A Brief Look Back At David Lynch’s Dune

Dune is a classic 1965 novel by Frank Herbert that chronicles a feudal family, House Atreides, in the far future that gains control of the desert planet Arrakis (also known as Dune) that has a precious substance called The Spice. They are betrayed by the Emperor of the Known Universe, who conspires with their hated rival House Harkonnen, to seize the planet and kill off the Atreides leader Duke Leto, while his concubine Jessica and son Paul escape to the desert. They ally with the native people know as the Fremen and rebuild their empire with Paul becoming the Fremen’s long awaited messiah to lead them to freedom.  

This complicated story has been adapted several times, most recently by Denis Villeneuve with his two-part film adaptation. The very first live-action film adaptation of Dune, however, was done by famed director David Lynch in 1984, whose take on the material was interesting if not always accurate to the book. The lavish production and look of the whole thing was a highlight as well as its all-star cast. Twin Peaks lead Kyle MacLachlin starred as Paul Atreides, and other stars included Patrick Stewart, Brad Dourif, Jurgen Prochnow, Dean Stockwell, and Sting.

The film was basically the same as the book, but there were deviations from it. Most notable was the inclusion of a sound weapon used by the Atreides to battle the Harkonnens. This doesn’t appear in the original book and was somewhat weird to see on the screen. The ending was basically the same but had one crucial difference. After vanquishing the Harkonnen heir, Feyd Rautha, played by a manic Sting, Paul takes control of the empire, and then makes it rain on Arrakis. This is strange as in the book, Paul doesn’t have any magical powers, he just pretends to in order to fulfill the Fremen prophecy of being their “Voice from the outer world”. Nevertheless, Dune as a whole was a good retelling of Herbert’s intriguing tale of outer space intrigue, religion, politics and conflict. 

The special effects were somewhat of a mixed bag. The overall look of everything was very good and had the feeling of the book coming to life, but some of the scenes with the enormous sandworms on Dune and the Spacing Guild navigators do look dated. The costumes were both strange and exotic which was appropriate given that the story takes place tens of thousands of years in the future, although the Imperial Sardarkar troops look like they’re wearing garbage bags.

Dune was a struggle to make for Lynch, and subsequently there was an extended edition made without his approval that aired on television. This longer version removed his name from the credits at his insistence and featured new footage and a different opening that explained more of what happened in the years before the film with paintings and a husky voiced narration. This was nice to see for fans of the book who were familiar with what was being described, such as the Great Revolt against thinking machines, but casual viewers might be baffled by it, as some were by the theatrical version. This was probably due to the time constraints of fitting in the whole book into a 2 1/2-hour film. It was inevitable that many of the details of the novel would be lost.

A later TV adaptation on the Sci-Fi Channel in 2000 rectified this as a three-part mini-series that lasted over four hours. This version, sometimes called Frank Herbert’s Dune, was able to be more faithful to the novel, albeit with a lower budget as seen with some of the background scenes that looked like paintings in some instances. The latest adaptations in 2021 and now this year have wisely spilt the book into two parts to have a story that retains much of the book as well as the feel of a big budget, Hollywood production. This seems to be the best of both worlds and their success bodes well for the Dune franchise.

Overall, David Lynch’s Dune does a good job of showcasing Frank Herbert’s story. Lynch basically washed his hands of it after issues with the film studio Universal, but I see it as one of his better films. While it has its flaws, it is still a quality science fiction film that is interesting to watch and still holds a place in the franchise as an alternative look into what happened to the Atreides family in their epic struggle against the Harkonnens and a very unique window into the fascinating Dune universe.

C.S. Link

Dune, Part Two Is Truly An Epic Cinematic Experience

Visionary director Denis Villeneuve’s Dune, Part Two concludes his epic live-action adaptation of the sci-fi classic novel, Dune, with a sweeping flourish. At the same time, by splitting the adaptation into two films Villeneuve is able fully flesh out the scope of the novel, which was impossible to do with just one film, as we saw with David Lynch’s film from 1984.

Picking up immediately after the first film, Dune, Part Two, further develops the saga of young Paul “Muad’Dib” Atreides (Timothée Chamolet), the heir to House Atreides and future messiah to the Fremen people of the planet Arrakis. Now, it must be said that you need to have seen Dune, Part One, or be at least aware of the situations in the story. Basically, in the far future, humanity has spread throughout the universe with the aid of a substance called spice mélange that enables humans to perform complex intergalactic navigation. This spice can only be produced on the desert planet called Arrakis, which becomes the center of a dispute between two royal houses, House Atreides and House Harkonnen. In the first film, the Atreides were assigned by the emperor of the Known Universe to administer Arrakis and harvest the spice, but they were ambushed by the forces of the Harkonnens. This led to the death of Paul’s father, Duke Leto, and with the downfall of his House. By the end of the first film, Paul and his mother, Lady Jessica (Rebecca Ferguson) fled to the deep desert and were adopted by the nomadic Fremen.

If any of this sounds complex, then you are correct, and there is much more to the story. This complexity has made the novel nearly impossible to adapt in the past, yet Denis Villeneuve was able to pull it off while adding his own stamp to the story. It’s similar to what Peter Jackson was able to do with his adaptation of The Lord of the Rings trilogy.

Where the first Dune film was devoted to setting up the complex worldbuilding and multiple characters, the second film centers on Paul’s rise to power as the Kwisatz Haderach, the messianic savior of the Fremen who will liberate their world from outside forces. However, Paul is wracked with doubt because of prophetic visions he has that reveal that billions of people throughout the universe because of his followers. In Dune, Part Two, Paul ingratiates himself to the Fremen and rises to prominence among them as they fight the Harkonnen forces on Arrakis as many of them see him as the fulfillment of the Kwisatz Haderach prophecy. He also begins a romantic relationship with Chani (Zendaya), a brave and lethal Fremen fighter who is skeptical of the Fremen’s religious deference to Paul and even the Fremen religion. It is revealed that the religion was developed by Lady Jessica’s matriarchal order the Bene Gesserit in order to control the Fremen.

Like the novel, the films, especially Part Two, explore the perils of religious fanaticism as it blinds followers who will only see what they want to see. In this case, despite Paul’s early protestations that he is not their savior, many Fremen refuse to heed him and twist their logic to justify their beliefs. The analogies to today’s religious strife are quite obvious and damning but illuminating. Even more incredible is that how closely the film translates the same cautionary themes about religion from Frank Herbert’s novel which came out over 50 years ago, and demonstrates the timeless nature of the book.

There are a few distinct departures from the novel that won’t be spoiled but may upset Dune fans, but the basic plot structure of the novel remains, such as Paul’s development, and the intergalactic politics that turns its attention to the barren Arrakis that turns out to be the most important world in the universe. For non-fans who enjoy rich and intricate political storylines, Dune is basically Game of Thrones set in space, except that it should be the other way around since Dune novel came out decades before the fantasy epic.

While Villeneuve was able to successfully translate the dense story, what is even more impressive with Dune, Part Two is its epic nature that puts other adaptations to shame. Many of its visuals are clearly inspired by Lawrence of Arabia, which itself has many of the same themes as with Dune: an outsider who joins desert people and becomes their liberator.

The visuals and cinematography are just gorgeous to witness, as they engross you completely into the rich alien worlds. Also impressive were the performances by the actors who imbue their characters with complexity. Along with Chamalet and Zendaya, Javier Bardem as the Fremen leader Stilgar and Austin Butler as the psychotic Feyd-Rautha Harkonen were excellent in their roles. Many scenes were heart stopping and instantly iconic, like Paul’s first ride on a giant sandworm, the Fremen attack on the Harkonnens or Paul’s duel with Feyd-Rautha. Together, all these elements have been able to create a true cinematic experience that will be remembered for years to come and prove that serious sci-fi can be a vehicle for a complex and enriching film.

Summing up, Dune, Part Two is one of the very best sci-fi films ever made thanks to its complex themes and visual richness that rivals the greats. Needless to say, it must be experienced on the biggest screen possible.

José Soto

Top Ten Most Anticipated Films & TV Shows of 2024

Despite the fact that there will be a noticeable lack of superhero-related films and TV shows in 2024 there will be plenty of genre fare for us to get excited about. With that, here is the list of the top ten most anticipated films and TV shows (both new series and returning favorites) coming out this year in 2024. Keep in mind, of course, that there will be many schedule changes as well as unexpected films or TV shows that could pop up without any notice that turn out to be great. Be sure to comment below on these picks or any others you may have.

Films

10. Sonic the Hedgehog 3

The previous two Sonic the Hedgehog films were much more fun and engaging than expected, so we should get more of the same.

9. IF

Director/actor John Krasinski follows up to A Quiet Place with this creative foray involving imaginary friends and stars Ryan Reynolds.

8. A Quiet Place: Day One

Speaking of A Quiet Place, the third film in the franchise will be a prequel that will feature the initial stages of the invasion by the sound-hunting aliens that decimate civilization.

7. Godzilla x Kong: The New Empire

The latest Monsterverse film looks admittedly goofy but fun as the kings of the monsters, Godzilla and King Kong team up to face their deadliest enemy yet in an underground society of kaijus.

6. Ghostbusters: Frozen Empire

Ghostbusters: Afterlife was a great return to form for the Ghostbusters franchise with endearing new characters. The newest sequel will more closely follow the franchise with its New York setting.

5. Civil War

Alex Garland, known for his provocative sci-fi films, directs this film that could be taken from tomorrow’s headlines. Its setting of a United States in the thralls of a second civil war will probably emphasize challenging themes over action thanks to Garland’s directorial skills.

4. Furiosa: A Mad Max Saga

Director George Miller’s latest entry in the Mad Max films focuses on Furiosa, the breakout character from Mad Max: Fury Road. Starring Anya Taylor-Joy as a young Furiosa, this film functions as a prequel that embellishes her character.

3. Kingdom of the Planet of the Apes

The latest Apes film is set many years after the last film and Ceasar’s death. Naturally, this sequel will do more worldbuilding as it will feature new characters and situations as the ape society evolves further in contrast to a humanity ravaged by a plague.

2. Dune: Part Two

The second part of the sci-fi epic was delayed from last year due to the writers and actors strike which nearly crippled Hollywood. This development disappointed fans of the first film who craved to see the conclusion of the saga of Paul Atreides, the future messiah struggling to fight for his adopted people on the desert planet Dune.

1. Deadpool 3

The third Deadpool film (which could have a name change), has turned out to be a very important film for the Marvel Cinematic Universe (MCU). Due to missteps the MCU faced last year, a lot is riding on the success of Deadpool 3.

The big draw for Deadpool 3 is not just Ryan Reynolds reprising his role of the Merc with the Mouth, but Hugh Jackman returning to his iconic role as Logan/Wolverine. The MCU and the multiverse will feature prominently in the film as the two traverse many universes, which should be more than enough to draw in fans.

Noteworthy Mentions:

Alien: Romulus, Beetlejuice 2, Joker Folie à Deux, Imaginary, Inside Out 2, Kung Fu Panda 4, Mickey 17, Nosferatu, Rebel Moon, Part Two: The Scargiver, Venom 3

TV Shows

10. 3 Body Problem

The adaptation of Liu Cixin’s novel about an impending alien invasion will hopefully be as complex and mind-bending as the novel.

9. Fallout

Amazon Prime’s live-action adaptation of the popular post-apocalyptic video game looks both faithful to the source material and intriguing.

8. The Umbrella Academy

The fourth and final season of the quirky superhero family team should be as goofy and endearing as the previous seasons as it concludes their unique storylines.

7. Star Wars: The Acolyte

It is unknown if this Disney+ Star Wars TV show, which is set in the era of the High Republic, will air this year. But it seems to be the most interesting of the announced Star Wars TV shows.

6. Star Trek: Prodigy

The second and final season of this better-than-expected animated Star Trek TV show will stream on Netflix and hopefully will conclude its storyline of diverse alien youths turned into Starfleet cadets.

5. What If…?

The animated series set in the MCU went all out with its stories of alternate realities. There hasn’t been any word on when it premieres, but Disney+ already gave us a teaser, so it may drop soon.

4. Agatha: Darkhold Diaries

Agatha Harkness was one of the most popular characters and villains to come out of WandaVision. It was only natural that she was rewarded with her own spinoff show, which will dwell more into her background.

3. The Boys

Season 4 of the dark look at superhero celebrities will amp up the conflict between the amoral Homelander with his Superman-like powers and those trying to oppose the popular tyrant in the making.

2 Avatar: The Last Airbender

The Netflix live-action version of the popular animated TV show will be much more accurate than the awful 2010 live-action film that rushed through the intricate fantasy world of the element benders with its whitewash casting.

1. House of the Dragon

The prequel series to Game of Thrones was unbelievably better than expected as we were instantly enthralled with the family dynamics of the Targaryen royal family.

Season two promises to push these envelopes further with the bitter rivalry with the family as they use their deadly dragons to duel over the rightful claim to the Targaryen throne.

Noteworthy Mentions:

Pablo Schreiber as Master Chief in Halo Season 1, Episode 1, streaming on Paramount+. Photo Credit: Adrienn Szabo/Paramount+

Dark Matter, Echo, Halo, Invincible, Orphan Black: Echoes, The Penguin, Star Wars: Skeleton Crew, Sugar, Time Bandits, The Walking Dead: The Ones Who Live

Top Ten Films & TV Shows Of 2021

After the live-media drought of 2020, genre films and television shows made a roaring comback in 2021 even though the coronavirus pandemic continues to impact our lives. As we have learned to deal with the pandemic so have the TV and film industry, which was great news since there was much more films and TV shows for us to enjoy. Here are the ten best films and TV shows of 2021.

Television

10. Superman & Lois

This Arrowverse version of Superman surprised everyone by capturing the essence of the DC superhero while bringing a modern twist of his world and situation. Tyler Hoechlin delivered a sensitive and strong performance as the newest Man of Steel.

9. The Handmaid’s Tale

The fourth season of the dystopian saga of an America under control of religious zealots. This season’s theme was about post-traumatic stress and dealing with rage as the main character escaped to Canada and dealt with the aftermath of her ordeal.

8. Sweet Tooth

This adaptation of the comic book about a road trip undertaken by a hybrid mutant boy and a tortured hunter in the aftermath of a viral apocalypse was a touching adventure. Many decried its cliffhanger season finale but thankfully a second season is coming.

7. Invincible

At first glance, Invincible seemed like just another animated knock off of the DC Universe. But the animated adaptation of Robert Kirkman’s comic book quickly asserted it was much more than that due to its ultra-violent tone, adult nature and a fresh take of classic comic book tropes.

6. For All Mankind

The second season of the alternate history TV show further developed a world where the Soviets won the moon race with ramifications in the 1980s. Escalated Cold War tensions between the U.S. and the U.S.S.R. served as a chilling backdrop for the show’s characters who were forced to deal with alarming events on Earth and on our moon.

5. The Falcon and the Winter Soldier

The second TV show set in the Marvel Cinematic Universe (MCU) surprised viewers with its exploration of racism, social inequality and hero worship. As well as the burden of living up to the legacy of Captain America and confronting the past. On top of those mertis were all the glorious fight scenes and captivating plot developments, which made The Falcon and the Winter Soldier so winning.

4. Doom Patrol

The quirky bunch of misfit superhumans continued to shock and delight viewers with the third season of the show. While the Doom Patrol members were outrageously funny with their caustic behavior, they touched our hearts with their tragic situations in episodes which were just downright bizarre and existential.

3. What If…?

While not every episode delivered, on the whole, What If…? was an intriguing examination of alternate versions of the MCU in animated form. Some episodes knocked it out of the park with alternate versions of characters and stituations such as a terrifying version of Ultron that put the live-action version to shame and a tragic version of Doctor Strange that might turn up in Doctor Strange in the Multiverse of Madness.

2. WandaVision

Marvel Studios first MCU-set television show, which streamed on Disney +, instantly stood out in a crowded streaming market thanks to its innovative style which was partly a send up of American sitcoms throughout the decades. At the same time, WandaVision kept viewers captivated with its perplexing mysteries and further developments of the MCU.

1. The Expanse

Coming in at the end of the year as the best television program is the sixth and final season of The Expanse. The must-see sci-fi epic about life in the settled worlds in our solar system was notable for its grounded and realistic depictions of life in space, as well as intriguingly complex characters and political situations. The Expanse is already lauded for being of the best sci-fi TV shows and its reputation will grow in years to come.

Honorary Mentions:

Foundation; Hawkeye; Into the Night; Lost in Space; Love, Death & Robots; Snowpiercer; Star Trek: Discovery; Star Trek: Prodigy; Star Wars: The Bad Batch; Titans; Tribes of Europa; The Wheel of Time; The Witcher

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Denis Villenueve’s Majestic Dune

Dune is a classic science fiction novel written by Frank Herbert in 1965 that tells the story of a young man in the far future who leads a desert planet people to freedom. It’s a very complicated tale that has a deep back story that has been difficult to translate to film due to its complexity. The first film adaptation directed by David Lynch in 1984 was met with a mixed reception. It was a lavish production that looked and felt like Dune, but also took liberties with the story and was edited and cut out much of Herbert’s vision. The Sci-Fi Channel released a mini-series in 2000 that was more faithful to the book and was longer than Lynch’s film, but was made on a limited TV budget that was sometimes evident with painted backgrounds and weird costumes. 

Denis Villenueve’s Dune is the latest adaption of this epic tale that takes place in the far future. Humanity has spread to the whole galaxy and is ruled by the Padisha Emperor, and that empire is controlled by an addictive substance known as spice that extends life, enables interstellar space travel, and allows some to see into the future. This precious resource is only found on one planet, Arrakis, also know as Dune, which is populated by a nomadic group of people known as the Fremen. They have a prophecy that a man from off world will lead them to glory and freedom. This man is young Paul Atreides (Timothée Chalamet), the son of Duke Leto Atreides (Oscar Isaac), who is gifted control of the planet by the emperor. This gift, however is a double edged sword, with plots against the Atreides hatched by the emperor and House Atreides’ sworn enemies, House Harkonnen. These machinations force Paul to embrace not just his future but the the destiny of the galaxy.

Villenueve’s take on the material is excellent and shows a great respect for the essence of the story. The movie has the best elements of previous adaptions, with the right look and feel of the 1984 film, along with the faithfulness of the mini-series. The new movie takes it time in telling the story which is the right way, since it is a deep and complex story of prescience, politics, and ecology to name a few things that make Dune a book that is still enjoyed and admired decades after its publication.  Paul’s frequent visions of his future with the Fremen and his future lover Chani (Zendaya) are shown in an interesting and mysterious way, and the appearance and mannerisms of the different factions of the Dune universe are also a highlight. From Mentats making calculations with their human computer minds to the emperor’s Sardarkaur troops speaking in a weird, guttural language, this feels like a different time and place, as it should since it takes place over 10,000 years into the future.

Paul’s journey from son of a Duke to the head of his family is done in a convincing way, with good performances from a great cast. Timothée Chalamet shows the conflicted nature of Paul, who can see his future and is reluctant to make it happen, yet feels obligated to continue his father’s work. Oscar Isaac, as his father Duke Leto, also does well as the heroic leader of House Atreides, who knows that the gift of Arrakis to his family is a trap, yet also feels the pull of duty to go forward in taking control of the spice while warning his son of what is to come. Paul’s mother, Lady Jessica is well portrayed by Rebecca Ferguson, who shows the agony of a mother giving her son over to a possible death at the hands of the Bene Gesserit Sisterhood, a group that has plans on genetically breeding a super human who can transcend time and space and see Paul as that potential being. The well-rounded cast includes other such names as Jason Momoa, Zendaya, Javier Bardem and Stellan Skarsgard as the Baron Harkonnen. All of which provide excellent interpretations of these iconic characters.

One issue I had with the movie, is that because of the strong focus on Paul Atreides and his mother, there are some characters that do not show up at all, such as Princess Irulan, Feyd Rathua Harkonnen, and Emperor Shaddam IV. These are important characters to the story, but due to the obvious time constraints in a two-and-a-half hour movie and the needs of a very complicated story, this is a consequence. Speaking of which, the title of the movie at the beginning says “Dune, Part 1”. Villenueve chose to make the movie based on the first half of the book. I think this was the only choice, since trying to cram the whole book into one film will lead to issues that can happen in film adaptations of books, where much of the plot can be lost or rushed. I would have liked to have seen perhaps a three-hour version, so that these missing characters could show up, and that the villainous Harkonnens could have more of the limelight. Having said that, it is still better to have a Dune film that lets the story unfold, which this one does. I have heard complaints about the ending of the movie, that it is supposedly abrupt, but I didn’t see it that way. It feels like a good ending point for that part of the journey, where Paul and Jessica embark on a new phase of their lives with the Fremen, and the Harkonnens still lurking as a major threat. Early indications are that the film is doing well and hopefully this will lead to the expected part 2 that will finish the tale of Paul Atreides’ rise to power, and the establishment of the legendary Dune universe.

C.S. Link