Zack Snyder Presents His Idealized Vision Of Justice League

Zack Snyder’s Justice League is the culmination of over three years of an internet campaign that started soon after the release of the much-maligned Justice League from 2017, a movie that I personally liked, but that was seen as not in tune with the previous two movies directed by Snyder that came before it, Man of Steel and Batman v Superman: Dawn of Justice. Joss Whedon was brought on to finish and reshoot much of what Snyder had done after he left the project due to the death of his daughter. The rise of streaming services, in this case HBO Max has allowed this long-awaited version to be completed and finally see the light of day.

The basic plot points from the theatrical version of Justice League are the same here. Batman gathers together the Justice League by seeking out Aquaman, the Flash and Cyborg with the help of Wonder Woman, resurrecting Superman and confronting Steppenwolf. He is an alien attempting to steal ancient technology called the Mother Box, which is hidden throughout the world in three parts and if the parts are united he will be able to conquer Earth in the name of his master, Darkseid.

The differences between Zack Snyder’s Justice League and the theatrical Justice League are the fact that the Snyder cut is a much deeper experience with backstory added for each character, especially Cyborg whose relationship with his father is given center stage on many occasions, as well as The Flash rescuing his future love interest Iris West, and Aquaman speaking with his mentor Vulko, who was previously seen in the Aquaman standalone movie. We had glimpses of these backstories in the theatrical version, but with its studio-mandated two-hour running time, things had to move at a quicker pace. The extra time in the Snyder cut allows for more of these characters to be established which makes it an enjoyable experience, provided you have four hours to spare. The fact that this is meant to be seen at home is a big plus since you can stop and start at anytime. This is helpful due to the fact that the first two hours set everything up, which can make the film seem slow.

The action picks up at the halfway point in an underground tunnel battle, which shows the League fighting as a group for the first time. The fight scenes are more visceral in this version and are a highlight. This is also true for the other action scenes, such as Superman’s resurrection and battle with the other League members, and the final showdown with Steppenwolf. Speaking of which, the main villain has undergone a redesign and has a kind of flowing metal armor which is more interesting and menacing than his design in theatrical cut. Another highlight is the on-screen, live-action premiere of DC supervlillain Darkseid, who is shown in his home world directing Steppenwolf in his quest to unify three Mother Boxes to conquer Earth. This whole plot point is fleshed out in this extended version and explains Steppenwolf’s obsessive desire to acquire these artifacts and sets up Darkseid’s attempt to conquer all of existence. This is one of several other plots that are hinted at in the original version, such as Lex Luthor teaming up with Deathstroke to take on Batman, as well as the onscreen debut of Martian Manhunter, who warns Batman’s alter ego, Bruce Wayne, of Darkseid’s coming invasion. Lastly, some new scenes showcase the anticipated Knightmare sequence of a future world ruled by Darkseid and an evil Superman similar to the Injustice storyline. Here Batman is leading a resistance and allying with his nemesis the Joker, played by Jared Leto. This finally gives viewers these two versions of the iconic rivals interacting for the first time.

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Non MCU Marvel Characters Who Should Return

alternate MCU Avengers

Based on what we know about the next Doctor Strange film and the upcoming Spider-Man: No Way Home, the Marvel Cinematic Universe (MCU) will be deluged with characters who are non-MCU Marvel heroes and foes.

For example the third MCU Spider-Man film, will return Al Molina as Doctor Octopus (last seen in Spider-Man 2) and Jamie Foxx as Electro (seen in The Amazing Spider-Man 2). These two villains were part of defunct film universes which has led to speculation that Spider-Man: No Way Home might loosely adapt the Spider-Verse storyline from the Marvel Comics and even the animated film Spider-Man: Into the Spider-Verse

Meanwhile, the title of the second Doctor Strange film, Doctor Strange in the Multiverse of Madness, clearly gives away that the good sorcerer will be grappling with the multiverse and other characters from extinct film universes will appear. The film will even feature the Marvel Comics superhero America Chavez (Xochitl Gomez), who has the ability to punch her way through the multiverse. It’s an ability that Doctor Strange will find useful when he teams up with her. 

We’ve been teased with the concept of the multiverse as it was mentioned in Spider-Man: Far From Home and with the appearance of Evan Peters as Quicksilver in the WandaVision TV show. Though Peters’ appearance turned out to be stunt casting (SPOILER: he actually was not Quicksilver), we were teased with the concept of a multiverse during the post-credits scene of the final episode when Wanda Maximoff hears the cries of her children who no longer exist in the MCU. 

The people behind the MCU films have been tight-lipped about who will appear in these two films. This has fed  rampant speculation among fans, with the popular theory that former Spider-Man actors Tobey Maguire and Andrew Garfield will turn up in some capacity in Spider-Man: No Way Home, while the speculation has exploded as to who will appear in Doctor Strange in the Multiverse of Madness

It is fun to speculate and theorize about this since in some way the appearances of these non-MCU Marvel characters support the concept that those abandoned film universes are still valid for us. Of course, fans of those films and characters do not need new film appearances to validate the love they have for those films which are forever treasured. Still, it is a nifty possibility that they will make some kind of comeback. 

Who should appear in the upcoming MCU films that deal with the multiverse? There are plenty of characters to choose from including some we never saw based on casting considerations at one time. Here is a list to ponder…

10. Tom Hiddleston as Thor Odinson

Most fans of the Thor films know that Tom Hiddleston, who rose to fame playing Loki, originally tested for the God of Thunder himself. Supposedly he impressed the filmmakers of Thor enough to be offered the role of Loki as a consolation. 

9. Dougray Scott as Wolverine/Logan

We all know Scott was originally cast as Wolverine in the first X-Men until an accident during the filming of Mission Impossible II forced the character to be recast with Hugh Jackman. While we all breathed a sigh of relief it will be fun to see how Scott would have seemed as Wolverine if he turns up in the next Doctor Strange film. 

8. Emma Stone as Spider-Gwen/Gwen Stacy

There are rumors that Miles Morales will at least cameo in Spider-Man: No Way Home, and although that would be terrific, it would be just as much fun to see other Spider-Verse characters like Spider-Man Noir, Spider-Ham and especially Spider-Gwen who must be played by Emma Stone since she did so well playing Gwen Stacy.

7. Robert Downey, Jr. as Doctor Strange/Tony Stark or Stephen Strange

It was recently revealed there was a cut scene in Avengers: Infinity War where Tony Stark and Stephen Strange swapped outfits. This led to an intriguing thought of having Downey, Jr. portraying Stephen Strange or at least the Sorcerer Supreme as seen in an alternate version in the comic books. 

6. Sairose Ronan as Wanda Maximoff/Scarlet Witch

Ronan was director Joss Whedon’s first choice for playing Wanda Maximoff in Avengers: Age of Ultron. Imagine how the role would have been like if she wound up playing Wanda instead of Elizabeth Olsen? Ronan’s appearance would bridge WandaVision and Doctor Strange in the Multiverse of Madness perfectly.

5. Joaquin Phoenix as Doctor Stephen Strange

The actor who owned the role of the Joker actually turned down the role of the Marvel wizard in Doctor Strange, mostly because he wanted to avoid a multi-film commitment. For Doctor Strange in the Multiverse of Madness, Phoenix showing up as Stephen Strange would be a fun meta joke as the two doctors meet.

4. Emily Blunt as Black Widow/Natasha Romanoff

Before Scarlett Johansson was cast as the Russian super spy, Blunt was the original choice to play the hero. Now, she is the fan favorite to play Sue Storm in the upcoming Fantastic Four reboot. If that happens, seeing her as Black Widow will be a blast.

3. Chris Evans as the Human Torch/Johnny Storm

The much-maligned, early Fantastic Four films need to be represented somehow. Plus, Chris Evans’ role as Johnny Storm not only stole the films, but helped launch his career. It would be even better if Evans could portray both the Human Torch and Captain America at the same time!

2. Tom Cruise as Iron Man/Tony Stark

As outrageous as it now sounds, Tom Cruise would probably have been able to pull off a very decent version of billionaire playboy Tony Stark if an Iron Man film was done much earlier. There isn’t any way to tell unless we see Cruise appear as Stark in the next Doctor Strange film as is rumored.

1. John Krasinsky as Captain America/Steve Rogers

When it came down to the finalists to play Captain America in Captain America: The First Avenger, Chris Evans beat out John Krasinsky, who is now a fan favorite to play Reed Richards in the MCU version of the Fantastic Four. As great as Evans was as Captain America, no one can deny wondering how Krasinsky would have pulled off the iconic superhero. The multiverse-centric MCU films is the best way to let us see this casting.

Do any of you have any alternate castings of Marvel superheroes that you think should appear at some point? How about the Marvel Netflix heroes or those from Agents of S.H.I.E.L.D.? Drop a comment!

 

 

 

 

WandaVision Brings Back The MCU With A Magical TV Twist

For too long (only about a year and a half but it felt like eternity), fans of the Marvel Cinematic Universe (MCU) were deprived of new content. But that ended when the Disney+ TV show WandaVision premiered last January and the series finale just streamed yesterday. By the time the finale, appropriately titled “The Series Finale”, streamed WandaVision became the latest water cooler show to talk about as many theories (most of which did not pan out) were discussed, and for good reason. Some spoilers will follow.

WandaVision stands out from the normal MCU fare by focusing more on character, plot twists and mystery. It still is an MCU offering but it took full advantage of its new television medium and tantalized viewers with questions and character studies with each episode. It also was quite unconventional as a TV show.

The series was an intriguing hybrid of MCU action and world building and a tribute to American sitcoms. We got to see the evolution of sitcoms from the 1950s to today with various episodes taking on a tone which was appropriate to the era it evoked. Starting with the first two episodes, WandaVision emulated 1950s shows like The Dick Van Dyck Show and I Love Lucy then the 1960s with I Dream of Jeannie and Bewitched with a narrow television ratio, laugh tracks and black and white photography in the first two episodes. The following episodes were in color with changed lighting that evoked the bouncy and colorful TV world of the 1970s like The Brady Bunch; the schmaltzy and corny overlit family comedies in the 1980s as seen with Full House, Growing Pains or Family Ties; the more in-your-face and goofball vibe of Malcolm in the Middle from the 2000s; and contemporary comedies where characters talk to the fourth wall as in The Office and Modern Family. Each era/episode came with an opening title scene that fit perfectly for the era it evoked. 

It was a lot of fun to watch these episodes which brought back memories, although the earlier episodes could have actually been funny. This flaw was a turn off for some viewers but others were rewarded when the series expanded beyond the bizarre artificial world created by the superpowered Wanda Maximoff (Elizabeth Olsen, who has never been better at this role) and we learned what was going on. 

WandaVision truly began to stand out when we began to get answers and the world opened up. Essentially, the series takes place in the aftermath of Avengers: Endgame as Wanda is struggling through her grief over the loss of her lover, the android called Vision (Paul Bettany) and the events from the last two Avengers films. In her emotional pain, Wanda retreated to a fantasy world that inserted herself and a resurrected Vision in a sitcom world.

This draws the attention of the real world in the form of an agency called S.W.O.R.D., and people who investigate Wanda’s world. These included familiar MCU faces like scientist Darcy Lewis (Kat Dennings) and FBI agent Jimmy Woo (Randall Park) and new faces such as Monica Rambeau (Teyonah Parris) and S.W.O.R.D. director and all-around tool Tyler Heyward (Josh Stamberg). It is remarkable that this show was able to take minor and annoying MCU characters who detracted from their films and made them so endearing. Darcy and Jimmy have to return in one of the other Disney+ MCU shows. Meanwhile, Monica made a brilliant impression as the newest MCU hero, the future Photon/Spectrum and the episode that focused on her return to life during Avengers: Endgame provided a fullfilling look at what the impact the events of the Avengers films had on normal people. 

Events quickly elevated and intrigued us when Wanda’s deceased brother Pietro/Quicksilver (Evan Peters reprising his role, sort of, from the Fox X-Men films) turned up out of the blue. Meanwhile, tantalizing clues and Easter eggs engaged us to try to figure out what was going on in the show and its characters, namely Wanda and Vision’s nosy next-door neighbor Agnes (Kathryn Hahn), who showed a wide range of depth from comedy to villainy. 

However, the true stars of the show was of course Wanda and Vision. The actors reveled in their roles and ran audiences through the emotional gamut as their scenes ranged from goofball comedy to horrifying heartbreak. But the emotional pulls were genuine and did not feel forced (unlike many of the attempts at humor). Their story was the heart of WandaVision as the series grew darker and darker when she processed her grief.

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Superman & Lois Takes Off To A Promising Start

When the latest DC superhero TV show on the CW, Superman & Lois, was announced, many of us shrugged our shoulders based on the previous quality of superhero shows on that network. While the so-called Arrowverse DC TV shows are usually entertaining, they quickly fell into a worn-out formula that catered to the YA audiences of the CW. These shows were known for humdrum cinematography, average-to-obvious CG effects, a quirky support team for the main character complete with a nerdy IT person who talks too much. and a light tone with angst-driven melodrama.

Adding to the preconception about Superman & Lois was this version of Superman (Tyler Hoechlin) was the same one introduced in Supergirl and many fans complained loudly over how the showrunners intentionally made Superman inferior to Supergirl in her show. This was the last thing the character needed in this day and age where he struggles to stay relevant. 

Well, after viewing the pilot episode of Superman & Lois, it is  great to discover that the show, so far, has taken a different approach with an emphasis on quality that approaches what one would see on HBO Max and even on film. 

The pilot begins with a summary of Superman/Clark Kent’s life from the moment he arrived on Earth as an infant to how he met his future wife, Lois Lane (Bitsie Tuloch) and to the birth and raising of their twin sons, Jon (Jordan Elsass) and Jordan (Alex Garfin). During the pilot, a life-altering event occurs which forces Clark to return with his family to his childhood home in Smallville, Kansas. He and Lois find themselves at a crossroads in their lives and careers as they find out being journalists does not offer career or financial security. Real world problems invade their lives. Throughout the episode, Superman investigates a mysterious villain, while the boys struggle with their sense of identity and finding their way in a changing world.

From the start, the show featured exceptional special effects and cinematography, a more mature tone, and actual characters. Tyler Hoechlin turned in a fine performance as Superman and Clark Kent, who is conflicted with his responsibility to his family versus his life as a superhero who is constantly on call. Even though he is invulnerable, can bend steel with his bare hands and is faster than a speeding bullet, Clark still struggles to relate with his teenage sons. One of them has a social anxiety disorder while the other is an up-and-coming jock. These revelations showcase a more vulnerable and relatable side to the superhero, which is needed since he is criticized often for being a perfect boy scout. 

A caveat with the pilot episode of Superman & Lois is that it does feel at times like a CW show, especially when it devotes screentime to the boys. Their moments of teenage angst comes off as an updated version of Smallville complete with the dumb jocks, coy would-be girlfriends and teenage social gatherings that go awry. The partial reveal of the villain’s identity could produce some groans because Superman has a large gallery of villains to pick from that have yet to appear in live action. The episode could have used a bit more humor to liven up the mood. Then again being that the Arrowverse usually goes overboard with humor to the point it detracts from the drama, the more serious tone of Superman & Lois is very welcome.

Another point to be made is that Superman & Lois casts off much of the Arrowverse trappings to the point that it can be argued that it does not take place in the Arrowverse. It takes its inspirations from Man of Steel instead of Supergirl and it shows from the redesign of Superman’s costume to its hand-held photography (it is more brightly lit than Man of Steel, however) to its grittier tone. Be that as it may, Tyler Hoechlin’s take on Clark Kent and Superman is much closer to Christopher Reeve in the early Superman films than Henry Cavill in the recent films. the rest of the cast are also fine in their respective roles. 

Also, there is a terrific nod early in the pilot to the Max Fleischer Superman cartoons and even the first cover image of Action Comics #1 where Superman sports an early prototype costume complete with the red trunks. The cinematography during the opening segments/flashbacks contrast nicely with the current setting and helped set this episode apart from the other Arrowverse pilots. 

The first episode of Superman & Lois is a welcome surprise in a crowded TV landscape of underwhelming superhero shows. The makers realized that unlike the early Arrowverse shows, it is competing with other shows that raised the bar in terms of production values and writing. It is only the first episode and it remains to be seen if it can maintain this tone. The big test will come with the inevitable crossover episodes with the Arrowverse properties. But based on the pilot, Superman & Lois has taken off to a promising start. 

José Soto and Walter L. Stevenson

 

Who Will Be The WandaVision Surprise Cameo?

By now, most fans have heard of a recent interview with actress Elizabeth Olsen where it was revealed that there will be a surprise cameo at the end of the Marvel Cinematic Universe (MCU) Disney+ show WandaVision. Supposedly it will rival the shock and magnitude from the surprise guest appearance of Luke Skywalker (Mark Hamill) in the second season finale of The Mandalorian.

Of course, Elizabeth Olsen did not elaborate on this and only confirmed to the interviewer that there will be a surprise cameo. In another interview, Paul Bettany who plays the Vision mentioned he will work with an actor he’s always wanted to work with, so take that as a clue or a misdirect. This MCU show is already proving to be adept at the art of misdirection. It could be this already happened with the appearance of Evan Peters as her brother Pietro aka Quicksilver. But it is doubtful that actor’s appearance is of the OMG scale many are now expecting. Then again it could be and all this could be a misdirect, which would be a huge disappointment for many WandaVision viewers.

However, let’s assume that the final episode of WandaVision will have a surprise cameo appearance that will keep the internet busy with buzz and hype for months. Who could that person be?

By now, most fans have heard of a recent interview with actress Elizabeth Olsen where it was revealed that there will be a surprise cameo at the end of the Marvel Cinematic Universe (MCU) Disney+ show WandaVision. Supposedly it will rival the shock and magnitude from the surprise guest appearance of Luke Skywalker (Mark Hamill) in the second season finale of The Mandalorian.

Of course, Elizabeth Olsen did not elaborate on this and only confirmed to the interviewer that there will be a surprise cameo. In another interview, Paul Bettany who plays the Vision mentioned he will work with an actor he’s always wanted to work with, so take that as a clue or a misdirect. This MCU show is already proving to be adept at the art of misdirection. It could be this already happened with the appearance of Evan Peters as her brother Pietro aka Quicksilver. But it is doubtful that actor’s appearance is of the OMG scale many are now expecting. Then again it could be and all this could be a misdirect, which would be a huge disappointment for many WandaVision viewers.

However, let’s assume that the final episode of WandaVision will have a surprise cameo appearance that will keep the internet busy with buzz and hype for months. Who could that person be? Be sure to leave a comment or two