The Coming Star Trek Renaissance

 

Not too long ago it seemed as if Star Trek was at a low point. Yes, the IP had a lot of attention thanks to its 50th anniversary, but it appeared that its corporate owners CBS and Viacom/Paramount Pictures could not fully take advantage of this event. There were many specials and such, but the only new product in 2016 was the film Star Trek Beyond, which did not do too well in the box office. In fact, to date it is the last Star Trek film to be produced. Then there was the backlash against both corporations when they came down hard on Star Trek fans with stringent, draconian guidelines regarding their ability to create fan films. At that time, aside from some TV specials, there wasn’t any original Star Trek content on TV. This was striking being that the franchise got its start in the television medium and flourished there.

However, CBS did announce at that time that a new Star Trek TV show, Star Trek: Discovery, was coming, except that it would only be available for subscribers of their new CBS All Access streaming app. So to see new Star Trek content on TV, one was forced to pay for it. This did not bode well for Star Trek: Discovery, and the show already had to face harsh criticism from disgruntled fans. Many of them balked at the design aesthetics, the cast that focused on women and people of color and different sexual orientations, and the fact that most of its season was devoted to a war. As Star Trek: Discovery debuted and failed to meet fans’ expectations, the franchise was further hobbled with the reports that a new Star Trek film was stuck in development hell. It seemed to be that as many cynics and haters were proclaiming: Star Trek was dying.

But the Star Trek franchise, as always, proved that it had life. Star Trek: Discovery began to find its legs and winning over skeptics. Its second season was light years better than its first with new cast members and better written scripts. This culminated in an epic season finale that rivaled anything seen in a Star Trek film and launched the series in a bold new direction while setting up respectfully the original TV show. That wasn’t all.

It was announced that there were other Trek shows in development. While the announcement was greeted with some interest it was Star Trek: Picard revelation that awoke the sleeping Star Trek fandom. The news that Star Trek: The Next Generation (TNG) star, Patrick Stewart, would reprise his iconic role of Jean-Luc Picard excited Star Trek fandom as did the news that the show would take place decades after TNG. This placated those who disliked the idea of reboots. It was clear that the original Prime Star Trek universe still existed and had stories worth exploring in it.

Star Trek: Picard was a much needed boost for the franchise as we fans eagerly wait for it to stream early next year. What added to the enthusiasm was the fact that Star Trek: Picard will feature other characters from TNG and even Star Trek: Voyager. This illustrates that the corporations finally recognized that they have their very own fictional universe to play with and utilize to its fullest. They have even given it an official name: the Star Trek Universe. We last saw this going on in the noughties with Star Trek: Nemesis and Star Trek: Enterprise. It is hoped that Star Trek: Picard will also feature characters and events from other series like Star Trek: Deep Space Nine and Star Trek: Enterprise. Additionally, there are two new animated shows coming soon and rumors of even more shows featuring the Klingon, Worf, and Captain Christopher Pike (as played by Anson Mount, who stole his scenes in Star Trek: Discovery’s second season). Even all does not seem lost on the film front. A Star Trek film directed by Quentin Tarantino is still being discussed. With all this, it can be said that a new Star Trek renaissance is upon us.

What is aiding the new coming Star Trek renaissance is that the corporations CBS and Viacom are merging and the two mediums they had the rights to, TV and film, can now fully interact with each other as last seen in noughties before both corporations separated from one another. So now full resources can be used for Star Trek with less of the corporate red tape over the usage of characters and situations.

Star Trek has faced many ups and downs throughout its fifty-plus years of existence. Some of its worst lows were after the original show and Star Trek: Enterprise were canceled. But time and time again after a lull, the franchise came back strong with renewed vigor. The upcoming shows and developments clearly show that Star Trek is coming back strong.

 

 

Spider-Man: Life After The MCU

The dust still has not settled over the shocking news last week that Spider-Man is leaving the Marvel Cinematic Universe (MCU). So much for making Spider-Man: Far From Home earn over $1 billion to keep Spidey in the MCU! As we all digest this huge turd sandwich and cling on to every nugget of hope that Sony Pictures and Disney/Marvel Studios can still work out a deal, it’s time to face reality and ponder on what happens next for our favorite Wall-crawler in live-action films.

As mentioned in the previous post, actor Tom Holland still is contracted to do one more Spider-Man film and right now plans for that film are going forward from Sony. The film studio has the right to do a Spider-Man film without Disney’s blessing but obviously, cannot have it connect to the successful MCU. Sony may feel they can get along fine without the MCU and it may very well be the case, but it’s a dangerous gamble now. The animosity towards Sony by many fans is well documented with campaigns starting to boycott any Sony Spider-Man or related film. The question is will this anger keep up next year when Morbius and Venom 2 premiere? If both films falter or just earn less than expected in the box office then it can be attributed to fan backlash and can force Sony back to the negotiating table. This may not happen but then again look at Solo: A Star Wars Story and the backlash it received for The Last Jedi.

One no-brainer way to entice Spider-Fans to make Venom 2 a success is to shoehorn in Spider-Man now that Sony has him. One thing the studio has in its favor is that many fans are dying to see Spider-Man meeting Venom and fighting Carnage. Yes, the two characters fought each other in Spider-Man 3, but that version of Venom was poorly received. The Tom Hardy version was a hit with with fans though the film Venom was not as well thought of. If Spider-Man and Tom Holland are forced to appear in Venom 2 do the filmmakers have the skills to make it an organic appearance rather than an obvious cash grab? We’ll see.

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The Tangled Web Of The Sony & Disney Spider-Man Debacle

Spidey out of MCU

AAARRGGH! We fans thought things were bad with the imploding DCEU and Henry Cavill and Ben Affleck’s departures, but now this! Superhero fans are still reeling from yesterday’s news that Spider-Man will no longer be in the Marvel Cinematic Universe (MCU). To say this was a surprise is putting it way mildly. It’s a bigger shock to our collective consciousness than Trump winning the presidency in 2016. We all thought things were going great between Sony, who owns the film rights to Spider-Man, and Disney/Marvel. Spider-Man: Far From Home is a smash hit, earning $1.1 billion dollars, making it Sony Pictures biggest money maker of all time. Disney’s Marvel Studios, which produced Spider-Man: Far From Home, is continuing to earn accolades as they sit on top of the box office world. The sharing of Spider-Man with Marvel Studios was for him to appear in six MCU films and so we all waited for news of when that film would happen and when the two film studios would announce a new deal extending Spider-Man’s presence in the MCU.

But it was not to be. Deadline reported that negotiations broke down between Disney and Sony after Disney demanded unreasonable terms. When the news first broke, everyone was out with the pitchforks for Sony because let’s be honest, their track record for their own Spider-Man films has not been great. Sure, they released the classic Spider-Man: Into the Spider-verse, which won the Academy Award for best animated film and Venom was a far bigger success than it had a right to be. But their last three live-action Spider-Man films have not enthralled the world and the studio was seeing diminishing returns for their efforts, which prompted them to make a deal with Marvel Studios.

dancing emo peter parker

The arrangement to share Spider-Man between the two studios worked beautifully for everyone. Marvel and MCU fans got to see comic book company’s most popular hero be a part in the MCU. Marvel Studios used their topnotch talent to create a Spider-Man that felt more faithful to his comic book source while being updated. This led to a revitalized interest in the hero as audiences responded positively to the MCU reboot of the Web-slinger. His presence in the last two Avengers films and Captain America: Civil War were delightful highlights and he gelled nicely with the larger MCU. Meanwhile, Sony was able to reap the financial rewards of the two Spider-Man MCU solo films, Spider-Man: Homecoming and Far From Home. One would think that the two studios would want to continue this relationship.

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One Giant Leap: Apollo 11’s 50th Anniversary

It may be all too easy to conveniently forget or dismiss the historic anniversary of the Apollo 11 moon landing given the current mess our world is in. It is also just as easy to get caught up in all the problems, both petty to serious, we face, from hateful political tweets to nuclear proliferation, from celebrity gossip to climate change. Yet, the fact remains that fifty years ago, humankind observed and celebrated its greatest technological feat with the first manned landing on our moon.

Of course, everyone knows of Neil Armstrong, the first man to walk on the moon, Edwin “Buzz” Aldrin Jr., the second man to walk on the moon, and Michael Collins, the command module pilot of the Columbia, which stayed in lunar orbit as Armstrong and Aldrin descended to moon on the lunar module Eagle. Their accomplishment was truly spectacular and took great courage considering the dangers they faced with relatively untested and primitive (by today’s standards) technologies. Neil Armstrong was always an understated, low-key person who quickly disappeared from the spotlight after his feat. This is part of the reason why not many know how suitable he was for the mission. In his career, Armstrong displayed a calm veneer and quick-thinking skills that were needed in the Apollo 11 mission. Before Apollo 11, Armstrong used these skills to improvise and save his life during dangerous tests and would do so again as the Eagle approached its landing spot. The astronaut saw as they approached the site that it was not a suitable place to land the Eagle, so he used his piloting and navigational skills to quickly find a new location with precious seconds to spare before the module’s fuel ran out. The mission was that close to failing but thankfully it was a huge success which momentarily united all of humankind.

Apollo 11 was one of the most significant milestones in our collective history because with this feat humanity was no longer Earthbound. We are now on the verge of becoming a spacefaring species thanks to the mission, which truly was one small step, but an incredibly important one. This is vital because by traveling into space we are taking steps to prevent our extinction. Of course, landing on the moon was just the beginning and as of now it will take much more for us to become a true space-dwelling species.

One downside to the Apollo mission is that it was fueled back in the ’60s by the Space Race between the United States and the Soviet Union. The U.S. was caught up in a struggle to get to the moon first, to achieve President John F. Kennedy’s goal of getting to the moon by the end of the decade. And this was accomplished 50 years ago, but afterwards, both superpowers took their eyes off the ball. Instead of expanding upon the landing and establishing a lunar colony, both countries focused their space efforts much closer to home. As we made numerous trips to low Earth orbits to set up space stations and conduct experiments the public’s interest in the space effort quickly diminished. Many became downright dismissive and openly (and loudly) wondered what was the use of traveling to space when we had more pressing problems down on Earth.

While these critics have a legitimate point, they overlooked the long-range benefits of space travel and even the immediate ones. For example, after the Apollo program closed down in the ’70s, many of the technicians involved in the program eventually migrated to the computer field. Many of them were considered geniuses and many organizations involved with computers took advantage of this. They were able to use their expertise and knowledge to help drive the marvelous Computer Age that we live in. This is stunning when you consider that the computer that ran the Eagle spaceship was far weaker than any cellphone. As primitive as the computers were during the Apollo mission they paved the way for the computer renaissance today.

However, computers and other technological innovations are not the primary legacy of Apollo 11. Thanks to the efforts of the Apollo 11 astronauts and everyone involved, the imagination was fueled for many of today’s entrepreneurs who have an eye toward space. These include Elon Musk, Jeff Bezos, Richard Branson, and Robert T. Bigelow. They are actively improving and creating new space technologies such as the resuable Falcon 9 rocket–a true successor to the Apollo’s Saturn V, inflatable space habitats, and more. Private companies are now paving the way to fully return us not just to the moon but to Mars itself. So even though it may seem as if we had reached a dead end with the lunar landing 50 years ago, the fact is that there was merely a delay. We are on the cusp of the next great Space Age where the Space Race won’t be between nations but companies as they rush to reach the red planet. There will be mishaps and setbacks but in the long run these will be mere blips in our future history of being space dwellers.

Thus, 50 years later, Apollo 11 continues to impress and inspire countless of others who will carry forth our species into the stars. Collectively, we will always commemorate and celebrate this historic moment for our species because as Neil Armstrong himself famously said when he took his first step on the moon, “That’s one small step for man, one giant leap for mankind.”

Walter L. Stevenson and José Soto

All 23 MCU Films Ranked

The Marvel Cinematic Universe (MCU) has been with us since Iron Man in 2008 and has been comprised of three phases. Twenty three films later, the MCU’s Infinity Saga is now complete with the release of Spider-Man: Far From Home, which heralded the conclusion of Phase Three of the MCU.

Now it’s time to rank all the MCU films to date. We’ve done this before back in 2015 when Phase Two ended but since then eleven more MCU films have been released which changed the previous ranks of films. Also, upon further viewings the older MCU films have either aged well and are actually higher ranked or are haven’t aged well and went down in ranking.

Looking back at the films, it is remarkable and necessary to note that there isn’t a terrible film in the lot, which is amazing considering there are 23 films. Even the lowest ranked films have their merits and are better than many other films of different franchises. Not all the films are classics, but almost all are solid and enjoyable superhero films that are among the best of the genre.

23. Thor: The Dark World (2013)

Coming in at the bottom of the list is the first sequel to Thor. Despite Chris Hemsworth’s star power and natural charisma as the God of Thunder, Thor: The Dark World is a very routine superhero film that is quite forgettable.

It has its moments such as Tom Hiddleston, who is always reliable as the mischievous Loki and the final fight. But the film was listless and wasted Christopher Eccleston’s talents as Malekith, an uninspired enemy with lazily thought-out motives and background.

22. Iron Man 2 (2010)

This sequel to Iron Man could have been good, even great. It featured many interesting subplots and with some tinkering the villains could have been among the MCU’s best. Instead, we got a mishmash of conflicting plots that don’t go anywhere.

Thanks to the film’s scattered tone, Tony Stark regressed in character and reverted back to being an unsympathetic, narcissistic jerk. Adding to the flaws was that it was obvious that the film was being over-managed by film executives who wanted to use it to lay the groundwork for the MCU instead of ensuring this was a good film in its own right.

21. Ant-Man and the Wasp (2018)

This sequel to Ant-Man is not a poorly made film, it has many fine merits such as a winning cast and great effects. The problems with Ant-Man and the Wasp is that it doesn’t have the same energy as Ant-Man, often the humor comes off as forced, and feels more pedestrian than its predecessor. Not even the unusual sight gags are as funny or inventive as in the original.

Making matters worse is that the film featured some of the worst villains in the MCU. They make the much-criticized Yellowjacket in Ant-Man seem like Thanos, yes, they’re that uninteresting. Still, it’s not a bad film but should have been so much better.

20. Avengers: Age of Ultron (2015)

The first sequel to The Avengers is sometimes frustrating to watch because it reeks of 1) wasted potential and 2) having too many cooks in the kitchen or rather execs in the editing room. Reportedly, director Joss Whedon was ordered to include scenes and subplots that had little to do with the main story and his frustration showed in the final product.

But worse than that, Avengers: Age of Ultron felt by the numbers and crammed with too many characters. It was unable to recreate the fun and energy of the first film. But, there are some terrific sequences, namely the battle between the Hulk and the Hulkbuster and the party scene where Steve Rogers nudges Thor’s immovable hammer, so there is that.

19. Captain Marvel (2019)

This is a fine, decent film that does a better than expected job of showing how the modern MCU was set up. More than that, Captain Marvel expands the cosmic side of the MCU while laying the groundwork for the future of the cinematic universe.

What holds this film from ranking higher is that it’s rather flat at times and feels like a formulaic superhero film. Captain Marvel is alright for what it is, but it doesn’t truly stand out like many MCU films. Making things worse is Brie Larson’s sometimes wooden performance as the title character.

18. Doctor Strange (2016)

The Sorcerer Supreme’s debut film might have ranked higher on the list if only it didn’t feel like we’ve seen this kind of film before. An arrogant tool learns some humility and becomes altruistically heroic in time for the end credits. This doesn’t mean that Doctor Strange is a bad film, not at all. It’s professionally put together with amazing special effects and imagery that has never been seen before. Plus, Benedict Cumberbatch is an inspired casting choice for the title character.

However, Doctor Strange sometimes feels formulaic and routine in between the hallucinogenic magic shows. Downgrading the film further is its main villain, a rather forgettable evil wizard with murky motivation and cliché dialogue. More screen time should have gone to Dormammu, the ultimate big bad revealed at the end. The confrontation between Doctor Strange and Dormammu was ingenious and its resolution was a welcome change from the typical fisticuffs.

17. Iron Man (2008)

As the very first MCU film, Iron Man holds a distinctive place in many people’s lists. No doubt, the success of the cinematic universe is due to this solid superhero film that defied the odds. Before it was released, many doubted that the burgeoning Marvel Studios could pull off a successful superhero film with a B-list character. Thankfully, they were proven wrong. Robert Downey Jr. shone in the role of his career as Tony Stark and was one of the main reasons why the MCU took off.

But looking at it objectively, the film has its faults. After a thrilling and engaging first half, it bogs down as we impatiently wait for Stark to build and use the iconic red-and-gold Iron Man armor. The villain didn’t help matters either. Jeff Bridges is OK as Obadiah Stane but didn’t have much presence and this lessened the final conflict between the two. However, the film’s post-credits scene was a true zinger and gave birth to the MCU.

16. The Incredible Hulk (2008)

The only solo Hulk film from Marvel Studios is its redheaded stepchild, which is a shame. There are so many admirable qualities to the film and it revamped the character after the ill-received film version from 2003. Besides, The Incredible Hulk was a favorite film of someone very dear to me, so it holds a special place. The film is often overlooked but it’s important to the MCU. As the first film after Iron Man it featured many references and Easter eggs that helped solidify the MCU. It also was the first MCU film to crossover characters as seen with Tony Stark’s appearance late in the film.

The film cleverly echoed the vibe from the successful TV series of the 70s and 80s by having its tortured hero Bruce Banner living life as a fugitive as he tried to cure his condition of turning into the Hulk. In his only appearance as Banner, Ed Norton, successfully captured the essence of his comic book counterpart in that Banner was a geeky, unassuming man who had a lot of pent-up rage. He actually was better at the role than Mark Ruffalo, but alas, studio politics and Norton’s actions during filming prevented him from reprising the role.

15. Black Panther (2018)

It may be heresy to admit it, but while Black Panther is a groundbreaking and captivating superhero film (and the first one to be nominated for a Best Picture Oscar), it is overrated. Taking away its world building, merits and cultural impact, Black Panther has its flaws like some cheesy CGI and it takes a while for the film to take off during its first act. But when it does, wow, it soars off with great velocity. This happens when T’Challa directly faces the film’s villain Killmonger.

tchalla and killmonger

Michael B. Jordan is one of the film’s greatest assets as the savage Killmonger thanks to his compelling back story. His story intertwines finely with the film’s theme about the actions and sins of our fathers defining and shaping us. Once Killmonger enters the stage to claim the throne of Wakanda, the film grabs you much more than the eye-popping visuals of the advanced African country.

14. Iron Man 3 (2013)

Believe it or not, Iron Man 3 is a very well done film and unbelievably the best Iron Man solo film with exciting sequences. It created a lot of controversy when it was released due to the nature of the villains and certain plot twists. This turned off many fans, but the twists were genuine surprises that paid off.

What makes Iron Man 3 stand out is that it was basically a deconstruction of the title hero. We got to see Tony Stark at his most vulnerable as he grappled with PTSD from the events of The Avengers, and this made him more human. We saw there was more to this wounded man than his snarky jokes and false bravado. Then we saw how heroic and resourceful he was without his armor. This film certainly deserves another, more objective look.

black and red spidey

13. Spider-Man: Far From Home (2019)

There are many plot holes in the second Spider-Man MCU film, but it’s a blast with so much heart and boasts some of the greatest MCU post-credits scenes. As with the previous Spider-Man film, this followup showcases the precarious balance that teenage superhero Peter Parker holds between his normal high school life and that of his web-swinging, heroic alter ego.

spidey and mysterio

There are many memorable sequences and laughs, though not all of them land. Overall, the film is fast-paced and engrossing with dazzling effects and fights. The main cast has perfected their performances in this sophomore effort. One of the highlights is Jake Gyllenhaal who plays the villainous Mysterio with obvious glee. The fight scenes between him and Spider-Man are some of the MCU’s best and at times emulate the trippy nature of the Spider-Man/Mysterio fights featured in the comics.

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