Dec 27 2014

Best Of 2014

Best Sci-Fi TV Show

Doctor Who got off to a rocky start for the new Doctor played by Peter Capaldi. But the show and the actor quickly found their footing and presented an eclectic and sometimes frenetic mix of the bizarre, silly and loftier themes. What helped where the imaginative scripts and Capaldi’s cutting performance as a more sardonic and mature Doctor, which was a good change of pace for Doctor Who.

Best Horror TV Show:

The Walking Dead continues to be one of the best genre shows on TV. This year saw the aftermath of the fall of the prison that scattered our heroes and introduced memorable characters. At the same time, The Walking Dead kept amping up the stakes with the Terminus cannibals and Grady Hospital storylines. It all ended with a feeling that no one is safe and nothing is secure.

Best Fantasy Show

Game of Thrones is the best produced show on TV right now with its topnotch production values, crisp dialogue and scripts, and superior acting. Many episodes stood out which dealt with the deaths of King Joffrey (Jack Gleeson) and Tywin Lannister (Charles Dance), the trial of Tyrion Lannister (Peter Dinklage) and the siege of the Wall. The only problem is that the show is now running out of original material since it has almost caught up to George R.R. Martin’s books.

Best Documentary/Reality Show

The Real History of Science Fiction, was a splendid look at film and TV science fiction fare with some nods towards literary works. Each episode of the mini-series was based on a certain theme like robots, time travel and of course space exploration.

Best Cancelled TV Show

Almost Human was a fresh and inventive sci-fi variation of the cop-buddy show thanks to terrific performances by Michael Ealy as an android cop and Karl Urban as his disgruntled human partner. The episodes were straightforward and entertaining as they explored the nature of having a soul and nifty future crimes.

Best Animated Show

Star Wars: The Clone Wars had a fitting final season that aired on Netflix instead of broadcast TV. While current fandom is content to put behind George Lucas’ prequel-based fare and all the attention is on Star Wars Rebels and next year’s Star Wars: The Force Awakens, the final episodes of Star Wars: The Clone Wars did an excellent job of expanding the Star Wars universe with its explorations of the Force and by providing a segue way to the films.

Best TV Character

Tyrion Lannister in Game of Thrones finally had enough of all the taunts and putdowns and the unjust charges laid on him. His epic courtroom rant in “The Laws of Gods and Men” saw him unleash his fury at those that wronged him including his father and this anger saw its culmination in the final episode of the season where he physically took out his rage on those that hurt him.

Most Missed TV Character

Beth Greene (Emily Kinney) on The Walking Dead was an underused character on the show. For the most part she was just known as the youngest member of the Greene family. But in recent episodes, Beth had matured and become self reliant which culminated in her final episode (and The Walking Dead’s midseason finale) where she was abruptly killed off. The death seemed pointless and enraged fans who were saddened by her death.

Best TV Villain

Slade Wilson (Manu Bennett) at first was a trusted partner of Oliver Queen (Stephen Amell) while the future Green Arrow was stranded on an island as seen in flashback scenes on Arrow. But in the second season, this former merc proved to be Queen’s most diabolical enemy as he re-entered the superhero’s life and systematically began to take Queen down in a smoldering bid of vengeance. Raising the stakes for Queen was that Wilson was superior in strength and skills and pushed our hero to the edge. Bennett’s performance as Wilson was so memorable that the Batman villain Ra’s al Ghul (Matt Nable) couldn’t compare.

Most Improved TV show

Agents of S.H.I.E.L.D. was a big disappointment when it first premiered in 2013 because of banal scripts and listless characters. However, thanks to Captain America: The Winter Soldier the show truly came into its own by wholeheartedly embracing the game-changing premise from that movie where Hydra had infiltrated S.H.I.E.L.D. Characters were killed off or did a complete 180 and the agents became fugitives while they struggled to defeat Hydra that seemed to be everywhere. Plus, the second season saw the show debut what will turn out to be an important component of the Marvel Cinematic Universe (MCU) by introducing the Inhumans.

Best Series Finale

Being Human, it was sad to see this American version of the British cult hit come to an end, but it ended quite well. All the story threads were wrapped up surprisingly well and the finale was bittersweet. A couple of the show’s characters died but had meaningful deaths with rewarding afterlives. Meanwhile, the surviving characters were given a conclusion where they were able to live happily and move on.

Best Sci-Fi Film

Guardians of the Galaxy highlighted a memorable year for sci-fi films. 2014 had some instant classics like Interstellar, Dawn of the Planet of the Apes and Snowpiercer, but Guardians of the Galaxy stood out over the rest. It was a fun throwback to pulpy space operas not seen since the original Star Wars trilogy. More importantly, the film had very endearing characters like Peter Quill (Chris Pratt) that made audiences care about them as they went about saving the galaxy.

Best Horror Film

Oculus stood out among current horror films that rely all too much on cheap and easy jump scares. This film, which starred genre favorites Karen Gillan and Katee Sackhoff, instead used psychological horror and mind games that always kept the audience guessing while delivering authentic and natural frights.

Best Fantasy Film

The Hobbit: The Battle of the Five Armies, Peter Jackson concluded his three-part adaptation of the Tolkien classic with wall-to-wall action and his now trademark sweeping scenes of battlefields and armies. Although, The Hobbit trilogy may not have the same punch as The Lord of the Rings films, it was still a memorable viewing experience. And The Hobbit: The Battle of the Five Armies was a fitting conclusion to Jackson’s final sojourn to Middle Earth.

Best Animated Film

The LEGO Movie, this year had some great animated films like How To Train Your Dragon 2 and Big Hero 6. But The LEGO Movie was the best surprise not because of its use of famous characters like Batman or it being a cross of Legos and stop motion animation, but due to its championing of imagination and creativity.

Best Superhero Film

Captain America: The Winter Soldier was a bold, exciting sequel that outshone the original and upturned the MCU with its revelation that S.H.I.E.L.D. the spy organization had been infiltrated by the evil Hydra organization. This, of course, forced our hero to go on the run as he tried to tear down the organization he once fought for while uncovering disturbing conspiracies. But the film also took time to humanize Captain America and reflect on his past. These simple touches are what made the film so memorable.

Best Superhero on Film

Captain America (Chris Evans) in Captain America: The Winter Soldier, once again demonstrated why he is arguably the greatest hero in the MCU and a true patriot who questioned the Big Brother methods of S.H.I.E.L.D. This in turn led him to be a man truly out of place in society fighting a lonely and dangerous fight as many supposed allies turned against him. More importantly, his heroic actions would unravel the MCU forever.

Best Film Characters

Hands down, Groot (voiced by Vin Diesel) and Rocket Raccoon (voiced by Bradley Cooper) stole the film Guardians of the Galaxy and were a big cause of that film’s success. Who would’ve imagined a year ago that two unknown CG characters would have so much heart and be so endearing to audiences?

Best Line in a Film

“I am Groot”

Best Performance Capture

Caesar the ape in Dawn of the Planet of the Apes was exceptionally brought to life by Andy Serkis in what is probably his best performance. Many times in the film, one easily forgot that Caesar was not an actual chimp but a performance capture/CG creation. Just give the guy an Oscar already!

Best Film Villain

Koba the ape (performance captured by Toby Kebbel) in Dawn of the Planet of the Apes was a hideous, chilling and conniving villain who’s undying hatred for humans brings about a war between the two species. He was the most memorable villains seen in genre films for 2014.

Best Use of 3D & IMAX In a Film

Interstellar showed that director Christopher Nolan is undeniably the master when it comes to filming genre efforts on IMAX. Meanwhile, Guardians of the Galaxy had unexpectedly terrific 3D effects thanks to director James Gunn who utilized the format to its best.

Best Trailer for an Upcoming Film

Avengers: Age of Ultron, is one of next year’s most anticipated films and the moody trailer for it ratcheted up interest. It gave us the cool effects shots, especially the Hulkbuster Iron Man suit in action, but it didn’t play it safe with its dark forebodings (broken Captain America shield anyone?) and that creepy rendition of “I Got No Strings” from Pinocchio. On a side note the other best teaser trailer has to be for Avengers: Infinity War, Part I & II, which aren’t due until 2018 and 2019!

Biggest Disappointment

The Amazing Spider-Man 2 suffered the same fate as the infamous Spider-Man 3. It had too many villains, characters, subplots and worst of all too much studio interference that mandated that this film be used to launch spinoffs in a clumsy attempt by Sony Pictures to create its own superhero cinematic universe. In the end, this mess has put the Spider-Man film series in doubt, let alone the announced spinoffs.

Best App

Star Wars Scene Maker was an app that allowed users to recreate scenes from the iconic original Star Wars. around. Or better it allowed anyone’s creativity to get going by allowing users to mix and match characters, weapons and vehicles and the best fun was seeing these setups come to animated life.

Best Video Game

Mario Kart 8 was a lot of fun to play and proved to be one of the best Mario Kart games ever made. Nintendo made this latest Mario game with incredible graphics, game play and delivering the simple joys that fans of the Mario Kart games have expected over the years.

Best Hallmark Ornament: 2014 proved to be a landmark year for genre-related Hallmark ornaments. There were so many great ornaments like the xenomorph from Alien, the shark from Jaws or the flying DeLorean from the Back to the Future films. It was actually hard to pick out the best genre ornament, but in the end the best ornament was the Yoda Peekbuster. What made it stand out was its motion sensor that warned peekers away from gifts placed under the Christmas tree as Yoda admonished his distinct Yodaisms.

Biggest News Item

In light of the recent calamities like super diseases, incompetent politicians, demagogues, and riots, entertainment genre news couldn’t compare. Still, there were a couple of news item that have had immediate ramifications, especially with the future of the Spider-Man film franchise. Those would have to be the announcements from DC/Warner Bros. and Marvel/Disney of a busy schedule of interrelated superhero films. Both camps’ culminations will include two-part Justice League and Avengers films. These revelation were very exciting and left other studios’ attempts at building their own cinematic universes in the dust.

Dec 10 2014

2015 Hallmark Sci-Fi Ornaments

Ornaments have been popular presents during the Holiday season and this year’s isn’t an exception. The genre-related offerings from Hallmark this year are quite impressive but next year’s Hallmark ornaments promises to be just as noteworthy. To date these are the 2015 Hallmark ornaments.

Star Trek

2015 looks to be a quiet year for Star Trek Hallmark ornaments. Doubtless, 2016 will be another story since it will be the 50th anniversary of the franchise. But next year’s ornaments look very beautifully sculpted. They include the Enterprise C famously featured in the classic episode “Yesterday’s Enterprise” on Star Trek: The Next Generation. The other two will be of Lt. Uhura and “The Needs of the Many” ornament, which features Kirk and Spock during Spock’s death scene in Star Trek II: The Wrath of Khan. No doubt, the base will have sound, most likely being Spock’s unforgettable final words.

Star Wars

Sorry, new fans of the upcoming trilogy, but at this time, no ornaments based upon Star Wars: The Force Awakens will be offered. Perhaps Hallmark wanted to hedge their bets on the popularity of ornaments based on new films. Look at what happened in 1999 when the company flooded the market with ornaments of the sure-fire hit Star Wars Episode I: The Phantom Menace. Today many of those ornaments can be bought for a dollar on eBay. But who knows, in a few short months we’ll find out for certain if ornaments based on next year’s Star Wars film will be produced.

Either way, Hallmark is playing it safe for 2015 and its confirmed Star Wars ornaments will include a Y-Wing fighter, Luke Skywalker standing on his hands with Yoda perched on his feet as seen in the training segments of The Empire Strikes Back, Admiral Akbar and Zeb from Star Wars: Rebels. The most interesting looking ornament is a twofer; C-3P0 and R2-D2.

UPDATE: In the Hallmark Keepsake Dreambook, it’s stated that commemorative ornaments based on Star Wars: The Force Awakens are coming later this year, but no further information is currently available.

Superhero

At this point, only a few superhero ornaments have been confirmed. They include the Marvel mainstay Spider-Man in Holiday-themed adornments, a grey and black-garbed Batman, Wonder Woman as portrayed by Lynda Carter, and Steve Austin – the Six Million Dollar Man. There will also be an ornament based on the garish batmobile seen in the Joel Schumacher Batman films. There must be fans of that car. Joker fans should note that an ornament based on the Joker played by Caesar Romero will be available.

So far, it looks like there won’t be any Guardians of the Galaxy ornaments. Too bad, a dancing baby Groot would’ve been a natural ornament. But there’s always a chance a limited edition ornament of these space heroes may be released. A gut feeling indicates that Hallmark will unveil some kind of Guardians of the Galaxy ornament and don’t be surprised if they produce a set of ornaments for Avengers: Age of Ultron in the same vein as they did in 2012 when they released a trio of interlocking ornaments of Thor, Iron Man and Captain America.

UPDATE: There will be dancing baby Groot as seen at the end of Guardians of the Galaxy and a Hulk vs. Ultron based on their battle in Avengers: Age of Ultron. Also, keep an eye out for a new Iron Man ornament. Sadly, we won’t be getting a Marvel superhero trio like we did in 2012. There’s always next year and on that note we’ll have to wait then to find out if Ant-Man will be getting an ornament (an ornament based on Batman v Superman: Dawn of Justice is a given).

Science Fiction/Fantasy

Headlining the ornaments based on sci-fi and fantasy properties are the Predator himself and should make a nice companion piece to this year’s Alien ornament. To accompany Cornelius from the original Planet Of The Apes, 2015 will see another ape ornament: the nefarious Dr. Zaius.

Fans of The Walking Dead rejoice! Hallmark is producing an ornament of everybody’s favorite walker killer, Daryl Dixon. Who knows? Are Rick Grimes, Michonne or the Governor next?

Expect a new Harry Potter ornament, one of Smaug the dragon from The Hobbit films, Megatron from the Transformers toys and Beetlejuice, as well. Don’t be surprised if Hallmark unveils more ornaments based on popular sci-fi, fantasy and horror properties. We’ll keep you posted.

UPDATE: As one of our readers pointed out in the comments, the Harry Potter ornament will be of our favorite young wizard on Platform 9 3/4. There will also be an ornament of the Mockingjay symbol featured in The Hunger Games: Mockingjay, Part 2.

On a lighter note, a new Gizmo ornament is coming. Recreating one of his cutest moments in Gremlins, this ornament features the diminutive Mogwai riding a toy car. For animation fans, ornaments based on the films WALL-E, Inside Out and Home, as well as the ever-present Disney characters and films (like Frozen) will be available. BTW, there will be an ornament of the super nerd Sheldon from The Big Bang Theory. Bazinga!

Waldermann Rivera

Dec 1 2014

DC Wins The TV War…For Now, Part Two

The rivalry between DC Comics and Marvel Comics has many fronts in media like toys, films, video games, etc. But as it stands right now, DC Entertainment dominates the television medium with its current slate of TV shows on the air and their plans for additional programs coming in the near future.

DC’s Television Summit

Once Smallville ended in 2011, a void needed to be filled by DC Entertainment in terms of having a superhero presence in the TV landscape. Rather than mining the Superman/Batman lore, the decision was made to showcase DC’s other heroes and it was a wise choice. For some time, DC and Warner Bros. fell into a crutch and relied too much on Superman and Batman to represent DC in other media. This was understandable since those were the company’s two biggest heroes. It makes perfect business sense to take advantage of the popularity of those heroes. The problem, though, is that with all the marketing and attention focused on Batman and Superman, DC’s other heroes were left out and helped give the impression that the rest of the DC roster consisted of second stringers. That couldn’t be farther from the truth. The DC universe is populated by many captivating heroes and villains and the problem was that the company wasn’t taking full advantage of that notion. Marvel, and specifically Marvel Studios, faced a similar problem but for different reasons. They didn’t have the film rights to Spider-Man or the X-Men, so they had to rely on their lesser known properties. It turned out for the best, otherwise we wouldn’t have gotten live-action adaptations of Guardians of the Galaxy or Thor.

In DC’s case, they too were forced to look elsewhere since the Superman well had run dry with Smallville and Batman was considered off limits because of the Dark Knight films. Thus, DC Entertainment looked to an urban vigilante that had many of Batman’s characteristics – Green Arrow.

All things considered, he is a solid alternative for Batman when it came to being featured in a live-action TV show. After all, both are urban crimefighters without superpowers and use specialized weapons. When Arrow premiered in 2012, it presented a more grounded, realistic world for the superhero. In the first season, the main character, who wasn’t even called Green Arrow (in one episode his alter ego, played by Stephen Amell, thought that name Green Arrow was “lame”), wore a practical uniform with only a hoodie and grease paint to conceal his identity. Moving away from fanciful superhumans allowed Arrow to concentrate more on character development and street-level fight scenes. This meant that it was more inviting and relatable for casual viewers.

What the producers of Arrow did correctly is that they embraced the DC universe. They weren’t afraid to name drop places like S.T.A.R. Labs and Blüdhaven. Likewise, the series featured recognizable DC characters like Amanda Waller (head of the Suicide Squad), Slade Wilson and even the Batman villain Ra’s al Ghul and his League of Assassins. It was enough bones thrown to DC fans to keep them glued to their TVs. Arrow then took a step further and introduced superpowered characters in its second season thanks to this strength-enhancing drug called Mirakuru and the introduction of Barry Allen (Grant Gustin), whose Flash origin occurred at the end of one of the Arrow episodes.

This naturally led to The Flash spinoff that premiered recently. Taking a lighter tone than Arrow, The Flash is more of a throwback to the fast-moving comic books with outlandish supervillains, while utilizing the same kind of engrossing subplots that Arrow uses. What’s more is that both shows are definitely in the same universe. Although the concept of a shared universe isn’t new in TV shows, this was the first time this was done for superhero shows (not counting The Six Million Dollar Man and The Bionic Woman) and it’s exciting to watch characters appearing in both programs with even more allusions to a wider world.

Both Arrow and The Flash are huge hits on The CW network and should be around for the long haul. Gotham, a show set in the title city and taking place after the killing of Bruce Wayne’s parents, is a hit on Fox. In fact, it pulls in more ratings than The CW superhero shows but that is due to the wider audience that Fox has compared to The CW. Even though Gotham is a hit, there should be some caution because it’s on Fox, so there isn’t any guarantee that it will last as long as if it was on The CW. That is a problem that DC and Warner Bros. faces. Sure they can put anything on The CW, a fledging network, but it won’t reach as large an audience as in the major networks. But on the big networks, there is more pressure to succeed. Already, Constantine airs on NBC and has dismal ratings–it was recently announced that the show won’t go beyond initial 13 episodes and its fate is unknown. Constantine’s rating woes are due to its time slot: Fridays at 10 pm. How can any show succeed on that slot? It probably would’ve been better if it aired on a cable network where it could’ve thrived and be allowed to be darker like its comic book counterpart.

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Nov 18 2014

DC Wins The TV War…For Now, Part One

One of the great corporate rivalries is the one between the comic book giants Marvel Comics and DC Comics. It’s a competition that has spilled over to other media. When it comes to films, Marvel has won the war on that front due to the monumental successes of their Marvel Cinematic Universe (MCU) films. However, take a quick glance at the current TV schedule. From looking at that and television history, it’s obvious that DC has won the TV War…for now.

Head Start

In reality, DC had the war won for decades now. This goes way back to the 1950s with the success of the first TV show based on Superman. That would be, of course, the landmark series Adventures of Superman, which starred George Reeves. It’s well known that the series was very popular and helped cement Superman’s legendary status in pop culture. Marvel at that time period didn’t even exist, nor did their most popular heroes because the company was concentrating on non-superhero comic books.

Following the cancellation of Adventures of Superman, the next DC superhero to bask in the television spotlight was Batman. Beginning in 1966, Batman was an instant hit and a genuine pop culture phenomenon. Starring Adam West and Burt Ward as Batman and Robin, the show was a decidedly goofy sendup of comic books and introduced characters like the Joker and Catwoman to non-comic book readers. Although, it was and is still popular, many decried the way Batman belittled the Caped Crusader and comic books in general.

In the 1970s, there were a few TV shows and specials based on DC Comics superheroes. The best known was Wonder Woman, starring Lynda Carter and it aired from 1975 to 1979. The show wasn’t as cheesy as Batman, nor as popular, but it was noted for its pro-feminist stance since the title character was a superhuman woman. The women’s lib messages obviously went over the heads of most younger viewers, who were enamored with Lynda Carter and her skimpy outfit.

Other TV shows airing in the 1970s were strictly aimed at children like Shazam! and The Secrets of Isis. In fact, these half-hour programs only aired on Saturday mornings and had limited appeal.

Around this time period, Marvel got into the act with the premieres of TV shows and TV films based on their characters. The first superhero to make a live-action appearance was Spider-Man, who made non-speaking appearances on The Electric Company. Some of the Marvel TV films and shows were truly awful like Captain America and The Amazing Spider-Man, which thankfully did not last long as a series. But a couple were actually decent like Doctor Strange and Marvel’s biggest hit on TV The Incredible Hulk. Airing in November 1977 and starring Bill Bixby and Lou Ferrigno, the TV film was a big hit and led to a successful TV series the following year.

Second Wind

The decade that followed, the 1980s, was slow for comic book properties on TV. After The Incredible Hulk was cancelled in 1982 there wouldn’t be another superhero TV show until the syndicated program Superboy debuted in 1988. Coming after the film disaster Superman IV: The Quest for Peace, Superboy was a welcome respite for fans who just wanted to see good, old-fashioned superheroics and teenage angst. Plus, Superboy was a competent place holder until DC and its parent company Warner Bros. could bring out another Superman TV series or film.

On a side note, there were a trio of TV films that continued the Hulk’s adventures and the first two introduced live-action versions of Thor and Daredevil. The Hulk and his alter ego David Banner actually died at the end of the third film, but there were plans to do more TV films. However, those ended after Bixby’s untimely death in 1993.

The humongous success of the film Batman in 1989 helped jumpstart new DC-based TV shows in the 1990s. Not wanting to rest with the success of Superboy, Swamp Thing: The Series premiered on the basic cable channel USA Network in 1990, while a show based on the comic book Human Target aired briefly on ABC in 1992.

There were two shows that made the largest impact in that decade. They were The Flash and Lois & Clark: The New Adventures of Superman. The Flash, starring John Wesley Shipp, premiered in the fall of 1990 fresh off the success of Batman and seemed to copy the stylistic direction of the Tim Burton film. Even though it only lasted one season, the show is revered by fans because of its fun stories, dazzling effects, and character work. Lois & Clark: The New Adventures of Superman, which aired on ABC, was targeted more towards women since it concentrated more on the relationship between Lois Lane (Teri Hatcher) and Clark Kent (Dean Cain). The superhero aspects of Superman took a back seat to the romantic shenanigans and it was laden with light humor. Of course, this displeased some fans, but it was still a successful program.

As for Marvel, the 1990s was a decade best left forgotten. There were DOA pilots based on Power Pack, Generation X and Nick Fury. As for the syndicated show Night Man, the less said about it the better.

Animation Dominion

As DC dominated the television medium, there was another TV venue that it conquered. That was with their animated TV shows. Since the 1960s, there have been numerous TV shows that aired on Saturday mornings and on syndication based on DC’s superheroes. DC enjoyed early successes like Superfriends in the 1970s, but their animated shows weren’t acclaimed until Batman: The Animated Series premiered in 1992. Boasting memorable characters, villains and plots, the show was a huge hit and led to other superior animated gems like Batman Beyond, Superman: The Animated Series and Justice League. DC’s animated renaissance probably culminated with the recent Young Justice. It just lasted two seasons, but its smartly written scripts, mature themes, and complex character development won wide appraisals from fans and critics.

In this venue, Marvel actually presented itself as a viable counterpart to DC since the 1960s with series based on Spider-Man, the Hulk, the Avengers and other stalwarts. The results were quite admirable in many instances, but DC on the whole produced more noteworthy animated TV shows.

New Century, New Renaissance

As DC celebrated their animated successes in the 1990s, the live-action field was stagnant after the cancellation of Lois & Clark in 1997. There was an infamous pilot made for the Justice League that thankfully never made it into a series. It can be found on Youtube for anyone that is curious.

The live-action drought ended a few years later in 2001 with Smallville. This long-running show starred Tom Welling as Clark Kent in his teenage years and early twenties. It ran on The WB and later The CW networks and explored many aspects of the Superman mythos while concentrating on Clark’s emotional development and how he came to be Superman. It had its faults like the producers’ insistence of “no tights, no flights”, which meant Clark never put on his iconic Superman suit. (The final episode doesn’t count since he was never fully shown wearing it.) This was strange because many other superheroes featured on Smallville like Green Arrow, the Justice Society and Supergirl were allowed to fully embrace their comic-book roots. The Warner Bros. network tried to capitalize on the success of Smallville with other programs, but weren’t successful. Efforts included the short-lived Birds of Prey in 2002 and a pilot for Aquaman.

Around the time that Smallville came to an end, the superhero genre exploded in theaters. Super hits like The Dark Knight, Iron Man, and The Avengers cemented the permanence of superhero films. As it goes, whenever there is a mammoth box office hit, TV executives take notice and follow suit. Warner Bros. and DC took advantage of the heightened interest in superheroes and produced many TV shows. Not all of them bore fruit like pilots for Aquaman and Wonder Woman, or another iteration of Human Target, but others blossomed and are now hit shows. These include Arrow, The Flash, Gotham and to a lesser extent Constantine. And that is just the beginning.

José Soto and Lewis T. Grove

To Be Continued

Nov 13 2014

The Flash Streaks Ahead Of DC’s TV Invasion

Out of the four current TV shows based on a DC Comic, The Flash is the one that sticks closest to its comic book roots.

Airing on The CW network, The Flash stars Grant Gustin as the Flash or Barry Allen. He was introduced in a couple of episodes of Arrow in its second season, which set up his origin. The pilot episode of The Flash embellished the Flash’s origin and opened up Allen’s world. When he was young, his mother was killed by a mysterious figure in a vortex. Unfortunately, his father (played by the original Flash John Wesley Shipp) was sent to prison for her murder and Barry’s been looking for the killer ever since.

In the pilot (and the Arrow episode “Three Ghosts”), Barry was hit by lightning and fell onto chemicals at his lab in Central City when a nearby particle accelerator exploded. That accelerator was part of S.T.A.R. Labs headed by Harrison Wells (Tom Cavanagh) and the accident made him a pariah and a paraplegic. What’s revealed in the pilot and several episodes is that Wells is only pretending to be a paraplegic and that he has nefarious and deceitful intentions. After the lightning bolt knocks Barry into a coma, he later awakens in Wells’ lab and soon discovers he has superhuman speed. This was caused by the accelerator, the storm it created and the chemicals that splashed over him when he was struck. The accelerator also unleashed a type of radiation that randomly gave some people in Central City superhuman powers, turning them into supervillains of the week.

Now Barry, when not doing his job as a dorky crime scene investigator, spends his spare time at S.T.A.R. Labs where Wells and his assistants run tests on Barry and help him catch the new supervillains that have sprung up from the explosion.

As a show, The Flash is generally entertaining. It’s not deep, and a bit too lightweight and clunky, but it captures the breezy spirit of the comic book with fast-moving stories and Barry’s superfast antics. They’re among the highlights of the show and are very inventive. In the episode “Plastique”, he used his powers to blur his face and reverberate his vocal chords to hide his identity and it was as much fun to watch as seeing him run across water.

One thing the show did right when compared to most comic-book-based shows is that it jumped right into the mythos of the superhero and showcased the Flash’s famous rogues gallery. Captain Cold (Wentworth Miller) has already made his appearance, as has nods to Gorilla Grodd and Professor Zoom. But the most interesting villain is Wells himself. The pilot revealed that he has knowledge of the future and seems to be using all means, including murder, to guide Barry into fulfilling his superhero destiny.

It would all be more palatable if the acting were better. Gustin is OK as Barry, but earlier on, he emoted Peter Parker too much, which wasn’t in line with his character. But he’s toned down the nerdy act in recent episodes. The other actors are fine, if not exceptional, except for Carlos Valdes, who plays Cisco Ramon, an overeager and annoying lab assistant. It seems like he is trying to emulate the quirky Felicity Smoak character from Arrow but he cannot pull it off and the result is that his scenes are irritating. Then there is the situation with the love of his life Iris West (Candice Patton). In the show, they have it that the two grew up together in the same home after Barry’s father went to jail. Essentially, Barry was a foster child in Iris’ home…so that means they’re really foster siblings. If that is so, then the unrequited attraction he has for her is uncomfortable to watch.

Putting that aside, The Flash is still young and finding its legs, but it’s better done than some of the other superhero shows. To date, the show is worth watching and hopefully will become much more captivating once the kinks are worked out.

Waldermann Rivera

Starloggers

Observations, Reports & Remarks From Out Of This World & Beyond

Category Television & Streaming

Best Of 2014

2015 Hallmark Sci-Fi Ornaments

DC Wins The TV War…For Now, Part Two

DC Wins The TV War…For Now, Part One

The Flash Streaks Ahead Of DC’s TV Invasion

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