The Impact Of Netflix Buying Warner Bros.

In the biggest cinematic and media earthquake since the Walt Disney Company acquired 21st Century Fox and many of its assets, Netflix announced that it will purchase Warner Bros. for $82.7 billion. This is one of the most important events to happen with film, TV, videos, comics, and other media and it will have long-lasting repercussions throughout the media industry.

Up for Sale

Warner Bros. had been up for sale for some time and several major companies expressed interest in buying it, especially Paramount Skydance. Many expected Paramount to purchase Warner Bros. given their public and aggressive efforts to purchase the company but in the end the streaming giant Netflix beat out Paramount and will acquire the film and HBO segments of Warner Bros. as it chose not to purchase the cable TV channels that were part of Warner Bros. Discovery. This acquisition will give Netflix access and ownership to an impressive film and television library and major IPs, including DC, Looney Tunes, Hanna-Barbera, The Wizarding World of Harry Potter, The Matrix, Game of Thrones, Mad Max and more.

Many have watched the bidding war with caution and were concerned with a possible ownership by Paramount, mostly because its CEO, David Ellison, has openly expressed fealty to the Trump Administration to the point that a Rush Hour 4 has been greenlit simply because Trump expressed interest in such a film. This meant that the government has influence on what media entertainment gets released, which leads to First Amendment questions. Imagine if Paramount bought Netflix and the government had a hand in deciding the direction of DC films, TV or comics. A film like Superman, which openly criticized America’s current immigration policies, would never be allowed by Ellison. On the other hand, the purchase by Netflix has opened up another can of worms that has the film industry reeling because of the implications.

Streaming Influence

One possibility of the purchase is that it could lead to the death of cinemas since the majority, if not all, Warner Bros. films could be released straight to streaming. This would create a domino effect with other film studios copying the release model, which would hasten the demise of the theater-going experience.

This has been a growing problem in recent years that was accelerated by the COVID-19 pandemic which caused many film and TV studios to lean heavily on streaming to provide content to consumers. Netflix has upended the conventional model of film releases where films normally had theatrical lives of a few months before being available on digital or for streaming. This has conditioned viewers to skip going to theaters and just wait for a film to appear on a streaming app a short while after its release. Now it is becoming the norm that films would be released on streaming weeks after a theatrical release and even the same day the film premieres in theaters. Many have speculated that Superman might have had a larger box office haul if it was not announced roughly a month after its initial film release that it would be available for home viewing. While short theatrical runs is convenient and deceptively cheaper for consumers (the idea that they will see the film for free on streaming is silly since they still have to pay for the service), this practice is a major issue with theaters with lost revenue and content.

Another supposed plus for Netflix subscribers is that the service will have an even more exhaustive library of content, but now with prestige content. One problem for the streaming company was that recently it did not have easy access to popular content as film and TV companies created their own streaming services. Netflix has been criticized for having a glut of inferior films and TV shows that are just placed on the streaming app with little promotion. It’s true that Netflix has many quality and popular TV and films like Stranger Things, Wednesday, Squid Game, The Witcher, Black Mirror, and KPop Demon Hunters, with the glut of content dumped on the platform a lot of quality product has gotten lost in the overwhelming mixture. How will prestige films and TV shows from HBO and Warner Bros. stand out from the low-budget dreck flooding Netflix’s landing page?

One possibility is that Warner Bros. and HBO could have their own pages or remain as separate streaming services as we see now with Hulu, which is owned by Disney but is its own streaming service that subscribers of Disney+ could access by purchasing a bundle service. This would allow Netflix to have its own prestige platform to stream high-end quality products that stand out in the crowded streaming service.

But do not be surprised when the monthly subscription rate for Netflix increases dramatically to help pay for the $82 billion purchase. Expect to pay up to $50 and more monthly in a few years.

Impact on DC & Other Popular IP

Now the big question genre fans have is what impact will the purchase have on DC Studios and the DC Universe (DCU) and other popular genre IP? For now nothing. There are contracts that have to be honored so projects in production should be safe, so no worries about Man of Tomorrow, Clayface, or Supergirl. However, the head of DC Studios, James Gunn, might get pressured to favor some popular characters like Batman over obscure ones that he favors such as Booster Gold. Let’s hope that Netflix executives learned a lesson from Disney and Marvel Studios, where in the early 2020s the Disney executives forced the film studio to quickly churn out a lot of TV shows and films to fill out content on Disney+ and to announce projects before they were ready. What happened was that a lot of mediocre films and TV shows were released which damaged the reputation of Marvel Studios’ films and TV shows and led to the recent reduced box office haul for some of their films. Sure, Marvel Studios is taking steps to course correct, but they’re still recovering from this misstep.

Getting back to DCU and all things DC, it’s possible Netflix may force Gunn to step up the output of DC films and TV shows since again Netflix wants a return for their investment. Thankfully, The Batman, Part II is about to enter production, which may keep the streaming company off Gunn’s back. On the other, the company might pressure him to make a decision on the DCU version of Batman soon, and casting some of the more popular DC characters in order to greenlight productions already. Despite rumors about Gunn leaving DC Studios, which were rampant when Paramount was actively looking to purchase Warner Bros., it has been reported that Gunn will stay put. Even though there hasn’t been a lot of DCU projects released to date, Superman, Peacemaker and Creature Commandos have been well received and Netflix is not foolish enough to scrap the DCU and go through the trouble to launch another reboot at this time.

One thing to consider is that while the more obscure DC characters may not get the big-screen treatment, they could wind up as straight-to-streaming projects that could be a proving ground for the characters. The main thing is to just let Gunn alone to produce quality product and all should be fine. In fact, this should be the case for all of the film and TV projects.

While it’s very possible that Netflix will greenlight a lot of DC animated films there won’t be a revival of the Snyderverse. After the dismal failure of the Rebel Moon films, Netflix has been moving away from filmmaker Zack Snyder and it is doubtful that the company will approve a revival of his brand of DC films. The slimmest of hope for diehard Snyderverse bros is that some kind of Elseworlds animated film will be made.

Oh yes, expect Stranger Things and DC to have a crossover in the comics, along with comic books featuring Harry Potter and other popular Warner Bros. IP.

As for other IPs like Mad Max, It and related Stephen King works, and Harry Potter, there has not been any word yet about them. But it’s expected that Netflix will take full advantage of their newly acquired IP. Announced projects like the reboot of Harry Potter, more TV shows based on Game of Thrones, and the second season of It: Welcome to Derry will proceed as scheduled and if HBO is kept as a separate streaming platform those prestige projects will stream there first before migrating to Netflix years later. Will we ever see shelved projects like Batgirl or genre TV shows that were removed from HBO Max such as Westworld or Raised By Wolves? It’s anyone’s guess, but consider this: these projects were removed to save on paying residuals or for tax write offs by Warner Bros. Without these burdens and with the need to put out recognizable content, it is possible that these projects may have a second life on Netflix.

Of course, there are a lot of hurdles for Netflix such as government approval so it will be at least two years before we see any impact. For now, the company indicated they will leave things alone, and supposedly commit to theatrical releases for Warner Bros. films, which would be to their and everyone’s benefit.

The Eve OF The DCU’s Chapter One: Gods & Monsters

After the downfall of the DC Extended Universe (DCEU), the new DC Universe (DCU) cinematic universe has risen from the ashes and kicks off with Superman on July 11, 2025.

Fans of DC have both eagerly anticipated this meant and dreaded it ever since filmmaker James Gunn announced DC Studios’ planned DCU line up in early 2023 with a slate of films and TV shows. The first TV show which actually started the DCU last year was the animated Creature Commandos which streamed on Max. The show received positive reactions although it seemed similar to James Gunn’s DCEU film The Suicide Squad, but with monsters as the main characters forced to work for the government instead of supervillains. One thing that Gunn made clear was that Creature Commandos was canon to the DCU and even one of the featured characters from that show, Rick Flagg, Sr., will appear in Superman.

Right now, fandom and the public at large are focused on Superman, which inaugurates the DCU in live action. The marketing push for the film is very intense and pervasive with the usual deluge of merchandise and trailers (but gotta admit any merch about Krypto the Super Dog is so damn cute; Gunn has a way with animals) and publicity. There is a good reason for the push by DC Studios’ parent company Warner Bros.

RIP DCEU

As everyone knows, the DCEU was supposed to be film studio’s answer to Disney’s Marvel Cinematic Universe (MCU), which has been wildly successful ever since it debuted in 2008. The DCEU had everything going for it: popular superheroes that enjoyed success in the box office and TV with projects like Christopher Nolan’s Batman films, the Arrowverse on TV and Smallville. Even Nolan helped launch the DCEU by helping to create Man of Steel. But for many reasons the DCEU was plagued by many problems, mostly due to studio interference, impatience and greed. Warner Bros. was in a rush to compete with the MCU and didn’t allow the DCEU to grow organically and build up a fanbase like with the MCU. Instead of carefully introducing characters, they were clumsily mashed together just to premiere Justice League, the DCEU answer to The Avengers, just a few short years after Man of Steel. Many of the films were not well received and it seemed as if the DCEU was playing catch up with the MCU. But what really killed the DCEU was interference by studio executives who were chasing the almighty dollar and did not seem to care about the quality of the films.

Despite attempts to salvage the DCEU by the early 2020s it was clear that the cinematic universe was without direction and falling apart. To the studio’s credit, they recognized James Gunn’s talent and vision with The Suicide Squad and offered him the opportunity to revamp its cinematic universe. He essentially started over with the DC properties and has launched the DCU with its initial projects being labeled as Chapter One: Gods & Monsters. Of course, this entailed huge changes including the recasting of the DC characters. Actors, like Henry Cavill, were removed from playing iconic characters and in the case of Jason Momoa, he was recast to play a different role in the DCU. This development was controversial and incense some fans of the DCEU who automatically hated anything to do with the DCU and have taken to the Internet to troll Gunn and the DCU. Unfortunately, that is par for the course with social media these days.

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Rebel Moon, Part Two: The Scargiver Is A Perfect Reason For Not Giving Directors Free Reign

Well, Madame Web actually has a competitor for the worse film of 2024. That would be Rebel Moon, Part Two: The Scargiver for those fortunate enough to not have seen it.

Director Zack Snyder’s hardcore fans keep insisting that Snyder should be allowed to do whatever he wants with his films. They claim that his vision for the DC Extended Universe (DCEU) was stymied by idiotic studio heads who then ruined his films and the rest of the DCEU. However, Snyder’s latest film is a textbook cautionary example of what happens when a director is given carte blanche creative control over a film.

Rebel Moon, Part Two: The Scargiver, which streamed last week on Netflix, is the sequel to Rebel Moon, Part One: A Child of Fire that streamed last December. The storyline is based on a failed pitch for a Star Wars film and it is about a young woman named Kora (Sofia Boutella) who lives in a quiet farming colony on a moon that has to recruit a team to help her colony fend off an invasion by the evil Imperium. It’s essentially a sci-fi remake of Seven Samurai (which has been done before with Battle Beyond the Stars), as she recruits eccentric warriors to defend her colony. The first film was OK with excellent production values and cinematography although the script was derivative of other sci-fi tropes, and man, it was full of slow-mo shots. It was hoped by critics that part two would be a huge payoff for the setup, but that did not turn out as expected.

Instead of giving a satisfying and coherent conclusion, Snyder goes all out and indulges in the worst aspects of his cinematic bag of tricks. The film just oozes needless slow-mo shots of people farming, walking, or making any kind of motion. It was slow-mo porn! The film also boasted too many exposition dumps that brought the film’s story into a screeching halt. The scenes were the characters stopped in their tracks to give us extended back stories were clumsily done and were too long thanks to…slow-mo shots. What was worse is that these character expositions did little to endear us to Kora and her team of misfit warriors. The decisions made by the characters in their back stories often did not make sense and in the end none of the stories made the characters memorable. This was clear when not only was there no sympathy for any heroic characters when they died but it was hard to tell who they were during the well-staged battle scenes.

To its credit, Rebel Moon, Part Two: The Scargiver, had great special effects and design that evoked Warhammer 40,000 and of course Star Wars. The final boss battle between Kora and Admiral Noble (Ed Skrein) was well choreographed as they fought with their lightsabres, or whatever the swords are called in the Rebel Moon universe (help us but more films are planned) and Anthony Hopkins was brilliant as the voice of the Jimmy the rebel robot. But logic of the epic battles in the final act did not make sense. How could an advanced intergalactic force fail to detect simple farmers hiding out with weapons? How is it the main heroes are able to take out scores of armored enemy soldiers armed with axes and clubs? This was worse than when the Ewoks defeated the Empire’s forces in Return of the Jedi. All these flaws would have been forgivable if 1) we cared about the characters and 2) the battles engaged us. In other words, the battles were boring, the worst possible insult for action scenes.

While derivative from the start, Rebel Moon, Part Two: The Scargiver had the potential to be a rousing action film that would have been Zack Snyder’s answer to Star Wars. Instead we have to give credit to Lucasfilm for having the wisdom to turn down Snyder’s pitch.

The problem with the two Rebel Moon films boils down to the fact that Zack Snyder was given too much creative freedom and he overindulged his worst cinematic impulses. Yes, Snyder is a very talented director but he needs firm guidance when executing his films. So, if there are more Rebel Moon films, Snyder will have to either control himself or allow himself to be guided by objective partners.

José Soto

The DCEU Films Ranked

Now that Aquaman and the Lost Kingdom has left theaters and is available on digital, it is time to rank all the DC Extended Universe (DCEU) films. This ranking leaves out Peacemaker since it was a TV show, but if it were to be placed in the list it would come in third. Yes, it’s that good. Zack Snyder’s Justice League will be included even though it streamed on Max and technically does not take place in DCEU continuity, yet it is still a film associated with the DCEU.

Looking at the films overall, one can’t help but see that it was not very cohesive as a cinematic universe since it went all over the place after Zack Snyder left the DCEU. Still, even though the DCEU turned out to be disjointed and full of unrealized potential, there were films that turned out to be great.

Of course, this list is subjective and everyone else will have different rankings, so feel free to mention them in the comments.

16. Wonder Woman 1984 (2020)

It is sadly shocking that the worst film of the DCEU was a sequel to one of the cinematic universe’s best films, especially since it was directed by Patti Jenkins, the director of the first Wonder Woman. The poor reception to Wonder Woman 1984 was arguably the beginning of the end for the troubled cinematic universe.

What sunk the film was the poorly thought-out script that creepily found a way to reunite Diana Prince/Wonder Woman (Gal Gadot) with her long-dead lover Steve Trevor (Chris Pine). Then there was the entire situation with the wish-fulfilling villain who granted outrageous changes to the world in 1984 that was never referred to in other DCEU films which took place in modern times. And Wonder Woman has been able to fly all this time? Please, let’s move on.

15. Black Adam (2022)

After being announced that The Rock would portray the superhuman anti-hero years ago, the film was stuck in production hell, and it seemed as if this film would never be made. Yet somehow it was made but, Warner Bros. should not have bothered. The Rock’s behind-the scenes machinations crippled the Shazam! sequel since Black Adam was supposed to appear at one point as a villain for Shazam, but The Rock refused to appear in it because there was no way he would be seen as the bad guy. But his actions led to Henry Cavill portraying Superman for the final time, even if it was as a brief cameo. Unfortunately, that was not enough to save Black Adam.

The rest of the film was an uninspired yawner with generic superhuman action pieces that could not even be salvaged by appearances of new characters like the members of the Justic Society. A major flaw with Black Adam was that there was little danger for the title anti-hero because he easily won every single fight. This resulted in a story that had low dramatic stakes for the main character and a forgettable film.

14. Shazam! Fury of the Gods (2023)

This sequel to Shazam! loses most of the charm of the original film as Zachary Levi’s character behaved like a complete buffoon for most of the film. As Shazam in an adult body, it was odd that the superhero acted like an immature pre-teen while in his normal young adult body, Billy Batson (Asher Angel), behaved with much more maturity.

Too often Shazam! Fury of the Gods came off like a paint-by-numbers, generic superhero yarn that was overcrowded with too many characters who were given little screentime to have fully fleshed out storylines. Then there was the ending, which was complete cop out, even though it featured Gal Gadot in a cameo as Wonder Woman.

13. Birds of Prey (and the Fantabulous Emancipation of One Harley Quinn) (2020)

Try saying that three times fast, not even the Flash could pull that off! This film had the misfortune of coming out on the dawn of the pandemic and being something very few fans asked for. Seriously, Warner Bros. greenlit this film but not a solo Batman film with Ben Affleck! Or even a Man of Steel II!

Even though Margot Robbie turned in a solid performance as Harley Quinn, as do most of the other actors, this film looked and felt like a low-budget TV film or two-hour episode. It could have been worse, and the film has its moments, but it’s not exactly something fans should rush out to see.

12. The Flash (2023)

It was supposedly hyped as the greatest superhero film ever made by Warner Bros. executives. Ok, right. The Flash is certainly not even close to being that. However, the film was a wild ride which featured a welcome return of Michael Keaton as Batman/Bruce Wayne. His reprisal was part of a bizarre time travel/alternate universe story that at one point was to be the method to resetting the DCEU. Unfortunately, the result was a jumbled mess that ended up being one of the biggest bombs in film history. What didn’t help the film was the criminal behavior of actor Ezra Miller which drove many away from seeing the film. Sure, Miller turned in a good performance, but the role should have been re-cast.  

The Flash was also hampered by some very awful and cheap looking CG, the questionable use of dead actors, and missed opportunities. If they could stick in a poorly rendered CG of Christopher Reeve for a cameo, why couldn’t the film version of the Flash meet the TV version played by Grant Gustin? What was worse is that by the end of the film, the main character apparently never learned his lesson about meddling with time. So, what was the point of all that?

11. Batman v Superman: Dawn of Justice (2016)

Any Zack Snyder fans should heed this film when arguing that the director should have been allowed to run rampant with his vision for the DCEU. The film had everything going for it, including massive hype that it was the first time DC’s two greatest heroes would meet onscreen. Yes, it was a box office success, but it should have been a member of the billion-dollar club and that is because of how the film turned out.

Bloated and incoherent, Batman v Superman blew its opportunity to wow fans thanks to its script that was more interested in setting up future DCEU films than telling a good story on its own. Also, the film borrowed too many elements from classic comic books like The Dark Knight Returns without proper context. The film was cluttered with Snyder’s overindulgent hyper-realistic shots that dwelled in slo-mo and dour cinematography. Some of the acting was inspired, especially Ben Affleck as Batman who surprised everyone by his performance, but Jesse Eisenberg’s horrendous miscasting as Lex Luthor undermined the film. The extended version of the film is much better as it helped flesh out the many dangling plot threads that were never developed in the original cut.

10. Suicide Squad (2016)

There is a great superhero action film buried somewhere in this film about supervillains forced to carry out a black ops mission for the U.S. Maybe, we’ll see it one day if Warner Bros. ever releases director David Ayer’s original cut. For now, we must settle for a film that tried to be DC’s answer to Guardians of the Galaxy and failing to do that.

The film featured many inspired performances like Will Smith as Deadshot, Joel Kinnamen as Randall Flag, Jai Courtney as Captain Boomerang and of course, Margot Robbie as Harley Quinn. Try as they did, the actors could only do so much as the script had a bunch of underpowered and mostly unlikeable characters facing off against an overpowered supernatural entity that danced stupidly. Thanks to poor editing and forced changes by film executives, the film varied wildly in tone from gritty and dour to flippant and silly as the plot careened all over the place.

9. Aquaman and the Lost Kingdom (2023)

Even though it could not exactly replicate the outlandishness of the original Aquaman, the sequel tried its best and was still a fun adventure. Jason Momoa was great as always portraying the Atlantean king. He clearly was having fun playing the title hero who struggled to juggle conflicting lives in his roles as a father, husband, king, superhero and surfer dude.

The film was not as imaginative or as inventive as the original, but the production did its best to deliver a sound superhero epic about Aquaman and his strained relationship with his half-brother (Patrick Wilson), as they teamed up to save Atlantis from a common foe. Overall, it was a worthy sequel to Aquaman, that is worth watching. Even though it was not intended to be the final DCEU film, Aquaman and the Lost Kingdom, turned out to be a decent sendoff for the DCEU.

8. Justice League (2017)

Yes, Justice League was supposed to be the counterpart to The Avengers as it featured the first team-up of DC’s greatest superheroes on the big screen, but it fell far short of that goal thanks to rushed reshootings by Joss Whedon, who took over for Zack Snyder. The production was very troubled thanks to nervous and clueless Warner Bros. executives who were only interested in padding their wallets. Instead of delaying the film, the executives were concerned with bonuses they would get by releasing the film as scheduled. The result was an uneven, mishmashed vision from two directors with very different visual and storytelling styles.

Justice League was further impaired by shoddy CG that made the film look like a visually messy video game, and who can forget the ghastly removal of Henry Cavill’s mustache? Those scenes with him and the bad CG are nearly unwatchable. Even though this film had many issues, it still featured some virtues like some of the performances and the interactions of the Justice League members hinted at the possibility of greater things to come, but sadly that would never be. 

7. Shazam! (2019)

Admittedly, this superhero film was a bit silly and seemed oriented for younger audiences because of its young cast. But underneath the corny jokes and juvenile antics, was a film with a lot of heart. Shazam! echoed a lot of elements from Big, which clearly helped inspired the superhero film with its look at a young pre-teen who was suddenly transformed into a naïve adult superhero.

Shazam! might be less underwhelming than the superhero epics we are used to by now, but it delivers because of its emphasis on the characters, who struggled to deal with their fantastic situations. This was helped, of course, by some solid performances and great chemistry among the actors. Basically, Shazam! is a fun romp that explores the joys and responsibilities of being superhuman.

6. Wonder Woman (2017)

After the poor reception of prior DCEU films DC fans breathed a sigh of relief when this film turned out to be acclaimed by critics and audiences. Gal Gadot was never better in the role of Wonder Woman in a story that was distinctly unburdened by the continuity of the DCEU. Set in World War I, Wonder Woman was basically a fish-out-of-water story that showcased the Amazonian princess experiencing the violent outside world for the first time.

Gadot had great chemistry with her co-star Chris Pine, who played her love interest Steve Trevor as their relationship formed the heart of the film. It also boasted one of the DCEU’s best moments: when Wonder Woman emerged from the trenches to fight enemy soldiers in a battlefield. Still, the film was not without its flaws, such as an uninspiring final battle with your typical CG villain and a story that eerily copied many of the plot points of Captain America: The First Avenger. Still, Wonder Woman has a lot to offer.

5. Blue Beetle (2023)

There is very little that was original with this film’s superhero origin plot of the likeable everyguy who suddenly became a reluctant superhero. However, thanks to Blue Beetle’s back-to-basics approach with superhero films and heartfelt performances the film stood out from other DCEU productions. Xolo Maridueña really shined as the title hero Jaime Reyes who struggles to help his eclectic family and comes upon an alien battle suit.

The family dynamic in Blue Beetle is arguably its most notable merit as the actors have genuine chemistry with one another and embellished Reyes as a relatable character. What also helped the film were its well-choreographed action scenes and fast-moving plot. The script not only focused on the family dynamic of the Reyes Family but on social and class conflicts as the family struggled to fit into the high-tech world of the DCEU.

4. Aquaman (2018)

Credit has to go to director James Wan for being uninhibited with his superhero film that truly embraced its wild comic book roots. Actor Jason Momoa reveled in his role of the title hero which helped reimagine the image of the Aquaman character from a laughable D-list comic book character into a bonafide badass. The film was also imaginative with its depiction of underwater kingdoms and creatures that was quite dazzling. The less impressive underwater society of Namor shown in Black Panther: Wakanda Forever could not compare to the ones shown in Aquaman.

Brimming with great action, brisk pacing and vibrant production design, Aquaman turned out to be the most successful DCEU film, in fact it was the only one to earn over a billion dollars. Part of the reason for its success was because the film came out at the zenith of the current superhero film craze. However, much of it has to do with its exciting and appealing incorporation of the comic books that inspired it. 

3. Zack Snyder’s Justice League (2021)

This is the quintessential DCEU epic! Few ever expected this version of Justice League to ever be released because it was just a rough cut of the film before Zack Snyder left the project. Once the director was allowed to complete his original vision years later, the result proved to many that this version should have been released instead. Whether or not you are a fan of Snyder, this version clearly has his distinct directorial stamp on it. Hyper-realistic shots, many done in slo-mo, harsh lighting, lavish shots that look like Renaissance paintings, and intensely choreographed and epic fight scenes with stunning special effects.

The film was much darker and veered significantly from the original theatrical version, but it fully fleshed out many of the characters and their arcs with a few notable exceptions. We actually got to see Cyborg developed as a unique hero, many designs and sequences were improved, and the goal of the villain was clearer, which helped raise the stakes for our heroes. We even saw Darkseid in all his evil glory! The only thing that harmed the film was that it not only hinted at what could have been, but it ended on a cliffhanger that took place in a dark future. How could Snyder do this us? Oh, well, at least we had the chance to see his unfiltered vision for the DCEU.

2. The Suicide Squad (2021)

Director James Gunn hit a super homerun with this inventive and thrilling do-over of the Suicide Squad concept. Brimming with Gunn’s trademark dark humor, character interactions and visual whimsy, The Suicide Squad should have been a huge hit, but it came out at the wrong time when Warner Bros. was flailing about during the pandemic. What also helped the film stand apart from other DCEU films was its willingness to kill off amiable characters and featuring outlandish villains taken straight from DC’s silver age.

The Suicide Squad’s best assets were the characters, which were performed with great enthusiasm by a winning ensemble cast. Margot Robbie turned in her best performance as Harley Quinn and Idris Elba was so relatable and grounded as Bloodsport. Meanwhile, the character King Shark stole the movie as the DCEU’s version of Groot, thanks to a wonderful script and Sylvester Stallone’s inspired voice acting. Its creative success was not able to salvage the DCEU, but it provided us with a glimpse of how James Gunn’s new vision for live-action DC films will be like.

1. Man of Steel (2013)

In a way, it is sad that the best film of an extensive cinematic universe turned out to be its very first one. But here we are. This Superman film was and remains one of the most controversial superhero films thanks to Zack Snyder’s gritty reimagining of the Man of Steel. In his deconstruction of the Superman mythos, Snyder’s vision set a tone for the DCEU that stood apart from the competition. Even though his take of Superman may be considered too dark for those that wanted a more traditional and optimistic Superman, Man of Steel updated the Last Son of Krypton and his story, which was needed for modern audiences.

The grounded and more realistic look at what it would be like if a superhuman alien was raised on Earth also doubled as a First Contact story and an exploration of the struggle of becoming a responsible adult. Henry Cavill was perfectly cast as a more emotionally vulnerable Clark Kent/Kal-El/Superman who strived to find his place in the world. He was not perfect, he was wracked with uncertainty, he made mistakes, he was forced to kill. All of this may not fit into the ideal many had about Superman, but credit has to go to Snyder for having the fortitude to present a different look at Superman.

The film featured terrific performances, special effects and never-before-seen action sequences that finally let us see the horror and epic scale of superhuman battles. Even though many cannot appreciate the film for its own merits, Man of Steel established the template for the DCEU going forward. Simply put, Man of Steel is the DCEU at its best.

José Soto

Top Ten Films & TV Shows Of 2023

2023 boasted its fair share of exceptional genre films and TV shows. It is also noted for being the year when superhero films and TV shows started to lose steam. More on that some other time. Still, there plenty of quality fare for us fans and here are the best films and TV shows of 2023. Be sure to drop a comment with your own choices and rankings.

Films

10. 65

Adam Driver starred as a pilot of a crashed starship who struggled to survive in a hellish prehistoric landscape that turned out to be Earth 65 million years ago. This absorbing survival tale had intense moments and great dinosaur scenes.

9. The Creator

Garth Edwards’ film about a soldier protecting a young A.I.girl while pursued by hostile forces was derivative in terms of its plot. But its jaw-dropping visuals of a future Asian society where man and A.I. live harmoniously, action scenes and performances more than made up for its flaws.

8. Ant-Man and the Wasp: Quantumania

The third Ant-Man film was unfairly put down by many who missed the usual capers of the previous Ant-Man films. Instead this film went in a different and wilder sci-fi direction as our heroes explored bizarre landscapes and confronted the next big bad in the Marvel Cinematic Universe (MCU), Kang the Conqueror.

7. Leave the World Behind

This apocalyptic psychological thriller was both disturbing and intriguing as we see how the world begins to crumble from the viewpoint of vacationers. We were also swept up in their horrified plight as they struggled to understand their new situation and survive in a dangerous new normal with their limited skills and experience.

6. Dungeons & Dragons: Honor Among Thieves

This fun-filled fantasy romp based on the classic board game turned out to be a pleasant surprise. The film boasted spirited performances starting with Chris Pine as a lovable rogue and an imaginative script and direction that always kept the pace moving throughout the film.

5. Blue Beetle

It’s a shame that one of the last DC Extended Universe (DCEU) films did not perform better in theaters since it was of the best DCEU films. While the film followed the typical superhero origin formula, its strong performances, direction, and humorous family interactions elevated the film with its back-to-basics approach with superhero films.

4. Indiana Jones and the Dial of Destiny

The last hurrah for our favorite swashbuckling archeologist hit many emotional notes in its depiction of Indiana Jones in his twilight years. Yes, Steven Spielberg’s masterful direction was sorely missed in the final Indiana Jones film, but its solid direction, thrilling action and Harrison Ford’s solid performance as the title hero made this a memorable finale to the fantasy adventure franchise.

3. Godzilla Minus Zero

The latest Godzilla film proved that the decades-old franchise could still deliver captivating and exciting kaiju films. It stood above other Godzilla films thanks to its grounded approach, emphasis on relatable characters and a directorial decision to make the title creature a terrifying force of nature. It’s easy to see why this is one of the best Godzilla films.

2. Spider-Man: Across the Spider-Verse

There were other notable animated films this year like Elemental or Teenage Mutant Ninja Turtles: Mutant Mayhem that rivaled Spider-Man: Across the Spider-Verse with distinctive animation and scripts. However, Spider-Man: Across the Spider-Verse stood out from the pack with stunning and unparalleled animation that was simply stunning.

More importantly, what made the film such a success was its engaging storyline of a relatable Miles Morales involved in a head-spinning story, which involved other universes and characters. Cannot wait for the conclusion to the storyline!

1. Guardians of the Galaxy, Volume 3

James Gunn’s final MCU film was one of the best in the Marvel film franchise. It perfectly closed the chapter of these lovable galactic misfits/heroes while exploring their emotional connections and giving us glimpses of how the team would continue without the OG heroes.

This film proved that the MCU could still deliver quality films that are widely acclaimed and perform well. What made audiences engage with Guardians of the Galaxy, Volume 3 was its emotional core as we witnessed the tragic backstory of Rocket Raccoon, the fragile nature of the other guardians, and one of the most evil MCU villains ever shown.

Noteworthy Mentions:

Aquaman and the Lost Kingdom, Elemental, Evil Dead Rise, The Flash, Knock at the Cabin, M3GAN, The Marvels, Rebel Moon, Part One: A Child of Fire, The Super Mario Bros. Movie, Teenage Mutant Ninja Turtles: Mutant Mayhem

TV Shows

10. Superman & Lois

The third season of the final Arrowverse TV show continued demonstrating that it is one of the best Arrowverse TV shows as Superman/Clark Kent continued balancing life as a superhero and a husband and father to his family in Smallville.

9. Monarch: Legacy of Monsters

This TV show did so much to flesh out and expand the world of the Monsterverse by featuring interesting characters and fascinating plots involving time jumps and conspiracies. The result was a fascinating look at the impact that giant kaijus would have in the world.

8. For All Mankind

Ronald D. Moore’s alternate reality TV series where the Soviets landed on the moon first, relished in how that reality has begun to wildly diverge from ours as it featured life on a thriving Martian colony circa 2003, along with the intriguing geopolitics and personal drama that often intertwined.

7. What If…?

The second season of this animated MCU TV show featured more diverse variant MCU characters and situations. Unlike the live-action MCU, What If…? really let its imagination run wild with the concept of the Multiverse thanks to its inventive tales of alternate MCU realities.

6. Sweet Tooth

The second season of this live-action adaptation of the Vertigo comic book by Jeff Lemire was just as enjoyable as the first thanks to winning characters like young Gus and other animal/children hybrids and humans trying to survive in a post-apocalyptic world ravaged by a plague and warlords.

5. Gen V

This spinoff of The Boys was much more than a satirical take on the X-Men or the New Mutants. It further fleshed out the world of The Boys and underlined the dark side of supeheroics with relatable characters who suffered with the burden of having super powers and their lives as angst-ridden teenagers.

4. The Last of Us

This was a faithful and tense adaptation of the classic video game about a ruthless man protecting a young girl in a world devastated by a plague that turned most of humanity into mindless monsters. The performances were simply brilliant and the scripts truly touched viewers during its explorations of the characters and their relationships in a savage world.

3. Star Trek: Strange New Worlds

The second season continued the episodic back-to-basics approach to Star Trek with excellent one-off episodes. Star Trek: Strange New Worlds was buoyed by solid scripts and spot-on acting, which made it one of the franchise’s best entries. Even though some of the episodes may have been too bizarre like the musical episode or the one that featured characters from the animated Star Trek: Lower Decks, the season overall was a genuine success.

2. Loki

From the first frenetic moments of its premiere episode to the majestic triumph of its last scenes in the season finale, Loki singlehandedly demonstrated that there was still creative life in the MCU, which struggled in 2023.

Highlighted by brain-twisting time travel conundrums and a topnotch cast, the second season of Loki was arguably better than the first as we saw the title character complete his emotional transformation from a petty foe into a mature god burdened with maintaining all of time and reality.

1. Star Trek: Picard

Yes, the third and final season of Star Trek: Picard reveled in memberberries, call backs, Easter eggs and references. But it was much more than that, it was a genuine love letter and tribute to the Star Trek franchise, circa 1990s.

Star Trek: Picard had an engaging and exciting storyline with many twists and turns as it reunited the cast from Star Trek: The Next Generation for one last hurrah to save the United Federation of Planets from an old foe. At the same time, the TV show introduced intriguing new characters that tantalized viewers with potential future adventures. Come on, give us a Star Trek: Legacy show already!

Noteworthy Mentions:

Ahsoka, Black Mirror, the Doctor Who specials, Doom Patrol, Foundation, Harley Quinn, Invincible, La Brea, The Mandalorian, One Piece, Percy Jackson and the Olympians, Primal, Scavengers Reign, Scott PIlgrim Takes Off, Silo, Upload