The Superman Movies Ranked

superman i superman returns

For decades, the Last Son of Krypton has appeared in non-comic book media like books, cartoons, serials, and TV shows. His popularity and standing grew thanks to the film Superman in 1978. As a franchise, the Superman films experienced ups and downs ranging from epic masterpieces to the type of garbage seen in Mystery Science Theater 3000. Having viewed the films recently these are my rankings for the Superman movies.

1. Superman (1978): This film has stood the test of time and become a genuine classic. There have been many superhero films that have come since this one, but it still holds up today in spite of its dated special effects and other drawbacks.

whos got youSuperman has a sense of awe and majesty in some moments, namely, the first acts in the planet Krypton and Smallville. At times some scenes in Superman’s hometown seem taken out of a Rockwell painting. It’s these quieter moments that lend an ambience to what we are watching.

Once Superman grows up and moves to Metropolis, the movie becomes a hybrid of a romance, light comedy and adventure yarn. At these points, Superman/Clark Kent encounters colorful types like his love Lois Lane (Margot Kidder) and nemesis Lex Luthor (Gene Hackman), who is both an amusing and devious foe.

More than an origin story about Clark Kent growing up to be Earth’s greatest superhero, Superman is a loving ode to classic Silver Age comic books. Thanks goes to director Richard Donner’s respect for the source material and Christopher Reeve’s masterful performance as Superman/Clark Kent.

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2. TIE: Superman II (1981)/Man Of Steel (2013): I couldn’t decide which of the two films is greater. They both have their strengths and weaknesses, but they’re so different in style and execution. So determining which is better depends on the viewer’s taste and preference.

Superman II is very exciting and captivating with an engaging story. Kryptonian criminals come to Earth and create havoc while Superman, unaware of their activities, gives up his powers to be with Lois Lane. As fun as it is, Superman II unfortunately is littered with plot holes and conveniences.

For starters, how is it that Luthor gains entry into Superman’s Fortress of Solitude (some security!). How come Superman never learns about this? More importantly why is he so clueless about Zod and his cronies until after he renounces his powers? Why give up his powers? Just to dance in the sheets with Lois? Given the scope of his decision, it makes him seem kind of irresponsible and naive. Plus, the ending has an even bigger cop out than the first movie.

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Still, the performances by Reeve and Kidder are stellar whenever they’re together on screen. Terrance Stamp, Sarah Douglas and Jack O’Halloran are formidable and vicious villains with Stamp’s Zod displaying a sense of regality and pompousness. You’re just itching for Superman and these super jerks to finally get into it during the film’s last act. The battle in Metropolis is fun and exciting, even if it lacks the scope and effects shown in Man Of Steel. However, at least Superman showed more concern for the innocent civilians caught up in the melee, unlike Man Of Steel.

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Producer Christopher Nolan and director Zack Snyder reinvigorated the Superman franchise with the epic reboot Man Of Steel. It’s a no-expense-spared spectacular with jaw-dropping and exhausting battle scenes that finally showcase the scale of Superman’s powers.

Many elements about Superman and his mythos are updated and feel refreshing. Henry Cavill does a fine job playing Superman/Kal-El/Clark Kent and echoes Reeve’s earnestness and humble nature. At the same time, Cavill makes the role his own as the role emphasizes Superman’s loneliness. We feel that he is an outcast who just wants to help out and find himself.

As Superman searches for his past heritage, MAN OF STEELGeneral Zod (Michael Shannon) arrives on Earth his small army of evil followers with the intent of capturing Superman and transforming the Earth into a new version of Krypton. Afterwards, Superman must not only contend with Zod and a mistrustful military, but with his dual heritage. There are many terrific quiet moments when he examines his humanity.

There are so many great things about the film but it has faults. Aside from common complaints about the music, the film needed tighter editing. It’s a long movie and it feels like one. Some fights seem to go on forever, leaving you wanting the whole thing to end already. Sometimes less is more as the saying goes. Continue reading

Mounting Pressure For A Justice League Film

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Now that Man Of Steel has proven to be a hit at the box office, demand has increased even more for a Justice League film. It’s unfair to Man Of Steel because the natural thing would’ve been for a sequel to that Superman film. It’s also unfair for the Batman franchise being that Christopher Nolan’s Dark Knight trilogy concluded last year. Normally, the focus on the franchise would have been on rebooting it not taking part in a team film.

What is driving the pressure for a Justice League film is the phenomenal success of Disney/Marvel’s film The Avengers. To say that The Avengers was a game changer isn’t a small statement. That film proved that it is feasible to present an entertaining, well crafted film that utilizes many characters from a shared cinematic universe. But it’s not unprecedented. Remember Universal Studios decades ago did this with their horror movie monsters fighting each other in films.

Lost Opportunities

Warner Bros. and DC should’ve gotten the ball rolling years ago and put references of the larger DC Comics universe into their DC films.

satelliteThey did put in very minor references in Batman & Robin (where Batman mentions Superman) and in Superman Returns (a PA announcement could be heard about a Gotham City train), but that was it. Christopher Nolan refused to have any mention of the other DC characters in his Batman films, so that opportunity was lost. Ditto with 2011’s Green Lantern. In Man Of Steel, Superman and Zod battle by a satellite that belongs to Bruce Wayne’s company, so that is a Batman reference. Plus, some there’s a blink-and-you-miss-it Booster Gold reference during a fight scene. Yet all this pales to Nick Fury’s surprise, substantial cameo at the end of Iron Man, which led to more Marvel Comics universe references in other Marvel films that culminated with The Avengers.

DC could go the same route but they don’t have the time. Fans want a Justice League film now. They’ve grown impatient with the studio’s glacial progress. Besides many higher ups in DC and Warner Bros. have stated that they don’t want to copy Disney/Marvel’s formula. Frankly, it would be the best thing to do, but with Disney/Marvel charging ahead and greenlighting films, Warner Bros./DC can’t afford to do that. It becomes a game of catch up and they’re way behind.

Nonetheless, many fans are going insane with the lack of communication from Warner Bros./DC on the status of the Justice League film.

This proves that they are taking this matter seriously and want to put out the best possible film. While there is pressure to make the film already, they don’t just want to rush out and slap something together. Given the failure of Green Lantern, Warner Bros./DC know they cannot alienate fans. Continue reading

Transformers Ride Comes To Orlando

trans rideI had the chance to go to Orlando recently and made a stop at Universal Studios Orlando. The theme park’s newest attraction is Transformers: The Ride–3D, which opened on June 20th. This is the third incarnation of the ride, the first two being in the Universal Studios parks in Singapore and Hollywood. Our contributor GEO raved about this ride last year when it opened in Hollywood, so I was very excited to try it.

After standing in line for over an hour in the summer heat and finally riding it, I’ll have to say that Transformers: The Ride–3D was underwhelming.

Don’t get me wrong, the pre-show and the setup are topnotch. But I wasn’t into the ride; something kept nagging me about it for the rest of the morning. Later that day, I went to Islands Of Adventure nearby and once there I realized what was wrong with the Transformers ride. I saw the sign for Islands Of Adventure’s attraction The Amazing Adventures Of Spider-Man and it hit me. The Transformers ride is a near copy of the Spider-Man ride!

For anyone who hasn’t experienced the Spider-Man ride, you get into a vehicle and put on 3D glasses. Then the vehicle zips off and you witness Spider-Man in huge 3D screens fighting his enemies as the car zooms from one spot to another. The entire thing gives the impression that you’re part of the scenes. This was revolutionary back in 1999 when the park first opened, and it still is. It is incredible that none of the rides since then have copied it, until the Transformers did it.

evacI guess I would’ve enjoyed Transformers: The Ride–3D more if it didn’t copy many moments from the Spider-Man ride. One example is when the vehicle you’re on is supposedly freefalling and saved before hitting the ground.

Don’t ask about the story, the ride follows the style of those awful Michael Bay films in that it’s confusing, loud and too much is going onscreen. It had something to do with the evil Decepticon robots led by Megatron trying to get something called the Allspark for who knows what reason. My friends told me this doohickey was featured in the films and is the soul of the Transformers.

There are appearances by the good Autobots like Optimus Prime and Bumblebee who help out your vehicle, who is actually an Autobot called Evac. To be honest, aside from some audio and a few shots of CG hands in the screen in front of me, I could barely tell we were riding inside a robot. Evac didn’t have much of a personality, he wasn’t like Bumblebee for sure.

The ride is largely a tug of war between Evac and Megatron, as the Allspark keeps switching hands. In the meantime, there are lots of explosions, slow motion shots and machinery being crunched and twisted. Probably the best thing about this ride is that it didn’t feature Sam Witwicky (Shia LeBeouf)!

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Maybe Transformers: The Ride–3D might’ve left more of an impression if it was more original in its moves or had better special effects. It was obvious that CG was used in the scenes and I wonder how these effects will hold up in the future. I think they’ll probably look dated before long.

Tranformers fans should love the ride, but I liked Transformers: The Ride–3D better when it was a Spider-Man ride.

Annette DeForrester

 

The Must-Read Book For The Summer: Max Brook’s World War Z

 

world war z coverTrends come in cycles. Recently the popular culture has seen the return of an old and familiar staple, the zombie. The Hollywood ghouls started out in the spooky black and white classics of the 30s and 40s, but they were branded into the baby boomer consciousness via George Romero’s 1968 classic Night of the Living Dead. To be fair, they’ve never been away much since, thanks to Living Dead‘s various sequels, semi-sequels, and remakes. But in 2002 British film wunderkind Danny Boyle gave the genre a shot of adrenalin with 28 Days Later, about a deadly virus ravaging London and turning survivors into hyperkinetic, psychotic killers. For zombie fans, the die was cast.

In 2003 writer Max Brooks – son of Mel Brooks and Anne Bancroft – wrote The Zombie Survival Guide (TZSG), a tongue-in-cheek “how-to” on surviving a zombie onslaught as society breaks down. TZSG was a New York Times best –seller thanks to its dark humor and occasional light tone. The book’s characteristics, however, did not mask the fact that underneath the surface it contained some very useful survival information, and it’s easy to see that Brooks did his research. His work must have fuelled a thirst somewhere, because a month later Image Comics began publishing Robert Kirkman’s The Walking Dead (now a hit TV series on the AMC cable network), describing the adventures of survivors of a zombie apocalypse.  The undead were officially back in style.

Not to be outdone, Brooks took zombies one step further and in 2006 came out with World War Z (WWZ), describing the entire history of a massive, deadly zombie onslaught – a war, basically between humans and the undead (“Z” for zombie, if you haven’t yet figured that out). The zombies are the same as those in TZSG, making the book a follow-up of sorts.  According to Brooks, zombies are humans re-animated by an incurable disease, spread by a zombie bite or having open pores exposed to zombie tissue. Taking a page from Romero’s model, they are slow, brainless creatures completely devoid of intelligence, whose sole instinct is to eat live flesh. They are incapable of tiring, cannot drown, and can only be killed by a blow to the head.

Other than that, WWZ is very different in style and tone than its slim predecessor. Patterned in structure after Studs Terkel’s classic oral history of WW2, The Good War, WWZ is not one story per se like Kirkman’s comic but rather a series of individual accounts telling the story from the initial sudden outbreak to mankind’s victory and the sad, weary aftermath.  The book’s narrator (in whose voice Brooks writes), a member of the (fictional) United Nations Post War Committee, is commissioned to interview survivors from mankind’s war against zombies.  Like a twisted travelogue, Brooks shuttles around the world, as survivors running the gamut from military, clergy, health services, government officials, security, and ultimately the average citizen describe their experience and the ghastly horrors they witnessed.

In a chilling opener, the story begins quickly but methodically. In a remote, rural province in China, a young boy goes diving for sunken booty with his father. His father is pulled down by something unknown and the boy escapes but is nipped on the heel.  The poor infected lad becomes “patient zero”, infecting others and kickstarting the zombie pandemic. Once the infection goes beyond the village, it acts as an out-of-whack Rube Goldberg contraption, setting in motion a chain of events that will change the world.  Infected Chinese refugees begin streaming across the border into Central Asia. Others fly out to Europe, bringing the infection to the continent. The Chinese government feverishly tries to halt the spread and invents a military crisis involving Taiwan to mask their armed build up and activities.  Only after hitting the poor South African ghetto townships does the world begin to take notice, calling it the “African Rabies”.  Israel is one of the first to respond, imposing a national quarantine, granting entry only to uninfected Jews and Palestinians, and calling out the Israel Defense Forces for border security.

Through the illegal organ trade, the infection reaches Brazil and once in Mundus Novus it begins to wreak havoc.  Zombies rip through an unprepared United States, as corruption, government incompetence, and overconfidence result in some heavy bungling and widespread deaths. Millions all over the world begin fleeing their homes for safety, as the “Great Panic” begins. At a major, decisive battle in Yonkers, New York, American soldiers fight a massive and frightening wave of undead as if they were fighting living soldiers. Using inappropriate techniques against an undead army – such as attempting to “demoralize them” – they fail miserably and the American forces are brutally defeated on live TV. Other countries encounter similar disastrous results and world civilization as we know it begins to crumble. Continue reading

Top Ten Sci-Fi Theme Park Rides & Attractions

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The highlight of any visit to a theme park for sci-fi fans are the sci-fi based rides and attractions. Whether derived from popular movies and TV shows or original creations, these rides and attractions feature top-notch effects and thrills and bring these fantastic worlds to life.

There has been some exciting developments regarding theme park attractions; notably Disney’s acquisition of the Star Wars franchise. Rumors are rampant that there will be a major expansion devoted to Star Wars in Disney’s Hollywood Studios. Meanwhile Universal Studios is celebrating their latest sci-fi attraction, Transformers The Ride–3D.

It may be thrilling to contemplate tomorrow’s attractions, but many memorable rides have stood the test of t10000time despite featuring outdated technology. What made them classics were how well they were executed or captured the mood of a film or TV show. This list celebrates past and current rides and attractions that fire up the imagination.

Please note, rollercoaster rides were left off the list because frankly, theming most rollercoaster rides are a waste. When riding those vomit rides, riders are zipping by so fast and hard on the tracks that no one can properly view or admire the rides’ sci-fi trappings.

10. Borg Invasion 4D (Star Trek: The Experience): This attraction was basically a 3D movie but wrapped around it was an interactive storyline where guests visited a Starbase that came under a Borg attack. Guests were then “evacuated” by Starfleet personnel into an escape shuttle, which was the movie itself.

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9. Dinosaur (Disney’s Animal Kingdom): Originally called Countdown To Extinction, the ride’s name was changed to its current title when the film Dinosaur came out in 2000. The premise is that a time-traveling jeep goes back in time to rescue an iguanodon, while the vehicle must avoid audio-animatronic dinosaurs, meteors and other dazzling effects. The herky-jerky ride is pretty rough but the sudden chaotic moves add to the excitement and suspense.

8. The Timekeeper (Magic Kingdom): The attraction was one of those Circlevision 360 movies Disney has all over Epcot’s World Showcase where standing audiences have a film played all around them. The Timekeeper was an android (voiced by Robin Williams) who transports the audience, Jules Verne and H.G. Wells throughout time. The finale that takes place in a futuristic Paris was simply stunning and immersed guests into a futuristic world.

mspace7. Mission: Space (Epcot): According to some astronauts, this ride does a great job of recreating a rocket launch. Centrifugal forces do a number on riders enclosed in narrow, claustrophobic stations that simulate a spaceship being launched and escaping Earth’s gravity.  Riders play specific parts as team members on their way to Mars. Mission: Space is so rough that a milder version of the ride had to be introduced.

6. Horizons (EPCOT Center): This long-gone pavilion at EPCOT horizonsCenter was a nifty dark ride that showed how early visionaries viewed our future (with nods to A Voyage To The Moon). The latter part of the ride showcased families living in futuristic environments like onboard a space station. The finale allowed riders to choose from three different future environments (desert, ocean and outer space) to explore.

5. Back To The Future: The Ride (Universal Studios): Possibly the greatest old-style simulator ride of all time before innovations like 3D were added to these types of rides. Visitors at Doc Brown’s (Christopher Lloyd) Institute of Future Technology had to ride a modified time-traveling DeLorean to chase down another DeLorean driven by Biff Tannen (Thomas F. Wilson). Huge IMAX screens and especially rough rides added to the illusion that the vehicles were time-traveling to different eras.

4. Terminator 2 3D: Battle Across Time (Universal Studios Florida): The 3D effects in this attraction still hold up today and the pre-show presentation is fun to watch. What is interesting is that it is the final time that director James Cameron worked with the stars from Terminator 2: Judgment Day, Arnold Schwarzenegger, Linda Hamilton, Edward Furlong and Robert Patrick.  In the attraction, a Cyberdyne Systems demonstration of their new primitive T-70 robots are interrupted by Sarah and John Connor, as well as the T-1000. Fortunately, the heroic T-800 Terminator comes to the rescue as the attraction seamlessly blends live-action and 3D effects.

spider ride3. The Amazing Adventures Of Spider-Man (Islands Of Adventure): This ride uses different technologies (3D, pyro effects, simulators, etc.) to create one of the most exciting rides ever. Riders board a news vehicle and encounter Spider-Man as he battles Doctor Octopus, Hobgoblin, Electro and others throughout New York City.  Riders are literally thrown into the dizzying, aerobatic action when Doctor Octopus uses an anti-gravity rifle to elevate the ride vehicle over skyscrapers, as he and his cohorts battle Spider-Man. It’s all a  wondrous blending of different effects that throws riders into the action. The way Spidey lands on the vehicle is still thrilling after multiple rides. The Spider-Man ride recently underwent an HD upgrade that adds even more eye-popping depth to the experience.

2. Star Tours: The Adventures Continue (Disney’s Hollywood Studios/Disneyland): This update of the vader 3doriginal Star Tours keeps the simulator ride refreshing by offering several different scenarios. The premise is largely the same, riders visit the Star Tours station and board a Starspeeder vehicle. This time, the droid C-3P0 accidently becomes the pilot of the vehicle that captures the interest of imperial forces, who are looking for a Rebel spy onboard the vehicle. Sometimes Darth Vader himself tries to seize the vessel using the Force The Starspeeder narrowly escapes and takes off to safely deliver the Rebel spy through random locations. They range from the ice planet Hoth to the desert planet Tatooine. Another bonus is that the ride is in 3D, but Star Tours: The Adventures Continue is so great that it doesn’t need the gimmick.

1. Klingon Encounter (Star Trek: The Experience): It really is a star trek expshame that Star Trek: The Experience closed because not all fans were able to go to Las Vegas to experience the Klingon Encounter ride/attraction. Guests were seemingly transported onboard the Enterprise D as it comes under attack by rogue Klingons. Thanks to the faithfully recreated details of the ship, including the bridge, guests were made to feel as if they were actually onboard Captain Picard’s ship. The actors who interacted with guests as Enterprise officers helped sell this illusion, as well as the shuttle ride that concluded the attraction. No other ride or attraction went to this level to immerse a guest and make him or her feel as if they’re part of the storyline. Paramount or CBS should really try to bring this encounter back somehow–but they should pick someplace more compatible instead of Vegas.

Honorable Mentions: The original Star Tours (Disneyland), Body Wars (EPCOT Center), The ExtarTERRORestrial Alien buzzEncounter (Magic Kingdom), E.T. Adventure (Universal Studios), Jurassic Park: The Ride (Universal Studios Hollywood), Buzz Lightyear’s Space Ranger Spin (Magic Kingdom), Transformers The Ride–3D (Universal Studios Hollywood), Honey, I Shrunk The Audience! (Epcot), and Men In Black: Alien Attack (Universal Studios Florida)

José Soto