The Heart and Soul Of Guardians of the Galaxy, Vol. 2


GOTGV2 poster

Guardians of the Galaxy, Vol. 2 (GOTGV2) is exploding onto screens everywhere and kicks off the summer season with a big blast that goes for the heart. For those keeping count the sequel to the hit film Guardians of the Galaxy is the latest offering from Marvel Studios and its popular Marvel Cinematic Universe (MCU).

Like most sequels, Guardians of the Galaxy, Vol. 2 tries to outdo the original, despite what writer and director James Gunn claims. It does not quite get there but like a true, notable sequel it sets out to be different and in that aspect Guardians of the Galaxy, Vol. 2 succeeds so overwhelmingly.

The film takes place shortly after the last film as the Guardians of the Galaxy are doing mercenary work for a galactic civilization called the Sovereign. The opening credits showcase the galactic misfits at their very best and reunite audiences with the loveable bunch. The team includes Earthling Peter Quill aka Star-Lord (Chris Pratt), former assassin Gamora (Zoe Saldana), the too-literal Drax (Dave Bautista), the cybernetically enhanced Rocket Raccoon (voiced by Bradley Cooper) and the tiny plant being Baby Groot (voiced by Vin Diesel). Right off the bat the adorable Baby Groot steals the spotlight with his oh-so-cute antics as the rest of the Guardians fight this gigantic monster squid thing. His scenes throughout the film will bring many “Awwws” and laughs and sure he is an obvious merchandising wonder, but Baby Groot is just so endearing that only truly embittered grouches will mind him.

baby groot and bomb

As with the previous film, GOTGV2 starts off with a toe-tapping soundtrack of oldies but goodies during the opening credits. The selection of songs is quite good, but unlike the original which featured some rousing classics, the songs for Guardians of the Galaxy, Vol. 2 are more reflective of the film’s themes.

This film is quite exciting and funny, in fact, many skits and jokes outperform the original. However, one drawback it has when compared to the original is that its main plot meanders at times. There is a story, and it deeply affects our heroes, but GOTGV2 focuses more on character. The plot isn’t as important to the film as is exploring the heart and soul of the Guardians.

Without revealing too much, the Guardians go on the run from the Sovereign because Rocket stole some batteries from them. The Sovereign are a snooty bunch of religious fanatics who are deeply offended that Rocket stole from them and start hunting down the Guardians.

Peter quill and ego

As our heroes evade the Sovereign they also have to deal with their old foes the space pirates called the Ravagers and Peter Quill meets his father, Ego (Kurt Russell). Encountering his father leads to Peter on a journey of self discovery as he learns about his true, half-alien heritage. Meanwhile, the other members of the team come to realize some truths about themselves and how they feel about others. During all this self-reflection the Guardians of the Galaxy stumble upon a terrible revelation that threatens the entire galaxy.

Rocket and baby Groot

Whereas, the first Guardians of the Galaxy was a great big adventure that kept building up to a climax and had a clear villain, this sequel has a different approach. GOTGV2 starts off as another whacky day filled with thrills, jokes and putdowns, but the pace lets up in the middle. This sacrifice in momentum and pace was done to give the characters development that adds dimension to them. It may turn off some people expecting a retread of the first film, but others will appreciate the successful efforts to develop not just the main characters, but returning supporting characters.

The central theme Guardians of the Galaxy, Vol. 2 focuses heavily on is that of family and friendship. Peter Quill and the others are given time to reflect on family and what that concept means to them. Sometimes these ponderings and musings are too on the nose and are part of the reason the film’s pace slows, but in the end, they help us to care more about the characters. More importantly their growth as characters are more genuine and earned. On the whole, this different atmosphere gives the film a more mature tone with appropriate heart-tugging moments.

The one standout character who benefits from the film’s tone is the Ravager leader Yondu (well played by Michael Rooker). His character is unexpectedly more developed and he is allowed to show that underneath his tough exterior he has a heart that redeems him. The scenes with him and Rocket run the gamut from hysterically funny to poignant as their souls are laid bare to each other. They make a terrific team and are some of the film’s highlights.

Guardians-of-the-Galaxy-Vol-2-Yondu-and-Rocket

Even the film’s villain is given screen time to show different characteristics. Unlike the first film’s one-dimensional Ronan, the villain of GOTGV2, who is eventually revealed later in the film, is a more interesting character which allows the final confrontation with the heroes to feel more personal. The gradual unveiling of the villain is another reason for the sequel’s slower tone, whereas with Ronan it was clear he was the main foe and this kept the Guardians constantly on the edge. Here, the characters contend with lesser villains like the Sovereign, who are as monotone as their gold skin tone and Yondu’s Ravagers. As to how GOTGV2’s main villain measures up is hard to say. The MCU has been criticized for featuring relatively weak villains, but the one featured in Guardians of the Galaxy, Vol. 2 is more notorious and stands out more.

All told, Guardians of the Galaxy, Vol. 2 is not an inferior sequel. It stands up quite well to the original and is solidly in the upper echelons of the MCU films. It has so much to offer and though it tries a bit too hard to be something different and more introspective it is more heartfelt than the original. The worlds explored, especially Ego’s planet are truly stupendous and otherworldly. Each scene fills the eyes with bizarre colors and images and most of the jokes and sight gags come at the right moment with near-perfect timing. The action scenes are wild and dizzying with terrific special effects and are strengthened by the presence of the beloved characters. Without all the character development the big action pieces, particularly in the final act would have had less impact, and we would have been less emotionally invested in these endearing characters. Each of the main team members are allotted amble screentime to display many nuances from Peter’s insecurity over his attraction to Gamora to Rocket’s caustic act being used as a way to hide his inner pain. There is much more than can be listed here. This is why in the end, James Gunn is validated for spending more screen time on these quieter and pensive moments.

Even though, the film isn’t well connected to the Earth-based MCU, it is bursting with many Marvel Easter eggs and shows many potential stories that can be developed later. It will take more viewings to spot all of them. By the way, be sure to stick around during the credits; there are five post-credit scenes, a couple of which portend to some intriguing new directions for the expanding Marvel Cinematic Universe. The best throwaway gag involves Marvel Comics legend Stan Lee and his connection to the Marvel Universe.

The best way to think of Guardians of the Galaxy, Vol. 2 is to compare it to…yes, The Empire Strikes Back or Back to the Future, Part II. Both sequels were enjoyable but more serious in tone as is GOTGV2. In time, many have come to embrace both sequels with many feeling that Empire was superior to the first Star Wars. This could happen with Guardians of the Galaxy, Vol. 2, but that assessment will come in time and after many deserved repeat viewings of this wonderful and emotional film.

José Soto

Top 40 Greatest Star Wars Moments, Part I

The 40th anniversary of Star Wars is upon us! It is hard to believe that a quirky sci-fi film that went on the change our cultural and celluloid landscape is 40 years old. In that time, Star Wars and all the films and TV shows that followed, boasted many important and awe-inspiring moments that continue to resonate with fans throughout our planet. As we celebrate Star Wars’ 40th anniversary let’s look at the series’ greatest moments.

Rey claims lightsaber

40. Rey Claims The Lightsaber From Kylo Ren (Star Wars Episode VII: The Force Awakens): Nobody was sure about who was the main hero in the new Star Wars Sequel Trilogy. That mystery was solved beyond a doubt when Rey used the Force to claim Luke Skywalker’s lightsaber and battle Kylo Ren. Her eventual victory  cemented the fact that she is the best hope for the galaxy. 

pod race

39. The Pod Race (Star Wars Episode I: The Phantom Menace): As flawed as the first Star Wars prequel was, the exciting and breakneck pod race on Tatooine with all the weird pilots and their distinctive pod vehicles was one of that film’s best moments.

38. Anakin’s Spiritual Journey on Mortis (Star Wars: The Clone Wars “Ghosts of Mortis”):  On a distant world, Anakin Skywalker became corrupted by the dark side of the Force after encountering spiritual embodiments of the Force. Terrifying visions of his rise to Darth Vader highlighted this powerful story arc that better explored his fall from grace than the prequel films.

37. “These Aren’t the Droids You’re Looking For” (Star Wars Episode IV: A New Hope): Forget using the Force to do super acrobatics, wield lightsabers and levitate objects. When Ben Kenobi used a Jedi mind trick against stormtroopers interested in Luke Skywalker’s wanted droids, that scene displayed one of the most powerful aspects of the Force. Honorable mention goes to the bar scene in Episode II where a younger Kenobi tells a drug dealer to go home and rethink his life.

36. Darth Maul’s Final Duel (Star Wars Rebels “Twin Suns”): Darth Maul finally finds his ancient enemy Obi-Wan Kenobi in exile on Tatooine. The older Jedi isn’t interested in fighting Maul until the former Sith apprentice deduces that Kenobi is protecting someone (Luke Skywalker). The resulting lightsaber duel is brutally short and to the point with Maul quickly killed. It may have disappointed those waiting for a drawn-out sword fight, but the scene demonstrated that Kenobi was indeed a master. Plus, it cast Maul in a sympathetic light as he seemed to see the error of his ways in his last breath.

Ahsoka vs. Darth Vader

35. Ahsoka Tano Vs. Darth Vader (Star Wars Rebels “Twilight of the Apprentice”): Ever since Anakin’s apprentice Ahsoka left the Jedi Order near the end of The Clone Wars series and reappeared during Star Wars Rebels, fans have wondered how she would react to seeing her former master as a Sith. We got our answer in the second season finale where she faced off against Darth Vader and proved she was his equal.  What was more engaging than the duel was her coming to terms with her former master’s fall.

battle of geonosis

34. The Battle of Geonosis (Star Wars Episode II: Attack of the Clones): A Jedi force set out to rescue Anakin, Obi-Wan and Senator Padme Amidala from Separatist forces, but they weren’t enough. Enter the new clone army led by Jedi Master Yoda and before you know we witnessed a full-scale and chaotic ground war between clone troopers and droid soldiers. Seeing all the intense blaster fire and wild looking vehicles of all shapes and sizes engaged in battle was a spectacle and for Star Wars that is saying a lot.

33. Cassian Andor Murders an Informant (Rogue One: A Star Wars Story): It was a small scene in the first live-action Star Wars spinoff film. Cassian Andor gets vital intel from a Rebel spy who cannot keep up with him as stormtroopers close in on them. Instead of helping his comrade Andor unexpectedly kills him. This cold-blooded act drove home the point that Rogue One was a decidedly dark film that took risks by showcasing this morally gray character who goes to extremes for the Rebellion.

32. Anakin Pursues Obi-Wan’s Killer (Star Wars: The Clone Wars “Friends and Enemies”): One of the best arcs in the animated series featured Obi-Wan Kenobi faking his death and going undercover with bounty hunters. Anakin, believing his master to be dead, relentlessly pursues Obi-Wan’s killer, who is actually Obi-Wan in disguise. This development was an undeniable a high spot in this tense and captivating story arc.

31. The Grand Army of the Republic Sets Out For War (Star Wars Episode II: Attack of the Clones): Following the climactic Battle of Geonosis in the film, the Galactic Republic unveils its mighty clone army to counter the Separatist threat. With much fanfare marching legions of white armored troops leave Coruscant in giant ships to engage the Separatist droid armies. While many celebrated this moment, others (and we) knew better than to hail these troopers because they foreshadowed the coming of the evil Empire. Continue reading

Spider-Man’s Short-Lived Homecoming?

spider-man homecoming posters

Spider-Man fans have been in on an emotional rollercoaster in recent days with the increasing hype over the new film Spider-Man: Homecoming and with Sony Pictures’ plans for the Marvel Comics character with their own series of spinoff films. The reaction to the new film’s second trailer has been extremely positive, surpassing that of the initial trailer released last year. On the other side of the coin, the reception to Sony’s plan has been decidedly mixed. But the worst reaction has been to the speculation that Spider-Man will no longer be in the popular Marvel Cinematic Universe (MCU) following a sequel to Spider-Man: Homecoming. What started the ruckus was a recent interview of Amy Pascal in Comic Book News. As the former head of Sony Pictures and now a producer of the Spider-Man films. She stated the following:

“One of the things that I think is so amazing about this experience is that you don’t have studios deciding to work together to make a film very often. In fact, it may never happen again–after we do the sequel.”

This has given many fans reasons to panic, especially given the recent announcements of Sony continuing to develop Spider-Man spinoff films about Venom and the Black Cat. The reason is due to the film studio’s mishandling of the beloved character. We all remember that The Amazing Spider-Man 2 was a creative disaster, micromanaged to death by Sony who only wanted to use the film to launch other films; none of which have come to fruition. Then there was the public flailing by the studio after The Amazing Spider-Man 2 didn’t perform as well as they hoped. The non-stop announcements of films starring the Sinister Six and even Aunt May (!) made fans cringe. These embarrassing PR releases were only rivaled by Warner Bros/DC’s constant notices about upcoming DC films and who has been cast years before a film has even entered pre-production. Everything came to a head with the hack of Sony in 2014/15, which revealed in emails that the studio wasn’t sure what to do with their superhero franchise. They learned, as other film studios have, that it is not easy to replicate the success of the MCU.

the amazing spider-man

Sensing correctly the disinterest in their spinoffs, the bad feelings from The Amazing Spider-Man 2, overall poor box office from all their films, and the embarrassing emails, Sony decided to cut a deal with Disney/Marvel Studios. The result was a revamped Spider-Man, now played by an actual teenager, and the breakout star of last year’s Captain America: Civil War. Most fans and critics loved the authentic portrayal of the eager and earnest young superhero. Now that he is officially part of the MCU, Spidey could interact with Marvel Comics’ other great superheroes. All seemed well, Spider-Man made a smashing re-introduction, his next solo film was firmly in the MCU, and the trailers were well received, so nothing could go wrong.

Venomous Reception

Sony probably felt that same way when they announced that a Venom film was not only being developed but that it is coming out in October 2018. Before this revelation, Sony scheduled an animated Spider-Man film to feature Miles Morales, and the news was well received since after all it’s just a cartoon. The Venom news, however, was a mixed bag. Those who have clamored for a hard-edged Venom solo film were excited, while others feared another mismanaged superhero film that would dilute Spider-Man. The slipshod way the character was handled in Spider-Man 3 was all the proof the fans needed that Sony would screw up again. Adding to this trepidation was the news that Venom would not be in the MCU and whether or not Spider-Man would even appear.

Perhaps Sony was emboldened by the success of Deadpool and Logan, two films that are not necessarily part of their shared universes and were hits despite being R-rated. They obviously feel they can learn from their mistakes and duplicate this formula. Maybe they can and maybe they will be successful with their announced Black Cat/Silver Sable film. The key has to do with who is hired to make the film. Continue reading

Logan & The Future Of The X-Men

Logan is the swan song for Hugh Jackman in his seventeen-year film portrayal of the iconic Wolverine superhero. The film is resonating with filmgoers and critics and especially fans of the X-Men films and comics. For 20th Century Fox’s X-Men Cinematic Universe (XCU), Logan’s success combined with last year’s Deadpool points to a bold and fresh direction for the cinematic universe.

X Men Films Roster

Ever since its debut in 2000 with X-Men, the X-Men film franchise has seen its share of ups and downs. Creative and commercial highs like X-Men: Days of Future Past or X-Men: First Class were quickly followed or preceded with disappointments such as X-Men: The Last Stand or X-Men Origins: Wolverine. On the whole the XCU films are exciting and colorful but it seemed as if these superhero films had hit a creative wall as seen with X-Men: Apocalypse. By itself the film was fine, but it had a nagging feeling of déjà vu. We’ve seen these theatrics before; a big, bad mutant comes along and threatens the world while the superheroic mutants complain about how they’re ill treated by humanity, yet go out of their way to save it because, well, they’re the X-Men!

Along Came A Merc

As we all know that template changed with Deadpool. Funny, gross, self mocking and full of vigor and pizzazz, the film proved that something new can be created from the standard X-Men superhero formula with the Merc with the Mouth. Deadpool was a gamble for 20th Century Fox who resisted the idea of greenlighting the film in the first place. Executives worried about funding a superhero film that was vulgar, violent and comedic. After all, an R-rated superhero film is considered blasphemy to studio execs and marketing departments. They feared that the under-18 crowd wouldn’t be able to see, rather spend money to see the film. But to not allow that in a Deadpool film would betray the character.

Of course, Deadpool surprised the industry and delighted giddy fans who wanted an accurate film portrayal of this beloved character that stayed true to his violent, fourth-wall-breaking roots.

Deadpool’s success helped give Fox execs the confidence to allow Logan’s creators to take a creative gamble. This resulted in the film being an adult, hard-hitting, violent film that truly reflected the dark comic book story that inspired it, “Old Man Logan”.

Requiem For Logan

However, Logan’s creative success is not just due to its grim and violent tone. Rather this mature film is more than that, it is about facing mortality and Logan feels so poignant because of the nature of the title character. Logan aka Wolverine, played so skillfully by Hugh Jackman, is a broken, old man who realizes that the world has moved past him. Having long given up the good fight, Logan simply wants to be left alone and face his last days in peace with his mentor Charles Xavier.

Logan at his hideout

Like Logan, Xavier is grappling with the challenges of old age and both men know they are reaching their twilight. Having seen these two characters on film for nearly two decades, it is rather heartbreaking to see the indignities they face as we are reminded of our own mortality. Meanwhile, we have to admit that after seeing Jackman playing this iconic hero for 17 years, it is hard to see him go, but we must, which is why the film’s ending hits so hard.

Logan, Xavier and Laura

At the same time, Logan is looks at the issue of how an adult deals with a degenerating parent. It is a part of life that most will face and by taking care of an ailing Xavier, a man who is not his father makes Logan more heroic than he realizes. Further adding to his growth is the realization of how he has bonded with Laura, aka X-23, the young mutant he and Xavier are protecting. By the film’s end, he has come to not just feel responsible for her but to accept her as his child, which is a bittersweet conclusion to his emotional growth that Xavier urged him to explore earlier in the film.

Logan at hotelDiscovering these themes in a superhero film is actually surprising and gives Logan much more gravitas than the standard superhero film. In many ways, it seems more like a western thanks to its themes of the harsh consequences of violence and beautiful outdoor cinematography. That is why many are proclaiming it to be a film that has outgrown its genre and is now compared to The Dark Knight or Captain America: The Winter Soldier. It is needless to add that this modern classic is already considered by many to be the greatest X-Men film to date.

So now that Logan has reinforced the idea that an XCU film can be unexpectedly original, where does Fox go from there? Continue reading

Kong Rules Skull Island

Kong: Skull Island is new feature film starring the famous giant gorilla, King Kong. It is set up to be part of a new shared cinematic universe that focuses on giant monsters and by itself Kong: Skull Island is quite an exciting thrill ride.

The film opens in the early 1970s as Bill Randa (John Goodman) launches an expedition to an uncharted island surrounded by perpetual storm systems. He is coy about the expedition’s purpose, claiming it’s a geological study, but we find out later his real reason for undertaking the voyage. Joining him is an all-star cast including Tom Hiddleston as James Conrad, a former soldier turned expert tracker, Brie Larson as Mason Weaver, a crusading photojournalist, and Samuel L. Jackson as Col. Preston Packard, the military head of the expedition. Once they and several others make it to the island they incur the wrath of Kong, a gigantic gorilla that strands them on the dangerous island. As the expedition survivors make their way to a pick up point on the island, they meet a marooned, World War II-era pilot, Hank Marlow (John C. Reilly) and learn first hand of the true danger of Skull Island: gigantic beasts that are a bigger threat than Kong himself.

Kong: Skull Island is an exciting and brisk-moving ode to those great old monster movies from the bygone era where hapless people are stranded on an island and have to contend with giant monsters. It does what it sets out to do: show us lots of scenes of giant monsters attacking and eating people and there are many invigorating action pieces with Kong that are the film’s highlights. The standout scenes include Kong’s attack on the Vietnam War-era helicopters carrying the film’s stars, and anytime Kong shows why he’s the king of Skull Island. That is any scene where King Kong fights with giant monsters. The creatures are wonderfully unique creations and quite imposing like the two-limbed skull crawlers that are Kong’s main monstrous enemies.

His other chief antagonist is Col. Packard who quickly becomes obsessed with killing Kong after his people are wiped out by Kong. This Ahab-like obsession is the driving force for this character and the people around him while an opposing viewpoint develops from Conrad and some others who just want to get off the island.

Admittedly, Kong: Skull Island isn’t a terribly deep or thought-provoking film and the characters are written on the flimsy side, but the film delivers on what it is supposed to be a fun giant monster film. Even then, some characters do stand out and that is largely due to the star power of the actors playing these roles. The standouts include Reilly, who provides quirky comedy relief though he does have a sad backstory, Hiddleston turns out to be a hard-fisted action hero, while Larson, Goodman and Jackson do their best with their limited roles. The only other gripe about Kong: Skull Island is that it doesn’t feature any dinosaurs. Aside from a triceratops skull, there isn’t a t-rex or other prehistoric monster to be seen. But in the end, the creatures conjured up by the effects them makes up for this. By the way, the creature effects were well done as were the production values and the film’s groovy early ’70s soundtrack is a plus. Any giant monster film that features Creedence get bonus points!

Of course, the real star of this film is King Kong himself. The film wisely let the big ape hog the spotlight and there are plenty of scenes featuring him to keep the film moving along briskly. Even the moments when Kong isn’t fighting humans or other monsters are awesome and there is a well thought out sense of scale to his enormous size.

kong vs skull crawler

 

Kong: Skull Island is an entertaining giant monster film that might’ve been a better fit for a summer viewing. Some critics are being unfair to this film with their complaints. But don’t let that stop anyone from going out, turning off their brain and worries, and enjoying themselves with this giant monster romp. Bottom line, this film delivers many great Kong action scenes of him stomping and smashing monsters and puny humans, and that is enough to keep any giant monster film fan entertained. And stick around for the post-credits scene that promises an eagerly anticipated meeting of Kong with the other great giant monster.

Waldermann Rivera