Captain America: The Winter Soldier, The MCU’s Greatest Solo Superhero Film

As Captain America: The Winter Soldier celebrates its 10th anniversary this month, it’s time to take a quick examination of why the Captain America film is considered one of the best films of the Marvel Cinematic Universe (MCU).

Very few MCU fans expected much from the sequel to Captain America: The First Avenger, especially given that Joe and Anthony Russo, the directors of Captain America: The Winter Soldier were relative unknowns whose biggest accomplishments to date were directing episodes of Community. Yet, the film blew away audiences, critics and fans with its non-stop action, intriguing script and well-developed characters. It turned out to be one of the most important films in the MCU as it forever changed it.

Captain America: The Winter Soldier centers around Captain America/Steve Rogers (Chris Evans) uncovering a huge conspiracy in S.H.I.E.L.D. the spy organization he works for while grappling with a deadly ghost from his past. The first Captain America film dealt with Steve’s adventures as a superhero during World War II and ended with him being frozen in ice then revived during modern times. Ordinarily, a sequel film would have focused on fish-out-of-water tropes as Steve struggled to adapt to a whole new world. While this does happen in Captain America: The Winter Soldier, the film to its credit doesn’t concentrate on this concept. Instead it forces Steve to adhere to his honorable values as the world around him exhibits dubious morality. He clashes with his superiors who think nothing of spying on civilians and eroding their privacy with a clandestine project. He soon learns that S.H.I.E.L.D. has been compromised by the evil Hydra organization which plans to use the project to unleash a preemptive attack on its enemies throughout the world, including members of the superhero team, the Avengers. For his troubles, Steve is branded a traitor and chased by the mysterious Winter Soldier (Sebastian Stan), a deadly assassin who turns out to be his best friend Bucky from his World War II days.

All these plot elements successfully evoked a paranoid spy/political thriller that was highlighted with high-octane action scenes that demonstrated how vicious and lethal the Winter Soldier was. These battles were among the best action scenes ever seen in any film and has not been replicated in other MCU films. There was a genuine sense of danger and fear as Steve and his allies fought the Winter Soldier and the compromised S.H.I.E.L.D. agents. One scene in particular, which took place in an elevator, proved what a badass Captain America was. He was surrounded in a cramp space by several men who tried to arrest him and he singlehandedly fought and defeated them despite the odds.

But getting back to the political angle, the film always kept you guessing as to who could be trusted, or what was actually happening in a way that was not confusing and kept audiences engaged. It helped that the film featured Robert Redford as Alexander Pierce, a government official who was actually a Hydra agent. Redford’s acting prowess elevated the film and he was a great callback to the ’70s spy thrillers such as his own Three Days of the Condor.

More importantly, Captain America: The Winter Soldier was at its core a film about a man struggling with his past and his place in the world. In this situation, Steve tries to make sense of the new world he is forced to live in where it seems as if his values are out of step. But they are what is needed to fight a great evil that has corrupted the world and his best friend. What makes confronting Bucky so much worse for Steve is not only Bucky the lethal Winter Soldier, but due to brainwashing by Hydra over the decades, Bucky has lost his decent personality and no longer remembers his past or his friendship with Steve. The Winter Soldier is the only remaining link Steve has with his past and he has to find the strength to bring his friend back. His plight was very emotional and the sacrifice he made at the end to get through to Bucky was very powerful. The final battle between the two as Steve struggled to connect with Bucky was much more riveting than the wild, effects-laden action scenes involving Steve’s other friends fighting Hydra.

Captain America: The Winter Soldier propelled the narrative of the MCU from that point as it no longer had S.H.I.E.L.D. as the support organization for the Avengers and the world. This in turn would later have severe consequences during future Avengers films and immediately impacted the TV show, Agents of S.H.I.E.L.D. Even though that show is now ignored these days, back in 2014, it was clearly part of the MCU and the events of Captain America: The Winter Soldier directly affected the TV show as one of the main characters was revealed to be a Hydra agent, and the other characters underwent crises of faith. The film also led to Captain America becoming a man without a country and on the run as seen in the next Captain America film, Captain America: Civil War when his morality led to a devastating conflict with some of his fellow Avengers to the point that the team broke up and left Earth unprotected.

Thanks to Captain America: The Winter Soldier, the MCU began to be seen as something more than typical superhero films. This was reinforced later in the summer of 2014 with the release of the space epic Guardians of the Galaxy. Together, the films proved that the superhero film genre was very diverse in terms of storytelling and being able to surprise everyone with its potential. That is because not only is Captain America: The Winter Soldier the best superhero solo film of the MCU but one of the greatest films of all time.

José Soto

Regarding MCU’s Cancelled Projects

The big news this past week regarding the Marvel Cinematic Universe (MCU) was that Disney cancelled a few MCU projects that were being prepared as a way of getting MCU and Marvel Studios back on its feet. What was noticeable about the news was that the projects included followups to Eternals, Captain Marvel and Ant-Man. There are also reports that long-announced projects like Ironheart and Armor Wars are also on the chopping block. While it is understandable why they have been cancelled, there is also some cause for concern.

The reasoning behind the cancellations was that Marvel Studios should focus on projects based on popular characters that will be guaranteed hits like Spider-Man, the Avengers and the X-Men. It makes sense but it just means that Marvel Studios will be forced to play it safe. It’s a shame because Marvel Comics has a huge plethora of intellectual property to mine from. To just go back and do films and TV shows about the same characters over and over again runs the risk of over-relying on them. Then you wind up with the situation Warner Bros. has with its DC characters where the only thing the company focuses on are numerous Batman films and related TV shows. Of course, these film studios need hits and it doesn’t hurt to rely on what works to fund future projects, but doing so risked overusing certain characters and diluting their appeal in the long run.

By playing it safe, Marvel Studios will avoid taking risks and approving projects based on lesser-known Marvel characters. This is understandable given the time and money that will be used to produce films and TV shows on characters few have heard of. But if Marvel Studios always followed this mentality we never would have gotten Guardians of the Galaxy. Back when that film was first announced, many were convinced that it would be Marvel Studios’ first flop. After all, few people heard of the characters who were outlandish. A talking raccoon? A walking tree? These doubters were sure no one would pay money to see films featuring such bizarre characters. But as we all know, the film was a huge hit and turned the Guardians of the Galaxy into beloved household characters.

Marvel Studios has tried to replicate the success of Guardians of the Galaxy with other lesser-known properties to varying results. For every Black Panther there was Eternals. While not everything Marvel Studios tried worked out, this does not mean that the film studio should avoid experimenting and trying out new characters. This will pay off for the film studio in the long run. Just look at the Scarlet Witch. When she first debuted in Avengers: Age of Ultron, she had an impact but her popularity did not truly take off until WandaVision years later. That show was so popular that it has spun off a couple of its characters into their own film and TV show, that being Photon and Agatha Harkness. Unfortunately, Photon’s film The Marvels flopped and Agatha: Whatever is the Subtitle still hasn’t streamed yet, so the jury is out on the TV show. However, the failure of The Marvels cannot be blamed on the character of Photon. The same would have to go with the other main characters in that film and going further with Nick Fury in Secret Invasion or Ant-Man in Ant-Man and the Wasp: Quantumania. Those projects failed but it was not because of the characters. They had their own issues and the characters were mostly well received in other appearances.

Thankfully, Marvel Studios will continue to utilize these characters in other projects. For instance, Ant-Man is supposed to appear in the next Spider-Man film and the next Avengers film. With Eternals, even though that film won’t get a proper sequel, the characters and events from the film are rumored to be incorporated into the next Avengers film. It would make sense that if the fifth Avengers film is no longer about Kang the Conqueror then it could be a cosmic-based film that features the Eternals and even the Guardians of the Galaxy in a loose adaptation of the Annihilation storyline from Marvel Comics (this was the comic book event that introduced the modern incarnation of the Guardians of the Galaxy that we think of). Some creative scripting could have the events of the cosmic plot in that Avengers film continue the Incursion/Multiverse arc and lead into Avengers: Secret Wars.

Marvel Studios should not hesitate with continuing to introduce new characters all the time in their films and TV shows. Although not all of them will take off in popularity, they should be featured to at least test the waters and see how they are received.

Maybe after a few hits under its belt, Marvel Studios will once again take creative chances with Marvel’s other characters. After all, the richness of the vast Marvel Universe deserves to be fully explored for MCU fans.

Top Ten Films & TV Shows Of 2023

2023 boasted its fair share of exceptional genre films and TV shows. It is also noted for being the year when superhero films and TV shows started to lose steam. More on that some other time. Still, there plenty of quality fare for us fans and here are the best films and TV shows of 2023. Be sure to drop a comment with your own choices and rankings.

Films

10. 65

Adam Driver starred as a pilot of a crashed starship who struggled to survive in a hellish prehistoric landscape that turned out to be Earth 65 million years ago. This absorbing survival tale had intense moments and great dinosaur scenes.

9. The Creator

Garth Edwards’ film about a soldier protecting a young A.I.girl while pursued by hostile forces was derivative in terms of its plot. But its jaw-dropping visuals of a future Asian society where man and A.I. live harmoniously, action scenes and performances more than made up for its flaws.

8. Ant-Man and the Wasp: Quantumania

The third Ant-Man film was unfairly put down by many who missed the usual capers of the previous Ant-Man films. Instead this film went in a different and wilder sci-fi direction as our heroes explored bizarre landscapes and confronted the next big bad in the Marvel Cinematic Universe (MCU), Kang the Conqueror.

7. Leave the World Behind

This apocalyptic psychological thriller was both disturbing and intriguing as we see how the world begins to crumble from the viewpoint of vacationers. We were also swept up in their horrified plight as they struggled to understand their new situation and survive in a dangerous new normal with their limited skills and experience.

6. Dungeons & Dragons: Honor Among Thieves

This fun-filled fantasy romp based on the classic board game turned out to be a pleasant surprise. The film boasted spirited performances starting with Chris Pine as a lovable rogue and an imaginative script and direction that always kept the pace moving throughout the film.

5. Blue Beetle

It’s a shame that one of the last DC Extended Universe (DCEU) films did not perform better in theaters since it was of the best DCEU films. While the film followed the typical superhero origin formula, its strong performances, direction, and humorous family interactions elevated the film with its back-to-basics approach with superhero films.

4. Indiana Jones and the Dial of Destiny

The last hurrah for our favorite swashbuckling archeologist hit many emotional notes in its depiction of Indiana Jones in his twilight years. Yes, Steven Spielberg’s masterful direction was sorely missed in the final Indiana Jones film, but its solid direction, thrilling action and Harrison Ford’s solid performance as the title hero made this a memorable finale to the fantasy adventure franchise.

3. Godzilla Minus Zero

The latest Godzilla film proved that the decades-old franchise could still deliver captivating and exciting kaiju films. It stood above other Godzilla films thanks to its grounded approach, emphasis on relatable characters and a directorial decision to make the title creature a terrifying force of nature. It’s easy to see why this is one of the best Godzilla films.

2. Spider-Man: Across the Spider-Verse

There were other notable animated films this year like Elemental or Teenage Mutant Ninja Turtles: Mutant Mayhem that rivaled Spider-Man: Across the Spider-Verse with distinctive animation and scripts. However, Spider-Man: Across the Spider-Verse stood out from the pack with stunning and unparalleled animation that was simply stunning.

More importantly, what made the film such a success was its engaging storyline of a relatable Miles Morales involved in a head-spinning story, which involved other universes and characters. Cannot wait for the conclusion to the storyline!

1. Guardians of the Galaxy, Volume 3

James Gunn’s final MCU film was one of the best in the Marvel film franchise. It perfectly closed the chapter of these lovable galactic misfits/heroes while exploring their emotional connections and giving us glimpses of how the team would continue without the OG heroes.

This film proved that the MCU could still deliver quality films that are widely acclaimed and perform well. What made audiences engage with Guardians of the Galaxy, Volume 3 was its emotional core as we witnessed the tragic backstory of Rocket Raccoon, the fragile nature of the other guardians, and one of the most evil MCU villains ever shown.

Noteworthy Mentions:

Aquaman and the Lost Kingdom, Elemental, Evil Dead Rise, The Flash, Knock at the Cabin, M3GAN, The Marvels, Rebel Moon, Part One: A Child of Fire, The Super Mario Bros. Movie, Teenage Mutant Ninja Turtles: Mutant Mayhem

TV Shows

10. Superman & Lois

The third season of the final Arrowverse TV show continued demonstrating that it is one of the best Arrowverse TV shows as Superman/Clark Kent continued balancing life as a superhero and a husband and father to his family in Smallville.

9. Monarch: Legacy of Monsters

This TV show did so much to flesh out and expand the world of the Monsterverse by featuring interesting characters and fascinating plots involving time jumps and conspiracies. The result was a fascinating look at the impact that giant kaijus would have in the world.

8. For All Mankind

Ronald D. Moore’s alternate reality TV series where the Soviets landed on the moon first, relished in how that reality has begun to wildly diverge from ours as it featured life on a thriving Martian colony circa 2003, along with the intriguing geopolitics and personal drama that often intertwined.

7. What If…?

The second season of this animated MCU TV show featured more diverse variant MCU characters and situations. Unlike the live-action MCU, What If…? really let its imagination run wild with the concept of the Multiverse thanks to its inventive tales of alternate MCU realities.

6. Sweet Tooth

The second season of this live-action adaptation of the Vertigo comic book by Jeff Lemire was just as enjoyable as the first thanks to winning characters like young Gus and other animal/children hybrids and humans trying to survive in a post-apocalyptic world ravaged by a plague and warlords.

5. Gen V

This spinoff of The Boys was much more than a satirical take on the X-Men or the New Mutants. It further fleshed out the world of The Boys and underlined the dark side of supeheroics with relatable characters who suffered with the burden of having super powers and their lives as angst-ridden teenagers.

4. The Last of Us

This was a faithful and tense adaptation of the classic video game about a ruthless man protecting a young girl in a world devastated by a plague that turned most of humanity into mindless monsters. The performances were simply brilliant and the scripts truly touched viewers during its explorations of the characters and their relationships in a savage world.

3. Star Trek: Strange New Worlds

The second season continued the episodic back-to-basics approach to Star Trek with excellent one-off episodes. Star Trek: Strange New Worlds was buoyed by solid scripts and spot-on acting, which made it one of the franchise’s best entries. Even though some of the episodes may have been too bizarre like the musical episode or the one that featured characters from the animated Star Trek: Lower Decks, the season overall was a genuine success.

2. Loki

From the first frenetic moments of its premiere episode to the majestic triumph of its last scenes in the season finale, Loki singlehandedly demonstrated that there was still creative life in the MCU, which struggled in 2023.

Highlighted by brain-twisting time travel conundrums and a topnotch cast, the second season of Loki was arguably better than the first as we saw the title character complete his emotional transformation from a petty foe into a mature god burdened with maintaining all of time and reality.

1. Star Trek: Picard

Yes, the third and final season of Star Trek: Picard reveled in memberberries, call backs, Easter eggs and references. But it was much more than that, it was a genuine love letter and tribute to the Star Trek franchise, circa 1990s.

Star Trek: Picard had an engaging and exciting storyline with many twists and turns as it reunited the cast from Star Trek: The Next Generation for one last hurrah to save the United Federation of Planets from an old foe. At the same time, the TV show introduced intriguing new characters that tantalized viewers with potential future adventures. Come on, give us a Star Trek: Legacy show already!

Noteworthy Mentions:

Ahsoka, Black Mirror, the Doctor Who specials, Doom Patrol, Foundation, Harley Quinn, Invincible, La Brea, The Mandalorian, One Piece, Percy Jackson and the Olympians, Primal, Scavengers Reign, Scott PIlgrim Takes Off, Silo, Upload

 

The MCU Woes, Part II: How To Correct Itself

The latest online trend has been to bash Marvel Studios and its Marvel Cinematic Universe (MCU). Toxic trolls have been pouring out with uncontrolled glee proclaiming Marvel Studios is too woke and deserves to fail. They point to the disappointing reception for many of the MCU’s latest offerings as proof that the brand is dead. Further adding fuel to the fire, Marvel Studios has delayed many of its productions to improve them.

It is undeniable that the MCU brand has taken some hits and is not regarded as highly as it was during its heyday, to call the brand dead or beyond repair is a gross exaggeration.

Thankfully, Marvel Studios and its parent company Disney have recognized the situation and are taking concrete steps to course correct and ensure the MCU regain its reputation for quality superhero films and TV shows. Sure, the MCU has taken its lumps, but what brand is not immune to this? Many times it is good to take a tumble, this gives one the chance to learn from mistakes and improve. This is what is going on with the MCU.

First of all, Marvel Studios has shown the willingness to scrap what they have worked on and start over. One example is the Daredevil: Born Again TV show which has been scrapped and been redone. Another example is that Captain America: Brave New World has been delayed in order to rework it due to a poor test screening. Then there are the rumors that Kang will be written out of the future films and TV shows in favor of Doctor Doom. This would take care of the situation with Jonathan Majors facing trial for domestic abuse, especially if he is found guilty. These examples demonstrate that Marvel Studios is willing to take the necessary steps to take the time to produce the best projects possible.

Better Scripts Needed

However, the first and most important step that needs to be taken is to devote more time to the scripts. Allow the writers to tell proper stories and DO NOT GO INTO PRODUCTION UNLESS THE SCRIPTS ARE COMPLETED TO EVERYONE’S SATISFACTION. This would largely take care of the problem of realizing a film is not working and having to do major retooling with it in post-production. This is why recent projects like Secret Invasion fared so poorly. It’s been reported that Secret Invasion had major overhauls and rewrites in the middle of its production, which is why the end product seemed so underdeveloped and rushed. On the other hand, look at two recent MCU successes: Loki Season 2 and Guardians of the Galaxy, Volume 3. Both productions had well-crafted scripts that were full of heart and flowed well. More importantly the stories logically reached their conclusions while servicing the characters. This is a major reason why both projects received so much acclaim and performed well.

Even though it is important to follow a certain narrative as dictated by the higher ups and to meet deadlines, the screenwriters should be given more autonomy with their scripts. It is also important at this point with the MCU to hire great writers who have a record of turning in terrific and solid screenplays.

The same should go with directors. This is a difficult task given that Marvel Studios is more hands on with their productions than normal. Still, the past has shown us that great directors like James Gunn and Ryan Coogler, and the Russo Brothers can work within the confines of an MCU production and deliver great films. Oftentimes, Marvel Studios hires relatively unknown directors who wilt under the pressure and demands of the studio and turn in mediocre films or TV shows. Marvel Studios has to make sure that the best possible directors are hired for their projects. If they want to go with lesser known (and cheaper) directors, have them feel their oats with some of the TV shows. Michael Giacchino is a prime example of this. Known only for his film scores, Giacchino blew everyone away with his directing duties in Werewolf By Night.

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Meaningless Superhero Deaths

Ms. Marvel is the latest high-profile superhero to have died, which created some controversy with comic book fans. But what was even more troubling was the jaded reaction from many others who knew she would come back to life as was recently announced. This development is just another example of lazy comic book writing trope of killing off then resurrecting a popular character.

When Ms. Marvel was killed off in the closing pages of The Amazing Spider-Man #26, her death made lots of headlines and angered many fans. But many of them were not upset because she was killed. They were upset over the way Marvel Comics threw out all the pomp and circumstances to commemorate the superhero because it was clear she would not stay dead. Sure enough, Marvel Comics announced a few days ago that she will return in a new mini-series called Ms. Marvel: The New Mutant, which will be written by Iman Vellani, who portrays the superhero in the Marvel Cinematic Universe (MCU).

Seriously, is anyone surprised by any of this? Of course, they would not let the poor girl rest in piece. Not when she will co-star in The Marvels later this year. The only reason as to why go through all this death and resurrection is to synch the character with the MCU version. As most comic book readers know, Ms. Marvel is an Inhuman in the comic books, but for whatever reason she was designated as a mutant in the final episode of Ms. Marvel. Given that Inhumans never reached the popularity of mutants in the pages of Marvel Comics, perhaps the powers-that-be gave up on the Inhumans and decided to have it revealed that she is actually a mutant.

Still, why go through all the hand wringing and kill her off in the first place? In the pages of The Amazing Spider-Man, the title character is shown to be in full mourning over Ms. Marvel aka Kamala Khan, but the two were hardly best buddies. Sure, they’ve teamed up a few times it’s not like this happened to the Human Torch. It would have made more sense if she died in the arms of the superhero Ms. Marvel looks up to, Captain Marvel. This was most likely done to generate sales and interest for the comic books, but we’ve been through this too many times, and it was done much better before.

The best example was with the Death of Superman storyline that spanned many comics. That event worked because his death and resurrection felt organic, had a huge impact in the world of DC, and explored all the nuances of Superman dying and coming back to life. Even the death of Captain America years later was better executed as readers had time to process his death and see the Winter Soldier becoming the new Captain America and so on. There is also the death of the Ultimate Comics version of Spider-Man, which turned out to have introduced an even more popular version of the superhero: Miles Morales.

The problem with Ms. Marvel’s death is that these superheroes deaths have been done to death and in Ms. Marvel’s case, it was done too abruptly. Then before anyone could process anything, Marvel goes and announces she is coming back. There were much more imaginative ways to transform Ms. Marvel into a mutant without using the cheap theatrics of temporary deaths. This development still would have generated news, but with less cynical reactions. The fact that Marvel chose the cheap and easy way to go about her transformation just underlines how the so-called House of Ideas has run out of them.