A Disappointing Secret Invasion

The six-part Secret Invasion TV series on Disney + streamed its final episode last night and unfortunately it was as mid as the rest of the series. To go into why it was so mediocre and par for the course with the recent TV shows set in the Marvel Cinematic Universe (MCU) there will be major spoilers from this point on.

Secret Invasion had a lot to admire, notably Samuel L. Jackson as former S.H.I.E.L.D. director Nick Fury, Olivia Colman as British secret agent Sonya Falsworth, and some terrific dialouge. There was one riveting moment where Fury explained, using his childhood memories in the segragated south, why humanity would never accept alien beings living on Earth. But the overall feeling of the series feels underwhelming and done on the cheap, which is surprising given that it supposedly had a large budget.

Like every comic-book adaptation, Secret Invasion was very loosely based on the Marvel Comics mini-series of the same name in that it only adapted the basic premise that alien shape shifters called Skrulls infiltrated Earth’s human populace. Unlike the comic books there weren’t any Skrulls impersonating superheroes except for Col. James “Rhodey” Rhodes aka War Machine (Don Cheadle). There aren’t any epic battles between superheroes and their alien counterparts, and there is a lack of paranoia about who was a Skrull like in the comic books where readers were shocked that several superheroes were impersonated by Skrulls for years.

Yes, there was Rhodey, but that was it, and by the way he acted at the start of the series it was fairly obvious that he was a Skrull. There were a few other revelations but they lacked any dramatic punch because most of these people never appeared before in the MCU. The TV series was just begging for appearances from many established characters, yet that never happened. Sure, it was unrealistic to expect Chris Hemsworth or Paul Rudd to show up, but the MCU has so many distinctive minor characters that could have appeared to play into the paranoia by revelations that they were Skrulls. What is it, they ran out of money to pay these actors? Did the showrunners seriously expected viewers to be shocked when it was revealed that the prime minister of the United Kingdom was a Skrull? Big deal! This faux prime minister did not even do anything!

The storyline followed Nick Fury as he learned that a million Skrulls are living as refugees on Earth disguised as humans. One of them, Gravik (KIngsley Ben-Adir) was a former spy who worked with Fury and is now a terrorist intent on turning Earth into a new homeworld for his race. To do this, Gravik planned to start World War III by using his clandestine Skrull army to instigate a conflict between the United States and Russia. With limited resources, except the help of his Skrull friend Talos (Ben Mendelsohn). Fury has to muster all his connections and skills to stop Gravik and his followers.

What could have been an intense and paranoid political thriller came off as underwhelming aside from a few bright moments throughout the show. Many elements of the storyline do not make sense. For instance, Skrulls were immune to radiation, which is why Gravik wanted to start a third world war. He reasoned that when humanity was wiped out by the fallout radiation the remaining Skrulls would inherit the Earth. But did he stop to consider that Skrulls would be just as vulnerable to the shockwaves and firestorms from the nuclear explosions? What about the biosphere of Earth, could the Skrulls survive on a poisoned planet with no food available and destroyed infrastructures?

Then there were the attempts to assasinate the president of the United States (Dermot Mulroney). There was a sequence in the fifth episode where the president’s motorcade in England was attacked by Gravik’s forces. It was exciting, but it was nagging to see how lightly protected the motorcade was or how it was put into a vulnerable position in the first place. Some lines of dialogue that the Secret Service was severely compromised would have helped here. The poor lines of defense are even more noticeable in scenes were the president was in a British hospital with very few people around him. He should have had an army surrounding him after the motorcade attack and most likely the Secret Service would have whisked him off to Air Force One. Instead we are expected to believe that Fury was able to slink into the hospital without any serious opposition.

There were these cheap dramatic moments of Fury facing off with the Rhodey Skrull. Every time the Skrull would get the upper hand because he was disguised as Rhodey. So why didn’t Fury do what Falsworth did in other scenes when dealing with Skrulls and just shoot him? She showed that injuring a Skrull would have revealed that their blood was a different color and boom, the fake Rhodey would have been exposed.

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Meaningless Superhero Deaths

Ms. Marvel is the latest high-profile superhero to have died, which created some controversy with comic book fans. But what was even more troubling was the jaded reaction from many others who knew she would come back to life as was recently announced. This development is just another example of lazy comic book writing trope of killing off then resurrecting a popular character.

When Ms. Marvel was killed off in the closing pages of The Amazing Spider-Man #26, her death made lots of headlines and angered many fans. But many of them were not upset because she was killed. They were upset over the way Marvel Comics threw out all the pomp and circumstances to commemorate the superhero because it was clear she would not stay dead. Sure enough, Marvel Comics announced a few days ago that she will return in a new mini-series called Ms. Marvel: The New Mutant, which will be written by Iman Vellani, who portrays the superhero in the Marvel Cinematic Universe (MCU).

Seriously, is anyone surprised by any of this? Of course, they would not let the poor girl rest in piece. Not when she will co-star in The Marvels later this year. The only reason as to why go through all this death and resurrection is to synch the character with the MCU version. As most comic book readers know, Ms. Marvel is an Inhuman in the comic books, but for whatever reason she was designated as a mutant in the final episode of Ms. Marvel. Given that Inhumans never reached the popularity of mutants in the pages of Marvel Comics, perhaps the powers-that-be gave up on the Inhumans and decided to have it revealed that she is actually a mutant.

Still, why go through all the hand wringing and kill her off in the first place? In the pages of The Amazing Spider-Man, the title character is shown to be in full mourning over Ms. Marvel aka Kamala Khan, but the two were hardly best buddies. Sure, they’ve teamed up a few times it’s not like this happened to the Human Torch. It would have made more sense if she died in the arms of the superhero Ms. Marvel looks up to, Captain Marvel. This was most likely done to generate sales and interest for the comic books, but we’ve been through this too many times, and it was done much better before.

The best example was with the Death of Superman storyline that spanned many comics. That event worked because his death and resurrection felt organic, had a huge impact in the world of DC, and explored all the nuances of Superman dying and coming back to life. Even the death of Captain America years later was better executed as readers had time to process his death and see the Winter Soldier becoming the new Captain America and so on. There is also the death of the Ultimate Comics version of Spider-Man, which turned out to have introduced an even more popular version of the superhero: Miles Morales.

The problem with Ms. Marvel’s death is that these superheroes deaths have been done to death and in Ms. Marvel’s case, it was done too abruptly. Then before anyone could process anything, Marvel goes and announces she is coming back. There were much more imaginative ways to transform Ms. Marvel into a mutant without using the cheap theatrics of temporary deaths. This development still would have generated news, but with less cynical reactions. The fact that Marvel chose the cheap and easy way to go about her transformation just underlines how the so-called House of Ideas has run out of them.

After We Say Goodbye To The Guardians Of The Galaxy

Guardians of the Galaxy, Volume 3 has proven to be a fitting and emotionally satisfying conclusion to one of the best trilogies in the Marvel Cinematic Universe (MCU). Still, while the film does conclude many character arcs it surprisingly presented us with new directions for these characters and the larger MCU that are worth speculating about. WARNING: Spoilers will follow about the film.

The Legendary Star-Lord

One of the biggest surprises from Guardians of the Galaxy, Volume 3 was the final post-credits scene. After a rather mundane scene with Peter Quill aka Star-Lord settling down to life on Earth with his grandfather, a title card pops up announcing that “The Legendary Star-Lord will return”. This was rather stunning. Throughout the film, there was a sense that Quill was approaching an emotional end to his time as the space-faring Star-Lord. He was first seen moping and drinking over the loss of his lover, Gamora (who was killed during Avengers: Infinity War), and his fellow Guardians pointed out that he still had family on Earth. During the film, he tries to rekindle his romance with an alternate version of Gamora (displaced from another timeline into the “regular” timeline), but she did not reciprocate the love because in her timeline she never knew him.

Throughout the film, Peter had to come to terms that his Gamora was gone and that it was pointless to continue his wooing her doppelganger. Frankly, it was refreshing that writer and director James Gunn did not try to put them back together since that development would have felt empty. Doing so also would have robbed the emotional impact of the original Gamora’s death. Peter’s acceptance that the current Gamora was not his lover reborn showed a level of growth and maturity for him. This was welcomed by fans because there have been complaints that while he is a goofy and endearing superhero, he came off as immature in some of his appearances. In reality, in this film he demonstrated that he was very crafty and mature during unexpected moments, such as when he and the team infiltrated that weird organic medical facility in space.

After nearly dying during the film’s final act, Peter decides to essentially retire as Star-Lord. He appoints Rocket Raccoon as leader of the Guardians of the Galaxy, and returns to Earth. But the implication that Star-Lord will return opens up lots of speculation about how this will come about. Chris Pratt, who plays Peter Quill, has stated he is willing to reprise the role at some point in the future. Most likely he will turn up in the upcoming Avengers films or he could wind up starring in a TV show or special that would be about his adventures on Earth. After all, the legendary Star-Lord cannot just spend the rest of his life eating cereal with his grandfather in Missouri. Maybe he will find a new love. Perhaps this person could be Kitty Pride, who was involved with him in the comic books—this could also be a way to bring in more mutants into the MCU. Or he could wind up being some kind of advisor or mercenary for the Earth-based forces that protect Earth from aliens. Or he could finally find a way to reunite with his Gamora in Soulworld, a realm where her spirit exists in, which was seen in Avengers: Infinity War. This would echo a development in the Marvel comics where at one point a deceased Gamora resided in this realm.

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The Potential Of Star Trek: Legacy

Fans are still swooning over season three of Star Trek: Picard and for good reason. Not only did it feature the long-awaited reunion of the cast of Star Trek: The Next Generation (TNG), but it was bursting at the screen’s seams with Easter eggs and references to most of the previous incarnations of Star Trek TV shows and films. More importantly, instead of wallowing in Member Berries, the third season actually set up a potential spinoff—Star Trek: Legacy. *Warning for those who have not seen season three of Star Trek: Picard, there will be spoilers from here on out.

During the third season of Star Trek: Picard, we were introduced to Jack Crusher, who turned out to be the son of Jean-Luc Picard. In many ways he was a lot like his father but with a rakish bent as he seemed more comfortable acting independently and living a pirate-like lifestyle. Perhaps this is how Picard was like in his younger days. In some ways, Jack had more of the swashbuckling demeanor of James T. Kirk (more on him soon). Yet he had an intellectual and empathic side that echoed his father. In a sense he came off as an authentic child, who has elements of both his parents with unique personality traits gained from experiences the parents never had. Jack quickly became a fan favorite and has enough personality and development to return in future Star Trek spinoffs. This was very clear at the end of the final episode of Star Trek: Picard when he joined Starfleet and was posted on the Enterprise-G as special counselor to the captain.

The third season also introduced several other characters, some of which were bridge officers of the Titan-A (later rechristened the Enterprise-G). The one standout was Sidney La Forge, the Titan-A’s helm officer and daughter of Geordi La Forge. She soon formed a friendship with Jack with hints of something more to develop. It was fun seeing the two scions interacting with each other, which foretold great adventures to come if the powers that be at Paramount Pictures greenlight a Star Trek: Legacy. Obviously the two characters would be some of the central characters of this show.

Two other characters that could headline the show would be Captain Seven of Nine a.ka. Annika Hansen, and her first officer Rafaella “Raffi” Musiker.  Most fans know that Seven debuted on Star Trek: Voyager before becoming a regular on Star Trek: Picard. Raffi is the only remaining original character from Star Trek: Picard to remain a part of the show after the other original characters were written out after the second season of the show. Even though they are not the children of past Star Trek characters they in a sense would carry on the legacy of Star Trek: Picard. Perhaps other past Star Trek: Picard characters like Sohji Asha (Data’s daughter) could return and continue the theme of legacy.



Another character that could return is Captain Liam Shaw. Yes, he was killed off in the penultimate Star Trek: Picard episode “Vox”, but he quickly became a fan favorite. While he was very surly and dismissive towards our favorite TNG characters especially Picard and Will Riker, he was actually the voice of reason. He was more cautious when it came to his ship, the Titan-A, and the safety of his crew, which conflicted with the daring decisions made by Picard and Riker that threatened the Titan-A and crew. More often than not he was willing to call out Picard on his decisions and his arguments usually had merit. What made him more dimensional was the revelation that he was a survivor of the Battle of Wolf 359. He clearly was still suffering from that incident where the cybernetic race called the Borg decimated a Starfleet armada. This also explained his animosity towards Picard since Picard was assimilated by the Borg and helped them defeat Starfleet. In as sense this also explains his antagonistic relationship with Seven since she is a former Borg. Shaw was a great character and it was too bad he was killed off. However, Terry Matalas, the showrunner of the third season, has hinted that there is a way for Shaw to return in the Star Trek: Legacy show. Being that this is Star Trek, there are dozens of ways to do this: clones, time travel, cold storage, Seven’s Borg nanoprobes, even Q could easily bring Shaw back.

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Star Trek: Picard Concludes With A Bold New Legacy

The third and final season of Star Trek: Picard just streamed its last episode, titled appropriately enough “The Last Generation”, and it was a brilliant finale to an exceptional season for the TV show.  *Warning: Spoilers will follow.

Star Trek: Picard as a series has been a mixed bag of a Star Trek show. While it was great to see Patrick Stewart reprise his role as retired Admiral Jean-Luc Picard, some of the episodes in the first season were not as well executed as they should have been. Meanwhile, the second season started strong but soon fell apart and became a big disappointment. So, in the final season of Star Trek: Picard, the showrunners, led by Terry Matalas, pulled out all stops to make this a worthy swan song to the legacy of Star Trek: The Next Generation (TNG). This included reuniting the core cast of that beloved TV show and numerous Member Berries recalling not just Star Trek: The Next Generation, but the original Star Trek, Star Trek: Deep Space Nine, Star Trek: Voyager and even other media like Star Trek Online. And you know what? It worked!

The third season of Star Trek: Picard quickly engaged viewers with reunions and beguiling mysteries that threatened the United Federation of Planets and Starfleet. Picard received a plea for help from Dr. Beverly Crusher (Gates McFadden), who he has not spoken to in decades. She and her young adult companion Jack (Ed Speleers) operate independent of the Federation and deliver medical aid to those that need it. They are also pursued by mercenaries led by the mysterious Vadic (Amanda Plummer). The problem is that Crusher is located just outside Federation space and Picard needs to find a way to get to her.

Picard enlists the help of his best friend and former first officer of the Enterprise-D, Will Riker (Jonathan Frakes), along with Seven of Nine (Jeri Ryan), who is the first officer of the Titan-A (a nice nod to Riker’s offscreen adventures as captain of the previous Titan). Together, they commandeer her ship to the edge of Federation space to rescue Crusher and Jack, who turns out to be Picard’s son. Their efforts unveil a vast conspiracy against Starfleet and the Federation itself involving Changelings (last seen in Star Trek: Deep Space Nine) and their unknown partner.

Everyone involved with the third season was at the top of their game and it was clear they were determined to turn the season into a love letter for fans. It is incredible that they succeeded as the TV show was exciting, full of emotion and great character moments. Some aspects of Star Trek: Picard evoked previous Star Trek tropes and plot points, but they were executed in a respectful and invigorating fashion that felt fresh. The best example of this were with the early episodes where Picard and the crew of the Titan-A played a cat-and-mouse game with Vadic and her ship the Shrike in a nebula that was clearly inspired by Star Trek II: The Wrath of Khan. Then there was the major subplot of Picard getting to know Jack, which was similar to Kirk’s relationship with his son David in that film. But it worked because these moments were not exact duplicates of the famous Trek film but added new wrinkles. Of course, what sold it was the execution with memorable acting and topnotch production values.

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