Sorry Folks, No X-Men Or FF In The MCU For A While

XMEN in MCU

Many of us were disappointed when we learned last week that there are not any immediate plans to integrate the X-Men or the Fantastic Four into the Marvel Cinematic Universe (MCU). In an interview with Vulture, Marvel Studios head Kevin Feige stated that it is too soon to stick the newly acquired properties into the MCU and that Marvel Studios is busy with their current slate of heroes.

As disappointing as that is, it should not come as a surprise. First of all, despite all the news in December 2017 about Disney buying most of 21st Century Fox’s intellectual assets, it is not a done deal yet. It will take at least a year for the deal to be finalized and approved by the government and, of course, there can be roadblocks, which would disrupt immediate plans for the Marvel mutants and the First Family of comic books. Coming right out and making that statement was the safest thing for Feige to admit. The statement is a good way of letting fans know to not get their hopes up that the X-Men or the Fantastic Four will somehow turn up in the next two Avengers films.

To shoehorn these new characters into carefully planned films and TV shows would be too disruptive and ruin the narrative flow. They have to be naturally introduced into the MCU because that universe is not set up for mutants and their baggage, although it will be easier with the Fantastic Four. The X-Men property is built on the premise that mutants are widely feared and disliked by normal humans. This would not gel with the MCU where for the most part, superhumans are better received. In the comic books, although both mutants and superheroes co-exist, the way they are treated does not make sense. If normal people distrust mutants because of their powers, shouldn’t they feel the same way about superheroes? Comic book events like Civil War addressed this but the dichotomy still exists. Besides the entire humans-fearing-superhumans motif has been addressed in the MCU with Inhumans as seen on Agents of S.H.I.E.L.D. and Inhumans. Last we heard both TV shows are nominally part of the MCU.

Look at the bright side, the time being given to integrate the properties allows Kevin Feige and Marvel Studios to have some breathing room. They can take their time to figure out how to integrate mutants and the Fantastic Four and just as important, who to cast in the roles. Despite what some may hope, it is likely that Marvel Studios will recast the iconic roles. This is a great opportunity for the Fantastic Four who’ve had terrible casting in the Fox films, but for the X-Men this can be traumatic for fans. Also, after the slated Fox X-Men films and TV shows run their course, it would be a good idea to give the properties a decent rest so when they make their comeback, the level of interest will be intense.

All we need is some patience and hope that at the very least some cryptic references about the X-Men and the Fantastic Four can be made in next year’s MCU films and beyond.

Lewis T. Grove 

Star Wars: The Last Jedi Is A Polarizing, Mixed Bag In The Star Wars Saga

This review for Star Wars Episode VIII: The Last Jedi is coming later than usual because I wanted to think about the film I saw on opening weekend before plunging ahead with words about its merits…and faults.

The first part of this review will be spoiler free and talk about the latest Star Wars film in general terms. The second half will discuss in more details my impressions, which will go into spoiler territory.

Star Wars Episode VIII: The Last Jedi continues the saga of the universal struggle between good and evil in a distant galaxy. It takes place shortly after the last film where fledgling Jedi, Rey (Daisy Ridley), finds the long-lost Jedi Master, Luke Skywalker (Mark Hamill) on a distant planet called Ahch-To. She wants to be trained and enlist Skywalker’s help in the struggle against the First Order, the despotic government that rose from the ashes of the Galactic Empire.

Meanwhile the ragtag group she belongs to, the Resistance, is in dire straits and on the run from the First Order. Its leader, Snoke (Andy Serkis), and his apprentice Kylo Ren (Adam Driver), are determined to wipe out the pesky Resistance once and for all and destroy Skywalker, who is the film’s titular character. This largely sums up the plot of Star Wars: The Last Jedi without giving anything away.

The eighth film in the main Star Wars trilogies is a mixed bag. There are so many powerful moments and unpredictable developments. These will resonate not only with fans, but with the overall saga. Admittedly, this film borrows elements from The Empire Strikes Back and Return of the Jedi, but only superficially. Certain expected narrative beats never occur and the film left me guessing as to what would happen next. The unpredictable nature of the latest Star Wars film will leave viewers unsure about the fate of characters, which creates genuine tension. We genuinely wonder if certain characters will survive by the end of the film. The film also takes time to examine the Force, the mystical energy wielded by the Jedi and the bad guys. Unlike those stupid midichlorians, the Force in this film rightfully returns to its metaphysical roots as the film explores its nuances. For the eighth film in a franchise to be this unpredictable and out of the box is a testament to the skills of writer and director Rian Johnson.

Unfortunately, there are too many flaws in logic and gaping plot holes that cannot be waved away with a Jedi mind trick. As skilled as he is, Johnson failed to think through the plot. Too often, we keep asking “why did so and so do that? Why don’t they just do this and be done?” This is a problem Johnson displayed with his acclaimed (and overrated IMO) film Looper, where cool concepts were undone by flaws in narrative logic. Honestly, this makes me wonder about the quality of the new trilogy he will oversee.

Just as crippling is the film’s pace. It starts with a blast, but meanders in the middle and feels uneven, though the final 45 minutes are terrifically nail biting. Certain characters fly off on meaningless quests in scenes that could have used another pass in the editing room. Other characters are given well-rounded and satisfying arcs that allow them to grow and change. Others should have not appeared at all.

No matter where one stands with it, Star Wars Episode VIII: The Last Jedi is a very polarizing film. It is unlike previous Star Wars films, which will disappoint many fans. On the other hand, story and character wise, Star Wars: The Last Jedi strikes bold new directions that anyone would have to admit bring new and much-needed wrinkles to the Star Wars saga.

Alright, this is the final warning for anyone who has not seen Star Wars Episode VIII: The Last Jedi and does not want to be spoiled.

 

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Disney Buys Fox And Becomes An Entertainment Supergiant

We’ve all been expecting this for weeks with all the gossip and innuendo. Some salivated over the idea of an expanded Marvel Cinematic Universe (MCU), others feared the rise of a modern-day monopoly. Regardless of opinion, the Walt Disney Company has bought a significant portion of 21st Century Fox and in the process, regained the film rights to several Marvel Comics properties and now own several other intellectual properties. This is truly staggering news and a legitimate cause for celebration and concern.

To be clear, Disney has only purchased (for $52.4 billion) the film division, 20th Century Fox, the Fox TV shows, assorted channels like FX and National Geographic, and other divisions of Fox. These include Sky and a majority share of the Hulu streaming service, while Fox will retain its sports and news divisions.

MCU fans may feel that the biggest prize of the purchase has been the film rights to the X-Men, Fantastic Four and Deadpool, but those are just fringe benefits. Disney would have regained those rights even if Fox was sold to another party. Instead, Disney wants to have a significant film library for its coming streaming service and the Fox properties will provide that. In addition to the missing Marvel properties, Disney now owns several franchises and intellectual properties, which include: Planet of the Apes, Alien, Avatar, Titanic, Ice Age, and The Simpsons. Some of these IPs are a strange fit for Disney since the company is renowned for its family-friendly fare, but more adult offerings are not unheard of for the entertainment giant. Disney once owned Miramax, which produced mature films during its time with Disney. Also, Disney CEO, Bob Iger, assured fans that their Marvel films will explore R-rated offerings, which means that Deadpool should be safe for now.

But will Disney produce hard R-rated fare like the Alien films? They might, but it is possible that they may just sell the IPs to another studio to help recoup some of the mammoth cost of the sale. Other IPs like Avatar and Planet of the Apes should fit well with Disney. After all, Avatar has a heavy presence as a themed land in Disney’s Animal Kingdom park and Planet of the Apes is an obvious addition to the same park.

Bob Iger also announced today the fate of the X-Men films. It was speculated before the sale was finalized that the X-Men films might remain in their own separate continuity or relegated to TV shows for the streaming service. Instead, Iger said that the X-Men, Deadpool and Fantastic Four will be integrated into an expanded MCU from Marvel Studios. The Fantastic Four are an easy addition to the popular cinematic universe and their inclusion is to be celebrated because Fox’s attempts at Fantastic Four films have been terrible. However, the X-Men are a different matter. For the most part, the films worked and adding them to the MCU may make that cinematic universe too crowded. Their addition could take attention away from lesser-known Marvel properties that could have seen their day in the sun. Films like Guardians of the Galaxy, Doctor Strange and Ant-Man may not have been possible if Marvel Studios owned the X-Men back then. Will the big purchase mean that these kinds of films won’t be made in favor for the new mutants on the block? It is hard to imagine Marvel Studios releasing three films per year as it now does and a mutant film or two. This will certainly create superhero fatigue. Plus, how good will the MCU X-Men films be? Will they be hard hitting and successfully tackle the mature themes of bigotry that the current films do?

Right now, Marvel Studios has the task of recasting the X-Men, including Wolverine, and Hugh Jackman has stated that he will not return to the role. Luckily, the film studio has had a good streak when it comes to casting their superheroes. On the other hand, expect the current X-Men film universe to end. This does not mean that upcoming films like Deadpool 2, The New Mutants and X-Men: Dark Phoenix will be canceled. Those films are complete and will be released as planned. But a sequel to The New Mutants is unlikely and the “Dark Phoenix” story may be a fitting conclusion to the films. Another thing to consider is that the X-Men films, for better or worse, are associated with director Bryan Singer, who’s had problems lately with allegations of sexual abuse and unprofessional conduct on film sets. Ending the X-Men films and starting over fresh is Disney’s best option, with the sole survivor being the Merc With a Mouth. He may have a thin connection to the MCU like the Marvel TV properties do and be the snarky commentator of the film universe.

When the dust clears, Disney will have a monumental job of integrating all these properties and divisions into its entertainment empire. Will it be too much for them? Possibly. As mentioned before, it may be best for Disney to sell off some of its IPs or divisions or simply shut them down for the time being. Another thing to consider is will all this disperse the company and dilute it? Iger and his executives may believe they can handle, but they may have bitten off more than they can chew. We will not know for a while.

The most disturbing aspect of the mega purchase is the explosive growth of Disney. They now have their expansive tentacles in many parts of our lives and our entertainment. Under normal circumstances, this sale may have been opposed by the government, but that is unlikely these days. This may take years, but perhaps the company may be forced to get rid of many properties and divisions before they assume too great a control over our entertainment venue.

There are so many details that are unknown to the general public and we won’t know for some time. Until then all we can do is wait and keep an eye on new developments, which will be covered here as they happen.

To think it all started with a mouse.

José Soto

Finally! The Avengers: Infinity War Trailer Is Upon Us!

Marvel Studios has teased and aggravated us ever since the D23 Expo and this past summer’s Comic-Con. Attendees of those events were treated to an exclusive look at a teaser for next year’s Marvel Cinematic Universe (MCU) epic Avengers: Infinity War. However, the rest of us poor peons were left in the dark, having to console ourselves to grainy, weird-angled bootleg footage of the trailer. While the footage’s quality was crappy to be kind what we saw got us excited! Seeing the Guardians of the Galaxy meeting Thor; Spider-Man, Star-Lord and Doctor Strange teaming up; Steve Rogers in his post-Captain America outfit; Thanos beating the snot out of the Avengers. It was astounding and we fans melted the Internet screaming and begging for the trailer’s official release. We wanted to see the finale of the MCU! But Marvel Studios would not relent. Until now. But they went one better…behold the official trailer for Avengers: Infinity War.

Whew! That is one hell of a trailer. Things look mighty bleak for our Avengers as they meet their match. This trailer alone makes Avengers: Infinity War the most eagerly anticipated movie for next year. Love the line from Black Panther, “Get this man a shield!” The only quibble is that it did not have enough if the Guardians of the Galaxy! From the looks of it, as my mom likes saying, Avengers: Infinity War will be a fitting finale to the decade-long MCU, the greatest film franchise of all time. Yes, even greater than Star Wars! But let’s be real people, this is just a trailer. Hopefully, the film, directed by the Russo Brothers, will be more like Captain America: The Winter Soldier and less like Avengers: Age of Ultron. Six months to go, more or less.

Waldermann Rivera

The Fallout From Justice League

Come together

This was not how things were supposed to turn out for Warner Bros. and DC. Justice League, the culmination of the studio’s version of their own shared cinematic universe, is not getting the reception they were expecting. The film’s main selling point was the fact that it featured the long-awaited teamup of DC Comics’ greatest superheroes, Superman, Batman, Wonder Woman, the Flash, Aquaman and Cyborg. However, its opening weekend take was only $94 million, the lowest for any film in the DC Extended Universe (DCEU). It’s being ravaged by critics and it’s not drawing in the numbers it should be. Now, Justice League’s weak performance brings up a very important question, where does the DCEU go from here?

DCEU’s Uncertain Status

It is foolish to think plans for the DCEU will continue as if anything is wrong. Something has to change. Surely, Warner Bros. executives are taking a long, hard look at their superhero franchise and determining how viable it is. Expect announced films to be canceled, new personnel, and other radical changes to the DCEU, including a reboot.

The DCEU will not suddenly go away. Right now, Aquaman has finished filming and is slated for next year. Then a sequel for the successful Wonder Woman will certainly be made given Wonder Woman is the DCEU’s biggest hit. A Shazam film is also slated to begin filming next year to join the Wonder Woman sequel for release in 2019.

An Aquaman solo film…dig it

After that things get murky. There will be a Batman solo film directed by Matt Reeves, but that has been mired in controversy. Originally, Ben Affleck was to direct and star in The Batman, but the actor/director has had a falling out with Warner Bros. and first it was announced that he would only star in The Batman. That began the Internet rumblings that he would vacate the role, which is too bad since he is quite good as Batman. Adding fuel to the fire are Affleck’s recent statements suggesting that he is ready to move on from the role. At this point, it may be easier for DC and Warner Bros. to set the film apart from the DCEU.

Affleck’s swan song?

To date, there aren’t any solid plans to give Superman a sequel to Man of Steel and it’s unknown if it will ever happen. Henry Cavill, who portrays Superman, is contracted for one more film and it is possible that Warner Bros. and DC may just have him appear in someone else’s film before recasting the role. It is a shame because Cavill, like Affleck, has done an excellent job in portraying the superhero, but it is not the end of the world. As we saw with Spider-Man it is fairly easy to replace actors, though overall, it is regrettable that we may never see a full evolution of Superman into a beacon of hope as shown in the end of Justice League.

Other projects with uncertain fates include Batgirl, Gotham City Sirens, Green Lantern Corps, Cyborg and a Suicide Squad sequel. Given the problems Warner Bros. has had with its core superheroes it may be best to put those projects on hold so they can right their cinematic ship.

A Flashpoint To The Future

On a related note, a Flash solo film has been stuck in development hell for years as writers and directors join then leave the project. Most recently, the film is supposed to be an adaptation of the Flashpoint mini-series where the Flash time travels and resets the DC Universe. Using this storyline would give Warner Bros. a convenient way of rebooting the DCEU, but the story, with its alternate takes on characters and situations, sounds expensive and may go over the heads of casual viewers. It would be easier for the film studio to just do a hard reboot without any explanation. This has worked in the past for other franchises, and the one instance where time travel was used to reboot a franchise was Star Trek and it left fans with a bad taste.

Flash to the reboot/rescue?

One option for the studio is to repeat what happened with Wonder Woman. The solo film was set in the past and largely apart from the DCEU. Reportedly, the sequel will also take place in the past and this example could be a way to ease out of the DCEU. The same thing can be done with Aquaman and Shazam; remove references to the DCEU and focus on the characters. That is why Wonder Woman succeeded. Concentrate on solo films with little to no references to a larger universe and let the shared universe grow organically.

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