Yes, Mary Jane, There Is A Santa Claus: Sony Ends Its Spider-Man-Related Cinematic Universe!

Now that Kraven the Hunter is crashing with critics and fans, and at the box office, Sony Pictures had to admit defeat and throw in the towel.

Given the failure of its recent films related to Spider-Man, but not featuring the Marvel Comics hero, Sony decided to discontinue producing these kinds of films. Instead, it will focus on films and TV shows that actually feature Spider-Man himself. Yes, Mary Jane, there is a Santa Claus, since St. Nick and whatever powers-that-be have answered fans prayers. For too long, many of us saw Sony butcher many legitimate Marvel characters with ill-conceived films starring characters that are associated with Spider-Man.

This all started with Venom, which was released in 2018, and turned out to be a huge hit in theaters. Ever since Sony had the film rights to Spider-Man the film studio only released films starring the character, which were successful. But seeing how successful Marvel Studios was with their Marvel Cinematic Universe (MCU), Sony sought to expand beyond Spider-Man and produce films on characters, namely villains, that were associated with Spider-Man. Never mind that many of these characters won’t work without Spider-Man or at least have a defined connection to him. The Venom films worked largely due to actor Tom Hardy and the passion he infused into his role and the character was strong enough to carry his own films. But Madame Web? Why didn’t Sony just do a Spider-Gwen film? That character is very popular in comics and was a breakout in the two animated Spider-Man films.

As we know, the poor reaction to their more recent Spider-Man films led Sony to reach a deal with Marvel Studios and lend the character to Marvel Studios. The caveat was that the superhero could not appear in live-action in projects not associated with Marvel Studios’ MCU, though this has been disputed by a report from Variety.

The Spider-Man films taking place in the MCU were huge successes, but Sony could not be content with that. So, they decided to crank out films that did not feature Spider-Man, which is how we got Venom. Despite its big success, not everyone loved it. But Sony did not care, they saw the box office returns and were convinced they could duplicate that success. Turns out they couldn’t.

Aside from the Venom films and the animated Spider-Man films, Morbius, Madame Web and now Kraven the Hunter were colossal bombs. The films were so embarrassingly bad that they became the subject of many goofy memes and outright tarnished the reputation of Sony’s Spider-Man-related films. It’s no wonder Sony decided to veer away from these Spider-Man-related films. They just had to, it did not make any financial sense to continue to do so.

This does not mean that Sony will not produce anymore Spider-Man films. Production will start next year on the next MCU Spider-Man film, and its TV project Spider-Man Noir is nearly complete, and work is underway for its next animated Spider-Man film, Spider-Man: Beyond the Spider-Verse. That is for the best, honestly.

By not wasting time and resources to produce mediocre films that no one asked for, Sony can now focus all its talent and resources on producing high-quality Spider-Man films and TV shows, which were great to begin with. If any characters introduced in those films prove popular enough, then Sony can produce a spinoff film or TV show with the help of Marvel Studios.

Or they can negotiate with Marvel Studios to allow them to feature a non-MCU Spider-Man in their non-MCU films. That was one of the biggest letdowns with the Venom films. We never got to see Venom confront Spider-Man, his arch-nemesis, who only appeared in a brief cameo in Venom: Let There Be Carnage. It would not be too confusing for the regular public and fans to differentiate between two or more versions of Spider-Man to exist at the same time. This has worked well with the animated Spider-Man films and Warner Bros. has shown that different versions of Batman and his related characters could exist simultaneously, as well as their other DC heroes. Besides this would be a great opportunity to let previous Spider-Man actors like Andrew Garfield to reprise their roles without coming up with a convoluted multiverse storyline.

Even though many deride these Sony Spider-Man films and lament that Disney/Marvel Studios does not own the film rights to the character, there is a rationale for Sony to hold on to him. If Spider-Man were to revert to Marvel Studios, he would be joining a crowded slate of characters who would be vying for time and resources. Just look at how long it has taken for there to be a followup to Captain America: Civil War and the last Iron Man solo film was over ten years ago. Most likely Spider-Man would just play a guest star in other films. At least with Sony, Spider-Man and his world will receive the attention he deserves, and now the studio will focus on crafting some top-tier superhero films and TV shows. Maybe in the not-too-distant future Kraven will be properly introduced as an S-tier villain in a Spider-Man film, which could lead to an adaptation of the classic comic book story, “Kraven’s Last Hunt.” That would be great.!

Venom, Spider-Man & Sony’s Upcoming Crossover Film Event

The latest Spider-Man-related venture by Sony Pictures, Venom: The Last Dance, has teased viewers with an attempt to create a crossover storyline that spans several different films. Sony has tried for years to create their own cinematic universe but failed miserably for the most part because they weren’t able to deliver anything cohesive or high quality. Unfortunately, that problem will continue.

WARNING: Spoilers will be revealed related to Venom: The Last Dance.

Ever since the success of the Marvel Cinematic Universe (MCU) and the emergence of other cinematic universes, Sony wanted in on the action given the massive box office success of the MCU. On paper, it seemed easy to copy the MCU’s success: have a bunch of films interconnect with each other with some kind of B-plot storyline running throughout the films that will culminate in an epic crossover event like Avengers: Infinity War. But as the cliché goes, easier said than done.

Sony first tried creating a shared universe with The Amazing Spider-Man films with the last one dropping obvious hints of a film featuring the supervillain team, the Sinister Six. However, given the bad reception of The Amazing Spider-Man 2 and announcement for a Sinister Six film, those plans fell by the wayside. But Sony would not give up. Afterall, they hold the exclusive film rights to Marvel Comics’ most popular character and all related characters, and they would lose those rights if they did not pump out some kind of Spider-Man-related film every few years.

This is how we got the Venom films. By no means are they superhero film classics, but they are entertaining enough (including Venom: The Last Dance with its plot holes and other flaws) and more importantly to Sony, financially successful. This encouraged them to greenlight other films related to Spider-Man, but the dreck they released could not match the success of the Venom films. Still, they plowed ahead as seen with that non-sensical post-credits scene in Morbius where the title character met the Vulture, who was transported over from the MCU. What was so baffling was that for reasons unknown to us, Morbius decides to join Vulture in attacking Spider-Man, even though Morbius never met the superhero! It seems as if Sony is still hellbent on their Sinister Six film and more will probably be revealed in December with Kraven the Hunter, where there will most likely be some post-credits scene that has Kraven meeting the Vulture. Thankfully this did not occur in Venom: The Last Dance.

Instead, the third and (for now) final Venom film introduced the beginning of an adaptation of the King in Black comic book event. That storyline was the culmination of Donny Cates’ Venom run which explored the backstory of the Venom symbiote and introduced the supervillain, Knull, who created the symbiotes and invaded Earth. While it was tantalizing to see Knull on the big screen, he didn’t receive much screen time and was a background menace who drove the action. In the film’s prologue, it’s revealed that Knull is being held prisoner by the symbiotes he created and only Venom can break him free through some biological MacGuffin. After Venom and other symbiotes defeats the small army of alien creatures sent by Knull to Earth, the Venom symbiote is killed and a still-imprisoned Knull vows in a post-credits scene to escape and wipe out all life in the universe.

That sounds great but this development happens in the so-called final Venom film. Where else can this Knull story continue? Well in a Spider-Man film, of course.

There are reports that Sony and Marvel have been at odds over the story for the next Spider-Man film. Marvel wanted it to be a grounded film involving Spider-Man with street-level threats and heroes like the Kingpin and Daredevil and fans have been demanding this since such a plot would return the character back to his grounded, street-level roots, which has been missing from the MCU Spider-Man films. However, Sony is demanding the character be involved in universe-threatening events as seen with Spider-Man: No Way Home since it is the best platform for crossovers with the characters the studio has the film rights.

The current rumor is that the next Spider-Man will not only feature the non-MCU Spider-Men teaming up with the MCU Spider-Man but that at long last Venom will meet Spider-Man. This was something that was teased in Venom: Let There Be Carnage when Venom was transported to the MCU, but that turned out to be a disappointment because Venom returned without meeting Spider-Man.

So, why would the two meet? To fight Knull, of course! But wait didn’t the Venom symbiote die in Venom: The Last Dance? Yes, but a post-credits scene teased us with an offspring of Venom that was loose, who will probably seek out Eddie Brock to bond with him. Or the offspring that was left behind in the MCU during Spider-Man: No Way Home be the new symbiote for Eddie to bond with. Maybe this time, the new Venom will sport the iconic large white spider symbol on his chest.

While there is some potential with this plot, given Sony’s inability to give us a coherent Spider-Man-related film without the help of Marvel Studios, there is the possibility that the buildup to this event will be bungled, and we’re seeing that already. Knull should have been introduced in the Venom films much sooner or made a more prominent menace in the current Venom film. He also should have appeared in the other Sony Spider-Man-related films like Madame Web, which would have been natural given Madame Web’s psychic powers that enabled her to detect him.

Then there is the problem in that Knull is a Venom villain, having him being the main foe in a Spider-Man film does not feel right. Also, the King in Black story involved all of the Marvel heroes with Venom leading the fight against Knull. Forcing Venom to share this burden in a Spider-Man film takes away from Venom’s transformation in the comic book story into a full-fledged hero and the new King in Black of the symbiotes after defeating Knull.

Also, the meeting of Spider-Man and Venom should be a film event unto itself and jamming it with the dense King in Black storyline will make this event feel rushed. That is unless Sony plans to split the King in Black story into a couple of Spider-Man films. The first film would have Spidey meeting and fighting Venom, then the second film they would team up to fight Knull along with the other crossover characters. As to how this story would mesh with the MCU’s Infinity Saga and the upcoming Avengers films, who knows at this point? But do not be too disappointed if Sony drops the ball, but on the other hand, since Marvel Studios will be involved with the Spider-Man films, hopefully the result will be better than expected.

Spider-Man: No Way Home—Spider-Man’s Endgame

Despite a global pandemic and naysayers, Spider-Man: No Way Home (NWH) defied expectations and is a mammoth box office hit. With the success comes discussion over what lies ahead for future Spider-Man films and the ramifications of the events of NWH. Be aware the following will include spoilers about Spider-Man: No Way Home and related films.

The Complex Film Web

Spider-Man’s film history and its development has always been rocky. Before the first Spider-Man in 2002, it took years and armies of lawyers to develop a Spider-Man film thanks to the Marvel Comics superhero’s complex film rights. As it now stands Sony Pictures holds the film rights to Spider-Man, not The Walt Disney Company or Marvel Studios. While Sony had great success with the early Sam Raimi-directed Spider-Man films, they struggled with their rebooted film duology, The Amazing Spider-Man and The Amazing Spider-Man 2. The film studio tried to start their own film universe based on Spider-Man and related property to rival Marvel Studios’ Marvel Cinematic Universe (MCU). But those films were not as successful as the Raimi films nor were they well received. This forced Sony to scuttle further planned films and work with Marvel Studios to integrate the superhero into the MCU. This paid off tremendously as the MCU Spider-Man films were beloved and very profitable.

The partnership between Sony and Disney hit a large hurdle in 2019 shortly after the release of Spider-Man: Far From Home, a film which ended on a cliffhanger. The two companies could not come to terms and Sony took back the film rights, effectively ending all appearances by Spider-Man in the MCU. After some time, cooler heads prevailed and Spidey was allowed to have at least one more appearance in the MCU, which was Spider-Man: No Way Home, a film that celebrated all the Spider-Man live-action films as the actors who performed Spider-Man in the older films, Tobey Maguire and Andrew Garfield reprised their iconic roles. Many theorized that based on the film’s plot line dealing with alternate realities that the superhero would transition away from the MCU and into his own reality that was populated by other characters such as Venom and Morbius.

Across a Multiverse

According to executives from both film companies, Spider-Man will remain in the MCU for the time being. Producer Amy Pascal even went as far as to announce that a new MCU Spider-Man was in development and perhaps more. He is also supposed to appear in one other MCU film as a feature character like he did in Captain America: Civil War and the last two Avengers films. It would be terrific if he could show up in the MCU reboot of the Fantastic Four since the two properties have a shared early history and the director of the MCU Spider-Man films, Jon Watts, has been selected to direct the FF reboot.

Spider-Man remaining in the MCU is welcome news for fans who love the MCU version of Spider-Man. No one can say for certain if this actually happens, but given the huge success of the MCU Spider-Man films, it would be in the best interests of both film studios to continue the arrangement. On the other hand, if this does not come to pass, at least the cliffhanger was resolved and the last film in the trilogy brought this Spidey’s story to a conclusion and a new chapter in his life.

Supposing Spider-Man were to remain in the MCU what would he face next? One clue is the alien symbiote that created Venom. At the end of Venom: Let There Be Carnage, Venom was transported to the MCU, however he did not play a vital role in NWH. Instead, Venom and his host Eddie Brock hung out in a bar in Mexico and was transported back to his own reality in a mid-credit scene in NWH. The scene was quite funny, but some were disappointed that Venom did not help out the Spider-Men or join the Sinister Six. But a small fragment of the symbiote was left behind in the MCU. So this could be what Peter faces next.

As to how this fragment remained while everyone else not part of the MCU were transported back to their own realities, well, because plot holes. On that note, where were the other characters from other realities that knew Peter Parker was Spider-Man, such as the Raimi version of Venom, or the Harry Osborns in the other films or Peter’s love interests? The real-world answer is that having them show up would have made the film too crowded. It already had the two previous versions of Spider-Man and the main villains from those films, plus the Venom and Matt Murdock appearances. It is possible they arrived much later in NWH and were quickly whisked back before they could do anything. Or maybe they were about to come through in the scene near the end where the dimensional rift threatened to rip open wider. In that moment, audiences could make out the forms of other Spider-Man villains like Kraven the Hunter and Scorpion, so other characters who knew Spider-Man’s secret identity were bound to come through, also.

For now, it seems as if Venom will have his own universe that is populated by at least one other Spider-Man villain, Morbius. There are hints that this universe is part of the film universe of The Amazing Spider-Man films. These include the font for the Daily Bugle newspaper seen in Venom: Let There Be Carnage and Morbius is similar to that seen in The Amazing Spider-Man 2. Another is the Oscorp Building featured in those films turned up in a recent trailer for Morbius. That film references Venom and the trailers featured Michael Keaton as presumably the Vulture, an MCU Spider-Man villain. How can this be? Simple, this version of the version is similar to the MCU version seen in Spider-Man: Homecoming. The way that actor J.K. Simmons reprised his role as J. Jonah Jameson in NWH being that he played the same character in the Raimi Spider-Man films also applies in this case with the Vulture. In other words, his appearance in Morbius does not mean the film takes place in the MCU. As to the apprent absence of Spider-Man in the Venom films to date (post-credits scenes aside), well, they could have taken place before The Amazing Spider-Man films.

There are plans to create a film based on Kraven the Hunter with Aaron Taylor-Johnson playing the famous Spidey villain. This film could be interesting, but would feel hollow without Spider-Man’s presence. More than Venom or Morbius, Kraven was driven and defined by Spider-Man. He was obssessed by besting his ultimate prey in the comic books. This culminated in the classic story line “Kraven’s Last Hunt” and it is hard to imagine such a story being filmed without Spider-Man. If the Kraven film takes place in The Amazing Spider-Man films perhaps it can include Andrew Garfield’s version of Spider-Man.

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Top Ten Films & TV Shows Of 2021

After the live-media drought of 2020, genre films and television shows made a roaring comback in 2021 even though the coronavirus pandemic continues to impact our lives. As we have learned to deal with the pandemic so have the TV and film industry, which was great news since there was much more films and TV shows for us to enjoy. Here are the ten best films and TV shows of 2021.

Television

10. Superman & Lois

This Arrowverse version of Superman surprised everyone by capturing the essence of the DC superhero while bringing a modern twist of his world and situation. Tyler Hoechlin delivered a sensitive and strong performance as the newest Man of Steel.

9. The Handmaid’s Tale

The fourth season of the dystopian saga of an America under control of religious zealots. This season’s theme was about post-traumatic stress and dealing with rage as the main character escaped to Canada and dealt with the aftermath of her ordeal.

8. Sweet Tooth

This adaptation of the comic book about a road trip undertaken by a hybrid mutant boy and a tortured hunter in the aftermath of a viral apocalypse was a touching adventure. Many decried its cliffhanger season finale but thankfully a second season is coming.

7. Invincible

At first glance, Invincible seemed like just another animated knock off of the DC Universe. But the animated adaptation of Robert Kirkman’s comic book quickly asserted it was much more than that due to its ultra-violent tone, adult nature and a fresh take of classic comic book tropes.

6. For All Mankind

The second season of the alternate history TV show further developed a world where the Soviets won the moon race with ramifications in the 1980s. Escalated Cold War tensions between the U.S. and the U.S.S.R. served as a chilling backdrop for the show’s characters who were forced to deal with alarming events on Earth and on our moon.

5. The Falcon and the Winter Soldier

The second TV show set in the Marvel Cinematic Universe (MCU) surprised viewers with its exploration of racism, social inequality and hero worship. As well as the burden of living up to the legacy of Captain America and confronting the past. On top of those mertis were all the glorious fight scenes and captivating plot developments, which made The Falcon and the Winter Soldier so winning.

4. Doom Patrol

The quirky bunch of misfit superhumans continued to shock and delight viewers with the third season of the show. While the Doom Patrol members were outrageously funny with their caustic behavior, they touched our hearts with their tragic situations in episodes which were just downright bizarre and existential.

3. What If…?

While not every episode delivered, on the whole, What If…? was an intriguing examination of alternate versions of the MCU in animated form. Some episodes knocked it out of the park with alternate versions of characters and stituations such as a terrifying version of Ultron that put the live-action version to shame and a tragic version of Doctor Strange that might turn up in Doctor Strange in the Multiverse of Madness.

2. WandaVision

Marvel Studios first MCU-set television show, which streamed on Disney +, instantly stood out in a crowded streaming market thanks to its innovative style which was partly a send up of American sitcoms throughout the decades. At the same time, WandaVision kept viewers captivated with its perplexing mysteries and further developments of the MCU.

1. The Expanse

Coming in at the end of the year as the best television program is the sixth and final season of The Expanse. The must-see sci-fi epic about life in the settled worlds in our solar system was notable for its grounded and realistic depictions of life in space, as well as intriguingly complex characters and political situations. The Expanse is already lauded for being of the best sci-fi TV shows and its reputation will grow in years to come.

Honorary Mentions:

Foundation; Hawkeye; Into the Night; Lost in Space; Love, Death & Robots; Snowpiercer; Star Trek: Discovery; Star Trek: Prodigy; Star Wars: The Bad Batch; Titans; Tribes of Europa; The Wheel of Time; The Witcher

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A Look Back At Spider-Man 3

The first two Sam Raimi-directed Spider-Man films are still considered classic superhero films that helped put Marvel Entertainment on the Hollywood map of superhero films.

Then there is Spider-Man 3.

Honestly, the film is not all bad, though it does a lot to earn its infamous reputation, but it is hardly the trainwreck many critics make it out to be. It certainly is not the worse Spider-Man film…that dubious dishonor goes to The Amazing Spider-Man 2. What is frustrating for fans is that Spider-Man 3 has so many elements that would have made a great Spider-Man film, but it is so cluttered thanks to studio interference. Let’s take a look at it’s messy plotline to see for ourselves. Spoilers are ahead.

Spider-Man 3 begins with Peter Parker (Tobey Maguire) reveling in his dual role as the masked superhero Spider-Man. He is on top of his game as New York City, his home base, showers him with praise and cheers. Meanwhile, his girlfriend Mary Jane Watson (Kirsten Dunst), once a rising star of an actress and model, is suffering a career slump. She gets fired from a starring role in a Broadway musical and is eventually forced to work as a singing waitress in a jazz club. Peter thinks little of Mary Jane’s plight and tells her everything will be fine. On one such occasion, the couple are out stargazing in a park and a meteor crashes nearby without either noticing it. From the meteorite, an extra-terrestrial shapeless mass emerges and hitches a ride onto Peter’s moped when Peter and Mary Jane leave the park. Later, the alien life form stays hidden in Peter’s apartment waiting for the right moment.

After Peter decides to propose to Mary Jane, he is attacked by his former best friend Harry Osborn (James Franco). In the previous films, their friendship drifted apart because Harry blamed Spider-Man for the death of his father, the original Green Goblin. After discovering his father’s weapons at the end of Spider-Man 2, Harry modified the weapons and assumed a new identity as the New Goblin. During the fight, Peter, who never changed into his Spider-Man suit, defeats Harry and then takes him to a hospital to be treated for his injuries. During his recovery, Harry has short-term memory loss, but soon regains them and with his hatred of Peter renewed, Harry begins plotting revenge against his former friend.

While this went on, a common thief called Flint Marko (Thomas Haden Church) escaped from jail and tried to evade the police by hiding at a sandy testing site for a particle accelerator. The device is activated with Marko inside it and the criminal’s body is altered as it is fused with the surrounding sand. Marko is only motivated to use his powers as the Sandman to steal money to help pay for his young daughter’s medical bills. This activity soon puts him at odds with Spider-Man.

The superhero by now is suffering several setbacks in his life. He faces new competition in his profession as a freelance photographer for The Daily Bugle newspaper from photographer Eddie Brock (Topher Grace) and his superior photos of Spider-Man. Peter also learns that Marko was actually responsible for the death of his Uncle Ben in the first Spider-Man film and becomes obsessed with finding him. At the same time, tensions grow between him and Mary Jane who feels Peter is not supportive enough. She eventually leaves him after concluding Peter is flirting with a fellow college student, Gwen Stacy (Bryce Dallas Howard). But what Peter does not know is that Harry Osborn forced Mary Jane to break up with him as part of his schemes of vengeance.

Making matters worse is that the alien mass bonds to Peter while he is sleeping in his apartment and forms a black version of his Spider-Man suit, It’s revealed that the alien organism is actually a symbiote that enhances Spider-Man’s strength and…his aggression. Peter quickly adopts a new cocky and hostile attitude that alienates him from everyone as his enemies close in on him.

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