Avengers Come Of Age With Ultron

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Eye-popping. Action-drenched. Dazzling. LOUD. Explosive. Those are words that come to mind when thinking about Avengers: Age of Ultron. That is because this sequel to The Avengers is a true visual feast. That isn’t to say that Avengers: Age of Ultron tops the original, it doesn’t, but viewers will have an unforgettable time at the theaters watching it.

Joss Whedon returns to the director’s chair with this sequel that reunites most of the original cast including Robert Downey, Jr. as Tony Stark/Iron Man, Chris Evans as Steve Rogers/Captain America, Chris Hemsworth as Thor, Mark Ruffalo as Bruce Banner/The Hulk, Jeremy Renner as Clint Barton/Hawkeye and Scarlett Johansson as Natasha Romanov/Black Widow. Like any worthwhile sequel, Avengers: Age of Ultron introduces new, exciting characters like Vision (Paul Bettany), Scarlet Witch (Elizabeth Olsen), Quicksilver (Aaron Taylor-Johnson) and the malevolent android Ultron (James Spader).

Avengers in forest

After a kinetic opener where the Avengers take out an enemy base in Eastern Europe, they encounter two super-powered people who are antagonistic towards them. One of them, the Scarlet Witch, has mind-altering powers and influences Stark to retrieve Loki’s scepter from the base. In the last film, this weapon was wielded by Thor’s errant brother Loki and it’s powered by one of the immensely powerful Infinity Stones featured throughout the Marvel Cinematic Universe (MCU).

Back in New York, Stark and Banner QS capdecide to use the scepter’s power to help them create a genuine artificial intelligence. Their efforts fail, but once they leave the lab, the program becomes sentient and assumes the Ultron identity in a damaged Iron Man drone body. The problem is that Ultron’s programming of performing Stark’s directive of bringing about world peace has been corrupted. Now it wants to eliminate humanity. The AI goes viral and spans the world, perfecting its physical body and carrying out its planned extinction event as the Avengers struggle to catch up to Ultron and defeat it. As this plays out throughout the film, we see shifting alliances, inside looks of our heroes, and the emergence of new heroes.

ultronAvengers: Age of Ultron is a very busy film, sometimes too busy. There are so many plot points and character developments that things get lost in the shuffle at times. It rushes through plot developments that needed more nuance like the creation of Ultron. The moment it becomes self aware it is automatically evil. There are attempts to explain why Ultron wants to kill humanity but they’re hollow and don’t resonate. Another example are the development of Quicksilver and Scarlet Witch. Too much exposition explains their background and their evolution feels rushed. Then there are moments when the film is about to go off the rails with its nods to the larger MCU and in setting up other films. Sometimes it feels organic, like Stark and Rogers’ growing antagonism towards each other, which will culminate in next year’s Captain America: Civil War. Other times they feel tacked on and clumsily shoved in like Thor worrying about his own dilemmas that will be concluded in his next film. These diversions while interesting don’t allow this film to stand on its own because this film shines when it’s concentrating on its own merits.

With all this going on, things get lost in the shuffle and aren’t dwelled upon. The film struggles to juggle all these visionnew characters and servicing the old ones. It is too bad more time wasn’t spent on the Vision, the best new character thanks to Bettany’s sympathetic performance. However, some much needed time is devoted to Avengers who didn’t have much screen presence the last time around. This applies to Barton as we find out that he actually has a wife and family and this revelation makes him much more endearing to us as the point is driven home that he is the most vulnerable Avenger. Also, it was interesting to see that Captain America has by now emerged as the true leader of the team and has more of a screen presence than Iron Man.

As action-packed and fast moving as it is, Avengers: Age of Ultron lacks the original’s oomph and sense of wow. The novelty of seeing our favorite superheroes coming together isn’t there obviously, but it does its best to carry on. Usually it succeeds in dazzling the audience but it gets bogged down with its flaws.

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Putting that aside, Avengers: Age of Ultron is very exciting and worth watching in theaters. Many of the special effects and action scenes are inspired and breathtaking like the part where Iron Man battles the Hulk in Africa or when Captain America and Black Widow confront Ultron and his drones in South Korea. It’s commendable that this isn’t just your typical empty summer film. It has heart and character thanks to topnotch acting. Joss Whedon knows how to raise the stakes for our characters in the final arc where Ultron finalizes his machinations and there’s a feeling of desperation and fatality among the Avengers. We care about these characters and by the end of the film the status quo has been upset and that’s a good thing. Like the comic book this film is based upon, things are always evolving with the Avengers, which will make things feel fresh in upcoming films.

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Despite its faults Avengers: Age of Ultron is a fitting and exuberant conclusion to Phase Two of the MCU and sets up the next chapter in the growing MCU.

José Soto

Best Of 2014

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Best Sci-Fi TV Show

Doctor Who got off to a rocky start for the new Doctor played by Peter Capaldi. But the show and the actor quickly found their footing and presented an eclectic and sometimes frenetic mix of the bizarre, silly and loftier themes. What helped where the imaginative scripts and Capaldi’s cutting performance as a more sardonic and mature Doctor, which was a good change of pace for Doctor Who.

Best Horror TV Show:

The Walking Dead continues to be one of the best genre shows on TV. This year saw the aftermath of the fall of the prison that scattered our heroes and introduced memorable characters. At the same time, The Walking Dead kept amping up the stakes with the Terminus cannibals and Grady Hospital storylines. It all ended with a feeling that no one is safe and nothing is secure.

Best Fantasy Show

Game of Thrones is the best produced dragons 2show on TV right now with its topnotch production values, crisp dialogue and scripts, and superior acting. Many episodes stood out which dealt with the deaths of King Joffrey (Jack Gleeson) and Tywin Lannister (Charles Dance), the trial of Tyrion Lannister (Peter Dinklage) and the siege of the Wall. The only problem is that the show is now running out of original material since it has almost caught up to George R.R. Martin’s books.

Best Documentary/Reality Show

The Real History of Science Fiction, was a splendid look at film and TV science fiction fare with some nods towards literary works. Each episode of the mini-series was based on a certain theme like robots, time travel and of course space exploration.

"Almost Human" Season 1

Best Cancelled TV Show

Almost Human was a fresh and inventive sci-fi variation of the cop-buddy show thanks to terrific performances by Michael Ealy as an android cop and Karl Urban as his disgruntled human partner. The episodes were straightforward and entertaining as they explored the nature of having a soul and nifty future crimes.

Best Animated Show

Star Wars: The Clone Wars had a fitting final season that aired on Netflix instead of broadcast TV. While current fandom is content to put behind George Lucas’ prequel-based fare and all the attention is on Star Wars Rebels and next year’s Star Wars: The Force Awakens, the final episodes of Star Wars: The Clone Wars did an excellent job of expanding the Star Wars universe with its explorations of the Force and by providing a segue way to the films.

Best TV Character

tyrionTyrion Lannister in Game of Thrones finally had enough of all the taunts and putdowns and the unjust charges laid on him. His epic courtroom rant in “The Laws of Gods and Men” saw him unleash his fury at those that wronged him including his father and this anger saw its culmination in the final episode of the season where he physically took out his rage on those that hurt him.

Most Missed TV Character

Beth Greene (Emily Kinney) on The Walking Dead was an underused character on the show. For the most part she was just known as the youngest member of the Greene family. But in recent episodes, Beth had matured and become self reliant which culminated in her final episode (and The Walking Dead’s midseason finale) where she was abruptly killed off. The death seemed pointless and enraged fans who were saddened by her death.

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Best TV Villain

Slade Wilson (Manu Bennett) at first was slade wilsona trusted partner of Oliver Queen (Stephen Amell) while the future Green Arrow was stranded on an island as seen in flashback scenes on Arrow. But in the second season, this former merc proved to be Queen’s most diabolical enemy as he re-entered the superhero’s life and systematically began to take Queen down in a smoldering bid of vengeance. Raising the stakes for Queen was that Wilson was superior in strength and skills and pushed our hero to the edge. Bennett’s performance as Wilson was so memorable that the Batman villain Ra’s al Ghul (Matt Nable) couldn’t compare.

Most Improved TV show

Agents of S.H.I.E.L.D. was a big disappointment when it first premiered in 2013 because of banal scripts and listless characters. However, thanks to Captain America: The Winter Soldier the show truly came into its own by wholeheartedly embracing the game-changing premise from that movie where Hydra had infiltrated S.H.I.E.L.D. Characters were killed off or did a complete 180 and the agents became fugitives while they struggled to defeat Hydra that seemed to be everywhere. Plus, the second season saw the show debut what will turn out to be an important component of the Marvel Cinematic Universe (MCU) by introducing the Inhumans.

Best Series Finale

being human usBeing Human, it was sad to see this American version of the British cult hit come to an end, but it ended quite well. All the story threads were wrapped up surprisingly well and the finale was bittersweet. A couple of the show’s characters died but had meaningful deaths with rewarding afterlives. Meanwhile, the surviving characters were given a conclusion where they were able to live happily and move on.

Best Sci-Fi Film

Guardians of the Galaxy highlighted a memorable year for sci-fi films. 2014 had some instant classics like Interstellar, Dawn of the Planet of the Apes and Snowpiercer, but Guardians of the Galaxy stood out over the rest. It was a fun throwback to pulpy space operas not seen since the original Star Wars trilogy. More importantly, the film had very endearing characters like Peter Quill (Chris Pratt) that made audiences care about them as they went about saving the galaxy.

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Best Horror Film

Oculus stood out among current horror films that rely all too much on cheap and easy jump scares. This film, which starred genre favorites Karen Gillan and Katee Sackhoff, instead used psychological horror and mind games that always kept the audience guessing while delivering authentic and natural frights.

Best Fantasy Film

The Hobbit: The Battle of the Five Armies, THE HOBBIT: THE BATTLE OF THE FIVE ARMIESPeter Jackson concluded his three-part adaptation of the Tolkien classic with wall-to-wall action and his now trademark sweeping scenes of battlefields and armies. Although, The Hobbit trilogy may not have the same punch as The Lord of the Rings films, it was still a memorable viewing experience. And The Hobbit: The Battle of the Five Armies was a fitting conclusion to Jackson’s final sojourn to Middle Earth.

Best Animated Film

THE LEGO MOVIEThe LEGO Movie, this year had some great animated films like How To Train Your Dragon 2 and Big Hero 6. But The LEGO Movie was the best surprise not because of its use of famous characters like Batman or it being a cross of Legos and stop motion animation, but due to its championing of imagination and creativity.

Best Superhero Film

Captain America: The Winter Soldier was a bold, exciting sequel that outshone the original and upturned the MCU with its revelation that S.H.I.E.L.D. the spy organization had been infiltrated by the evil Hydra organization. This, of course, forced our hero to go on the run as he tried to tear down the organization he once fought for while uncovering disturbing conspiracies. But the film also took time to humanize Captain America and reflect on his past. These simple touches are what made the film so memorable.

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Best Superhero on Film

Captain America (Chris Evans) in Captain America: The Winter Soldier, once again demonstrated why he is arguably the greatest hero in the MCU and a true patriot who questioned the Big Brother methods of S.H.I.E.L.D. This in turn led him to be a man truly out of place in society fighting a lonely and dangerous fight as many supposed allies turned against him. More importantly, his heroic actions would unravel the MCU forever.

Best Film Characters

Hands down, Groot (voiced by Vin Diesel) and Rocket Raccoon (voiced by Bradley Cooper) stole the film Guardians of the Galaxy and were a big cause of that film’s success. Who would’ve imagined a year ago that two unknown CG characters would have so much heart and be so endearing to audiences?

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Best Line in a Film

“I am Groot”

Best Performance Capture

caesarCaesar the ape in Dawn of the Planet of the Apes was exceptionally brought to life by Andy Serkis in what is probably his best performance. Many times in the film, one easily forgot that Caesar was not an actual chimp but a performance capture/CG creation. Just give the guy an Oscar already!

Best Film Villain

Koba the ape (performance captured by Toby Kebbel) in Dawn of the Planet of the Apes was a hideous, chilling and conniving villain who’s undying hatred for humans brings about a war between the two species. He was the most memorable villains seen in genre films for 2014.

Best Use of 3D & IMAX In a Film

Interstellar showed that director Christopher Nolan is undeniably the master when it comes to filming genre efforts on IMAX. Meanwhile, Guardians of the Galaxy had unexpectedly terrific 3D effects thanks to director James Gunn who utilized the format to its best.

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Best Trailer for an Upcoming Film

Avengers: Age of Ultron, is one of next year’s most anticipated films and the moody trailer for it ratcheted up interest. It gave us the cool effects shots, especially the Hulkbuster Iron Man suit in action, but it didn’t play it safe with its dark forebodings (broken Captain America shield anyone?) and that creepy rendition of “I Got No Strings” from Pinocchio. On a side note the other best teaser trailer has to be for Avengers: Infinity War, Part I & II, which aren’t due until 2018 and 2019!

Biggest Disappointment

The Amazing Spider-Man 2 suffered the same fate as the infamous Spider-Man 3. It had too many villains, characters, subplots and worst of all too much studio interference that mandated that this film be used to launch spinoffs in a clumsy attempt by Sony Pictures to create its own superhero cinematic universe. In the end, this mess has put the Spider-Man film series in doubt, let alone the announced spinoffs.

Best App

Star Wars Scene Maker was an scene makerapp that allowed users to recreate scenes from the iconic original Star Wars. around. Or better it allowed anyone’s creativity to get going by allowing users to mix and match characters, weapons and vehicles and the best fun was seeing these setups come to animated life.

Best Video Game

Mario Kart 8 was a lot of fun to play and proved to be one of the best Mario Kart games ever made. Nintendo made this latest Mario game with incredible graphics, game play and delivering the simple joys that fans of the Mario Kart games have expected over the years.

mario kart

Best Hallmark Ornament: 2014 proved to be a landmark year for genre-related Hallmark ornaments. There were so many great ornaments like the xenomorph from Alien, the shark from Jaws or the flying DeLorean from the Back to the Future films. It was actually hard to pick out the best genre ornament, but in the end the best ornament was the Yoda Peekbuster. What made it stand out was its motion sensor that warned peekers away from gifts placed under the Christmas tree as Yoda admonished his distinct Yodaisms.

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Biggest News Item

In light of the recent calamities like super diseases, incompetent politicians, demagogues, and riots, entertainment genre news couldn’t compare. Still, there were a couple of news item that have had immediate ramifications, especially with the future of the Spider-Man film franchise. Those would have to be the announcements from DC/Warner Bros. and Marvel/Disney of a busy schedule of interrelated superhero films. Both camps’ culminations will include two-part Justice League and Avengers films. These revelation were very exciting and left other studios’ attempts at building their own cinematic universes in the dust.

 

Marvel Comics’ Greatest Moments

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Marvel Comics turned 75 this year. As we celebrate Marvel’s 75th anniversary, it’s hard to imagine how long the comic book company has been around. Even though Marvel Comics first debuted in 1939 with Marvel Comics #1 (featuring decidedly different superheroes like the Human Torch, Ka-Zar and Namor), the company truly came to its own in the 1960s when writer Stan Lee and artists Jack Kirby and Steve Ditko introduced the world to new and dynamic superheroes.

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These masked marvels like Spider-Man, the Hulk, the Fantastic Four, the Avengers and the X-Men quickly captured readers’ imaginations. Without exaggeration, Marvel Comics changed the comic book world and left a permanent mark in popular culture and its characters are still vibrant today. Incredibly enough, it can be said that they’re more popular today than when they were first introduced in the 1960s .

While Marvel superheroes have successfully transitioned into other media like films, toys, games and such, let’s not forget that the core of their appeal are with the comic books. Whether they’re just single stories in individual issues or epic mini-series and story arcs, the following are, based on my opinion, the best stories from Marvel’s 75-year history.

age of apAge Of Apocalypse: Spanning several different X-Men titles over several months, this massive storyline was about an altered reality where Professor X’s assassination in the past led to Apocalypse conquering North America, and Magneto leading the X-Men in a desperate attempt to stop him and correct history. Just seeing the alternate takes of our favorite mutants was a joy to read.

Avengers Disassembled: Boasting top avengers disassembledwriters and artists like Brian Michael Bendis, Paul Jenkins, Robert Kirkman, Steve Epting, Dave Finch and George Perez, this comic book crossover spawned from The Avengers #500-503 into other superhero titles and upended most of the Marvel Universe. The team is literally ripped apart from within by an insane Scarlet Witch. Many heroes are killed and the Avengers were catapulted into new popularity with this controversial story arc.

Born Again: Daredevil has never been lower or a more captivating read than in this classic story arc spanning Daredevil #227-231. That is due to the genius writing of Frank Miller and the art of Dave Mazzucchelli. Daredevil’s worst enemy discovers his secret identity and systematically destroys the blind superhero’s personal world plunging Daredevil into his own worst hell.

The Captain: This underrated Captain America tale by Mark Gruenwald, Tom Morgan and Kieron Dwyer spans Captain America #332-350 and has Steve Rogers abandoning his role as the iconic hero and going underground. Meanwhile, a super patriotic, though unstable, replacement is picked by the U.S. government to take over, but as we see, it’s not easy living up to a legend.

Civil War: Probably the last great mini-series produced by Marvel pits its most iconic heroes against each other. As Iron Man and Captain America took opposite sides against the U.S. government’s superhuman registration act, Marvel Comics was changed forever and the mini-series’ impact is still with us today.

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Deliverance: The famous “Demon in a Bottle” story arc from Iron Man #120-128 bravely introduced the notion of a superhero being truly human and becoming an alcoholic. Tony Stark’s (Iron Man) alcoholism would resurface to even greater effect several issues later after his nemesis Obadiah Stane orchestrates a series of attacks. Stark soon became unable to continue being Iron Man and hit rock bottom culminating in Iron Man #182 when a now-homeless Stark battles not only the cold elements, but his own inner demons.

wolverine kittyDays of Future Past: The greatest X-Men story ever made reflected the height of the historic collaboration of Chris Claremont and John Byrne. In this exciting two-part tale from The Uncanny X-Men #141-142, robotic Sentinels have hunted mutants nearly to extinction in the near future, so one mutant is sent back in time to alter history.

The Death of Captain America: One immediate aftermath of the Civil War mini-series was Ed Brubaker’s gut-wrenching examination of the death of an American legend. Coldly assassinated before standing trial, Captain America’s death led to another hero taking up his mantle and a serpentine plot by Cap’s greatest enemies.

The Death of Gwen Stacy: The two-part gwen stacy deathstory from The Amazing Spider-Man #121 & 122 is considered by some as the end of the Silver Age of Comics. This emotional tale about Spider-Man’s nemesis, the Green Goblin, killing his girlfriend  was a gut punch not only for Spider-Man but his many followers who were stunned by the tragedy.

The Doctor Is In: John Byrne wrote and drew some outstanding comic books during his Marvel tenure. Before Deadpool came along, Byrne’s rendition of She-Hulk had her hysterically breaking the fourth wall. In The Sensational She-Hulk #5 story titled “The Doctor Is In” she had to not only contend with Doctor Bong, but with literally walking across comic book pages (ads included). Marvel Comics was rarely funnier than with this particular issue.

The Hulk Vs. The Thing: Marvel is known for how often its superheroes fight each other. This early story from Fantastic Four #25 & #26 is one of the best since its primarily a battle royale between two of Marvel’s strongest titans. The Stan Lee-Jack Kirby classic is at the same time a story about determination and fighting against the odds, in particular with the Thing.

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If This Be My Destiny…!: The story arc from The Amazing Spider-Man #31-33 had Spider-Man run through exhausting trials to gather serum for his dying aunt. His quest culminated in issue #33 with a story titled “The Final Chapter!”.  In the issue, our hero is trapped under tons of steel and rubble and in danger of drowning with the serum just out of reach. Spider-Man has to find the fortitude to free himself and his effort was memorably inspiring.

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Reasons Why The Marvel Superheroes Are Still Successful

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The 20th century needed a new group of heroes that reflected then-modern sensibilities. During the Golden Age of comic books, superheroes belonging to DC Comics (then named National Periodical Publications) such as Superman, Batman, and Wonder Woman fulfilled this need with their wild superhuman exploits that captured the imagination. By the post-war era in America, DC’s superheroes were pretty much the standard: the Establishment.

By attempting to have the most likeable characters, DC’s superheroes had no character or emotional flaws, and the stories gravitated towards plot-driven, farcical adventures rather than character-driven stories.

In the wake of DC’s success, other comic book companies were founded and tried to emulate DC. Out of the many companies, only Timely Comics had staying power and here we are celebrating the 75th anniversary of that company that will later become Marvel Comics.

The Flawed, Science Heroes: Comics changed forever with the start of the so-called Marvel Age. The birth of the Marvel Universe took place in the early 1960s. This was a period that people were in awe with all of the wonders of science and space exploration. The Space Race and the Cold War were on the minds of the people. The Zeitgeist was the fear of the imminent Red Invasion and the Promise of Science- where will it take us?

perez marvelThe core of the first generation of Marvel superheroes were essentially Science Heroes. With the exception of Dr. Strange, the rest of the Marvel Universe was largely a world of weird science and science fiction. Spider-Man, Fantastic Four, Captain America, Giant-Man, the Wasp and the Hulk were Radioactive Heroes. Peter Parker was bitten by a radioactive spider. The astronauts from Reed Richard’s group were exposed to cosmic rays during their maiden voyage into outer space. In an unfortunate accident, Dr. Bruce Banner was hit with the full blast of Gamma Rays. Tony Stark built an electronic-laden armor with tons gadgets and abilities. Captain America was a patriotic hero that survived World War II by being frozen due to his exposure of Vita-Rays; part of the catalyst that transformed Steve Rogers from a skinny kid to an athletically proportioned hero. Giant Man and the Wasp benefitted from Hank Pym’s size magnification and reduction experiments, along with side studies in insect communication and gene splicing.

Great concepts- ahead of its time- but what made the Marvel Universe different, however, was not only the science aspect, but rather the fact that these Marvel heroes were emotionally flawed, imperfect, and fallible. Tragedy strikes as often as victories. Moral dilemmas were as large as the threat.

Spider-Man wins the battle with the big bad villain, but he can’t get enough money for his rent and he blew a date with either Gwen Stacy or Mary Jane Watson. Captain America is back in the modern world, but he feels lost like a fish out of water. marvel heroesThe X-Men have astounding abilities, but they are persecuted and feared by society, who view mutants as aberrations, and treat them as outcasts. The Fantastic Four’s Thing has great power, but he also has this great fear that his blind girlfriend Alicia won’t accept him if she ever regained her sight and found him ugly. But the Thing- AKA Ben Grimm, is very human despite his rough exterior, with a heart that endeared him to readers. Dr. Strange was a callous, money-loving jerk; a celebrity physician until a terrible traffic accident ended his career. This gave him pause to reflect and improve on his past behavior as he was now invested to learn the mystic arts to save the world from an ancient evil. And the list goes on and on with the great flaws that these characters have, but that is what made these characters appealing. That in particular was something that comic book readers became very attuned to, and why they identified with them. Continue reading

Marvel Wins The Movie War…For Now, Part One

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Sorry DC Comics fans, but with the runaway success of the recently released Guardians Of The Galaxy film and the announcement that the upcoming film Batman v. Superman: Dawn Of Justice won’t directly compete with the third Captain America film, it’s pretty clear that Marvel Entertainment has won the Comic Book Movie War over its rival DC Entertainment.

DC’s Early Success

For years DC was at the apex of comic book-based films thanks to Superman then Batman dominating the box office. Marvel wasn’t even a contender; it was consigned to bargain-basement FFshlock efforts like Captain America, The Punisher and Roger Corman’s The Fantastic Four, which wasn’t even released. It seemed like Marvel just couldn’t get its act together and was floundering with its attempts to put something out into theaters much less TV. Meanwhile, DC had solid hits with its flagship heroes and films that although were flawed, were generally well received.

supe lexDC’s advantage was that it was (and is still) owned by the studio giant Warner Bros., which had the deep pockets to finance the superhero films. This was why the Superman and Batman films looked so good. In their day, they had big budgets with big-name stars, directors and the best special effects and production people working hard to put out quality efforts. The best Marvel could muster was getting Dolph Lundgren to star as the Punisher.

Fans asked for years where were the big-budget adaptations of Marvel’s best heroes? While Batman tore through theaters where was Spider-Man? Well, Marvel was just a comic book company then that went through many owners who didn’t know a thing about expanding into other media, specifically film and TV. Then there was the legal mess over who had the rights to produce a Spider-Man movie that was only resolved a couple of years before Spider-Man. By that time, Marvel had gone through bankruptcy and in order to raise money sold their coveted properties to different film studios. That is why properties like the X-Men, the Fantastic Four and Spider-Man aren’t made by Marvel Studios today.

Double-Sided Victory

Despite their overall success, DC still had some chinks in their movie armor. For every rousing Superman II or Batman there were undeniable stinkers like Superman III or Batman & Robin. Worse were truly abysmal films like Steel and The Return Of Swamp Thing that not only failed in the box office, but sullied the reputation of superhero films.

batmanDC Entertainment didn’t fully capitalize on the success of the Batman and Superman films. Yes, they did push forward TV adaptations of the Flash and Superman, but they should’ve concentrated on making quality films of their other properties. Instead they pooled all their efforts into Batman, which made sense since he’s their most popular superhero. But the problem with that approach is that when a Batman film falters it affects the rest of their line. And this is what happened with the release of Batman & Robin in 1997. That film strayed far from the winning dark and gothic formula that director Tim Burton used in the first two films and instead was a throwback to the campy 1960s TV shows. That silly approach used by director Joel Schumacher irked many fans who felt that Batman was a dark and serious hero and putting him in goofy situations was undignified. At the same time, DC was floundering with their attempts to reboot the Superman film franchise after the pitiful failure of Superman IV: The Quest For Peace back in the 1980s. A lull existed for DC superhero films that lasted from 1997 until 2004 when the DOA Catwoman was released. DC wouldn’t get back on its feet until the following year when Christopher Nolan’s reboot Batman Begins was unleashed.

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That film’s success did come with a price. Chiefly that Nolan’s unique and grounded Batman universe couldn’t have any ties to the rest of the DC universe. Hence no mentions of Superman, Wonder Woman, etc. Not even their home cities seemed to exist in Nolan’s dark and brooding world where costumed beings didn’t have true superpowers. As good as that was for the Batman films, it meant that DC couldn’t use them to introduce other heroes. That’s not to say they didn’t try expanding. There was almost a Justice League film made. George Miller was supposed to direct it and a cast was set, but the 2007-2008 writer’s strike ended that dream. Then everyone knows about Superman Returns and Green Lantern, two highly anticipated films that failed and left DC’s expansion efforts stillborn. Unfortunately, as these two films floundered Marvel Studios began its ascension.

The first few films based on Marvel properties were huge hits with the public and fans, some decried how they ignored fundamentals in core concepts. For instance, as Hugh Jackman became a big star for his portrayal of Wolverine, many complained that he was too tall and good looking. Others griped about why Spider-Man all of a sudden had organic webbing and never invented web-shooters. Then there were the misfires that were forgotten in the wake of the successes of Spider-Man 2 or X2: X-Men United. Those included Daredevil, Hulk and Ghost Rider. Continue reading