Yes, Mary Jane, There Is A Santa Claus: Sony Ends Its Spider-Man-Related Cinematic Universe!

Now that Kraven the Hunter is crashing with critics and fans, and at the box office, Sony Pictures had to admit defeat and throw in the towel.

Given the failure of its recent films related to Spider-Man, but not featuring the Marvel Comics hero, Sony decided to discontinue producing these kinds of films. Instead, it will focus on films and TV shows that actually feature Spider-Man himself. Yes, Mary Jane, there is a Santa Claus, since St. Nick and whatever powers-that-be have answered fans prayers. For too long, many of us saw Sony butcher many legitimate Marvel characters with ill-conceived films starring characters that are associated with Spider-Man.

This all started with Venom, which was released in 2018, and turned out to be a huge hit in theaters. Ever since Sony had the film rights to Spider-Man the film studio only released films starring the character, which were successful. But seeing how successful Marvel Studios was with their Marvel Cinematic Universe (MCU), Sony sought to expand beyond Spider-Man and produce films on characters, namely villains, that were associated with Spider-Man. Never mind that many of these characters won’t work without Spider-Man or at least have a defined connection to him. The Venom films worked largely due to actor Tom Hardy and the passion he infused into his role and the character was strong enough to carry his own films. But Madame Web? Why didn’t Sony just do a Spider-Gwen film? That character is very popular in comics and was a breakout in the two animated Spider-Man films.

As we know, the poor reaction to their more recent Spider-Man films led Sony to reach a deal with Marvel Studios and lend the character to Marvel Studios. The caveat was that the superhero could not appear in live-action in projects not associated with Marvel Studios’ MCU, though this has been disputed by a report from Variety.

The Spider-Man films taking place in the MCU were huge successes, but Sony could not be content with that. So, they decided to crank out films that did not feature Spider-Man, which is how we got Venom. Despite its big success, not everyone loved it. But Sony did not care, they saw the box office returns and were convinced they could duplicate that success. Turns out they couldn’t.

Aside from the Venom films and the animated Spider-Man films, Morbius, Madame Web and now Kraven the Hunter were colossal bombs. The films were so embarrassingly bad that they became the subject of many goofy memes and outright tarnished the reputation of Sony’s Spider-Man-related films. It’s no wonder Sony decided to veer away from these Spider-Man-related films. They just had to, it did not make any financial sense to continue to do so.

This does not mean that Sony will not produce anymore Spider-Man films. Production will start next year on the next MCU Spider-Man film, and its TV project Spider-Man Noir is nearly complete, and work is underway for its next animated Spider-Man film, Spider-Man: Beyond the Spider-Verse. That is for the best, honestly.

By not wasting time and resources to produce mediocre films that no one asked for, Sony can now focus all its talent and resources on producing high-quality Spider-Man films and TV shows, which were great to begin with. If any characters introduced in those films prove popular enough, then Sony can produce a spinoff film or TV show with the help of Marvel Studios.

Or they can negotiate with Marvel Studios to allow them to feature a non-MCU Spider-Man in their non-MCU films. That was one of the biggest letdowns with the Venom films. We never got to see Venom confront Spider-Man, his arch-nemesis, who only appeared in a brief cameo in Venom: Let There Be Carnage. It would not be too confusing for the regular public and fans to differentiate between two or more versions of Spider-Man to exist at the same time. This has worked well with the animated Spider-Man films and Warner Bros. has shown that different versions of Batman and his related characters could exist simultaneously, as well as their other DC heroes. Besides this would be a great opportunity to let previous Spider-Man actors like Andrew Garfield to reprise their roles without coming up with a convoluted multiverse storyline.

Even though many deride these Sony Spider-Man films and lament that Disney/Marvel Studios does not own the film rights to the character, there is a rationale for Sony to hold on to him. If Spider-Man were to revert to Marvel Studios, he would be joining a crowded slate of characters who would be vying for time and resources. Just look at how long it has taken for there to be a followup to Captain America: Civil War and the last Iron Man solo film was over ten years ago. Most likely Spider-Man would just play a guest star in other films. At least with Sony, Spider-Man and his world will receive the attention he deserves, and now the studio will focus on crafting some top-tier superhero films and TV shows. Maybe in the not-too-distant future Kraven will be properly introduced as an S-tier villain in a Spider-Man film, which could lead to an adaptation of the classic comic book story, “Kraven’s Last Hunt.” That would be great.!

Top Ten Unresolved MCU Plot Threads

As the Marvel Cinematic Universe (MCU) continues and evolves, there are many plot threads introduced in various MCU projects that remain unresolved to this day. Some of them, such as the fact that a giant Celestial statue is sticking out of the Indian Ocean, will be resolved with next year’s Captain America: Brave New World, but there aren’t any indications that many others will be addressed. The following is a ranking of the most nagging or interesting MCU plot threads that remain unresolved, at least for now.

10. Mitchell Carson & the Stolen Pym Particles

A major plot thread in Ant-Man was that Hank Pym did not want his shrinking technology to fall into the wrong hands. This was about to happen in the final act of the film where Darren Cross was attempting to sell the Pym Particles to the highest bidder. During a melee to stop the sale, one of the buyers, the Hydra operative Mitchell Carson, ran off with a vial of the particles, and this was never addressed again.

Speculation: Given the demise of the Ant-Man film franchise, these questions will likely remain unresolved or turn up in an unrelated film or TV show.

9. When Will the Young Avengers Debut?

We have been teased with the Young Avengers ever since members like Ms. Marvel, Stature and Wiccan have shown up in the MCU. The superhero team was highly teased in the end of The Marvels when Ms. Marvel recruited Kate Bishop to form a team with plans to get in touch with Stature (who already debuted in Ant-Man and the Wasp: Quantumania). This is an exciting development for the MCU given the popularity of these characters but to date there have not been any announcements of this team actually showing up in the MCU.

Speculation: There are many rumors that the Young Avengers will headline a TV show at some point and do not be surprised if they turn up in Avengers: Doomsday or Avengers: Secret Wars. But given the fact that the actors are aging in real life, what could happen is that the team will be renamed the Champions if they ever debut.

8. Magic Ned

During a pivotal moment in Spider-Man: No Way Home, Peter Parker’s best friend Ned displayed an innate talent for magic as he was able to use Doctor Strange’s Sling Ring to summon alternate versions of Peter Parker/Spider-Man. While this is an interesting development for Ned, who could become a sorcerer’s apprentice, it is unlikely this will ever be explored given that well, the Spider-Man film rights are held by Sony Pictures which is hell bent on pumping out films starring Spider-Man’s enemies.

Speculation: Nothing, zilch, nada. We are not even sure if Ned will appear in the next Spider-Man film.

7. Too Many Sorcerers

In a post-credits scene in Doctor Strange, the sorcerer’s former ally, Mordo, begins a quest to kill off all the sorcerers on Earth with the clear implication that Strange was a target. This plot line was ignored in the next Doctor Strange film and since the third film will likely be geared towards incursions and multiverse shenanigans, Mordo’s mission is at this point forgotten. It’s too bad since Mordo is an interesting character and a major foe for Doctor Strange in the comic books. He deserves a chance to confront Strange.

Speculation: Originally, this plot would have been resolved at the start of Doctor Strange in the Multiverse of Madness where the Scarlet Witch would have killed Mordo, but this scene was scrapped. There have been no reports that the Mordo plot will be a part of the next Doctor Strange film or if Mordo will even appear.

6. The Black Knight and the Ebony Blade

In one of the post-credits scenes of Eternals, Dane Whitman was about to touch the cursed Ebony Blade which would have turned him into the Black Knight. The would-be superhero was stopped by an offscreen voice, who was Blade the Vampire Hunter. To date, no announcements have been made as to when the Black Knight will appear. Not even Kit Harrington, who portrayed Whitman, knows if his character will ever appear again in the MCU.

Speculation: Supposedly, the Black Knight was to show up in the long-delayed Blade film but since that film seems more or more unlikely to be produced it’s anyone’s guess if the Black Knight will ever appear anywhere.  

5. Will Hercules Ever Has His Revenge?

After being humiliated by Thor in Thor: Love and Thunder, Zeus promised to get his revenge on the God of Thunder. He then tasked his son, Hercules, to carry out the vendetta. Hercules’ brief cameo was impressive given the comic-accurate look of the god. Unfortunately, his appearance was one of the symptoms that befell the MCU lately where multiple plot threads were introduced without any logical means to address them.

Speculation: Supposedly, Hercules will appear in the next Thor film, but it’s not known if he will be a major character or if the film will be made at all given that Marvel Studios has been cutting back on the number of films and TV shows in order to maintain the quality of their projects.

4. When Was Rhodey Replaced?

As flawed as Secret Invasion was, one interesting plot twist, well not really since it was so obvious, was that Jim “Rhodey” Rhodes was replaced by an alien Skrull. At the end of the mini-series, the real Rhodey was rescued, but we never learned when he was replaced or how many pivotal MCU events he missed. Was he abducted after his BFF Tony Stark died? We do know it had to have happened after Captain America: Civil War since he ended up paralyzed in that film and he was shown as such in Secret Invasion.

Speculation: The director of Secret Invasion revealed that Rhodey was replaced immediately following Captain America: Civil War, although this has not been confirmed by Marvel Studios. Some fans have speculated the replacement happened much later. Sadly, this dilemma will not be resolved anytime soon, since everyone wants to forget about Secret Invasion.

3. The Origin of the Ten Rings and Their Beacon

At the end of Shang-Chi and the Legend of the Ten Rings, the sorcerer Wong informed Shang-Chi that the otherworldly bangles he acquired from his father were very ancient and were emitting a beacon to the cosmos. But that was all he knew, and we haven’t learned to date the origin of these fantastic rings or who was being summoned. Even more baffling is that even though the film was successful, a sequel is stuck in limbo, and we won’t be getting the answers to the questions regarding the bangles for a long time.

Speculation: Supposedly, the bangles were related to Kang the Conqueror and was to have been part of the plot for the abandoned film Avengers: The Kang Dynasty. Maybe they will be the plot device used to summon Galactus into the MCU or Doctor Doom. Or maybe we will have the questions finally answered whenever the sequel to Shang-Chi and the Legend of the Ten Rings ever happens.

2. The Fate of the Eternals

This is major. At the end of Eternals, about half of them were abducted by extra-terrestrial Celestials for saving Earth. Later on, those Eternals that were not abducted set off in a spaceship to find their comrades. Then the Titan, Starfox, and his friend Pip the Troll teleported to their spaceship and offered their help to find the missing Eternals. An interesting setup, but there will not be a sequel to Eternals so the cliffhanger ending to the film will not be resolved. There’s also the revelation that Starfox was Thanos’ brother which was unaddressed.

Speculation: There has been speculation that this Eternals storyline will be resolved in the next Thor film, though there are not any concrete plans for the film, as of yet. Given the cosmic nature of the Eternals, it’s possible another cosmic-themed MCU project could pick it up, perhaps a new Guardians of the Galaxy film which could incorporate a couple of the Eternals into the team.

1. What Happened to Steve Rogers?

At the end of Avengers: Endgame, Steve Rogers went back in time and multiple dimensions to return the Infinity Stones. When he returned, he came back as an elderly man who could not continue as Captain America, and he passed his shield to Sam Wilson in order to become the new Captain America. So, what became of Rogers at that point? In the limited series, The Falcon and the Winter Soldier, he was referred to in past tense, indicating he passed away, but one character mentioned the rumor that Steve Rogers was living on the moon. It was never made clear if he passed away and so far, he is not shown in trailers for Captain America: Brave New World. So where is Steve Rogers? What happened to him?

Speculation: Maybe Steve Rogers will return in Avengers: Secret Wars so that Chris Evans could play the superhero one final time before the role is recast. Perhaps, as in the comic books, Rogers will be rejuvenated if only to help out in Avengers: Secret Wars. Marvel Studios has speculated that he could return to the MCU in some fashion, though the actor has stated that there are no plans for him to reprise the role. We’ll just have to wait and see.

Notable Mentions

What Happened to the Beekeeper in WandaVision?

Who was Sonny Burch working for in Ant-Man and the Wasp?

Will the United States and Wakanda go to war against each other?

Will the Scorpion ever set out to get revenge on Spider-Man?

Is Spider-Man still framed for murdering Mysterio?

Who is working with the Power Broker/Sharon Carter?

What happened to the symbiote left behind by Venom/Eddie Brock in the MCU?

Will we ever see the remnants of the Illuminati exact revenge on Doctor Strange?

What became of President Ritson’s war on aliens on Earth?

Venom, Spider-Man & Sony’s Upcoming Crossover Film Event

The latest Spider-Man-related venture by Sony Pictures, Venom: The Last Dance, has teased viewers with an attempt to create a crossover storyline that spans several different films. Sony has tried for years to create their own cinematic universe but failed miserably for the most part because they weren’t able to deliver anything cohesive or high quality. Unfortunately, that problem will continue.

WARNING: Spoilers will be revealed related to Venom: The Last Dance.

Ever since the success of the Marvel Cinematic Universe (MCU) and the emergence of other cinematic universes, Sony wanted in on the action given the massive box office success of the MCU. On paper, it seemed easy to copy the MCU’s success: have a bunch of films interconnect with each other with some kind of B-plot storyline running throughout the films that will culminate in an epic crossover event like Avengers: Infinity War. But as the cliché goes, easier said than done.

Sony first tried creating a shared universe with The Amazing Spider-Man films with the last one dropping obvious hints of a film featuring the supervillain team, the Sinister Six. However, given the bad reception of The Amazing Spider-Man 2 and announcement for a Sinister Six film, those plans fell by the wayside. But Sony would not give up. Afterall, they hold the exclusive film rights to Marvel Comics’ most popular character and all related characters, and they would lose those rights if they did not pump out some kind of Spider-Man-related film every few years.

This is how we got the Venom films. By no means are they superhero film classics, but they are entertaining enough (including Venom: The Last Dance with its plot holes and other flaws) and more importantly to Sony, financially successful. This encouraged them to greenlight other films related to Spider-Man, but the dreck they released could not match the success of the Venom films. Still, they plowed ahead as seen with that non-sensical post-credits scene in Morbius where the title character met the Vulture, who was transported over from the MCU. What was so baffling was that for reasons unknown to us, Morbius decides to join Vulture in attacking Spider-Man, even though Morbius never met the superhero! It seems as if Sony is still hellbent on their Sinister Six film and more will probably be revealed in December with Kraven the Hunter, where there will most likely be some post-credits scene that has Kraven meeting the Vulture. Thankfully this did not occur in Venom: The Last Dance.

Instead, the third and (for now) final Venom film introduced the beginning of an adaptation of the King in Black comic book event. That storyline was the culmination of Donny Cates’ Venom run which explored the backstory of the Venom symbiote and introduced the supervillain, Knull, who created the symbiotes and invaded Earth. While it was tantalizing to see Knull on the big screen, he didn’t receive much screen time and was a background menace who drove the action. In the film’s prologue, it’s revealed that Knull is being held prisoner by the symbiotes he created and only Venom can break him free through some biological MacGuffin. After Venom and other symbiotes defeats the small army of alien creatures sent by Knull to Earth, the Venom symbiote is killed and a still-imprisoned Knull vows in a post-credits scene to escape and wipe out all life in the universe.

That sounds great but this development happens in the so-called final Venom film. Where else can this Knull story continue? Well in a Spider-Man film, of course.

There are reports that Sony and Marvel have been at odds over the story for the next Spider-Man film. Marvel wanted it to be a grounded film involving Spider-Man with street-level threats and heroes like the Kingpin and Daredevil and fans have been demanding this since such a plot would return the character back to his grounded, street-level roots, which has been missing from the MCU Spider-Man films. However, Sony is demanding the character be involved in universe-threatening events as seen with Spider-Man: No Way Home since it is the best platform for crossovers with the characters the studio has the film rights.

The current rumor is that the next Spider-Man will not only feature the non-MCU Spider-Men teaming up with the MCU Spider-Man but that at long last Venom will meet Spider-Man. This was something that was teased in Venom: Let There Be Carnage when Venom was transported to the MCU, but that turned out to be a disappointment because Venom returned without meeting Spider-Man.

So, why would the two meet? To fight Knull, of course! But wait didn’t the Venom symbiote die in Venom: The Last Dance? Yes, but a post-credits scene teased us with an offspring of Venom that was loose, who will probably seek out Eddie Brock to bond with him. Or the offspring that was left behind in the MCU during Spider-Man: No Way Home be the new symbiote for Eddie to bond with. Maybe this time, the new Venom will sport the iconic large white spider symbol on his chest.

While there is some potential with this plot, given Sony’s inability to give us a coherent Spider-Man-related film without the help of Marvel Studios, there is the possibility that the buildup to this event will be bungled, and we’re seeing that already. Knull should have been introduced in the Venom films much sooner or made a more prominent menace in the current Venom film. He also should have appeared in the other Sony Spider-Man-related films like Madame Web, which would have been natural given Madame Web’s psychic powers that enabled her to detect him.

Then there is the problem in that Knull is a Venom villain, having him being the main foe in a Spider-Man film does not feel right. Also, the King in Black story involved all of the Marvel heroes with Venom leading the fight against Knull. Forcing Venom to share this burden in a Spider-Man film takes away from Venom’s transformation in the comic book story into a full-fledged hero and the new King in Black of the symbiotes after defeating Knull.

Also, the meeting of Spider-Man and Venom should be a film event unto itself and jamming it with the dense King in Black storyline will make this event feel rushed. That is unless Sony plans to split the King in Black story into a couple of Spider-Man films. The first film would have Spidey meeting and fighting Venom, then the second film they would team up to fight Knull along with the other crossover characters. As to how this story would mesh with the MCU’s Infinity Saga and the upcoming Avengers films, who knows at this point? But do not be too disappointed if Sony drops the ball, but on the other hand, since Marvel Studios will be involved with the Spider-Man films, hopefully the result will be better than expected.

The Wild Robot’s Emotional Story Almost Overwhelmed My CPU

It’s no hot take that DreamWorks Animation (DreamWorks) always knocks it out of the park when it comes to adapting beloved books into unforgettable movies, and The Wild Robot is no exception. Every single decision that led to the finished product was nearly perfect and it really feels like the people behind this movie’s creation, such as director Chris Sanders (who directed Lilo & Stitch and How to Train Your Dragon), poured their whole hearts and souls into developing this film, which makes sense since this is sadly the last in-house animated film for DreamWorks. I highly recommend The Wild Robot to everyone who reads this review to go out there and see it in theaters because it deserves the love and the theater experience for this one was definitely unique. This review will be split into 4 parts.

STORY

The story follows a lost robot named ROZZUM Unit 7134 (“Roz”, voiced by Lupita Nyong’o) as she finds her way around an island entirely inhabited by wild animals. She is programmed to be an aide and seeks to offer her services to the animals as part of her pre-programmed goals before she can activate a beacon to be picked up by her manufacturers. As Roz explores the island, it becomes clear that she is unable to communicate with the animals, so she spends months listening in on their conversations and is eventually able to hear and speak in their tongue.

Along the way, she unofficially adopts a baby gosling named Brightbill (Kit Connor) after she accidently kills his family. Having a new purpose, Roz must help raise the gosling to be prepared for the upcoming winter season when the geese migrate off the island. During their time together, Brightbill sees Roz has his mother while Roz begins to develop genuine emotions and is conflicted with her protocol to leave the island after her task of raising Brightbill is completed.

This movie’s story is genuinely amazing and almost made me tear up 3 separate times in only the first two acts. DreamWorks did such a phenomenal job at delivering a heartfelt story that is so emotionally rich that you feel somewhat of a bond with the characters in this film. My only issue, if I absolutely had to have one, was that the pacing was very quick, like whiplash quick. But surprisingly, unlike many other films with fast pacing, this film somehow made it work and it didn’t feel too off-putting. Every plotline progressed off the previous one and every scene felt more action packed and engaging than the last.

CHARACTERS

The characters are well written in The Wild Robot. To start, Roz is a complex character and is able to feel emotions that robots shouldn’t; she is instantly one of my favorite DreamWorks protagonists. She has a heart of steel that comes from her programming where she is unable to harm other living things despite what they think of her. She is unyielding in whatever task has been assigned to her and refuses to give up even in the most impossible scenarios.

Throughout the film, Roz is accompanied by a mischievous and unpopular local fox named Fink (Pedro Pascal) who is sly and has no problem with lying but is also willing to help others who are mentally and physically vulnerable. He is also a really funny supporting character and has great chemistry with both Roz and Brightbill. As the adopted child of Roz, Brightbill is an adorable and inspiring goose that overcomes all odds against him. We get to see him grow from baby to young adult in mere moments, but it feels as if we were with the family every step of the way.

Brightbill’s journey was more difficult than it was for those around him because he is a runt and had an unusual upbringing, but he proved everyone who doubted, and even bullied him, wrong. There are many other supporting characters that played

into their roles really well, such as the stoic and tough owl, Thunderbolt (Ving Rhames), who helps teach Brightbill how to fly, the gentle and wise Longneck (Bill Nighy), the leader of the island geese who welcomes Brightbill into his flock, and a crusty but helpful beaver named Paddler (Matt Berry). These and other minor characters get their moments to shine throughout the film and add to the rich tapestry of characters throughout the film.

SOUND DESIGN

The sound design in The Wild Robot is stellar and every voice actor knocked it out of the park. To start with the soundtrack, it included very strong and epic music that complimented certain key scenes very well, adding onto the layers of immersion this film has. The two original songs featured in this film are amazing and I recommend listening to both of them (“Kiss the Sky” and “Even When I’m Not” by Marren Morris). The voice acting is phenomenal and every character’s actors were chosen perfectly.

My personal favorites were Lupita Nyong’o as Roz, Kit Connor as Brightbill, Pedro Pascal as Fink, and Bill Nighy as Longneck. The original score only amplifies the experience of watching this movie, as it makes every scene either emotional, casual, or heart-pounding.

ART AND ANIMATION

The only word to describe the art style of this movie is gorgeous; this is without a doubt one of the best-looking animated movies ever made. The art style is a mixture of natural landscapes, watercolor strokes, and the wonderous joy of storybook pages. Every character looks so high quality that I wanted to personally thank every person in charge of developing this fantastic identity. The animation is astonishingly brilliant and it’s so good that every frame of animation could by captured as a photo and used for marketing material. The people who worked so hard to animate Roz’s fluidic, yet robotic movements deserve so much praise. The backgrounds and landscaping are also beautiful; there is this one shot that involves Roz being in front of a giant moon in the background that I cannot stop thinking about because it was such an amazing shot. I am probably rambling on about the art and probably sound like a broken record, but that’s how much I genuinely love the work put into making this movie shine so visually.

CONCLUSION

The Wild Robot is an unforgettable and story-rich adventure that no one will want to miss. Its story is unique, the characters are lovable, the sound design is elite, and the animation is easily one of the best of this decade so far. This DreamWorks movie is one of its best and it is a shame that this marks the end of in-house animated movies for the company. I am usually not one to advocate for sequels, especially in an age where they get more and more mediocre, but I really would not be opposed to seeing another two movies based on the other books in the Wild Robot trilogy by author Peter Brown. Be sure to watch The Wild Robot, out now in theaters!

Angelo Soto

Increasing Optimism For The MCU

It’s been commonly accepted that the Marvel Cinematic Universe (MCU) has been on a downward spiral given the mediocre results of their recent offerings such as Secret Invasion and The Marvels. But the powers that be (Kevin Feige and Marvel Studios) have taken corrective steps to rectify the situation with the MCU and from what we are seeing, we fans have cause for optimism.

As most of us know, Feige has restructured the slate of films and TV shows to the point of redoing them as was done with the upcoming Daredevil: Born Again and next year’s Captain America: Brave New World. Feige took an honest and hard look and admitted what was working with the MCU projects and what wasn’t. Marvel Studios has also reassessed which film and TV projects, which were planned and announced previously, would actually go forward. This meant that some anticipated and announced projects will not see the light of day, at least for the near future.

However, while we can mope about the lost projects like Armor Wars and the endangered Blade, we can rejoice with recent concrete developments and the current and upcoming releases.

Of course, Deadpool & Wolverine was a smash success that delighted fans and critics alike as it reveled in Easter eggs, raunchy humor and unfiltered violence. The film is now the second biggest hit of the year and the most successful R-rated film ever released. Seriously, Deadpool & Wolverine could not have arrived at a better time. The film demonstrated that Marvel Studios was still capable of producing quality films that could engage audiences, which translated into box office success.

Then Marvel Studios just began streaming on Disney + the TV show Agatha All Along, the sequel/spinoff to Marvel Studios’ best TV show, WandaVision. Even though the spinoff TV show about the witch Agatha Harkness wasn’t highly demanded by fans, it so far has exceeded expectations with its witty, clever and imaginative early episodes. Sure the jury is still out and we have to see if it sticks the landing, but Agatha All Along is off to a great start.

Another reason to be optimistic is due to the success of the animated TV show X-Men ’97, which captured the essence of the classic X-Men animated TV shows of the 1990s and the best X-Men stories and characters. Even though X-Men ’97 and Deadpool & Wolverine are not actually part of the MCU, they were produced by Marvel Studios and both projects showcased the talent from the studio that could still deliver the goods.

While there has been leaked footage of upcoming TV shows like Daredevil: Born Again and of sizzle reels for The Fantastic Four: First Steps, fans have not had much else to sink their teeth into. But what they have at the moment is more than enough. The trailers for Captain America: Brave New World look very promising, which is a bit of a relief given the behind-the-scenes reports of a troubled production that practically had to be reshot. Hopefully, the actual film, which comes out in February next year, will be half as good as the trailers promise.

Also promising with the release of just one trailer is Thunderbolts*, which can be best explained to non-fans as the MCU answer to the Suicide Squad. Essentially, a bunch of misfit anti-heroes and low-grade villains teaming up to fight a powerful foe and becoming actual heroes in their own right. The trailer that was just released a couple of days ago perfectly captured this theme and the film looks like it will be a lot of fun. Hell, even the first official poster for Thunderbolts* is great and captures the mood the trailer is selling of misfits who can’t get along with each other but are forced to cooperate. Take a look, below.

All we need now is a sneak peek of The Fantastic Four: First Steps, but all in good time. Then there is the constant stream of news and speculation about the upcoming Avengers films featuring Robert Downey, Jr. as Doctor Doom. Surely, once confirmed plans for the X-Men come out the fans will go ballistic. The only news and speculation giving us a pause has to do with the troubled Blade film and whatever Sony Pictures plans to do with future Spider-Man films. But we’ll see how that situation works out.

Sure, the upcoming films and TV shows could wind up being huge disappointments but let’s stay optimistic, shall we? That is because for now it’s a thrill to be excited for the MCU again.