Category Superheroes

Dec 6 2025

The Impact Of Netflix Buying Warner Bros.

In the biggest cinematic and media earthquake since the Walt Disney Company acquired 21st Century Fox and many of its assets, Netflix announced that it will purchase Warner Bros. for $82.7 billion. This is one of the most important events to happen with film, TV, videos, comics, and other media and it will have long-lasting repercussions throughout the media industry.

Up for Sale

Warner Bros. had been up for sale for some time and several major companies expressed interest in buying it, especially Paramount Skydance. Many expected Paramount to purchase Warner Bros. given their public and aggressive efforts to purchase the company but in the end the streaming giant Netflix beat out Paramount and will acquire the film and HBO segments of Warner Bros. as it chose not to purchase the cable TV channels that were part of Warner Bros. Discovery. This acquisition will give Netflix access and ownership to an impressive film and television library and major IPs, including DC, Looney Tunes, Hanna-Barbera, The Wizarding World of Harry Potter, The Matrix, Game of Thrones, Mad Max and more.

Many have watched the bidding war with caution and were concerned with a possible ownership by Paramount, mostly because its CEO, David Ellison, has openly expressed fealty to the Trump Administration to the point that a Rush Hour 4 has been greenlit simply because Trump expressed interest in such a film. This meant that the government has influence on what media entertainment gets released, which leads to First Amendment questions. Imagine if Paramount bought Netflix and the government had a hand in deciding the direction of DC films, TV or comics. A film like Superman, which openly criticized America’s current immigration policies, would never be allowed by Ellison. On the other hand, the purchase by Netflix has opened up another can of worms that has the film industry reeling because of the implications.

Streaming Influence

One possibility of the purchase is that it could lead to the death of cinemas since the majority, if not all, Warner Bros. films could be released straight to streaming. This would create a domino effect with other film studios copying the release model, which would hasten the demise of the theater-going experience.

This has been a growing problem in recent years that was accelerated by the COVID-19 pandemic which caused many film and TV studios to lean heavily on streaming to provide content to consumers. Netflix has upended the conventional model of film releases where films normally had theatrical lives of a few months before being available on digital or for streaming. This has conditioned viewers to skip going to theaters and just wait for a film to appear on a streaming app a short while after its release. Now it is becoming the norm that films would be released on streaming weeks after a theatrical release and even the same day the film premieres in theaters. Many have speculated that Superman might have had a larger box office haul if it was not announced roughly a month after its initial film release that it would be available for home viewing. While short theatrical runs is convenient and deceptively cheaper for consumers (the idea that they will see the film for free on streaming is silly since they still have to pay for the service), this practice is a major issue with theaters with lost revenue and content.

Another supposed plus for Netflix subscribers is that the service will have an even more exhaustive library of content, but now with prestige content. One problem for the streaming company was that recently it did not have easy access to popular content as film and TV companies created their own streaming services. Netflix has been criticized for having a glut of inferior films and TV shows that are just placed on the streaming app with little promotion. It’s true that Netflix has many quality and popular TV and films like Stranger Things, Wednesday, Squid Game, The Witcher, Black Mirror, and KPop Demon Hunters, with the glut of content dumped on the platform a lot of quality product has gotten lost in the overwhelming mixture. How will prestige films and TV shows from HBO and Warner Bros. stand out from the low-budget dreck flooding Netflix’s landing page?

One possibility is that Warner Bros. and HBO could have their own pages or remain as separate streaming services as we see now with Hulu, which is owned by Disney but is its own streaming service that subscribers of Disney+ could access by purchasing a bundle service. This would allow Netflix to have its own prestige platform to stream high-end quality products that stand out in the crowded streaming service.

But do not be surprised when the monthly subscription rate for Netflix increases dramatically to help pay for the $82 billion purchase. Expect to pay up to $50 and more monthly in a few years.

Impact on DC & Other Popular IP

Now the big question genre fans have is what impact will the purchase have on DC Studios and the DC Universe (DCU) and other popular genre IP? For now nothing. There are contracts that have to be honored so projects in production should be safe, so no worries about Man of Tomorrow, Clayface, or Supergirl. However, the head of DC Studios, James Gunn, might get pressured to favor some popular characters like Batman over obscure ones that he favors such as Booster Gold. Let’s hope that Netflix executives learned a lesson from Disney and Marvel Studios, where in the early 2020s the Disney executives forced the film studio to quickly churn out a lot of TV shows and films to fill out content on Disney+ and to announce projects before they were ready. What happened was that a lot of mediocre films and TV shows were released which damaged the reputation of Marvel Studios’ films and TV shows and led to the recent reduced box office haul for some of their films. Sure, Marvel Studios is taking steps to course correct, but they’re still recovering from this misstep.

Getting back to DCU and all things DC, it’s possible Netflix may force Gunn to step up the output of DC films and TV shows since again Netflix wants a return for their investment. Thankfully, The Batman, Part II is about to enter production, which may keep the streaming company off Gunn’s back. On the other, the company might pressure him to make a decision on the DCU version of Batman soon, and casting some of the more popular DC characters in order to greenlight productions already. Despite rumors about Gunn leaving DC Studios, which were rampant when Paramount was actively looking to purchase Warner Bros., it has been reported that Gunn will stay put. Even though there hasn’t been a lot of DCU projects released to date, Superman, Peacemaker and Creature Commandos have been well received and Netflix is not foolish enough to scrap the DCU and go through the trouble to launch another reboot at this time.

One thing to consider is that while the more obscure DC characters may not get the big-screen treatment, they could wind up as straight-to-streaming projects that could be a proving ground for the characters. The main thing is to just let Gunn alone to produce quality product and all should be fine. In fact, this should be the case for all of the film and TV projects.

While it’s very possible that Netflix will greenlight a lot of DC animated films there won’t be a revival of the Snyderverse. After the dismal failure of the Rebel Moon films, Netflix has been moving away from filmmaker Zack Snyder and it is doubtful that the company will approve a revival of his brand of DC films. The slimmest of hope for diehard Snyderverse bros is that some kind of Elseworlds animated film will be made.

Oh yes, expect Stranger Things and DC to have a crossover in the comics, along with comic books featuring Harry Potter and other popular Warner Bros. IP.

As for other IPs like Mad Max, It and related Stephen King works, and Harry Potter, there has not been any word yet about them. But it’s expected that Netflix will take full advantage of their newly acquired IP. Announced projects like the reboot of Harry Potter, more TV shows based on Game of Thrones, and the second season of It: Welcome to Derry will proceed as scheduled and if HBO is kept as a separate streaming platform those prestige projects will stream there first before migrating to Netflix years later. Will we ever see shelved projects like Batgirl or genre TV shows that were removed from HBO Max such as Westworld or Raised By Wolves? It’s anyone’s guess, but consider this: these projects were removed to save on paying residuals or for tax write offs by Warner Bros. Without these burdens and with the need to put out recognizable content, it is possible that these projects may have a second life on Netflix.

Of course, there are a lot of hurdles for Netflix such as government approval so it will be at least two years before we see any impact. For now, the company indicated they will leave things alone, and supposedly commit to theatrical releases for Warner Bros. films, which would be to their and everyone’s benefit.

Aug 17 2025

Phase Five Of The MCU Ranked

Now that Ironheart has been released on streaming, Phase Five of the Marvel Cinematic Universe (MCU) has concluded, and the films and TV shows of Phase Five can now be ranked. On the whole, this phase suffered for many reasons, some of which were beyond the control of Disney and Marvel Studios, and included entertainment strikes, the conviction of actor Jonathan Majors (who played the would-be MCU big baddie, Kang), and rushed productions without completed scripts. However, there were certainly some projects that are considered as some of the MCU’s best and should be lauded. As we move on to Phase Six, let’s rank all the Phase Five MCU films and TV shows. Just note that X-Men ’97 is not included because officially the animated series is not considered part of the MCU, but if it was it would be placed in sixth place.

15. Secret Invasion

Not only is this limp, would-be spy thriller about alien Skrulls infiltrating our civilization the weakest entry of Phase Five, but it is the worst MCU project ever produced. The goal of the Skrulls was moronic, as was the execution of the pedestrian scripts that failed to live up to the premise of the comic book event this limited series was based on. For a supposed paranoid thriller, Secret Invasion lacked any tension, drama, suspense or sense.

14. I Am Groot (season two)

Eh, the animation was well done, and the stories were cute, but as with the first season, the animated shorts were strictly for the kids. One segment, however, was buoyed by the appearance of the enigmatic Watcher and it was rather humorous.

13. Echo

It is clear that this TV show was a leftover from the Bob Chapek era of Disney were anything and everything was rushed into production whether it deserved to or not. The former gangster Echo was one of the dullest characters from Hawkeye, yet somehow, she was given her own TV show which largely came off as a standard and dull crime drama. The appearance by Daredevil and later Wilson Fisk livened things up, but that was about it.

12. What If…? (seasons two and three)

The animated series that explored the Multiverse was a mixed bag with an average second season and a disappointing third season. There were many great premises that could have been explored in the third season, but sadly that never happened. Instead, we got Howard the Duck and his girlfriend protecting their egg in a painfully unfunny episode. But there were a couple of gems featuring Agatha, Winter Solider and Red Guardian. The second season was definitely the stronger of the two as it further explored the more interesting variant characters from the first season like Captain Carter and Stephen Strange. But overall, the Multiverse animated show did not live up to the promise of the first season or the comic books.  

11. The Marvels

The semi-sequel to Captain Marvel is not bad, but it is not good either. There are some interesting character developments that are only glossed over, like Ms. Marvel’s hero worship of Captain Marvel vs. reality or Photon’s abandonment issues with Captain Marvel. But the villain was completely forgettable, and the film felt very rushed. What did not help were some Godawful moments like the alien cats swallowing people as “Memory” played in the soundtrack, or the planet populated by singing people. The introduction of the X-Men into the Multiverse Saga in the post-credits scene was great and nearly salvaged the film, but it was not enough.

10. Ironheart

Here’s another case of a TV show starring an unpopular MCU character. This time it’s Riri Williams from Black Panther: Wakanda Forever. However, Ironheart does a good job presenting Riri Williams/Ironheart. She is a painfully flawed person trying to do what is best but some of her decisions are questionable, as are her associates. The effects were surprisingly good despite the reputation MCU TV shows gained over the years, and many characters were interesting. Not the greatest MCU TV show ever, but it’s still worth watching.

9. Ant-Man and the Wasp: Quantumania

The third Ant-Man film gets a lot of unwarranted hate from fans who were disappointed by the introduction of Kang, the would-be big baddie of the MCU and the Multiverse Saga. Many fans who expected another caper heist film instead were treated to a loopy sci-fi adventure in another dimension featuring giant ants and weird creatures like the floating head MODOK. It did not help that some of the special effects were sketchy. Still, the film was fun in its own way and had some solid performances and was a decent entry into the Multiverse Saga, although its importance has diminished since Kang has been sidelined.

8. Agatha All Along

This sequel to WandaVision was unexpectedly effective thanks to an inspired performance by Kathryn Hahn as the anti-hero sorceress, Agatha Harkness, as she traverses the mystical Witch’s Road with a ragtag coven of eccentric witches. The character development of Agatha was surprisingly effective and made her more of a sympathetic character with a rather tragic backstory. Agatha All Along is a solid entry into the darker and more mystical part of the MCU and a worthwhile middle part of the Scarlett Witch saga that will be conclued with the upcoming Vision Quest.

7. Captain America: Brave New World

In this mishmash of a film there are elements that could have made it a truly great political thriller. But constant reshoots and rewrites of the script noticeably impaired it, although the fourth Captain America film tries very hard and has many memorable elements. For instance, it has great performances by Anthony Mackie and Harrison Ford and many action scenes are well shot and choreographed. A couple of these feature a terrific battle of Captain America fighting the Red Hulk and an intense segment where Captain America and his partner take to the skies to prevent a major war over the ocean. What ultimately harmed the film were the clumsy exposition dumps and haphazard editing that could not quite salvage the film.

6. Your Friendly Neighborhood Spider-Man

This animated series was one of the best surprises in Phase Five of the MCU. At the same time, this exploration of the high school years of Peter Parker/Spider-Man was quite refreshing with its poignant coming-of-age storyline and genuine. The highlight of the series was not the fight scenes or appearances of superheroes like Doctor Strange or Daredevil but the exploration of Peter’s angst and his complicated relationships, especially with Norman Osborn. We know Osborn will become his greatest foe, but in the show, he serves as his hardened mentor who teaches him lessons about having “great power”.

5. Daredevil: Born Again

Charlie Cox and Vincent D’Onofrio make their triumphant returns as Matt Murdock/Daredevil and Wilson Fisk in this sequel to the original Netflix series. As a loose adaptation of the storyline in the comics where the criminal Fisk becomes mayor of New York City, the series was quite engrossing, especially the early and final episodes. It soon became clear that the middle episodes were produced by a different team when it came to their quality. These middle episodes were fine but were wildly outclassed by the early and final episodes, which were nearly perfect works of television art that thankfully we will see more of in the second season.

4. Deadpool & Wolverine

Ryan Reynolds and Hugh Jackman return to their iconic superhero/mercenary roles that were the highlights of the Fox-era X-Men films. Teaming up for the first time, the two have a wild multidimensional romp as they encounter classic and forgotten characters from the pre-MCU Marvel films ranging from the X-Men to Blade. Some may criticize the film for just being a collection of callbacks to previous films and the script did quite have the wit and energy of the first two Deadpool films. Still, Deadpool & Wolverine was a hysterical, gross and action-packed tribute to the pre-MCU era of Marvel films.

3. Loki (season two)

The second and final season of Loki was a time-traveling and mystical marvel (pardon the pun) that was highlighted by the title character’s transformation. The episodes were witty and inventive as Loki worked with his allies to keep time from unraveling. Loki also featured wonderful acting, not just from Tom Hiddleston as Loki, but from Ke Huy Quan, Jonathan Majors and Owen Wilson. The best part of the show, however, was seeing Loki’s emotional journey as he grew into someone much more noble and magnificent as he made the ultimate sacrifice to save the Multiverse and achieve his “Glorious Purpose.”

2. Thunderbolts*

Or The New Avengers as marketing both in the film and IRL would rather you call this misfit team of mercenaries. The film was unexpectedly engaging and full of emotion as it focused on the characters’ inner turmoil. Even though we’ve seen this before: a bunch of losers form a dysfunctional team and actually become heroes, it was done splendidly. After a few misfires during Phase Five, Thunderbolts* signaled that Marvel Studios finally got its act together and went out of its way to present a winning MCU film. While it’s regrettable that the film had disappointing box office returns, this almost does not matter because of the film’s quality. Here’s hoping that the film resonates later on with home viewings.

1. Guardians of the Galaxy, Vol. 3

James Gunn sends of the beloved Guardians of the Galaxy with a masterful finale that hit all the right emotional spots. Focusing on the team’s soul, Rocket (later Rocket Raccoon), Gunn gave us a painful and traumatizing origin story that doubles as an animal rights tale that deserves to be told. Everyone involved was on point and beyond with Guardians of the Galaxy, Vol. 3, as it was the last hurrah for our favorite cosmic superhero team of misfits. This was classic Guardians at its best with goofy moments, perfect needle drops, wild visuals, a terrifying villain and exciting fight scenes. Gunn’s final film for the MCU is to be cherished because now that he has moved on to Warner Bros. to lead their superhero films, he is already sorely missed by MCU fans.

José Soto

Aug 11 2025

We Are The Winners Of The Summer 2025 Superhero Film War

It sounds like a cliche by now to make a statement that we fans are the true winners of summer 2025’s superhero film wars between Marvel and DC, but it’s true. It does not matter which of the two films, Superman and The Fantastic Four: First Steps, is better, although fans have made arguments that Superman was better than The Fantastic Four: First Steps and vice versa. It’s all subjective and open to interpretation. What matters is that we finally got a summer where the two superhero-based film studios, Marvel Studios and DC Studios, went head to head with top-tier film releases that were well made and successful (more on that soon).

The result was that we were treated to two great superhero films in a relatively short amount of time. It would have been better if they performed better at the box office but they are not flops. Who knows what would have happened if both films pulled in a billion dollars? Would this have triggered some kind of race between the two studios to outdo each other at every turn? This would not be realistic or viable and probably lead to a huge crash after some of their films failed. Perhaps the films would have made a lot more money if their releases were not so close to each other since the films came out in a two-week period. Both studios should adjust their release schedules to consider this.

One thing to dispel is that there isn’t superhero fatigue. That is something that trolls and others want to create a narrative in order to drive clicks and views. Sure, we are past the heyday of the superhero craze and the new normal is that they are not guaranteed box office gold. But that is because too many inferior films came out which turned off many to superhero films. The two studios should share some blame for that but other studios, especially Sony Pictures, dumped out garbage like Madame Web and Morbius, which diluted the Marvel name and superhero films in general. It does not matter that the Sony Spider-Man-less films were not part of the Marvel Studios films; the average moviegoer does not know or pay attention to such subtleties. Even though Sony announced they won’t produce any more of these films, the damage has been done.

Right now both Marvel Studios and DC Studios are in a rebuilding phase. Both of this summer’s superhero films launched new phases for their shared cinematic universes and past history has shown that the early films of the studios started off relatively small but they built interest for the characters who later on headlined blockbuster films. For example, Man of Steel earned $670 million dollars, while that is great for most films, Warner Bros., the parent company of DC Studios, would have preferred it earned more. The following film after Man of Steel, Batman v Superman: Dawn of Justice was more successful in part because it featured Superman. The problem for Warner Bros. is that they got greedy and impatient and jumped into the big tentpole epics like Justice League, which did not allow for the characters and events to grow naturally. In the end, these films failed to make the money Warner Bros. wanted and eventually the first DC shared universe collapsed.

James Gunn took over the DC films and is now carefully launching a new cinematic universe. For the most part, he is keeping things close as to what direction the films will take. As far as we know the only followup film in the new DC universe that is coming out will be Supergirl, while on TV Lanterns and Peacemaker will be streaming soon. Gunn has made it clear, that future films will only go into production once a complete script satisfies everyone, which is how it should be. Right now, Superman will have earned $600 very soon and maybe will finish out its run earning a bit more, which means it is profitable. This is a promising start for the new DC films but it’s important that Superman appear soon in future films in order to keep the character fresh with audiences.

Meanwhile, the early Marvel Studios films did not even come close to making a billion dollars until The Avengers. The Marvel films released this year were not outright flops nor were they were humongous successes, although the final numbers for The Fantastic Four: First Steps is not known at this time. The films earned from as low as $382 million (for Thunderbolts*) to $434 million and counting for The Fantastic Four: First Steps. In the end, the latter film will probably finish its run with over $500 million, which is respectable.

Marvel Studios tried to repeat this pattern with Phase Four of their films after the Infinity Saga ended. But circumstances prevented followups to the Phase Four films TV shows and characters. Sure, Shang-Chi and the Legend of the Ten Rings was a hit back in 2021 and all, but where is the sequel? Where is Shang-Chi for that matter? Yes, he will appear in Avengers: Doomsday but that will be a time gap of five years between appearances, which is too long. This lack of followup was a huge error on Marvel’s part. They had to keep to momentum going with Shang-Chi, especially since he was an unknown character. In the past, after minor and unknown characters made their debuts, Marvel Studios quickly featured them in other films to keep up interest. Examples of this include the Guardians of the Galaxy and Doctor Strange, who rocketed in popularity after they made appearances in Avengers films and their future films earned much more than their debut films. This even happened with the Marvel Studios version of Spider-Man. His debut film, Spider-Man: Homecoming, did not make a billion dollars but his second and third films did so, easily. This formula will work with the Fantastic Four and other new characters. Thankfully, Marvel Studios will repeat this formula in the upcoming Avengers: Doomsday as that film will feature the Fantastic Four, the Sam Wilson Captain America, and the Thunderbolts.

Both film studios are focusing on quality and long-term strategies, which is great because this will help word of mouth for these superhero films. Marvel Studios now has genuine competition when it comes to producing quality superhero films. Again this is great for us fans. Even the head of Marvel Studios, Kevin Feige, has said in the past that he wanted DC films to succeed because the competition would be good for Marvel Studios. Competition generates innovation and creativity and encourages competitors to do their best work. In fact, the lack of competition from DC could be seen as one of the reasons why Marvel Studios floundered for a few years.

It is great that there is genuine competition between the two superhero film studios. Whether or not Superman or The Fantastic Four: First Steps is more successful is irrelevant at this point, although Superman is the clear winner when it comes to box office result. Both films can be enjoyed by fans for what they bring to the table. What matters is that two great superhero films came out in one summer, which is something we have not had in a while. This is why we are the winners in this competition.

Jul 27 2025

Fourth Time’s The Charm With The Fantastic Four: First Steps

Finally! It took a few missteps (looking at you, Fant4stic!) but with the latest Marvel Studios film, The Fantastic Four: First Steps, we now have the definitive live-action version of Marvel Comics’ First Family, the Fantastic Four.

Unlike most films set in the Marvel Cinematic Universe (MCU), The Fantastic Four: First Steps does not take place in the MCU’s 616 universe but in an alternate world designated 828, in honor of Fantastic Four co-creator Jack Kirby. And what a fantastic (couldn’t help it) world this is!

The Fantastic Four: First Steps takes place in a alternate 1960s-era world that has a colorful retro-futuristic vibe with flying cars, clean energy, clunky robots and a New York cityscape that looks like something that Stanley Kubrick, Walt Disney, and architects Eero Saarinen and Oscar Niemeyer would have conceived and executed.

This optimistic world celebrates the superhero team, the Fantastic Four, who were four astronauts that gained superpowers after a mission in space went wrong. The team is made up of its leader, Reed Richards (Pedro Pascal) aka Mr. Fantastic, his wife Susan Storm (Vanessa Kirby) aka the Invisible Woman, her younger brother Johnny Storm (Joseph Quinn) aka the Human Torch, and Reed’s best friend, the pilot Ben Grimm (Ebon Moss-Bachrach) aka the Thing.  

For anyone who is unaware of the team, Reed is an Einstein-level genius who can stretch his body like rubber, Susan is the grounded foundation of the team and can project invisible force fields, Johnny is an impetuous hot-head who can burst into flames and shoot fire, while Ben is trapped in an orange rock body but has super strength. These heroes (and the other characters) were splendidly cast, and the actors perfectly emulate the essence of the Fantastic Four, while capturing the family chemistry that is essential to this superhero team. It was important for Marvel Studios to pull this off since the Fantastic Four are famous for being a family first and a superhero team second. Thankfully, Marvel Studios was able to accomplish this with a casting miracle.  

Unlike the previous Fantastic Four films, this one relegates the team’s origin story to archival footage in the film’s inventive and colorful opening montage. After the montage, the film jumps right into the story. As the Fantastic Four go about living their somewhat normal lives and prepare for the birth of Reed and Susan’s child, an alien being called the Silver Surfer (Julia Garner) appears over Times Square in New York City and announces that the world is slated to be consumed by her master, Galactus (Ralph Ineson). As the last and only hope for the Earth, the Fantastic Four set off in their spaceship to confront Galactus, who is on his way to Earth. What follows after meeting the cosmic colossus pushes the team to their emotional limits as they and the world prepare for the coming of Galactus.

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Jul 20 2025

The Eve of MCU’s Phase Six

Phase Six of the Marvel Cinematic Universe (MCU) starts this week with the release of The Fantastic Four: First Steps, a film that will begin the finale of the MCU’s Multiverse Saga. As Phase Six commences it is clear that the MCU has had some challenges recently and it remains to be seen if the latest phase will course correct the cinematic universe.

A major issue with the last two phases that will affect Phase Six was that they did not tell a cohesive or coherent storyline that progressed the overall story of the Multiverse Saga. This ran counter to the first three phases that told a progressive story that culminated with the last two Avengers films, Avengers: Infinity War and Avengers: Endgame. One thing to note with the first three phases was that they concluded more or less with an epic Avengers film. This did not happen with Phase Four (*Thunderbolts the last film of Phase Five ended with the revelation that it was actually a film about a new team of Avengers), and the Multiverse Saga had to do a course correct for outside reasons.

Phase Five of the MCU was plagued with several misfires and undeniable box office disappointments as films and TV shows did not live up to expectations. This was unfortunate since Phase Four was disappointing, as well, and failed to live up to the glory days of the first three phases. Phase Five was supposed to correct this but could not.

Namely that Marvel Studios decided to eliminate the main villain of the Multiverse Saga, Kang the Conqueror, and instead abruptly chose to have Doctor Doom as the main villain. This change happened because the actor who played Kang, Jonathan Majors, was fired by Marvel Studios for being convicted of domestic abuse and the character did not resonate with fans. This happened as Phase Five was well underway and did not allow the MCU to organically pivot to Doctor Doom, but the film studio could have tried. Films and TV shows in the latter half of Phase Five should have, at the bare minimum, dropped Easter eggs and references to Doctor Doom but that has not happened. In fact, many TV shows from Phase Six like Secret Invasion or Agatha All Along did nothing to advance the Mulitverse Saga. Meanwhile, only about half of the Phase Five films were relevant to the Multiverse Saga.

What makes this situation worse is that Doctor Doom, the main villain of the Fantastic Four, will not appear in The Fantastic Four: First Steps. This is a mistake considering that Doom will be the villain of next year’s Avengers: Doomsday and it is unlikely that upcoming MCU projects before that film will include any appearances or references to Doctor Doom and the Multiverse Saga. It is head scratching that Doctor Doom will not at least have a cameo in The Fantastic Four: First Steps but we won’t know this for sure until the film is released. On the other hand, there are reports that one of the post-credits scene from The Fantastic Four: First Steps will directly tie into Avengers: Doomsday so there is that, at least.

Another thing that is evident with the slate of Phase Six is that unlike the last two phases there will be noticeably less films and TV shows released. One major complaint about the last two phases, especially with Phase Four, was that too many projects were released, and this stretched the resources of Marvel Studios. The result was that many subpar films and TV shows were released before they could be fine tuned to be better. With Phase Six, Marvel Studios has chosen to emphasize quality over quantity, though this means that many threads and characters introduced in the previous phases will be ignored. This will frustrate many fans, but it was inevitable given that Marvel Studios has to concentrate on popular characters instead of greenlighting TV shows or films about obscure superheroes that may or may not resonate with the larger public. So, expect many films and TV shows dealing with the core Avengers lineup, Spider-Man, the Fantastic Four (if the first film is successful) and of course, the mutants.

At this time, we can only speculate on what films and TV shows Marvel Studios will release for Phase Six. Unlike the previous phases the studio is remaining tight lipped about its upcoming releases since they have been burned by prematurely announcing projects before they were ready like Blade. To date, the only known projects are The Fantastic Four: First Steps, Eyes of Wakanda, Marvel Zombies, Wonder Man, Spider-Man: Brand New Day, second seasons for Daredevil: Born Again and Your Friendly Neighborhood Spider-Man, Vision Quest, a Punisher TV special, Avengers: Doomsday, Avengers: Secret Wars, and at least one other film that we have no information about. Who knows what it will be? A new Doctor Strange film? A third Black Panther film?

While it’s regrettable that Marvel Studios is pulling back on the quantity of projects it is for the best since the limited amount of films and TV shows will lead to improved products. We already are seeing this as the more recent offerings from Marvel Studios like Deadpool and Wolverine, Your Friendly Neighborhood Spider-Man and *Thunderbolts have received a lot of acclaim. It is also interesting to see that certain projects that were not as well received as Ironheart, parts of Daredevil: Born Again and Captain America: Brave New World were produced before Marvel Studios began to course correct with its offerings. Daredevil: Born Again offers clear proof of this as the most acclaimed episodes were made after the film studio decided to emphasize its commitment to quality.

It will take some time for Marvel Studios’ course corrections to resonate with the general public. Not too long ago, the MCU brand was golden and a guarantee of quality and box office success. That’s not the situation anymore as many recent films have underperformed, even if they were acclaimed like *Thunderbolts. It is no longer a guarantee that an MCU film will be a box office hit. But it is important that they maintain a high level of quality because this will create positive buzz for MCU films and TV shows. Do not be surprised if properties like *Thunderbolts develop cult followings, which is good for Marvel Studios as this will demonstrate the studio’s commitment to quality products. Eventually the public will catch on and begin seeing them the films and TV shows in droves again. Then again with important tentpole films like Avengers: Doomsday, Avengers: Secret Wars and Spider-Man: Brand New Day, it is practically certain that Phase Six of the MCU will be successful.

José Soto