Top Ten Films & TV Shows Of 2021

After the live-media drought of 2020, genre films and television shows made a roaring comback in 2021 even though the coronavirus pandemic continues to impact our lives. As we have learned to deal with the pandemic so have the TV and film industry, which was great news since there was much more films and TV shows for us to enjoy. Here are the ten best films and TV shows of 2021.

Television

10. Superman & Lois

This Arrowverse version of Superman surprised everyone by capturing the essence of the DC superhero while bringing a modern twist of his world and situation. Tyler Hoechlin delivered a sensitive and strong performance as the newest Man of Steel.

9. The Handmaid’s Tale

The fourth season of the dystopian saga of an America under control of religious zealots. This season’s theme was about post-traumatic stress and dealing with rage as the main character escaped to Canada and dealt with the aftermath of her ordeal.

8. Sweet Tooth

This adaptation of the comic book about a road trip undertaken by a hybrid mutant boy and a tortured hunter in the aftermath of a viral apocalypse was a touching adventure. Many decried its cliffhanger season finale but thankfully a second season is coming.

7. Invincible

At first glance, Invincible seemed like just another animated knock off of the DC Universe. But the animated adaptation of Robert Kirkman’s comic book quickly asserted it was much more than that due to its ultra-violent tone, adult nature and a fresh take of classic comic book tropes.

6. For All Mankind

The second season of the alternate history TV show further developed a world where the Soviets won the moon race with ramifications in the 1980s. Escalated Cold War tensions between the U.S. and the U.S.S.R. served as a chilling backdrop for the show’s characters who were forced to deal with alarming events on Earth and on our moon.

5. The Falcon and the Winter Soldier

The second TV show set in the Marvel Cinematic Universe (MCU) surprised viewers with its exploration of racism, social inequality and hero worship. As well as the burden of living up to the legacy of Captain America and confronting the past. On top of those mertis were all the glorious fight scenes and captivating plot developments, which made The Falcon and the Winter Soldier so winning.

4. Doom Patrol

The quirky bunch of misfit superhumans continued to shock and delight viewers with the third season of the show. While the Doom Patrol members were outrageously funny with their caustic behavior, they touched our hearts with their tragic situations in episodes which were just downright bizarre and existential.

3. What If…?

While not every episode delivered, on the whole, What If…? was an intriguing examination of alternate versions of the MCU in animated form. Some episodes knocked it out of the park with alternate versions of characters and stituations such as a terrifying version of Ultron that put the live-action version to shame and a tragic version of Doctor Strange that might turn up in Doctor Strange in the Multiverse of Madness.

2. WandaVision

Marvel Studios first MCU-set television show, which streamed on Disney +, instantly stood out in a crowded streaming market thanks to its innovative style which was partly a send up of American sitcoms throughout the decades. At the same time, WandaVision kept viewers captivated with its perplexing mysteries and further developments of the MCU.

1. The Expanse

Coming in at the end of the year as the best television program is the sixth and final season of The Expanse. The must-see sci-fi epic about life in the settled worlds in our solar system was notable for its grounded and realistic depictions of life in space, as well as intriguingly complex characters and political situations. The Expanse is already lauded for being of the best sci-fi TV shows and its reputation will grow in years to come.

Honorary Mentions:

Foundation; Hawkeye; Into the Night; Lost in Space; Love, Death & Robots; Snowpiercer; Star Trek: Discovery; Star Trek: Prodigy; Star Wars: The Bad Batch; Titans; Tribes of Europa; The Wheel of Time; The Witcher

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Spider-Man: No Way Home Is The Strongest, Most Emotional Spider-Man MCU Film

Usually the third film in a trilogy is considered the weakest entry even it it is a solid effort. The latest Spider-Man film in the Marvel Cinematic Universe (MCU), Spider-Man: No Way Home, proves otherwise and is actually the strongest entry.

Given the content of the film, it will be nearly impossible to discuss it without going into not just spoilers, but heavy spoilers. So, to be fair to anyone who has not seen this instant classic, this review will only cover broad generalities with more in-depth analysis to follow some other time. There will be some spoilers but only in the broad sense and covers what was revealed in the trailers.

Spider-Man: No Way Home picks ups immediately after the end of the previous MCU Spider-Man film, Spider-Man: Far From Home where Spider-Man’s (Tom Holland) secret identity of Peter Parker was revealed to the world. The aftermath of the revelation is devastating to Peter and those closest to him like his girlfriend, MJ (Zendaya), his best friend Ned (Jacob Batalon), and Peter’s Aunt May (Marisa Tomei).

The loss of privacy and the intrusive nature of the outside world eventually drives Peter to seek magical help from the sorcerer Doctor Stephen Strange (Benedict Cumberbatch). He asks Doctor Strange to cast a spell to make the world forget that he is Spider-Man, and the sorcerer agrees to do it. However, during the casting of the spell, Peter distracts Doctor Strange, which causes the spell to be corrupted.

The result is that Spider-Man villains from alternate film universes are brought to the MCU, in other words, the foes from the earlier, non-MCU Spider-Man films. These include Doctor Otto Octavius, aka Doctor Octopus (Alfred Molina), Green Goblin/Norman Osborn (Willem Dafoe), Electro/Max Dillon (Jamie Foxx), the Sandman/Flint Marko (Thomas Haden Church), and the Lizard/Dr. Curt Connors (Rhys Ifans).

Spider-Man quickly finds out that tackling with the not-quite Sinister Six and his decisions comes with severe consequences that not only imperil him and those around him, but the fabric of the multiverse itself. These developments force him to recognize that with great power comes great responsibility…and sacrifice.

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A Look Back At Spider-Man 3

The first two Sam Raimi-directed Spider-Man films are still considered classic superhero films that helped put Marvel Entertainment on the Hollywood map of superhero films.

Then there is Spider-Man 3.

Honestly, the film is not all bad, though it does a lot to earn its infamous reputation, but it is hardly the trainwreck many critics make it out to be. It certainly is not the worse Spider-Man film…that dubious dishonor goes to The Amazing Spider-Man 2. What is frustrating for fans is that Spider-Man 3 has so many elements that would have made a great Spider-Man film, but it is so cluttered thanks to studio interference. Let’s take a look at it’s messy plotline to see for ourselves. Spoilers are ahead.

Spider-Man 3 begins with Peter Parker (Tobey Maguire) reveling in his dual role as the masked superhero Spider-Man. He is on top of his game as New York City, his home base, showers him with praise and cheers. Meanwhile, his girlfriend Mary Jane Watson (Kirsten Dunst), once a rising star of an actress and model, is suffering a career slump. She gets fired from a starring role in a Broadway musical and is eventually forced to work as a singing waitress in a jazz club. Peter thinks little of Mary Jane’s plight and tells her everything will be fine. On one such occasion, the couple are out stargazing in a park and a meteor crashes nearby without either noticing it. From the meteorite, an extra-terrestrial shapeless mass emerges and hitches a ride onto Peter’s moped when Peter and Mary Jane leave the park. Later, the alien life form stays hidden in Peter’s apartment waiting for the right moment.

After Peter decides to propose to Mary Jane, he is attacked by his former best friend Harry Osborn (James Franco). In the previous films, their friendship drifted apart because Harry blamed Spider-Man for the death of his father, the original Green Goblin. After discovering his father’s weapons at the end of Spider-Man 2, Harry modified the weapons and assumed a new identity as the New Goblin. During the fight, Peter, who never changed into his Spider-Man suit, defeats Harry and then takes him to a hospital to be treated for his injuries. During his recovery, Harry has short-term memory loss, but soon regains them and with his hatred of Peter renewed, Harry begins plotting revenge against his former friend.

While this went on, a common thief called Flint Marko (Thomas Haden Church) escaped from jail and tried to evade the police by hiding at a sandy testing site for a particle accelerator. The device is activated with Marko inside it and the criminal’s body is altered as it is fused with the surrounding sand. Marko is only motivated to use his powers as the Sandman to steal money to help pay for his young daughter’s medical bills. This activity soon puts him at odds with Spider-Man.

The superhero by now is suffering several setbacks in his life. He faces new competition in his profession as a freelance photographer for The Daily Bugle newspaper from photographer Eddie Brock (Topher Grace) and his superior photos of Spider-Man. Peter also learns that Marko was actually responsible for the death of his Uncle Ben in the first Spider-Man film and becomes obsessed with finding him. At the same time, tensions grow between him and Mary Jane who feels Peter is not supportive enough. She eventually leaves him after concluding Peter is flirting with a fellow college student, Gwen Stacy (Bryce Dallas Howard). But what Peter does not know is that Harry Osborn forced Mary Jane to break up with him as part of his schemes of vengeance.

Making matters worse is that the alien mass bonds to Peter while he is sleeping in his apartment and forms a black version of his Spider-Man suit, It’s revealed that the alien organism is actually a symbiote that enhances Spider-Man’s strength and…his aggression. Peter quickly adopts a new cocky and hostile attitude that alienates him from everyone as his enemies close in on him.

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A Look Back At Spider-Man 2

As the countdown continues for Spider-Man: No Way Home and we wait anxiously for the second trailer to drop (which will supposedly feature the return of Tobey Maguire as Spider-Man), it is time to take a look back at Sam Raimi’s Spider-Man 2. The second Spider-Man film is well loved for many reasons but one of the standouts was its villain Doctor Octopus (Alfred Molina), who will return in Spider-Man: No Way Home,

When Spider-Man 2 begins, we see that Peter Parker (Maguire) is still a lovable loser who is struggling desperately to balance his civilian life with his superhero antics as Spider-Man. Being the costumed adventurer is clearly interfering with his private life to the point that it gets him fired from a delivery person job, threatens his academic career in college and even late for his own birthday party. Peter is constantly broke and unhappy over how his responsibilities keep him from getting romantically involved with his friend Mary Jane Watson (Kirsten Dunst). She is now a successful model and Broadway actress and has feelings for Peter but his inability to admit their mutual feelings for one another keeps her away. Eventually she gets engaged even though she still loves Peter, which crushes him.

The dilemma of leading a double life eventually gets to Peter. He begins to lose his powers for pscyhosomatic reasons and he decides to give up his Spider-Man identity. While this decision brings him momentary happiness, the love of his life is still engaged to someone else, he is still struggling to make ends meet, crime and other mishaps in New York City continue, and a new supervillain soon enters his life.

Dr. Otto Octavius (Molina) is a brilliant nuclear scientist working for Oscorp, the company that Peter Parker’s best friend, Harry Osborn (James Franco), runs. Harry took over the company after his father, who was secretly the villainous Green Goblin in the first Spider-Man film, was killed in battle with Spider-Man. Dr. Octavius is working on a way to create fusion to supply a cheap energy source. During a live demonstration attended by Peter, Harry and Octavius’ wife Rosalie (Donna Murphy), the scientist unveils these robotic arms that he invented to help him handle hazardous materials in his fusion reactor project. He cybernetically attaches the arms to his spinal column to control them mentally. Dr. Octavius informs his audience that the arms have a form of artificial intelligence to help him but he maintains control with an inhibitor chip implanted on the arms.

Not long after the scientist begins his fusion demonstration, the experiment gets out of control because of an energy spike. The fusion reactor threatens everyone but Peter switches to his Spider-Man identity and shuts down the reactor. However, before he does this Rosalie is killed and Dr. Octavius is caught in an explosion that permamently fuses the arms to his spine and destroys the inhibitor chip. Later in a hospital, the AI took control of his robotic arms killed the doctors who attempted to remove them from Dr. Octravius. After he escaped from the hospital, it is clear that the AI took control of the scientist and goad him to rebuild the fusion reactor regardless of the danger. This leads “Doctor Octopus”, as the press dubbed him, to go on a criminal spree to get the funds and materials to complete his work, and in direct conflict with Spider-Man.

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A Look Back At Spider-Man (2002)

Spider-Man film mania is reaching new levels of excitement with the upcoming Spider-Man: No Way Home and Venom: Let There Be Carnage, and the revelation that the latest Spider-Man film will introduce the previous cinematic universes of older Marvel films into the Marvel Cinematic Universe (MCU). This was seen with appearances of the Spider-Man villains from the original Spidey films, which heralds many highly anticipated crossover events for future MCU films. With all this hoopla it is time to take a look at the original Spider-Man film trilogy that was directed by Sam Raimi from 2002 to 2007.

The very first film based on Marvel Comics’ most popular superhero, Spider-Man, helped usher in a new age of superhero films at the turn of the century that eventually changed the cinematic landscape.

For the longest time it seemed as if there never would be a live-action film about Spider-Man. Marvel Comics, then later Marvel Entertainment, had the hardest time properly adapting their properties into respectable films or TV shows. The best they achieved was The Incredible Hulk TV show from the ’70s. Then things turned around with the releases of Blade (1998) and X-Men (2000). With those film successes it was only natural for Marvel to turn to its flagship superhero.

Before Marvel was acquired by Disney, the film rights to their characters were sold to major and minor studios. This created a legal mess when it came to Spider-Man as it prevented a film from being produced. The best known effort was a film to be directed by James Cameron. Rumors had it that Leonardo DeCaprio was slated to play Peter Parker/Spider-Man, and the film would have deviated wildly from the famous comic book source. One of those changes was that instead of crafting web shooters, Spider-Man had the ability to shoot his own organic webbing. This turned out to be one change that survived in the eventual Spider-Man, released on May 3, 2002 and directed by Sam Raimi, known by fans for his Evil Dead and Darkman films.

Spider-Man is a largely faithful adaptation of the Marvel Comics story about Peter Parker (Tobey Maguire), a lonely and nerdy teenager in Queens, New York, who is bitten by a genetically altered spider during a class field trip at a laboratory. This updated the origin in that the spider was not radioactive as in the comics. During the ’60s radiation exposure was the cause du jour for how characters gained super powers. Of course, most people know better today that such exposure would have been fatal to living organisms such as humans!

Naturally, Peter developed spider-based powers because the venom from the spider’s bite changed his DNA. While he is elated with his new powers and physique he is pining for his next-door neighbor, Mary Jane Watson (Kirsten Dunst). She comes from a troubled home but hides her pain by exhibiting an outgoing and friendly demeanor. While the two seem attracted to each other she has a boyfriend with his own car. Being that he doesn’t have a lot of money, Peter decided to enter a wrestling exhibition to win money to buy a car.

He’s dropped off near the exhibition by his Uncle Ben (Cliff Robertson), who tried to counsel Peter about his growing pains, but the teenager disregarded him. For the wrestling match, Peter adopted a flashy costumed identity that covered most of his face and called himself the Human Spider. The announcer (Bruce Campbell in the first of many humorous cameos in these films) renamed him Spider-Man and watched in disbelief, along with the audience, as Peter took out his far larger opponent.

Looking for his reward, Peter is instead ripped off by the wrestling promoter, who refused to pay him over a technicality. After Peter left his office, the promoter is immediately robbed at gunpoint, and the robber was able to escape because Peter refused to stop him. This decision would later haunt him as the same robber killed Uncle Ben in a carjacking. Afterwards, Peter bitterly recalled his uncle’s message about “with great power comes great responsibility” and decided to use his powers for good as Spider-Man.

During Peter’s emotional journey, Spider-Man examined the story of Norman Osborn (Willem Dafoe), a billionaire industrialist and head of his company Oscorp. Facing competition and deadlines as a military contractor, Osborn subjected himself to an experimental chemical that enhanced his strength, durability and reflexes, but was driven insane. Peter and Osborn’s paths are intertwined as Peter’s friendship with Osborn’s son, Harry (James Franco), develops. Harry is also dating Mary Jane, but is aware of the mutual attraction Peter and Mary Jane have for each other. Meanwhile, Osborn adopted the armored identity of the criminal Green Goblin, and soon came into conflict with Spider-Man.

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