Farewell To Agents Of S.H.I.E.L.D.

The final episode of Agents of S.H.I.E.L.D. that aired last night marked the end of an era in Marvel Comics-related television fare. The show was the last TV show produced without the involvement of Marvel Studios guru Kevin Feige. Of course, there are a couple of other shows that are coming soon like Hellstrom and some animated fare, which are not spearheaded by Feige. But with Agents of S.H.I.E.L.D.’s conclusion a chapter has been closed in a time of shows not directly related to the Marvel Cinematic Universe (MCU).

Early Missions

When Agents of S.H.I.E.L.D. debuted in 2013, there was a lot of anticipation for it. After all, Joss Whedon, the director of the hit film The Avengers, created it and directed the pilot episode, but more importantly it was supposed to be set in the MCU. It did star Clark Gregg, who played S.H.I.E.L.D. agent Phil Coulson, a recurring character in the MCU films. The complication was that Coulson was killed off in The Avengers so a big mystery in the early episodes was how he was resurrected. There were numerous other connections to the MCU such as guest appearances by Samuel L. Jackson as Nick Fury, Jaimie Alexander as Sif, Maximiliano Hernandez as Agent Jasper Sitwell, Powers Boothe as Gideon Malick and a few other actors that appeared in the MCU films. Not to mention, the early seasons of the show were directly connected to MCU films, notably Captain America: The Winter Soldier and Thor: The Dark World.

However, many viewers came away disappointed with Agents of S.H.I.E.L.D. in that many episodes were bland, unimaginative and did little to satisfy the cravings for the MCU between films. That was not entirely the fault of the show’s producers. It turned out the show was the victim of a turf war between Kevin Feige and the head of Marvel Entertainment, Ike Perlmutter. The two men often clashed over the direction of the MCU and while Feige was in charge of the films, Perlmutter handled the TV shows and other media. As we all know, Feige ultimately was allowed to directly control Marvel Studios and the MCU without having to report to Perlmutter and Agents of S.H.I.E.L.D. began its slow divorce from the MCU.

Tenuous Connections

Even before the schism fans complained about how the show was never referenced in the MCU films. Meanwhile, for a time it seemed as if Agents of S.H.I.E.L.D. namedropped whenever it could every single MCU character or incident. It was clear any connection to the MCU was a one-way street.

Still, despite its missteps, Agents of S.H.I.E.L.D. did find its legs and made the most of its tenuous connection to the MCU. This was best seen during the latter half of its first season which tied-in with Captain America: The Winter Soldier and that film’s plotline of the S.H.I.E.L.D. spy organization revealed as having been infiltrated by the terrorist organization Hydra. Agent Grant Ward (Brett Dalton), one of the core characters in the show, was revealed to be a Hydra agent and the show fully dealt with the ramifications of the film’s events.

A major story line that was supposed to be carried over into the films was with the Inhumans. Originally, Ike Perlmutter wanted a film made based on the characters since he wanted these superhumans to fill in the role of the mutant X-Men. At this time, Marvel Entertainment did not have the film rights to the X-Men and Permutter did not want to promote them in the remaining media. Thus, characters who were Inhumans popped up in Agents of S.H.I.E.L.D. and took on prominent roles. It went so far as to retroactively make another major character, Daisy Johnson (Chloe Bennett), to be an Inhuman (the Marvel superhero Quake). But once Feige was allowed to go his own way, he dropped any plans for an Inhumans film and the show was left holding the bag.

While this was frustrating, this gave the show the opportunity to find its own voice. It wholeheartedly embraced the Inhumans plot point and then embarked on season-long arcs that allowed the show to shine. It introduced other characters from the Marvel Comics such as Ghost Rider, Mockingbird, the Hive and the Aborbing Man, and they were well received by fans. At one point, Ghost Rider was to be spun off into a new series but those plans were cancelled.

Arguably its best arc was during its fifth season when Coulson’s team was hurtled into a future where Earth was destroyed and the remnants of humanity were slaves of the alien Kree. A new character Deke Shaw (Jeff Ward) a scruffy, goofy, Peter Quill-type character was introduced and became part of the team after he and the agents returned to the present to prevent Earth’s destruction. Another interesting character that joined the team was Enoch (Joel Stoffer), a Chronicom anthropologist (a race of alien androids). He was perpetually fascinated with humanity and the actor’s befuddled and whimsically befuddled mannerisms were often the highlights of episodes.

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Bringing The X-Men Into The MCU

When Walt Disney Entertainment acquired 20th Century Fox the entertainment giant gained the rights to several Marvel Comics properties, particularly the mutant superheroes, the X-Men. Ever since then fans of the comic book and the Marvel Cinematic Universe (MCU) have speculated into oblivion over the possibilites of bringing the X-Men into the MCU.

Aside from the logistics of finding and hiring the right people (actors, writers, directors, etc.), there is the hurdle of making the mutants fit logically in the  intricate MCU. Consider the fact that the mutants in the comics and the Fox X-Men films have been a part of their societies for many years and were widely feared and distrusted. When watching an older MCU film, it is clear that mutants are not anywhere to be found (aside from a deleted clip from Iron Man where Nick Fury references mutants). Where are they? The simple answer is that mutants do not exist and the closest thing to the MCU had were the Inhumans who only appeared on TV shows and it’s murky if they are actually part of the MCU. That is a debate for another time, but looking closely at the TV shows like Agents of S.H.I.E.L.D. it can be said that most shows are part of the MCU. Otherwise, where were the mutants during the calamitous events of the Avengers films? The heroes could have used their help!

On a related note, the same headache is going on with the Eternals. If they existed in the MCU throughout history why were they MIA during Avengers: Infinity War and Avengers: Endgame? We’ll find out how this is explained when their film comes out next year.

Now, Marvel Studios is free to bring the X-Men into the MCU, so how can it be done? There are a few options and hopefully, Marvel Studios will find the best one. Here is what can be done:

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Recasting The X-Men

With Disney and Marvel Studios now having regained the film and TV rights to the Marvel Comics property, the X-Men, it is inevitable that a reboot of the film franchise is coming. There is a ton of speculation and fan lists out there over who should be cast in a rebooted X-Men team that will appear in the Marvel Cinematic Universe (MCU). An issue with these lists (and this one, too) is that casting films and TV shows is more complicated than saying “Bryan Cranston is bald so he should be Professor X!” Complicating the casting is the crowded plate of upcoming MCU films, some of which are not in production yet, and these have been delayed.

At this point, it is hard to tell when an X-Men film will be made, so many acting choices will not be available or no longer suitable for the roles. By the time Marvel Studios gets around to casting Wolverine, fan-favorite Tom Hardy may be too old. But for fun, let’s imagine if everything was cleared up and Marvel Studios gave the X-Men a go to begin preproduction tomorrow. Who would be the best candidates to play the iconic X-Men and associated mutants? Take a look and feel free to add your opinions in the comments on these picks and of other mutants not included in the list.

The Original Team

Cyclops

While the previous two actors who portrayed Scott Summers were fine, their roles were rather limited. In an MCU version of Cyclops, he has to be shown as undeniably the team leader, not Wolverine or Mystique or a mutant played by some other A-list actor. A true leading man is required for this role, which is why Chris Pine would be perfect for playing Cyclops. With his role as Captain Kirk, good looks and charm, Pine could believably come off as the leader of the X-Men and go toe to toe with Canadian upstarts with healing powers. Other candidates: Armie Hammer, Charlie Hunman, Matt Lanter, Garrett Hedlund

Jean Grey

The tortured telepathic member of the X-Men has to be portrayed by someone who can evoke sympathy, yet fear and dread when she transforms into the deadly Phoenix. In her role as the rebellious and complex artificial person, Dolores Abernathy, in Westworld, Evan Rachel Wood has demonstrated the acting range to bring us a Jean Grey struggling with her immense telepathic powers as she becomes the Dark Phoenix; which should happen in the third or fourth film of the rebooted franchise. Other candidates: Felicity Jones, Emilia Clarke, Rebecca Ferguson, Rosa Salazar

Beast

Both actors who portrayed Hank McCoy ran with the roles and made them memorable. This role of the team’s brawny, yet eloquent scientist needs to be portrayed by someone who comes off as intellectual but able to hold his own in a fight. It would be great if Kevin Feige could look the other way and allow Nicholas Hoult to reprise his role, but since that will not happen let’s go with Chad L. Coleman, who can do the job well and bring something new to the role. Other candidates: Joel Edgerton, Cillian Murphy, Pedro Pascal, Josh McDermitt

Angel

In his previous appearances, Warren Worthington III aka Angel, has been largely delegated to a background character, despite some interesting setups. In an MCU X-Men film, Angel, along with the original lineup, should take center stage. For this role Liam Hemsworth should be hired to play the flying mutant. He has the good looks, lanky build and acting ability to stand out. Besides casting a Hemsworth in the MCU worked out before! Other candidates: Sam Claflin, Jack Reynor, Garrett Hedlund, Logan Lerman

Iceman

Many fan castings for Bobby Drake often pick Nick Robinson, and that is because Iceman is a homosexual and Robinson played a gay teen in Love, Simon. Robinson is a good choice, but there are better candidates and he may not want to be typecast simply because he portrayed a gay character. Justice Smith is an inspired choice; he’s younger than the other actors, and more importantly talented enough to make Iceman shine in a new X-Men film. Other candidates: Chandler Riggs, Nick Robinson, Dylan Minnette, Curran Walters

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X-Men: Herald Of The Modern Age Of Superhero Films

It was twenty years ago on this day that X-Men premiered in theaters. While many at that time knew of the film’s potential impact, its success was still surprising given how the superhero film has grown in stature.

Before the first X-Men film came out on July 14, 2000, there were many prominent and successful superhero films that made their mark in pop culture like Superman: The Movie, Batman and The Mask. However, the splash they made was not as intense as the one X-Men made. Yes, after those films made millions at the box office, superheroes were the craze with merchandising and copycat films and TV shows, yet X-Men heralded a new and lasting age of superhero films that continues to this day (well, coronavirus notwithstanding and causing most theaters to shut down and film studios to delay film releases). It was not that X-Men was a better film than say Superman: The Movie, it probably was that it was the first genuine hit based on a Marvel superhero IP. Before anyone brings up Blade, that film was marketed more as an action/horror film and most had not heard of Blade. The X-Men were different, they were prominent in geek culture and many fans were aching for a big-budget adaptation of the superhero mutants. They wanted to see how Wolverine would be realized in live action, how filmmakers could translate the complexity of the X-Men comic books. 

Director Bryan Singer did a fine job distilling and presenting a somewhat simplified version of the X-Men. This is not a criticism but rather a compliment in that he and the filmmakers (which included future Marvel Studios head Kevin Feige) were able to strip down what worked in the comic books, which were the best characters to bring forth, and knew what would resonate with audiences and fans. 

In their wisdom, they were nearly spot on with their casting. Starting with Hugh Jackman as Wolverine, which was ironic considering Jackman replaced the original actor cast in the role, Dougray Scott, after Scott was injured during filming of Mission: Impossible II. Some scoffed at Jackman’s casting because he was tall, good looking and lacked a filmography that screamed comic book action star. But from the moment that Rogue (Anna Paquin) met Wolverine in a Canadian bar following a cage fight, we all knew after witnessing Wolverine’s feral nature that the casting gods were generous. 

Another equally important casting choice was Patrick Stewart as Professor Charles Xavier, the leader and heart of the X-Men. Often, people mock fan casting for being ridiculous and unrealisitc. But time and time again Stewart was the fan favorite for a hypothetical X-Men film. Thankfully this proved to be perfect as Stewart brought gravitas and humanity to the role. We believed he was a kind and just mentor, who championed humanity. Needless to say. Ian McKellan as the villainous Magneto was a pleasant surprise given so many doubted his casting due to his age. However, McKellan displayed the same gravitas as Patrick Stewart and was able to believably match Hugh Jackman’s vicious Wolverine with his own cunning and hatred towards humanity.

For years, filmmakers were challenged by the idea of bringing the mutant team to life. Two reasons were because of budget and the complexity of the team. Their storylines were more mature than standard comic book stories as they tackled racism and related strife. It would not do to treat an X-Men film as a campy romp, nor could it be a mindless action fest. The villains were more nuanced with causes that audiences could sympathize with, namely the evil mutants’ actions resulted from humankind’s fear and bigotry. X-Men displayed this naunce splendidly, thanks to solid performances and Singer’s direction.

The film is not perfect, namely in the execution of the action pieces, which feel a bit pedestrian and low key compared to what filmmakers have been able to pull off in recent years. Some of those fights were cringe worthy! But no one should hold that against X-Men and the accomplishment of everyone involved with the film.

X-Men was not the biggest hit of that year, but it did well enough to excite fans and film executives who saw the box office potential of superhero films. Helping to cement the modern age of superhero films in the early years were Spider-Man, X2: X-Men United and Batman Begins. There were fits and starts in that decade but by 2008, the runaway success of Iron Man and The Dark Knight signaled that superhero films were here to stay and be a major influence in films. 

This was all due to X-Men; keep that in mind during the next viewing of this film.

Michael Keaton Returns As Batman?

Well this is a big surprise: Michael Keaton is in talks with DC and Warner Bros. Studios to reprise his role as Bruce Wayne aka Batman in the upcoming DC Extended Universe (DCEU) film The Flash. Even more surprising is that this version of Batman will be the same version seen decades ago in the original Tim Burton films, Batman and Batman Returns.

Of course, the big question among fans is how is this possible? There is already a Batman (portrayed by Ben Affleck) in the DCEU that does not mesh with the continuity of the Burton films. The best and most likely answer has to be the appearance of the Keaton Batman must be due to the Flashpoint event shown in the DC comics and The Flash TV show where Barry Allen aka the Flash runs fast enough to time travel and changes history, In this story, Barry Allen prevents his mother’s murder and his reality changes. This event led to last decade’s reboot of the DC Universe, the New 52.

This event could be used to allow the Flash to travel through different realities or the multiverse as shown in the Arrowverse crossover event “Crisis on Infinite Earths”, which aired earlier this year and where the TV version of the Flash met the DCEU incarnation played by Ezra Miller. There are already rumors the film will show that encounter from the viewpoint of the Miller version of the Flash. In fact, the Burton Batman universe was briefly seen in the crossover event during a montage in the first episode. Perhaps the Flash will be visiting other multiverses in a much higher scale *meaning a larger production budget that can afford cameos by A-list actors) than seen in the TV event. It is unknown what will be the extent of Keaton’s appearance but it’s unlikely he will have a huge role but will hopefully be more than a glorified cameo. This also gives validity to the fan theory that The Flash will be used to rewrite the DCEU and replace certain actors and retcon what has happened in previous DCEU films, just as Flashpoint rebooted the DC Universe in the comic books.  However, there are also rumors that the Keaton Batman will appear in other DCEU films in a similar connecting fashion as Agent Coulson or Nick Fury did for the MCU films. Exactly how this will pan out if this Batman will be the original Keaton Batman remains to be seen.

On the other hand, this may not come to pass and either the Keaton Batman will play a small role in an altered reality that mentors the Flash or Michael Keaton may change his mind or someone else will be tapped to fill in the role. Is Christian Bale willing to talk to Warner Bros. about this? Even seeing George Clooney as Bruce Wayne for a cameo would be awesome! It would be terrific if other big name actors who played DC heroes in the past could appear in The Flash. This would be perfect for Ryan Reynolds to come back as Green Lantern and leave a better impression with the role or if the film could somehow incorporate elements from the Christopher Reeve Superman films. 

The important thing to remember is that this is supposed to be a film about the Flash, not the DC multiverse. As long as director Andy Muschietti keeps the focus on Barry Allen and his story (and if the film actually gets made) then the film will be a phonemenal presentation of the Scarlet Speedster as he meets the other wondrous characters in the DC multiverse.