney +, which included The Book of Boba Fett, Obi-Wan Kenobi, Andor, and now Ahoska. While some of the TV shows were well received and even earned Emmy nominations, the Boba Fett show was a huge misfire with its unfocused scripts. Unfortunately, these same problems bled into the third season of The Mandalorian, and Ahsoka is receiving criticisms, as well. It is clear with The Mandalorian, The Book of Boba Fett and Ahsoka that Disney wants to create a more integrated universe with a part of Star Wars history: the period of time after the fall of the Galactic Empire. Reportedly the goal is to have the TV shows lead to a film that ties all the elements together. While it is ambitious and echoes what happened with the MCU, there are problems in that the Star Wars universe is becoming too convoluted. Viewers are forced to watch other shows and even animated programs like Star Wars: Rebels to fully understand what is going on with many of the Star Wars TV shows. With interest in the Star Wars brand waning, this development could not have happened at a worst time.

The problem with the scripts for some of the Star Wars TV shows also plagued the MCU TV shows. What was worse was that the production values for many MCU TV shows was shockingly poor. The MCU, like Star Wars, got off to a promising start on Disney + with TV shows like WandaVision and The Falcon and the Winter Soldier. But the quality of the MCU TV shows soon began to falter and it became more and more obvious that budget limitations were impacting the shows. For example, with the time travel TV show Loki, even though it was well acted and written, it seemed as if there was a lot of talking instead of showing. Instead of time traveling to pivotal events in the MCU, the main characters traveled to mundane time periods.

The problem with limited budgets affected some of the effects work on later TV shows. This was best seen with Ms. Marvel, She-Hulk: Attorney at Law and Secret Invasion. With She-Hulk, the limited special effects was fatal for the show because its poor, unfinished special effects left She-Hulk looking like a SIM character. The same budget limitations has severely affected Secret Invasion, which has a lot of talking scenes about world events with limited action scenes. What is even more unbelievable is that the budget for the TV show was about $200 million. Where did that money go? The budget for Secrect Invasion is not the main reason for its poor execution, it is actually due to the scripts which make the show feel small scale. This also went on with many other MCU TV shows that should have had great payoffs. This even happened with WandaVision. For the most part that show was terrific with clever scripts and acting. But the payoff at the final episode felt like a letdown with the scope of the confrontations between characters.

Disney CEO Bob Iger recently said that the market was oversaturated with Star Wars and Marvel TV shows and films, and he is correct. There was a lot of pressure for the Disney + app to have new and original content, which meant that there had to be a lot of content about two of its most popular IPs. Unfortunately, the demand stretched the capability to keep up the quality of the products in order to meet scheduling deadlines. The result was that many fans were disappointed with the finished TV shows as the brands became diluted. To correct this, the brands need to pull back and Disney is doing this as per Iger’s orders. They are giving their properties the time needed to produce quality over quantity. However, there will be more inferior TV shows until the better-produced TV shows come out.

Disney and other studios are facing a new problem with their inability to provide new content thanks to the crippling writer and acting strikes which have shut down productions for film and TV studios. As content dries up and films and TV shows get delayed again or canceled, there will be increased demand. Will the studios make the same mistakes they did earlier this decade and force creators to pump out products before they are ready? Probably, so it is up to the studios to learn from their missteps regarding their streaming platforms.

Jul 27 2023

A Disappointing Secret Invasion

The six-part Secret Invasion TV series on Disney + streamed its final episode last night and unfortunately it was as mid as the rest of the series. To go into why it was so mediocre and par for the course with the recent TV shows set in the Marvel Cinematic Universe (MCU) there will be major spoilers from this point on.

Secret Invasion had a lot to admire, notably Samuel L. Jackson as former S.H.I.E.L.D. director Nick Fury, Olivia Colman as British secret agent Sonya Falsworth, and some terrific dialouge. There was one riveting moment where Fury explained, using his childhood memories in the segragated south, why humanity would never accept alien beings living on Earth. But the overall feeling of the series feels underwhelming and done on the cheap, which is surprising given that it supposedly had a large budget.

Like every comic-book adaptation, Secret Invasion was very loosely based on the Marvel Comics mini-series of the same name in that it only adapted the basic premise that alien shape shifters called Skrulls infiltrated Earth’s human populace. Unlike the comic books there weren’t any Skrulls impersonating superheroes except for Col. James “Rhodey” Rhodes aka War Machine (Don Cheadle). There aren’t any epic battles between superheroes and their alien counterparts, and there is a lack of paranoia about who was a Skrull like in the comic books where readers were shocked that several superheroes were impersonated by Skrulls for years.

Yes, there was Rhodey, but that was it, and by the way he acted at the start of the series it was fairly obvious that he was a Skrull. There were a few other revelations but they lacked any dramatic punch because most of these people never appeared before in the MCU. The TV series was just begging for appearances from many established characters, yet that never happened. Sure, it was unrealistic to expect Chris Hemsworth or Paul Rudd to show up, but the MCU has so many distinctive minor characters that could have appeared to play into the paranoia by revelations that they were Skrulls. What is it, they ran out of money to pay these actors? Did the showrunners seriously expected viewers to be shocked when it was revealed that the prime minister of the United Kingdom was a Skrull? Big deal! This faux prime minister did not even do anything!

The storyline followed Nick Fury as he learned that a million Skrulls are living as refugees on Earth disguised as humans. One of them, Gravik (KIngsley Ben-Adir) was a former spy who worked with Fury and is now a terrorist intent on turning Earth into a new homeworld for his race. To do this, Gravik planned to start World War III by using his clandestine Skrull army to instigate a conflict between the United States and Russia. With limited resources, except the help of his Skrull friend Talos (Ben Mendelsohn). Fury has to muster all his connections and skills to stop Gravik and his followers.

What could have been an intense and paranoid political thriller came off as underwhelming aside from a few bright moments throughout the show. Many elements of the storyline do not make sense. For instance, Skrulls were immune to radiation, which is why Gravik wanted to start a third world war. He reasoned that when humanity was wiped out by the fallout radiation the remaining Skrulls would inherit the Earth. But did he stop to consider that Skrulls would be just as vulnerable to the shockwaves and firestorms from the nuclear explosions? What about the biosphere of Earth, could the Skrulls survive on a poisoned planet with no food available and destroyed infrastructures?

Then there were the attempts to assasinate the president of the United States (Dermot Mulroney). There was a sequence in the fifth episode where the president’s motorcade in England was attacked by Gravik’s forces. It was exciting, but it was nagging to see how lightly protected the motorcade was or how it was put into a vulnerable position in the first place. Some lines of dialogue that the Secret Service was severely compromised would have helped here. The poor lines of defense are even more noticeable in scenes were the president was in a British hospital with very few people around him. He should have had an army surrounding him after the motorcade attack and most likely the Secret Service would have whisked him off to Air Force One. Instead we are expected to believe that Fury was able to slink into the hospital without any serious opposition.

There were these cheap dramatic moments of Fury facing off with the Rhodey Skrull. Every time the Skrull would get the upper hand because he was disguised as Rhodey. So why didn’t Fury do what Falsworth did in other scenes when dealing with Skrulls and just shoot him? She showed that injuring a Skrull would have revealed that their blood was a different color and boom, the fake Rhodey would have been exposed.

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Dec 27 2021

Top Ten Films & TV Shows Of 2021

After the live-media drought of 2020, genre films and television shows made a roaring comback in 2021 even though the coronavirus pandemic continues to impact our lives. As we have learned to deal with the pandemic so have the TV and film industry, which was great news since there was much more films and TV shows for us to enjoy. Here are the ten best films and TV shows of 2021.

Television

10. Superman & Lois

This Arrowverse version of Superman surprised everyone by capturing the essence of the DC superhero while bringing a modern twist of his world and situation. Tyler Hoechlin delivered a sensitive and strong performance as the newest Man of Steel.

9. The Handmaid’s Tale

The fourth season of the dystopian saga of an America under control of religious zealots. This season’s theme was about post-traumatic stress and dealing with rage as the main character escaped to Canada and dealt with the aftermath of her ordeal.

8. Sweet Tooth

This adaptation of the comic book about a road trip undertaken by a hybrid mutant boy and a tortured hunter in the aftermath of a viral apocalypse was a touching adventure. Many decried its cliffhanger season finale but thankfully a second season is coming.

7. Invincible

At first glance, Invincible seemed like just another animated knock off of the DC Universe. But the animated adaptation of Robert Kirkman’s comic book quickly asserted it was much more than that due to its ultra-violent tone, adult nature and a fresh take of classic comic book tropes.

6. For All Mankind

The second season of the alternate history TV show further developed a world where the Soviets won the moon race with ramifications in the 1980s. Escalated Cold War tensions between the U.S. and the U.S.S.R. served as a chilling backdrop for the show’s characters who were forced to deal with alarming events on Earth and on our moon.

5. The Falcon and the Winter Soldier

The second TV show set in the Marvel Cinematic Universe (MCU) surprised viewers with its exploration of racism, social inequality and hero worship. As well as the burden of living up to the legacy of Captain America and confronting the past. On top of those mertis were all the glorious fight scenes and captivating plot developments, which made The Falcon and the Winter Soldier so winning.

4. Doom Patrol

The quirky bunch of misfit superhumans continued to shock and delight viewers with the third season of the show. While the Doom Patrol members were outrageously funny with their caustic behavior, they touched our hearts with their tragic situations in episodes which were just downright bizarre and existential.

3. What If…?

While not every episode delivered, on the whole, What If…? was an intriguing examination of alternate versions of the MCU in animated form. Some episodes knocked it out of the park with alternate versions of characters and stituations such as a terrifying version of Ultron that put the live-action version to shame and a tragic version of Doctor Strange that might turn up in Doctor Strange in the Multiverse of Madness.

2. WandaVision

Marvel Studios first MCU-set television show, which streamed on Disney +, instantly stood out in a crowded streaming market thanks to its innovative style which was partly a send up of American sitcoms throughout the decades. At the same time, WandaVision kept viewers captivated with its perplexing mysteries and further developments of the MCU.

1. The Expanse

Coming in at the end of the year as the best television program is the sixth and final season of The Expanse. The must-see sci-fi epic about life in the settled worlds in our solar system was notable for its grounded and realistic depictions of life in space, as well as intriguingly complex characters and political situations. The Expanse is already lauded for being of the best sci-fi TV shows and its reputation will grow in years to come.

Honorary Mentions:

Foundation; Hawkeye; Into the Night; Lost in Space; Love, Death & Robots; Snowpiercer; Star Trek: Discovery; Star Trek: Prodigy; Star Wars: The Bad Batch; Titans; Tribes of Europa; The Wheel of Time; The Witcher

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Aug 2 2021

More Genre Film Delays?

Looks like we are heading back to square one with the COVID-19 pandemic. The delta variant of the coronavirus has raised infection numbers worldwide just as it was recovering from the pandemic (thanks maskholes, covidiots, and other morons who either won’t mask up or get vaccinated for stupid reasons). As the COVID-19 cases began to explode in alarming numbers this development seems to be causing film studios to reconsider their release schedule. We all know how severely their original film schedules were thrown out the window when the pandemic first happened last year.

Already, Paramount Pictures announced that they canceled the September 17, 2021 release of Clifford the Big Red Dog to no date certain. While many adult genre fans would not care about that they have to realize the precedent this is setting. The same thing happened last year when the James Bond film No Time to Die had its release date canceled. It was the first major film to be delayed. This eventually caused a ripple effect as the pandemic worsened as we saw that Marvel Studios’ Black Widow was yanked from its May release date with just weeks to go. Can history repeat itself if the film release Shang-Chi and the Legend of the Ten Rings is delayed from September 3, 2021 to who knows when? What about Eternals? What about Spider-Man: No Way Home?

That Marvel Studios/Sony Pictures production is the most eagerly awaited offering from the Marvel Cinematic Universe (MCU) for the year. But we have yet to see a trailer or even acknowledgement about what it is about or who appears in the film. So the speculation about Tobey Maguire and Andrew Garfield will continue. This is concerning for Spider-Man fans because the film is supposed to come out this December and by this time there should have been a trailer, but Sony has not provided any updates on the film. This is fueling speculation that Spider-Man: No Way Home will be delayed.

Adding ammunition to this is that today’s trailer release of Venom: Let There Be Carnage did not have a release date, only the tag: “Exclusively in movie theaters this fall”. The Venom sequel is supposed to be released on September 24, 2021 but by the way things are going, it’s anyone’s guess if this will happen. If Venom: Let There Be Carnage is pushed to October or November this in turn will push Spider-Man: No Way Home’s release date to next year and further delay Sony’s Morbius film.

If Spider-Man: No Way Home is delayed this dominoe will affect the other MCU films slated for future release. Doctor Strange in the Multiverse of Madness is connected to the Spider-Man film and is the first MCU film of 2022. Will this impact the Disney+ MCU TV shows, as well?

Of course, the delays will create even more tension with Marvel Studios, their parent company, Disney, and Sony. Spider-Man: No Way Home is Sony’s biggest film and they want to get the most bang out of their production so they may want to hold off until next summer. As mentioned above this will disrupt Marvel Studios plans for their films creating more delays. On top of that there are reports that Marvel Studios’ president Kevin Feige is not happy with Disney over the way they handled the release of Black Widow. He did not favor its simultaneous release onto Disney+ and in theaters, which caused the film to lose money in the box office. And he was sided with Black Widow’s star Scarlett Johansson, who is suing Disney. This could be the start of the unraveling of the Golden Period of the MCU. Who knows where this will end? Perhaps Feige may eventually jump ship and go work at another film studio. Warner Brothers will take him in a second!

At least for Warner Brothers, their DC Extended Universe (DCEU) films may not be as affected as The Suicide Squad is coming out this week and they don’t have any DCEU films slated for release until next summer. Hopefully by then the unvaccinated will get a clue and we’ll be able to put this disease behind us. Their other genre films like Dune and the new sequel to The Matrix, which were slated for release this year, will also stream on HBO Max. So they might stick to the schedule for the rest of the year. As we have seen throughout the pandemic this release strategy will dampen box office returns. Keep in mind, both Warner Bros. and Disney have announced they will discontinue this practice. That could change if the pandemic doesn’t abide soon.

For now, it is too soon to say where things will end. Perhaps infection and death rates will plummet or booster shots to combat the delta variant will be distributed soon to put the vaccinated at ease. There are reports that vaccination rates are increasing so hopefully by the end of the month we can see better numbers. Of course, this grousing about delayed genre film releases cannot compare to the pain and misery that the coronavirus is causing among us. We all have to do our part, which includes continuing to mask up (even if we’re vaccinated), washing up, social distancing, and the other efforts to stop the spread of the virus. OK, PSA is over, whether or not these films we love get delayed it’s more important to stay safe and enjoy the many other media that is still available for our enjoyment.