Still Skeptical About The Fantastic Four

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As I’m getting ready to watch the Super Bowl (mostly for the trailers and commercials, I have no stake in the Patriots or the Seahawks), I keep thinking about the trailer for The Fantastic Four that was recently released.

Twentieth Century Fox released it I think to quiet all the complaining from the genre community about how we didn’t have any info (not even an official image) from the controversial reboot. Seriously, they needed to have done that for the longest time and I think some of the animosity towards the film can be blamed on the lack of marketing.

Anyway, looking around the Internet I keep viewing videos and reading articles stating how good the film looks and how we can all breathe easier knowing that director Josh Trank is going to deliver a superb film with a new take on the Fantastic Four.

Honestly, I wasn’t impressed.

dick miles

When Fox announced the cast last year, I was very skeptical about the film right away from looking at the cast. And I still am. Yes, I do admit that the actors are well regarded like Miles Teller (for his role in Whiplash) and Michael B. Jordan. But as I said in my old post, these actors look too young. It’s undeniable that this reboot is taking its inspiration from the lackluster Ultimate Comics version of the Fantastic Four from last decade. In that version, the team was made up of young prodigies who travel to another dimension and get their powers by doing so. It didn’t work because that family dynamic from the original team was missing. Reed is supposed to be the distant father figure, Ben the grumpy uncle, Sue the mother figure and soul of the team, and Johnny being the young kid brother. I didn’t get that impression from the comic book and I don’t see it in this trailer.

Obviously, something like that can’t be shown in a teaser, but the team is made up of youngsters to attract the Twilight/The Hunger Games crowd and that is a big mistake. Why? This choice to go young undermines a basic core of what made the Fantastic Four work.

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Another vital aspect missing or at least not shown in the trailer was a sense of wonder and good nature. Another reason why the Fantastic Four worked in the comics was for its light humor, fanciful sci-fi, and adventure. Those were missing in the trailer. Instead we were treated to a grim, dour and generic-looking sci-fi film that looks like it could’ve been directed by David Fincher. In past press releases, the filmmakers kept saying this film is supposed to have a more grounded and gritty approach, but that doesn’t work for the team. It seems like Trank and company wanted to copy the look and feel of Christopher Nolan’s Batman films. The film should’ve emulated Guardians of the Galaxy which gave off a fun, adventurous vibe. That would’ve being a better match. Perhaps Fox should’ve offered the film to James Gunn instead. While I’m at it, for all the complaints lodged at Tim Story’s Fantastic Four films at least they captured the essence of the team. It’s just that those films were doomed with bad casting, low budgets and weak scripts.

I’ll admit The Fantastic Four trailer is well shot and doesn’t look like a disaster, but it hit all the wrong buttons for me. I’m not excited about seeing this and I doubt I’ll go to the trouble of seeing it in a theater.

T. Rod Jones

All Good Things Come To A Marvelous End

Today, it was announced at Midtown Comics in New York City by Marvel Comics’ Editor-in-Chief Axel Alonso and Executive Editor Tom Brevoort that the Marvel Universe will come to an end this May with the new Secret Wars mini-series.

secret warsIn Secret Wars, segments of different Marvel realities, including the Marvel Universe 616 or the main universe that has been in existence for 75 years will be combined into a new planet called Battleworld. The Marvel editors claimed that from now on this Battleworld will be the new Marvel Universe. Fans of the regular Marvel Comics know that for some time the Marvel superheroes have been dealing with the “Incursion” events, that is where parallel worlds/realities have been colliding with each other. Now it’s the turn of Marvel 616 and the one from the Ultimate comic books as the two realities will smash into one another. The remains of these universes will join other universe segments on Battleworld.

SW Map.jpg

This event can best be described as Marvel’s version of Crisis on Infinite Earths, the famous DC Comics mini-series that sought to eliminate the confusing amount of alternate realities into one single universe. All fans know that the Crisis event was the springboard for DC to revamp their superheroes and titles, which included John Byrne’s updating of Superman, among others.

Guide-to-the-DC-New-52

We can only hope that Marvel has better luck in producing a more coherent universe than DC did. While the event was good on paper, there were many inconsistencies with many DC titles, which led to more mini-series events that tried to rectify this to no avail. Ultimately, DC was able to correct this and present a clean ending to their comics universe and start over completely with the Flashpoint mini-series and The New 52 reboot.

With the main Marvel Universe ending, this is undoubtedly a sad turn for fans of the Marvel comic books, but it’s a terrific way of starting over and clearing the plate. For some time, the Marvel Universe had become convoluted with too many characters and realities. Let’s look at the X-Men for example. There are so many different characters, many of which come from alternate futures and dimensions, that it’s daunting for non-regular readers to keep up with. How many storylines have there been in the X-Men comics where someone comes from the future? All these futures are different from one another! How can the future seen in “Days of Futures Past” be reconciled with a future seen in Wolverine: Old Man Logan? Simple, it’s impossible!

Then there is the mess Marvel made renew with Spider-Man in undoing his marriage to Mary Jane. Instead of just having the couple get a divorce, a convoluted story was made up (“One More Day”) where Spider-Man went completely out of character and made a deal with the Marvel equivalent of the Devil to save his aunt’s life. This led to a time-travel quirk where he never married Mary Jane and reality in the regular Marvel Universe was altered. The upcoming event “Renew Your Vows” is a good way to rectify this mistake as seen with the preview image of Spider-Man, Mary Jane and their daughter.

Speaking of Spider-Man, the recent Spider-Verse story illustrates how convoluted and crowded the Marvel multiverses have become with the many different versions of Spider-Man.

That is why the end of the Marvel Universe is a good way to streamline things and provide a jumping on point for new readers and lapsed fans who couldn’t keep up with the vast myriad of timelines. As with Spider-Man’s marriage, the clean slate allows for mistakes to be undone and to approach characters and stories with a new, fresh perspective. Then again, how long before alternate reality or future stories begin to come back? Let’s hope it will be a while.

For this year’s Free Comic Book Day event on May 3, Marvel will release free copies of Secret Wars #0 that will bring readers up to speed to the shattering event.

T. Rod Jones

Requiem For A Spider-Man Reboot

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As we all know, the latest buzz going around the ‘net has been about the leaked emails from Sony Pictures and in particular the future of the Spider-Man film franchise. We learned that Sony and Marvel Entertainment came agonizingly close to having Spidey appearing in 2016’s Captain America: Civil War and in other Marvel Cinematic Universe (MCU) movies. Additionally, the emails it’s clear that the Sony executives were up in arms over where to go forward with the franchise.

TSpidey MCUhe Amazing Spider-Man 2 underperformed (and for good reason!) last summer in theaters and took a vicious beating from critics and fans over its convoluted script and having too many characters. The emails prove that Sony knows something is wrong with the franchise, and also demonstrate how they badly lack any creative solutions. Let’s look at their idea for an Aunt May film which would reveal her secret life. Really? That is one dumb idea. Why not have a kid-friendly film starring Ms. Lyons the dog? Then there was the notion of making an animated comedy film about Spidey. That would go over as well as that Broadway play. Or how about a movie about an unnamed female superhero? Sorry, but other film studios are coming out with high profile superheroines like Wonder Woman and Captain Marvel. Seriously, these kinds of ideas make the planned Sinister Six movie to be a brilliant move!

What’s worse is that The Amazing Spider-Man 2’s reception has cast a doubt on continuing the franchise to the point that the planned Venom movie is all but dead and now the likelihood of a Sinister Six film is in doubt. The fragile nature of these films underscore how much the Spider-Man film franchise is in trouble. Announcement after announcement fail to drum up any interest among fans or worse hostility. The only Marvel property that generates more hostility is next year’s Fantastic Four reboot. Smelling blood in the water, many fans are ripping apart the two recent Spider-Man films and a war cry has started for Sony to sell the film rights back to Marvel. That’s regrettable. The reboot had some good parts and shouldn’t be completely disregarded, especially the first film.

From Highlight To Casualty

What the reboot got correct is that the ????????????????????????films moved away from Sam Raimi’s Silver Age-inspired films that were kind of goofy and a bit dated. The new Peter Parker, played excellently by Andrew Garfield, wasn’t a textbook nerd anymore. He was more of a loner, an outsider, and he seemed more modern. Peter was someone who had trouble connecting with the world around him until that famous spider bite changed his life. And the way Spider-Man was presented was just spot-on perfect. He was brash, wise cracking, nimble and at times it seemed like pages from a comic book were literally put on the silver screen without missing anything. Then there was the near-perfect chemistry between Peter and his love Gwen Stacy (Emma Stone). Some may wonder why Marc Webb, a director known for a romantic comedy – (500) Days of Summer – was picked to direct the rebooted films. Part of that had to be with the success he had with (500) Days of Summer, a genuinely funny and affecting movie that was a chick flick for guys. Webb was able to convey a moving romance between Peter and Gwen and they were the highlights of the rebooted films. However, other parts of the films had severe faults, like cartoony villains and haphazard editing, which is why it’s likely that Webb won’t come back for future Spider-Man films. Continue reading

2015 Hallmark Sci-Fi Ornaments

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Ornaments have been popular presents during the Holiday season and this year’s isn’t an exception. The genre-related offerings from Hallmark this year are quite impressive but next year’s Hallmark ornaments promises to be just as noteworthy. To date these are the 2015 Hallmark ornaments.

Star Trek

2015 looks to be a quiet year for kirk and spockStar Trek Hallmark ornaments. Doubtless, 2016 will be another story since it will be the 50th anniversary of the franchise. But next year’s ornaments look very beautifully sculpted. They include the Enterprise C famously featured in the classic episode “Yesterday’s Enterprise” on Star Trek: The Next Generation. The other two will be of Lt. Uhura and “The Needs of the Many” ornament, which features Kirk and Spock during Spock’s death scene in Star Trek II: The Wrath of Khan. No doubt, the base will have sound, most likely being Spock’s unforgettable final words.

Enterprise C

Star Wars

c3poSorry, new fans of the upcoming trilogy, but at this time, no ornaments based upon Star Wars: The Force Awakens will be offered. Perhaps Hallmark wanted to hedge their bets on the popularity of ornaments based on new films. Look at what happened in 1999 when the company flooded the market with ornaments of the sure-fire hit Star Wars Episode I: The Phantom Menace. Today many of those ornaments can be bought for a dollar on eBay. But who knows, in a few short months we’ll find out for certain if ornaments based on next year’s Star Wars film will be produced.

Either way, Hallmark is playing it safe for 2015 and its confirmed Star Wars ornaments will include a Y-Wing fighter, Luke Skywalker standing on his hands with Yoda perched on his feet as seen in the training segments of The Empire Strikes Back, Admiral Akbar and Zeb from Star Wars: Rebels. The most interesting looking ornament is a twofer; C-3P0 and R2-D2.

UPDATE: In the Hallmark Keepsake Dreambook, it’s stated that commemorative ornaments based on Star Wars: The Force Awakens are coming later this year, but no further information is currently available.

Superhero

At this point, only a few superhero W Womanornaments have been confirmed. They include the Marvel mainstay Spider-Man in Holiday-themed adornments, a grey and black-garbed Batman, Wonder Woman as portrayed by Lynda Carter, and Steve Austin – the Six Million Dollar Man. There will also be an ornament based on the garish batmobile seen in the Joel Schumacher Batman films. There must be fans of that car. Joker fans should note that an ornament based on the Joker played by Caesar Romero will be available.

So far, it looks like there won’t be any Guardians of the Galaxy ornaments. Too bad, a dancing baby Groot would’ve been a natural ornament. But there’s always a chance a limited edition ornament of these space heroes may be released. A gut feeling indicates that Hallmark will unveil some kind of Guardians of the Galaxy ornament and don’t be surprised if they produce a set of ornaments for Avengers: Age of Ultron in the same vein as they did in 2012 when they released a trio of interlocking ornaments of Thor, Iron Man and Captain America.

ornaments 2015

UPDATE: There will be dancing baby Groot as seen at the end of Guardians of the Galaxy and a Hulk vs. Ultron based on their battle in Avengers: Age of Ultron. Also, keep an eye out for a new Iron Man ornament. Sadly, we won’t be getting a Marvel superhero trio like we did in 2012. There’s always next year and on that note we’ll have to wait then to find out if Ant-Man will be getting an ornament (an ornament based on Batman v Superman: Dawn of Justice is a given).

Science Fiction/Fantasy

zaiusHeadlining the ornaments based on sci-fi and fantasy properties are the Predator himself and should make a nice companion piece to this year’s Alien ornament. To accompany Cornelius from the original Planet Of The Apes, 2015 will see another ape ornament: the nefarious Dr. Zaius.

Fans of The Walking Dead rejoice! Hallmark is producing an ornament of everybody’s favorite walker killer, Daryl Dixon. Who knows? Are Rick Grimes, Michonne or the Governor next?

Expect a new Harry Potter ornament, one of Smaug the dragon from The Hobbit films, Megatron from the Transformers toys and Beetlejuice, as well. Don’t be surprised if Hallmark unveils more ornaments based on popular sci-fi, fantasy and horror properties. We’ll keep you posted.

smaug ornament

UPDATE: As one of our readers pointed out in the comments, the Harry Potter ornament will be of our favorite young wizard on Platform 9 3/4. There will also be an ornament of the Mockingjay symbol featured in The Hunger Games: Mockingjay, Part 2.

gizmo (2)

On a lighter note, a new Gizmo ornament is coming. Recreating one of his cutest moments in Gremlins, this ornament features the diminutive Mogwai riding a toy car. For animation fans, ornaments based on the films WALL-E, Inside Out and Home, as well as the ever-present Disney characters and films (like Frozen) will be available. BTW, there will be an ornament of the super nerd Sheldon from The Big Bang Theory. Bazinga!

Waldermann Rivera

DC Wins The TV War…For Now, Part Two

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The rivalry between DC Comics and Marvel Comics has many fronts in media like toys, films, video games, etc. But as it stands right now, DC Entertainment dominates the television medium with its current slate of TV shows on the air and their plans for additional programs coming in the near future.

DC’s Television Summit

Once Smallville ended in 2011, a void needed to be filled by DC Entertainment in terms of having a superhero presence in the TV landscape. Rather than mining the Superman/Batman lore, the decision was made to showcase DC’s proto justice leagueother heroes and it was a wise choice. For some time, DC and Warner Bros. fell into a crutch and relied too much on Superman and Batman to represent DC in other media. This was understandable since those were the company’s two biggest heroes. It makes perfect business sense to take advantage of the popularity of those heroes. The problem, though, is that with all the marketing and attention focused on Batman and Superman, DC’s other heroes were left out and helped give the impression that the rest of the DC roster consisted of second stringers. That couldn’t be farther from the truth. The DC universe is populated by many captivating heroes and villains and the problem was that the company wasn’t taking full advantage of that notion. Marvel, and specifically Marvel Studios, faced a similar problem but for different reasons. They didn’t have the film rights to Spider-Man or the X-Men, so they had to rely on their lesser known properties. It turned out for the best, otherwise we wouldn’t have gotten live-action adaptations of Guardians of the Galaxy or Thor.

In DC’s case, they too were forced to look elsewhere since the Superman well had run dry with Smallville and Batman was considered off limits because of the Dark Knight films. Thus, DC Entertainment looked to an urban vigilante that had many of Batman’s characteristics – Green Arrow.

Arrow aimsAll things considered, he is a solid alternative for Batman when it came to being featured in a live-action TV show. After all, both are urban crimefighters without superpowers and use specialized weapons. When Arrow premiered in 2012, it presented a more grounded, realistic world for the superhero. In the first season, the main character, who wasn’t even called Green Arrow (in one episode his alter ego, played by Stephen Amell, thought that name Green Arrow was “lame”), wore a practical uniform with only a hoodie and grease paint to conceal his identity. Moving away from fanciful superhumans allowed Arrow to concentrate more on character development and street-level fight scenes. This meant that it was more inviting and relatable for casual viewers.

What the producers of Arrow did correctly is that they embraced the DC universe. They weren’t afraid to name drop places like S.T.A.R. Labs and Blüdhaven. Likewise, the series featured recognizable DC characters like Amanda Waller (head of the Suicide Squad), Slade Wilson and even the Batman villain Ra’s al Ghul and his League of Assassins. It was enough bones thrown to DC fans to keep them glued to their TVs. Arrow then took a step further and introduced superpowered characters in its second season thanks to this strength-enhancing drug called Mirakuru and the introduction of Barry Allen (Grant Gustin), whose Flash origin occurred at the end of one of the Arrow episodes.

arrow flash

This naturally led to The Flash spinoff that premiered recently. Taking a lighter tone than Arrow, The Flash is more of a throwback to the fast-moving comic books with outlandish supervillains, while utilizing the same kind of engrossing subplots that Arrow uses. What’s more is that both shows are definitely in the same universe. Although the concept of a shared universe isn’t new in TV shows, this was the first time this was done for superhero shows (not counting The Six Million Dollar Man and The Bionic Woman) and it’s exciting to watch characters appearing in both programs with even more allusions to a wider world.

Both Arrow and The Flash are huge hits on The CW network and should be around for the long haul. Gotham, a show set in the title city and taking place after the killing of Bruce Wayne’s parents, is a hit on Fox. In fact, it pulls in more ratings than The CW superhero shows but that is due to the wider audience that Fox has compared gordonto The CW. Even though Gotham is a hit, there should be some caution because it’s on Fox, so there isn’t any guarantee that it will last as long as if it was on The CW. That is a problem that DC and Warner Bros. faces. Sure they can put anything on The CW, a fledging network, but it won’t reach as large an audience as in the major networks. But on the big networks, there is more pressure to succeed. Already, Constantine airs on NBC and has dismal ratings–it was recently announced that the show won’t go beyond initial 13 episodes and its fate is unknown. Constantine’s rating woes are due to its time slot: Fridays at 10 pm. How can any show succeed on that slot? It probably would’ve been better if it aired on a cable network where it could’ve thrived and be allowed to be darker like its comic book counterpart.

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