The Current State And Future Of Comic Books, Part I

It was well known by fans that the comic book industry faced declining sales in the past few years. Then this pandemic struck. Now, comic book shops all over are closed down to prevent the spread of COVID-19. Major comic book companies like Marvel and DC will not release comic books digitally, and this has resulted in the entire industry coming to a standstill. We have not had any released comic books for several weeks and this has cascaded to lost jobs, revenue and products. On top of that, the San Diego Comic-Con and other conventions have been cancelled.

This crisis will pass at some point. But will its damage be too much for the comic book industry? Even without this pandemic the industry had many challenges and was running on inertia and good will from other media, notably the films and TV shows based on their comic book characters. It was in a fragile place and it may only take an outside factor like the coronavirus to be the kill the industry.

So, what happened to the comic book industry and where does its future go? If it even has one.

Modern State

When the American comic book first came into existence back in the 1930s they were aimed at children and at first reprinted newspaper strips. This changed with Action Comics #1 in 1938 as it introduced Superman, the first genuine superhero. After a lull in the 1950s superheroes dominated the medium to this day. However, comic books continued to change as new styles and ideas were introduced, and readers’ tastes changed, as well.

Currently, we are in the Modern Age and just as in the 1990s it is defined by an overreliance on speculators and comic books geared to please them. There are differences between the two time periods. The speculators during the Copper Age in the 1990s were mostly outside investors who hoped to retire by buying comic books with gimmick incentives like hologram covers, inserted trading cards, and numerous guest appearances by popular characters like Wolverine or Venom. This period was infamous for the Great Comics Crash of 1996 as investors were unable to sell their comics and left. Sales dropped so hard that comic books’ continued existence was in doubt.

Exclusive Variants

While those investors are long gone, today many hardcore collectors are encouraged to seek out very expensive variant comics. These are issues of certain key titles with different covers that are given out to retailers as incentives by distributors like Diamond Comics and publishers to encourage retailers to buy large volumes of comics. The retailers in turn sell these exclusive variants at premium prices, but are stuck with too many comics that will not sell. That is one of the reasons why comic book stores have so many sales with comics selling for $1 or so.

A new type of variants are blank cover comics that can be used for signatures or sketches by artists. This means that these comic books become unique pieces of art and thus more valuable. On average an individual title will have roughly eight to ten variant covers released. It can be hard to discern which is the regular cover for a title for a collector not interested in the variants.

These days collectors submit their coveted titles for grading to the Certified Guaranty Company (CGC). This company uses experts who thoroughly examine comics and assigned a number grade before the comics are sealed in hard plastic cases. This has led to collectors with large wallets to chase after these high-value items. Lately, CGC is selling comic books that are exclusives with black and white sketch variant covers of regular issues.

While some can profit handsomely with these graded comics, one has to wonder about the future of this niche market. After all, the average collector cannot afford to spend hundreds and thousands of dollars for these CGC exclusives, let alone the fee to have their precious comics graded.

Higher & Higher Prices

The current prices of comic books is an important reason why sales are declining. Let’s put aside the CGC comics. Those are a niche market for collectors with deep pockets and the average collector is not missing anything if he or she is just trying to keep up with a collection.

Anyone buying and collecting comic books will confirm that they cost too much money. This complaint has existed ever since the Silver Age when prices increased from 10 cents up to 20 cents. As publishing, printing and distribution costs went up so did the prices. Now, the average comic book costs about $3.99.

Lately, publishers released special anniversary issues that cost anywhere from 8 to 12 dollars. These particular comics are meant to celebrate the anniversaries of long-running successful characters. These special issues which feature assorted stories by many writers and artists sold extremely well, and is why more are coming out. The latest celebrant is The Joker who will have his own special 80th anniversary comic book that will ship directly later this month. Unlike the CGC comics, the average collector will seek these out even though they are expensive.

Where does this end? Think about it, where once a comic book cost only 10 cents now on average is nearly five dollars. Then multiply that with all the individual comics a collector will buy on any given month and what is left is an expensive hobby. Surely, most comic books today are not oriented to young children and publishers have correctly figured that the average buyers are adults who can afford their product. With that said, where does it end? It is easy to see comic books in the future costing ten dollars, even twenty dollars for an average issue. Will the average collector be willing to pay that much on a monthly basis?

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The Greatest Marvel Hallmark Ornaments

marvel hallmark ornaments

Christmas or Holiday ornaments based on popular IPs have populated Christmas trees for quite some time. Along with the Star Wars and Star Trek ornaments, Hallmark has produced many different ornaments based on superhero properties. One of their most successful lines are ornaments based on Marvel Comics superheroes, whether featured in comic books or on film. Here is a list of the greatest Marvel Hallmark ornaments released by the company.

potted groot ornament

10. Potted Groot (2015):

Sweet, adorable Groot as seen in his seedling form at the end of Guardians of the Galaxy makes for one cute ornament! Although this Groot does not dance, the ornament features the song “I Want You Back”, which Potted Groot dances to behind Drax’s back.

9. Hulk: Thor: Ragnarok (2017):

The Hulk in his full gladiator regalia as he appears in Thor: Ragnarok, is one of the most colorful and intimidating Marvel Hallmark ornaments. The figure easily captures the enraged mood of the gladiator Hulk as he is ready to pounce on his next victim/opponent.

8. The Avengers: Thor, Captain America, and Iron Man (2012):

These were three separate ornaments featuring the three superheroes from The Avengers. They could be hung separately in a Christmas tree or combined at their bases to created a cool diorama. Plus, this is one of the best Iron Man ornaments.

7. Team Captain America (2016):

The year that Captain America: Civil War featured to opposing separate ornaments, Captain America and Iron Man. While the Iron Man ornament is well crafted, the Captain America ornament is hands-down the best one based on the star-spangled hero. Other Captain America ornaments usually have him in a stationary pose. This one, however, captures him in powerful fighting action.

6. Iron Patriot (2013):

The patriotic red, white and blue colors on a re-branded War Machine from Iron Man 3, make this ornament stand out so vividly. Never mind that the film divided fans, it cannot be denied this ornament is beautifully done.

5. A New Breed of Superheroes (2006):

Actually, this ornament is a collection of mini-ornaments featuring classic Marvel heroes that can be combined at their bases into one. This allowed one to either use all six heroes (Spider-Man, Wolverine, the Hulk, Captain America, the Thing, and Iron Man) together or separately. It’s a highly sought-after collector’s item.

4. The Infinity Gauntlet (2019):

The fearsome weapon that Thanos used to wipe out half of all life in the universe as seen in Avengers: Infinity War, is a powerful ornament indeed. Featuring multi-colored lights emanating from the Infinity Stones, this gauntlet fits surprisingly well in a lit-up Christmas tree.

3. Spider-Man and Green Goblin (2010):

This ornament featuring a mighty battle between Spidey and his arch nemesis, the Green Goblin, stood out from other Spider-Man ornaments just for its concept of having a hero fighting an opponent. The two figures are dynamically posed which helped make the ornament one of the very best ones produced by Hallmark. The company should continue this idea with other Spider-Man villains; imagine what one featuring Doctor Octopus would be like!

2. Comic Book Heroes #3 – Incredible Hulk (2010): 

This Marvel ornament was part of an ingenious ornament series from Hallmark. On one side was a 3D figure on a background that recreated a famous comic book. In fact, the ornament was a mini-comic book reprint of the famous issue. In this case, The Incredible Hulk #181, which is renowned for having the first full appearance of Wolverine. It’s too bad, Hallmark discontinued the series after just four ornaments (the final one being the following year’s The Avengers #4), there are so many other classic and iconic comic book covers the series could have recreated.

first spidey ornament

1. Spider-Man (1996): 

There have been many wonderful Spider-Man Hallmark ornaments. Most of them had our favorite Web-Slinger in wild and spindly poses that accurately represented Marvel’s most popular superhero. But the very first ornament is still the best one. It’s so elegantly posed so that this mini-Spider-Man looks so natural hanging from a tree branch. The strings attached to his hands aid with the illusion that he is swinging around a Christmas tree with its lights that could easily stand in for the bright lights of a city.

Honorable Mentions:

The following are pretty terrific Marvel Hallmark ornaments that are worth mentioning and hunting down on Ebay or elsewhere:

A New Kind of Hero: Spider-Man: Homecoming (2017); Black Panther (2018); Captain America: Avengers: Endgame (2019); Comic Book Heroes #1 – Amazing Fantasy #15 (2008); Comic Book Heroes #4 – The Avengers #4 (2011); Deadpool (2017); Groot and Rocket (2018); Hulk Smash! (2014); Iron Man (2008); Iron Spider (2019); Slinging and Swinging (Spider-Man, 2016); Spidey Swings Into Action (2018); Thanos (2019); Thor: Thor: Ragnarok (2017); Venom (2016); Web-Slinging Wonder: The Amazing Spider-Man 2 (2014)

José Soto

Spider-Man: Life After The MCU

The dust still has not settled over the shocking news last week that Spider-Man is leaving the Marvel Cinematic Universe (MCU). So much for making Spider-Man: Far From Home earn over $1 billion to keep Spidey in the MCU! As we all digest this huge turd sandwich and cling on to every nugget of hope that Sony Pictures and Disney/Marvel Studios can still work out a deal, it’s time to face reality and ponder on what happens next for our favorite Wall-crawler in live-action films.

As mentioned in the previous post, actor Tom Holland still is contracted to do one more Spider-Man film and right now plans for that film are going forward from Sony. The film studio has the right to do a Spider-Man film without Disney’s blessing but obviously, cannot have it connect to the successful MCU. Sony may feel they can get along fine without the MCU and it may very well be the case, but it’s a dangerous gamble now. The animosity towards Sony by many fans is well documented with campaigns starting to boycott any Sony Spider-Man or related film. The question is will this anger keep up next year when Morbius and Venom 2 premiere? If both films falter or just earn less than expected in the box office then it can be attributed to fan backlash and can force Sony back to the negotiating table. This may not happen but then again look at Solo: A Star Wars Story and the backlash it received for The Last Jedi.

One no-brainer way to entice Spider-Fans to make Venom 2 a success is to shoehorn in Spider-Man now that Sony has him. One thing the studio has in its favor is that many fans are dying to see Spider-Man meeting Venom and fighting Carnage. Yes, the two characters fought each other in Spider-Man 3, but that version of Venom was poorly received. The Tom Hardy version was a hit with with fans though the film Venom was not as well thought of. If Spider-Man and Tom Holland are forced to appear in Venom 2 do the filmmakers have the skills to make it an organic appearance rather than an obvious cash grab? We’ll see.

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Spider-Man: Far From Home Is A Winning Epilogue To The Infinity Saga

Spider-Man: Far From Home is the epilogue to the 23-film Infinity Saga or the final Phase 3 film of the Marvel Cinematic Universe (MCU). As such, the film is another winner for Marvel Studios and Sony Pictures, who still owns the film rights to the Marvel Comics superhero.

The film is solidly part of the MCU, as shown in its opening moments as the world is recovering from the events of the last two Avengers films. It was good to see the everyday reaction to Thanos’s snap and the sudden return of half of the world’s population, called the Blip in the MCU. For Peter Parker/Spider-Man (Tom Holland), the impact of the Avengers films weighs heavily on him as his mentor Tony Stark is no longer around. He feels the pressure of trying to be the next Iron Man while enjoying his normal teenage routines. The biggest thing on his mind, aside from his Spider-Man duties, is working up the nerve to tell his fellow high school classmate, MJ (Zendaya) that he likes her. The two of them, along with other classmates, spend most of the film in Europe on a school trip. While in the Old World, Peter is contacted by the clandestine head of S.H.I.E.L.D. Nick Fury (Samuel L. Jackson) to help Quentin Beck/Mysterio (Jake Gyllenhaal) with dealing with these giant elemental creatures that are attacking Europe. Beck is supposedly from a parallel Earth that was destroyed by these creatures and wants to prevent the same disaster from happening in the MCU Earth. Beck quickly earns Peter’s trust who then begins to confide in him all his doubts and fears. But as comic book fans know there is much more to Beck than he would have one believe.

Beck and Parker

The latest Spider-Man film is the quintessential summer film. It’s fun, exciting, humorous and moves at a brisk pace, particularly in the second half. At the same time, unlike most summer blockbusters this film has depth and engages you emotionally. All the actors are spot-on perfect in their roles and embody the characters they portrays. This especially goes to Tom Holland who has an earnest energy and nervousness that makes his Peter Parker very endearing. This portrayal of Spider-Man feels authentic and captures the essence of the beloved superhero. He makes mistakes, big ones, but his heart is in the right place. It’s why we root root for him. Meanwhile, Zendaya adds much more dimension and humanity to her role of MJ. Now, she is more personable while keeping her spunky and sardonic attitude that made her so funny in Spider-Man: Homecoming. She and Holland have a nice chemistry as a budding and sweet romance develops between the two young people, which works. It’s not as intense as with Andrew Garfield and Emma Stone in the The Amazing Spider-Man films, but their romance has a tender sweetness that offers a nice respite from all the fantastic effects and explosions.

Spidey and MJ

As far as Spider-villains go, Mysterio is certainly a fantastic entry into Spidey’s rogues gallery with a unique power set, comic-book accurate costume, and motivation. His background and purpose differs a lot from his comic book roots, but they fit in easily within the MCU and there are some great and surprising call backs to previous MCU films. His drive and presence in the film doesn’t quite match the depth and desperation of the Vulture in Spider-Man: Homecoming, but Gyllenhaal is just great in the role and injects a lot of passion into his role. The fight sequences between him and Spidey capture the spirit of their comic book encounters complete with the weird illusions that rival some of what we’ve seen in Doctor Strange.

mysterio

There are some issues with Spider-Man: Far From Home, namely the high school antics and gags. Unlike the previous film, here they fall flat many times, which is puzzling since director Jon Watts pulled it off so well in Spider-Man: Homecoming. With this film, the antics come off as unfunny distractions, though some gags hit the mark. Still, it is not a fatal flaw with the film, but for the next film, the filmmakers should consider retooling this aspect or getting rid of it altogether.

Right now, the future of the MCU Spider-Man films is uncertain because Spider-Man: Far From Home is supposedly the last Spider-Man film in the agreement between Marvel Studios and Sony. It would be a horrific shame if these films couldn’t continue and Sony took Spidey back because there is so much more that can be done with him.

This is clearly evident in one of the post-credits scenes that is an absolute shocker. Seriously, they cannot leave us hanging like they did. On another note, the other post-credits scene is equally as important because it heralds the direction that the MCU will take from this point on. Spider-Man: Far From Home both stands on its own as a winning Spider-Man film and as an coda to the wondrous 23-film MCU.

José Soto

The Fox X-Men Film Series Burns Out With Dark Phoenix

dark phoenix poster

It’s been interesting to read and watch all the negativity and vitriol hurled against the final Fox X-Men film, Dark Phoenix. Yes, technically there is still the unreleased film The New Mutants, but from all accounts that upcoming film (if it is ever released) does not appear to be connected to the Fox X-Men films and it will be radically retooled. Who knows, now that Disney owns the film property, The New Mutants could be retconned to be part of its own Marvel Cinematic Universe (MCU), though that is a risk.

Getting back to Dark Phoenix, the reaction to the conclusion of the X-Men film saga has been harsh, perhaps a bit too harsh. It’s not that bad and has its moments, though it is flawed. It certainly isn’t a Logan or X-Men: Days of Future Past, just a missed opportunity, which is sad.

Dark Phoenix takes place in 1992 where the X-Men are revered celebrities with their heroics, thanks to the efforts of their leader Charles Xavier'(James McAvoy) to show the world that mutants shouldn’t be feared. By this time, he even has a direct phone line with the U.S. president. Xavier gets called for help with stranded astronauts onboard an orbiting space shuttle. The X-Men are dispatched to go rescue them with the team consisting of field leader Mystique (Jennifer Lawrence), Beast (Nicholas Hoult) Cyclops (Tye Sheridan), Jean Grey (Sophie Turner), Storm (Alexandra Shipp), Quicksilver (Evan Peters) and Nightcrawler (Kodie Smit-McPhee). They are able to save the astronauts from a coming solar flare, but Jean Grey is blasted by the flare which turns out to be the elemental Phoenix Force. This transforms her, increasing her telepathic and telekinetic powers beyond measure and leaves her struggling to control them and her fragile emotions. Her plight draws conflict not just from outside forces wishing to either kill her or control her but by the X-Men themselves, who are divided on how to deal with Jean Grey.

The film is very loosely based on the monumental “Dark Phoenix Saga” from the Marvel Comics X-Men books, which is widely considered to be one of the greatest comic book stories of all time. The previous attempt to bring this story to film, X-Men: The Last Stand, was a poor one and the latest attempt is only marginally better. Unlike Last Stand, Dark Phoenix is solely centered on the Jean Grey’s story, but the execution feels pedestrian many times. By itself, Dark Phoenix is competent but lacks the true epic scale of the comic book story and needed a better visual and filmmaking punch from a more competent and experienced director.

magneto and dark phoenix

For some bizarre reason 20th Century Fox deemed it OK to give this film about the beloved story to a first-time director (Simon Kinberg) who just lacks the skill to give us the epic story this X-Men film saga deserves. By the time the film series was nearing its conclusion, the upper management of Fox must have known they were to be sold off to Disney, so if they wanted to conclude their successful film series why hand this finale off to Kinberg? Yes, he wrote and produced the previous films and has clout, but allowing someone who never directed anything at all to handle Dark Phoenix was a risky move that blew up in their faces. The direction is very workman-like and too safe. Many pivotal and emotional scenes lack the flair shown in other X-Men films and shockingly the film is shot like a low-budget or TV film. To be fair, the third act of Dark Phoenix was re-shot because it was too similar to another recent film (probably Captain Marvel) and its done quite well, but it will disappoint comic book fans looking for the original story’s spectacular space showdown. Still, the confrontation between the X-Men, Jean Grey and other forces was exciting and probably the best part of the film.

There are many good elements in the film, aside from the final act. Chief among them is the acting by Sophie Turner in the pivotal role of Jean Grey. Her character is the core of the film and it was vital that we be invested in her struggle and we are. In spite of some actions that she carries out in the film, it is hard to see Grey as evil and she comes off as sympathetic. Most of the other actors bring their A-game to the role including McAvoy, whose Xavier must come to grips of mistakes he’s made with his disciple Grey when she was younger and how he let fame get to him. Other standouts are Hoult as Beast, who takes a less understanding view with Grey, Michael Fassbender who is always great as the conflicted Magneto, and Smit-McPhee, who while not getting much screen time manages to make his Nightcrawler a standout, sympathetic superhero with awesome teleporting powers.

mystique and jean grey

Other actors don’t fare as well. The worst of which is Lawrence, who is so checked out with playing the shapeshifting Mystique that you could tell she was counting down how much longer she had to play the role. Another one is Jessica Chastain, who portrays Vuk, a mysterious alien that is invested in the Dark Phoenix. Unfortunately the subplot involving Vuk and the aliens she leads is very uninspired and dull. Chastain basically sleepwalks through her lines and has zero charisma. While Magneto is one of the best supervillains on film, Vuk is clearly one of the worst. The problem here is that the alien angle is a major story point and a detriment to the film.

 

To be clear, Dark Phoenix is not the disaster that some hyperbolic and offended critics are claiming it to be. Seriously, this is not the worse Fox X-Men film. That dishonor still belongs to X-Men Origins: Wolverine. However, the Dark Phoenix story needs to be properly told or not at all. Kinberg probably should have chosen a more low-scale story to tell which would have been suited to his limited skill set. It is easy to tell that Fox and many of those involved were burned out of the X-Men and ready to hand the film rights to Disney. It’s a shame really, the X-Men films had a suitable conclusion with Logan and the Fox X-Men film series deserved a better send off than Dark Phoenix. But the film is OK to watch if you keep in mind the film won’t properly re-tell the classic comic book story. But at least we get to see some terrific actors play their iconic roles one last time and see the film series come to a conclusion.

José Soto