Avengers Come Of Age With Ultron

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Eye-popping. Action-drenched. Dazzling. LOUD. Explosive. Those are words that come to mind when thinking about Avengers: Age of Ultron. That is because this sequel to The Avengers is a true visual feast. That isn’t to say that Avengers: Age of Ultron tops the original, it doesn’t, but viewers will have an unforgettable time at the theaters watching it.

Joss Whedon returns to the director’s chair with this sequel that reunites most of the original cast including Robert Downey, Jr. as Tony Stark/Iron Man, Chris Evans as Steve Rogers/Captain America, Chris Hemsworth as Thor, Mark Ruffalo as Bruce Banner/The Hulk, Jeremy Renner as Clint Barton/Hawkeye and Scarlett Johansson as Natasha Romanov/Black Widow. Like any worthwhile sequel, Avengers: Age of Ultron introduces new, exciting characters like Vision (Paul Bettany), Scarlet Witch (Elizabeth Olsen), Quicksilver (Aaron Taylor-Johnson) and the malevolent android Ultron (James Spader).

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After a kinetic opener where the Avengers take out an enemy base in Eastern Europe, they encounter two super-powered people who are antagonistic towards them. One of them, the Scarlet Witch, has mind-altering powers and influences Stark to retrieve Loki’s scepter from the base. In the last film, this weapon was wielded by Thor’s errant brother Loki and it’s powered by one of the immensely powerful Infinity Stones featured throughout the Marvel Cinematic Universe (MCU).

Back in New York, Stark and Banner QS capdecide to use the scepter’s power to help them create a genuine artificial intelligence. Their efforts fail, but once they leave the lab, the program becomes sentient and assumes the Ultron identity in a damaged Iron Man drone body. The problem is that Ultron’s programming of performing Stark’s directive of bringing about world peace has been corrupted. Now it wants to eliminate humanity. The AI goes viral and spans the world, perfecting its physical body and carrying out its planned extinction event as the Avengers struggle to catch up to Ultron and defeat it. As this plays out throughout the film, we see shifting alliances, inside looks of our heroes, and the emergence of new heroes.

ultronAvengers: Age of Ultron is a very busy film, sometimes too busy. There are so many plot points and character developments that things get lost in the shuffle at times. It rushes through plot developments that needed more nuance like the creation of Ultron. The moment it becomes self aware it is automatically evil. There are attempts to explain why Ultron wants to kill humanity but they’re hollow and don’t resonate. Another example are the development of Quicksilver and Scarlet Witch. Too much exposition explains their background and their evolution feels rushed. Then there are moments when the film is about to go off the rails with its nods to the larger MCU and in setting up other films. Sometimes it feels organic, like Stark and Rogers’ growing antagonism towards each other, which will culminate in next year’s Captain America: Civil War. Other times they feel tacked on and clumsily shoved in like Thor worrying about his own dilemmas that will be concluded in his next film. These diversions while interesting don’t allow this film to stand on its own because this film shines when it’s concentrating on its own merits.

With all this going on, things get lost in the shuffle and aren’t dwelled upon. The film struggles to juggle all these visionnew characters and servicing the old ones. It is too bad more time wasn’t spent on the Vision, the best new character thanks to Bettany’s sympathetic performance. However, some much needed time is devoted to Avengers who didn’t have much screen presence the last time around. This applies to Barton as we find out that he actually has a wife and family and this revelation makes him much more endearing to us as the point is driven home that he is the most vulnerable Avenger. Also, it was interesting to see that Captain America has by now emerged as the true leader of the team and has more of a screen presence than Iron Man.

As action-packed and fast moving as it is, Avengers: Age of Ultron lacks the original’s oomph and sense of wow. The novelty of seeing our favorite superheroes coming together isn’t there obviously, but it does its best to carry on. Usually it succeeds in dazzling the audience but it gets bogged down with its flaws.

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Putting that aside, Avengers: Age of Ultron is very exciting and worth watching in theaters. Many of the special effects and action scenes are inspired and breathtaking like the part where Iron Man battles the Hulk in Africa or when Captain America and Black Widow confront Ultron and his drones in South Korea. It’s commendable that this isn’t just your typical empty summer film. It has heart and character thanks to topnotch acting. Joss Whedon knows how to raise the stakes for our characters in the final arc where Ultron finalizes his machinations and there’s a feeling of desperation and fatality among the Avengers. We care about these characters and by the end of the film the status quo has been upset and that’s a good thing. Like the comic book this film is based upon, things are always evolving with the Avengers, which will make things feel fresh in upcoming films.

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Despite its faults Avengers: Age of Ultron is a fitting and exuberant conclusion to Phase Two of the MCU and sets up the next chapter in the growing MCU.

José Soto

Official Teaser Trailer For Batman v Superman: Dawn Of Justice

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Below is the first official teaser for next year’s epic film Batman v Superman: Dawn of Justice. As we all know this was supposed to come out next week, but some moron leaked today a really piss poor copy of this trailer, thus forcing Warner Bros./DC’s hand. It’s too bad they had to rush it out, but at least it makes us forget that limp teaser of a teaser shown yesterday that just showed the Superman and Batman costumes!

As a trailer it sells its point, but for some reason the pervading tone of the movie seems dark, not a bad thing, mind you. Just different from what we’ve been getting lately from Marvel (aside from the TV show Daredevil). But will the dark tone jibe with today’s fans? This mood was in vogue just a few years ago, especially when The Dark Knight was all the rage and fans have had bad to mixed reactions to the reboot of The Fantastic Four coming this summer for its bleak outlook based on its own teaser. So some may think this dark take of superheroes is outdated.

Nevertheless, this film won’t bomb. There are too many fans invested and the buzz is high. And its dourness helps sell the film’s motif that Superman is being mistrusted by the general public. It’s a refreshing direction to take with Superman and adds a touch of realism because let’s face it, in real life this fear of a super-powered alien among us would probably be the pervading attitude.

As for Batman, it seems as if director Zack Snyder is channeling Frank Miller’s seminal work The Dark Knight Returns and that by itself is great. It’s hard to judge Ben Affleck as an older Bruce Wayne, because we all got was one shot of him with a brooding look. But the shots of him as Batman and the Batmobile should satisfy most fans. Putting aside Ben Affleck and the new shots of Henry Cavill as Superman, honestly, the final moments of this trailer when it concludes with Superman and Batman about to face off with each other were the most scintillating parts.

This was a great week for trailers with Star Wars: The Force Awakens and Ant-Man, but this one for Batman v Superman: Dawn of Justice is a perfect capper!

Lewis T. Grove

Daredevil Is Marvel’s Best TV Show

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Brutal, gritty, engaging, authentic. Those are thoughts that come to mind when watching the new streaming TV show Daredevil on Netflix.

Daredevil is easily the best Marvel TV show ever done and puts Agents of S.H.I.E.L.D. and Agent Carter to shame with the ease at which it draws in viewers and in terms of quality. It’s even better than the DC TV shows The Flash and Arrow and that is a very high bar to pass.

matt and karenSet in the Marvel Cinematic Universe (MCU), Daredevil is undeniably more urban and grounded with its rare, vague references to the MCU and focuses correctly on the intimate lives of petty criminals and average folks in New York’s Hell Kitchen neighborhood. That locale is decidedly different than the actual neighborhood (now called Clinton) and that’s due to collateral damage from the climactic battle at the end of The Avengers. The result is a return to the seedy, hard-boiled streets the neighborhood last saw in the recent past and the perfect framework for Daredevil.

Based on the Marvel Comics superhero comic book created by Stan Lee and Everett, This version is heavily influenced by the stories done by comic book legend Frank Miller. It also uses many elements from Miller and John Romita, Jr.’s comic book mini-series Daredevil: The Man Without Fear, which depicts the origin of the blind superhero Daredevil. This TV show introduces Matt Murdock (Charlie Cox), a blind defense lawyer who operates secretly as a vigilante clad in black and uses his superhuman senses to aid him in fighting crime. As he comes to prominence both in his professional field and as a superhero, his work attracts the attention of Wilson Fisk (Vincent D’Onofrio), a major crime lord. And, of course, before long they’re butting heads with each other.

One thing to praise about this show has to be the performance of Charlie Cox. He just hits the ground running matt and claireas the sympathetic and haunted hero driven with a supernatural sense for justice. More importantly, Cox doesn’t go overboard with his portrayal and hits the right balance of lawyer by day, vigilante by night. Even though he is a superhero with enhanced senses (minus sight), and an indomitable fighting spirit, Daredevil is vulnerable and human. He takes severe beatings and even when he wins the aftermath shows on him through nasty cuts and bruises. This vulnerability makes him more endearing to us and we’re more concerned for the outcomes of battles.

These fight scenes are just brutal and stunningly filmed without the cheap use of shaky cams. There was one sequence in the second episode “Cut Man” that lasted for several minutes and the stunt work and cinematography done by the production was perfect. It exemplified the graphic and cringe-inducing nature of the fights in Daredevil’s world, while coming off as authentic. There wasn’t any use of special effects or wire work, just good old fashioned stunt work that was wonderfully choreographed. Each punch or kick looked like they hurt the fighter and the victim, and every punch that Daredevil landed took a lot from him but his unrelenting nature kept us cheering for him and at times I wondered if he would falter.

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Complementing this realistic take on fighting is the way the show depicts his use of super senses. There aren’t any overdone CG sequences like in the Daredevil film. Instead, rather subtle and simple camera and audio tricks are skillfully used to convey Murdock overhearing conversations from afar and so on.

Speaking of camera work, as mentioned above, the cinematography throughout the series is film-quality work. It seems like we’re watching mini-movies on our TV sets. Plus, the production decision to film in New York City paid off grandly as we feel the grittiness and glamour of the Big Apple and the background complements the characters we meet.

fisk and madameLet’s start with Fisk. Thanks to D’Onofrio’s subtle, but terrifying performance, Fisk is a huge, beefy, but cultured villain who is just broiling under the surface. His world is one of sophistication, but at the right moment (or wrong if you’re unfortunate enough), Fisk just let’s out this primal fury as he savages his opponents. It goes without saying that this show is very violent and not for the faint of heart.

But don’t think this course world is filled with vicious criminals. It’s also populated by more sympathetic types like Foggy Nelson (Elden Henson) who is Murdock’s law partner and a likeable presence. Others include the lawyers’ secretary Karen Page (Deborah Ann Woll) and Claire Temple (Rosario Dawson), a nurse who provides medical aide to Daredevil. Both are well played by these actresses and these women have many nuanced layers to them.

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Daredevil is a triumph for Marvel and helps expand the intricate and varied MCU. More than that, it’s actually a surprisingly effective crime show without going over the top. This means that unlike say Gotham it doesn’t overly stress its comic book origins, which would’ve resulted in something that bordered on camp. No, Daredevil respects its source material and skillfully brings the hero and his world to life.

José Soto

 

It’s Official Now: Spider-Man Will Join The Marvel Cinematic Universe!

spidey mcuMarvel Studios and Sony Pictures officially announced on February 9 that Spider-Man, the beloved flagship superhero of Marvel Comics, will now be a part of the hugely successful Marvel Cinematic Universe (MCU). It’s clear that the rumors and email leaks about this happening were valid.

This development obviously paves the way for Spider-Man to appear in other MCU films like Avengers: Infinity War and give Marvel tighter control over the character. In addition, this agreement between the two studios will also allow for characters from the MCU like Iron Man or Thor to appear in standalone Spider-Man films.

First the plan is for Spider-Man (who sadly will be recast–spidy irongoodbye Andrew Garfield, you were a great Spidey) to appear in an unspecified future MCU film. Then another solo Spider-Man film will be released on July 28, 2017 that will be a co-production between the two studios with Marvel’s Kevin Feige and Amy Pascal overseeing the film. The announcement didn’t make clear which film Spider-Man will appear in, but undoubtedly he is a shoo-in for Avengers: Infinity War, Part I. That film is due to come out in 2018 so that means he can probably make his debut appearance in next year’s Captain America: Civil War! That would be just amazing (pardon the pun) since Spider-Man was an integral part of the comic book mini-series of the same name last decade. UPDATE: The Wall Street Journal has reported that Spider-Man will indeed make his MCU debut in the third Captain America film.

 

From glancing at the MCU and Sony’s original film schedule, the next Spider-Man film, originally scheduled for 2018, has been bumped up a year earlier. The new schedule pushes back the new Thor film, Thor: Ragnarok, to November 3, 2017 and the Black Panther debut film will now come out in 2018. The domino effect continues as Captain Marvel will now premiere on November 2018 and the Inhumans movie has been re-scheduled for 2019.

One film that may have been lost altogether is the Sinister Six film that was supposed to come out next year and directed by Drew Goddard. In the joint announcement there wasn’t any mention of that movie’s fate, which was to feature Spider-Man’s greatest foes teaming up to defeat him. Perhaps Goddard may be assigned to direct the next Spider-Man film instead.

Also unclear is whether or not plans to do a film about the Black Cat will go forward. Given the crowded production plate, there may not be any room for that character now, which is probably for the best. While a vital character in the Spider-Man mythos, the Black Cat may be unfairly compared to the more well-known Catwoman by average moviegoers who don’t follow comics.

live civil warOverall, this is hands down very exciting news that pumps new blood into the floundering Spider-Man film franchise. Now he is back where he belongs with the right people making sure we get the best Spider-Man on film. And that is how it should be because Spider-Man is Marvel’s best known and popular superhero. So, it only makes sense that Marvel Studios handle Spider-Man. Just look at what they have accomplished to date. Starting with Iron Man and continuing with Guardians Of The Galaxy, Marvel Studios have shown that they produce the most faithful and spirited big-screen adaptations of their superheroes. In the end, it benefits both studios. Sony still retains their film rights to Spidey, but pass on the logistics of putting out a quality film to another studio that has proven they have the talent to produce a topnotch Marvel superhero film. Marvel Studios gets a bonafide superstar added to their roster who can help pave the way for a Phase Four of their MCU because let’s face it by the end of the decade some of the actors currently playing our favorite heroes may either want to move on or be too old by then to realistically play the characters. Who better than Spider-Man, who will probably be recast with a much younger actor, to help spearhead the MCU in the future?

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This development also demonstrates the tenacity of Marvel Studios and Disney. Systematically, they have steadily regained the film rights for many of their characters. With Spider-Man now in their clutches, the only big name characters not under Marvel’s direct control are the X-Men and the Fantastic Four. Trying to regain the rights to the X-Men from 20th Century Fox will be much harder to pull off if not impossible given the frosty relations Marvel has with Fox and the continuing success the latter film studio has had with the revitalized mutant film franchise. That could be the main reason why Marvel seems to be de-emphasizing the mutant heroes lately. But as for the Fantastic Four…that would depend on how Fox’s reboot is received. If it flops, then Marvel has a stronger hand in getting them back. If it succeeds, then it will be quite some time before the Fantastic Four joins Spider-Man and the rest of the Marvel Universe on film.

For now though, let’s celebrate this film development.

José Soto

 

 

Still Skeptical About The Fantastic Four

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As I’m getting ready to watch the Super Bowl (mostly for the trailers and commercials, I have no stake in the Patriots or the Seahawks), I keep thinking about the trailer for The Fantastic Four that was recently released.

Twentieth Century Fox released it I think to quiet all the complaining from the genre community about how we didn’t have any info (not even an official image) from the controversial reboot. Seriously, they needed to have done that for the longest time and I think some of the animosity towards the film can be blamed on the lack of marketing.

Anyway, looking around the Internet I keep viewing videos and reading articles stating how good the film looks and how we can all breathe easier knowing that director Josh Trank is going to deliver a superb film with a new take on the Fantastic Four.

Honestly, I wasn’t impressed.

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When Fox announced the cast last year, I was very skeptical about the film right away from looking at the cast. And I still am. Yes, I do admit that the actors are well regarded like Miles Teller (for his role in Whiplash) and Michael B. Jordan. But as I said in my old post, these actors look too young. It’s undeniable that this reboot is taking its inspiration from the lackluster Ultimate Comics version of the Fantastic Four from last decade. In that version, the team was made up of young prodigies who travel to another dimension and get their powers by doing so. It didn’t work because that family dynamic from the original team was missing. Reed is supposed to be the distant father figure, Ben the grumpy uncle, Sue the mother figure and soul of the team, and Johnny being the young kid brother. I didn’t get that impression from the comic book and I don’t see it in this trailer.

Obviously, something like that can’t be shown in a teaser, but the team is made up of youngsters to attract the Twilight/The Hunger Games crowd and that is a big mistake. Why? This choice to go young undermines a basic core of what made the Fantastic Four work.

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Another vital aspect missing or at least not shown in the trailer was a sense of wonder and good nature. Another reason why the Fantastic Four worked in the comics was for its light humor, fanciful sci-fi, and adventure. Those were missing in the trailer. Instead we were treated to a grim, dour and generic-looking sci-fi film that looks like it could’ve been directed by David Fincher. In past press releases, the filmmakers kept saying this film is supposed to have a more grounded and gritty approach, but that doesn’t work for the team. It seems like Trank and company wanted to copy the look and feel of Christopher Nolan’s Batman films. The film should’ve emulated Guardians of the Galaxy which gave off a fun, adventurous vibe. That would’ve being a better match. Perhaps Fox should’ve offered the film to James Gunn instead. While I’m at it, for all the complaints lodged at Tim Story’s Fantastic Four films at least they captured the essence of the team. It’s just that those films were doomed with bad casting, low budgets and weak scripts.

I’ll admit The Fantastic Four trailer is well shot and doesn’t look like a disaster, but it hit all the wrong buttons for me. I’m not excited about seeing this and I doubt I’ll go to the trouble of seeing it in a theater.

T. Rod Jones