Ever since the Star Trek: Deep Space Nine (DS9) series finale, “What You Leave Behind”, aired in 1999, many DS9 fans wondered what became of Starfleet Captain Benjamin Sisko. In the closing moments of the final episode, Sisko sacrificed himself to prevent his arch-nemesis, Gul Dukat, and the evil Pah-Wraiths from trying to take over the galaxy. But there was more to his final noble act.
Even though Sisko was seemingly incinerated in the Fire Caves of Bajor, he was actually transported into the interdimensional realm within the Bajoran wormhole by the non-corporeal beings that reside there. He was told by his mother (who was actually one of these beings) that he would exist in the timeless realm and become one with the beings who were called Prophets by the Bajorans, who also worshipped them. During the run of DS9, Sisko was seen by the Bajorans as an important religious figure and referred to as the Emissary of the Prophets because of his prophesized connection to the Prophets. We next see Sisko appearing in a vision to his wife Kasidy and he promised to return one day. That was the last time we saw Benjamin Sisko, although in the non-canon comic books, novels and such, he did appear after the events of “What You Leave Behind.”
The mysterious fate of Benjamin Sisko, or The Sisko, as the prophets call him, was the main plot of the fifth episode of Star Trek: Starfleet Academy, which just streamed. The episode “Series Acclimation Mil” focuses on SAM, a holographic or photonic being who is a Starfleet cadet, but is also an emissary to her people. She is struggling to explain corporeal beings to her people, who are all photonics, and she decides to study Sisko since he also was an emissary. Before long, SAM becomes obsessed with trying to solve the mystery of Sisko’s fate.
Spoiler alert: SAM never learns what became of Benjamin Sisko, although she gains new insight into the Star Trek legend, both as a man and as a religious figure. That alone was worth the effort for SAM because her study helped her understand humanity a bit better while the audiences got some intriguing insights to the world of Star Trek: Deep Space Nine after the finale. “Series Acclimation Mil” is littered with many fascinating Easter eggs related to DS9 and Benjamin Sisko and how the show and its main character are remembered far into the 32nd century.
Probably the best part of this episode of Star Trek: Starfleet Academy was when the actor Cirroc Lofton reprised his role of Jake Sisko, Benjamin’s son, but now as a fully grown adult. He appeared first in a hologram where he is interviewed about his father. But more poignantly, he appeared later as an interactive hologram to SAM and we learn that Sisko never returned, although he is still in Jake’s heart as it should be.
Another nugget thrown our way was the revelation that the instructor that helped SAM in her study was a new incarnation of Dax, Illa Dax. She still fondly rembered her old friend Ben, and was played by Tawny Newsome under tons of alien makeup. Then there was the virtual visit to the Sisko Museum in New Orleans, which is littered with many items from the TV show.
The way the episode ended was very touching. As SAM looks off into the sunset and thanks Sisko, we hear a line of poetry from Avery Brooks, who played him. The screen faded to black and the words “Thank you, Avery” appear along with the majestic theme song from Star Trek: Deep Space Nine to accompany the closing credits. It was a a heartfelt tribute that should delight DS9 fans.
It’s a shame that it has taken decades for Star Trek to getting around to revisiting the world of Star Trek: Deep Space Nine, considering that it is regarded by many to be the best Star Trek TV show. Unfortunately given that many actors from the show are no longer with us and Avery Brooks has retired from acting, we may never see a DS9 reunion. However, the powers-that-be could always figure out how to bring back the remaining actors for a special or a limited series. If Paramount could greenlight garbage like Star Trek: Section 31, they can give us a story about DS9. For example, even though recorded history stated that Benjamin Sisko never returned, there could be a story where he did return after Jake made the hologram. Or maybe after Sisko returned, his loved ones like Jake and Dax swore to never reveal this fact. We may never know for certain. This enigma about The Sisko’s fate was one of the best aspects of “Series Acclimation Mil” since it was left as an unsolved mystery and a fitting tribute to both Sisko and Star Trek: Deep Space Nine.
Wonder Man is the latest Disney+ Tv show based on the Marvel Cinematic Universe (MCU) and it is so unlike the typical MCU project, which can be either a pleasant surprise for some or disappointing for fans expecting your typical superhero fare. No matter how a viewer may judge the show, it has to be admitted that it is different.
Yahya Abdul-Mateen II stars as Simon Williams a down-on-his-luck actor in Hollywood looking for his big break and learns that an ‘80s sci-fi action film, Wonder Man, is being remade by the renowned eccentric director Von Kovak (Zlatko Burić). Simon is eager to be cast in the title role because it was a favorite film of his when he was young. What needs to be mentioned is that he learned about the role from Trevor Slattery (Ben Kingsley), the disgraced actor who was jailed for portraying the terrorist, the Mandarin, in Iron Man 3.
The two actors form an unlikely bromance as the elder actor mentors the younger one about being a true thespian and how to navigate the Hollywood filmmaking landscape. Unfortunately, Trevor was forced to initiate the friendship with Simon because he was arrested by the Department of Damage Control (DODC) for escaping jail and was promised his freedom if he entrapped Simon. The DODC suspects Simon of harboring superpowers and wants to jail him for being dangerous and to meet quotas. Meanwhile, Simon, who actually has superpowers, is desperate to keep his powers a secret from everyone because superpowered people are banned from acting in Hollywood and obviously his acting career would be over if the world learned his secret.
That is basically it about Wonder Man. Anyone expecting superhero escapades and world-ending threats will be sorely disappointed. There are not even any pesky villains or any deep connections to the MCU aside from Trevor and the DODC. So, the TV show can be enjoyed and understood by non-MCU fans. Anyone with an open mind will find out that Wonder Man is an enjoyable and slightly humorous look at the plight of modern actors. In many ways, the TV show is Marvel Studios’ version of Entourage or The Studio but not as comedic, but that’s fine. The emotions are in the right place and anyone can’t help but feel for Simon as he navigates his life and the quirky people he meets. We get enough details about Simon to relate to him, which was best seen in the episode “Pacoima” where Simon visited his mother (Shola Adewusi) for her birthday and had to defend his acting career, especially with his older brother Eric (Demetrus Grosse). Highlighting that episode was the classic sitcom trope of the main character’s buddy, in this case Trevor, tagging along for the family gathering.
What helps Wonder Man tremendously is the terrific and genuine chemistry between Abdul-Mateen II and Kingsley. The two have great rapport with each other and the friendship between them feels very authentic and natural. Kudos, of course, go to both actors, and Kingsley turns in one of his best performances and this MCU vehicle is the best one to showcase Trevor. It would be a crime if we never saw the duo again since they light up every scene they are in.
The future for Wonder Man is unknown at this time, since Marvel Studios has reduced their offerings in light of recent disappointments. Unlike other MCU TV shows, this one was released with all eight episodes simultaneously, which implied that Disney did not have confidence in the TV show. But anyone dismissing it for that reason would be mistaken since it is one of the better MCU TV shows that tried something different that worked thanks to the talent in front and behind the cameras. This is a case where being different worked for Marvel Studios. As long as the talent is there, they should do more of this.
Wonder Man is under the Marvel Spotlight label, which implies it was just a limted series. But even if a second limited series never comes to fruition, Simon and Trevor deserve to be seen again whether dealing with Hollywood politics or L.A. living or just shooting the breeze in a movie theater as they discuss film and TV shows. Besides, without giving anything away about the final episode, anyone who enjoyed Wonder Man should know what else happened to Simon and Trevor.
2026 looks to be another jam-packed year with all the sci-fi, horror, fantasy and animated projects planned for the year. There are many promising original films and TV shows and returning franchises that will excite any fan. Also, it can be said that 2026 will be do or die for the Marvel Cinematic Universe (MCU), since it has struggled lately. Once their films were guaranteed to rake in the money, but that’s not the case anymore and Marvel Studios is betting it all with the films Avengers: Doomsday and Spider-Man: Brand New Day. On the other hand, the DC Universe is off and running with this year thanks to the success of last year’s Superman film. Now let’s look at the most anticipated films and TV shows of 2026.
Films
10. Toy Story 5
It’s incredible that Pixar has been able to come up with a new angle for a Toy Story film that is very relevant to current times. Tom Hanks and Tim Allen return to voice the iconic toy characters Woody and Buzz as they and their toy companions now have to contend with a tablet that threatens their popularity with their child owner.
8. The Dog Stars
Not a lot is known about this post-apocalyptic film about a pilot, his dog and a disgruntled veteran, but master director Ridley Scott is behind this adaptation of Peter Heller’s novel. Given Scott’s track record with genre classics like Alien, Blade Runner and The Martian, this one should be another winning notch in the director’s filmography.
8. The Mandalorian and Grogu
Earlier this decade, a film based on the TV show, The Mandalorian, would have set fandom on fire. But given how Disney loves to milk their IP to the death, interest in the galactic bounty hunter Mandalorian and his adopted Force-sensitive child Grogu has declined and the timing of this film may be unfortunate. Still, it will be the first Star Wars film released since 2019, so that should generate interest.
7. Supergirl
The next DC Universe (DCU) film features Superman’s drunken cousin, Kara-Zor-El (Milly Alcock) aka Supergirl, in an outer space adventure that supposedly adapts Tom King’s acclaimed comic book mini-series, Supergirl: Woman of Tomorrow. The film gets bonus points for featuring the return of Krypto the Superdog and Jason Mamoa making his DCU debut as Lobo, the intergalactic bounty hunter.
6. Project Hail Mary
The directing team of Christopher Miller and Phil Lord return to live-action with this adaptation of Andy Weir’s novel about a lone astronaut (Ryan Gossling) sent on a desperate mission to another star system to find out why the stars in the universe are suddenly being extinguished. Given the credentials of the directors, who were revered for their work on the Spider-Verse films, and the off-kilter look of the trailer, Project Hail Mary should be a unique and off-beat film that could resonate.
5. Dune, Part Three
The third film adapts the Dune sequel novels, Dune Messiah and Children of Dune and completes the epic sci-fi trilogy by director Denis Villeneuve. The first two films received nearly universal praise from critics and fans for its faithful adaptation of Frank Herbert’s novel about political intrigue and religion in the distant future, which featured stunning visuals, strong performances and engrossing worldbuilding. Dune, Part Three will conclude the spiritual journey of the messiah-like Paul Atreides as he struggles to set a course for humankind in the universe while retaining his own humanity.
4. The Odyssey
The latest film from director Christopher Nolan which is based on the epic Greek fantasy poem by Homer has generated tremendous word of mouth thanks to the meticulous artistry of Nolan and the reputation his films have garnered. The Odyssey is a suitable project for Nolan because of its grand nature, and he is only one of a handful of directors who can do justice to the film. The six-minute trailer that was recently released which focused on the subterfuge of the Trojan Horse increased the fervor for the film given how impressive and large scale the scenes looked on large screens.
3. Disclosure Day
Steven Spielberg, one of the most acclaimed directors of all time, returns to his genre roots with this UAP/UFO-related film that is largely shrouded in mystery. Unlike his previous UFO films that seemed hopeful, Disclosure Day feels more grounded, mysterious and ominous judging by the teaser trailer alone. The teaser implies the film will tackle government conspiracies and spirituality. After a long period of non-genre dramas and musicals, seeing Spielberg tackling aliens once again is a welcome event.
2. Spider-Man: Brand New Day
Following the aftermath of Spider-Man: No Way Home, the latest MCU Spider-Man picks up after Spider-Man’s (Tom Holland) civilian identity has been erased thanks to a magical spell. Not a lot has been revealed about the next MCU Spider-Man film but it features popular Marvel characters like the Hulk and Punisher, a bunch of new supervillains and a mysterious new character played by Sadie Sink. Aside from speculation about Sink’s role, the film is noted for being directed by Destin Daniel Cretton who directed the well-received MCU film Shang-Chi and the Legend of the Ten Rings.
1. Avengers: Doomsday
From the chair announcement trailer to the character teasers, no other film coming out in 2026 has generated the amount of buzz as the first Avengers film since Avengers: Endgame. The film begins the conclusion of the MCU’s Multiverse Saga, which will finish with next year’s film Avengers: Secret Wars. Marvel Studios has a lot riding on the success of this film given how MCU films and TV shows have had uneven reception lately. The film is pulling out all stops to bring back fans to guarantee a box office win with its hard pivot to legacy characters and actors, notably those from the Fox X-Men films and Robert Downey, Jr. who returns not as Iron Man but as the premier Marvel villain Doctor Doom. No matter how it ends up, Avengers: Doomsday will be the event film of 2026.
Notable Mentions:
28 Years Later: The Bone Temple; The Bride!; Clayface; Coyote vs. Acme; Evil Dead Burn; Flowervale Street; Forgotten Island; Godzilla: Minus Zero; Good Luck, Have Fun, Don’t Die: Greenland 2: Migration; Hokum, Hoppers; Iron Lung; The Legend of Aang: The Last Airbender; Masters of the Universe; The Mummy, Primate; Redux Redux, Werwulf, Wildwood
Television
10. Star Trek: Starfleet Academy
Most likely the latest Star Trek TV show will be garbage given the cringy publicity images and clips that highlight cliche teenage angst. Also going against it is that not many fans were interested in a Star Trek show set in the unpopular Star Trek: Discovery era of the 31st century, but it looks well produced and could surprise us.
9. The Boroughs
Fresh off concluding their popular TV series, Stranger Things, the Duffer Brothers follow up that TV show with The Boroughs. This one focuses on middle-aged residents of a suburban community instead of kids who team up to face an unusual threat. Starring Al Molina, Geena Davis, Bill Pullman and others, The Boroughs should echo the same magic that made Stranger Things so well regarded.
8. Monarch: Legacy of Monsters
The second season of the Monsterverse TV show is finally upon us. The first season unexpectedly provided depth and intriguing worldbuilding for the action-oriented Monsterverse films while featuring many appearances by our favorite kaijus like Godzilla. The second season will provide more of this and should develop the Monsterverse storyline further.
7. Neuromancer
Apple TV has turned into the premier streaming service for high-quality sci-fi programs and given recent adaptations of popular sci-fi literary works like Foundation and Silo, it was time for the streaming service to jump into adapting the William Gibson novel that jumpstarted the cyberpunk subgenre. Details are not available but since Neuromancer will stream on Apple TV, it should be a quality adaptation.
6. Spider-Noir
While it is lamentable that this program about an alternate take on Spider-Man set in the 1930s will stream on MGM+ (who actually subscribes to that streaming service?), it offers a unique take on Spider-Man. Filmed in black and white to establish a noir mood, the series will star Nicolas Cage (who voiced the same character in the Spider-Verse animated films) as Ben Reilly, an older and more jaded version of Marvel’s most popular hero.
5. X-Men ’97
After the triumphant first season that redefined the animated X-Men TV shows, this second season takes place right after the events of the first season as the heroic mutants find themselves scattered in different time periods and have to find a way back home. Only this time, the X-Men have to grapple with the mega-villainy of Apocalypse. However, being that Beau DeMayo, the showrunner of the first season, has been fired by Marvel Studios, it has to be seen if the new showrunners can match DeMayo’s work.
4. VisionQuest
This MCU TV show concludes the loose trilogy made up of WandaVision, Agatha All Along, and now VisionQuest. This shows follows the journey of the white android Vision (Paul Bettany) who was imbued with the memories of the original Vision in the final episode of WandaVision and now he has to struggle to find his identity. What makes the concluding part of the trilogy more exciting is that Terry Matalas, who was responsible for the popular third season of Star Trek: Picard, will be the showrunner.
3. Lanterns
The sole DCU TV show coming out in 2026 is a detective show will feature the intergalactic sentinels Green Lanterns Hal Jordan (Kyle Chandler) and John Stewart (Aaron Pierre) investigating a murder in Nebraska that will lead to dark and otherworldly events. Given the success of other DCU TV programs like Peacemaker and Creature Commandos, and the bonafides of the showrunners, including DCU head James Gunn, Lanterns should be another win for the fledgling superhero cinematic universe.
2. The Boys
The final season of the adaptation of Garth Ennis’ comic book series about “superheroes” dominating popular culture and the world itself promises to go all out as a ragtag group of anti-heroes led by Bill Butcher (Karl Urban) have their final confrontation against the twisted and sadistic Homelander (Anthony Starr) who rules the United States in a reign of terror with his lackeys and cohorts. The final season of The Boys promises to be just as brash, graphically violent and sardonic as the previous four seasons and its spinoff TV show Gen V.
1. Daredevil: Born Again
It’s true that the first season of Daredevil: Born Again turned out to be uneven, but the best episodes of that season were produced by Dario Scardapane and directed by Justin Benson and Aaron Moorhead, who were the showrunners of the original Daredevil TV program on Netflix. The second season will be completely done by them and that is reason alone to look forward to it. Another reason is that it will focus on how the blind superhero Daredevil (Charlie Cox) and his allies (including Kristen Ritter reprising her role of Jessica Jones) operate on the streets of New York City under martial law as the police enforce a ban on vigilantes imposed by Daredevil’s nemesis Mayor Wilson Fisk (Vincent D’Onofrio).
Notable Mentions
3 Body Problem, Army of Shadows, Avatar: The Last Airbender; The Beauty, Blade Runner 2099, For All Mankind; Invincible, A Knight of the Seven Kingdoms, One Piece, Paradise; Silo, Star City, Star Trek: Strange New Worlds, Star Wars: Maul-Shadow Lord; Stranger Things: Tales From ’85; The Testaments, Wonder Man, Your Friendly Neighborhood Spider-Man
2025 delivered many exceptional genre films and television shows that surprised us with their quality and pushed boundaries. Many of them will be remembered for quite some time and others set the standards for existing franchises. Here are the ten best films and TV shows of 2025.
Films
10. Good Boy
Indy the dog stole the show in this inventive supernatural horror film told from the point of view of a good dog trying to protect his owner from a supernatural threat. What added to the suspense was the vulnerability of the dog and the fact that only he could sense the danger threatening his owner.
9. The Life of Chuck
2025 was a banner year for good to great Stephen King adaptations, and The Life of Chuck was the best of them as this heartfelt fantasy film explored themes dealing with loss, sadness, endings, and the wondrous joy of simple everyday things and relationships.
8. Jurassic World: Rebirth
Despite many criticisms made about the latest Jurassic World entry, it was unexpectedly thrilling and engaging. Sure, some of the plotlines were rethreads, but they were presented well and the film delivered some great dinosaur action.
7. How to Train Your Dragon
This live-action remake of the classic DreamWorks animated film about a Viking teen and his pet dragon proved that it is possible to produce a topnotch live-action film based animated classics. This is something Disney sorely needs to study going forward with their endless remakes.
6. The Fantastic Four: First Steps
Finally, a quality film about Marvel Comics’ first family has been done. Great performances, production and special effects are the highlights of this charming film about family and facing cosmic horror. The film gets extra points just for not depicting Galactus as a giant space cloud!
5. Sinners
Michael B. Jordan is at the top of his acting game playing dual roles in Ryan Coogler’s haunting vampire film. What could have been a simple vampire tale was instead of tour de force from Coogler that explored America’s cultural and racial divide with exceptional visual storytelling.
4. Predator: Badlands
Just like last year’s Alien: Romulus reinvigorated that franchise, so too does Predator: Badlands with its own franchise about alien hunters. This time, the eponymous alien hunter is shown in a heroic light in this imaginative sci-fi action/adventure romp that fleshes out the species of the Predator as it skillfully blends with the Alien franchise.
3. Frankenstein
Guillermo Del Toro wowed audiences once again with his vivid imaginative storytelling skills. The latest adaptation of Mary Shelly’s literary masterpiece follows the essence of the book while veering off into unique directions that explore the father and son dynamic between the title character and his monstrous yet sympathetic creation.
2. Superman
Director and head of DC Studios James Gunn successfully launched the new DC Universe (DCU) with a fresh and interpretation of the Man of Steel. Superman and his colorful superhero world is rightfully depicted in a bright, hopeful light that cleverly raises questions about our current events and society. Superman is a very promising start to the DCU and we can’t wait for the latest entry.
1. TIE: Avatar: Fire and Ash/Thunderbolts*
This is a first for this blog, the two best films of 2025 were that great but so close in quality for different reasons that it was too hard to choose one above the other. So the two best films of 2025 are a tie.
Once again James Cameron proves why he is one of our greatest filmmakers with Avatar: Fire and Ash. The visuals and worldbuilding in this sci-fi epic are jaw dropping and must be seen in large screens. Some of the set pieces are too familiar but Avatar: Fire and Ash does develop many characters and kept us engaged with the plight of the moon Pandora as it faced evil human colonists.
Thunderbolts* aka The New Avengers was unexpectedly the best superhero film of 2025 thanks to heartfelt performances and chemistry among its cast and an emotional story of misfit mercenaries who become unlikely superheroes. Unlike the typical superhero romp, Thunderbolts* focused on characters and explored adult themes of mental and emotional health, loneliness, addiction and depression. We’ll be rooting for these underdogs when they return in Avengers: Doomsday.
Honorable Mentions:
28 Years Later, Bring Her Back, Bugonia, Captain America: Brave New World, Companion, The Electric State, The Gorge, The Great Flood, It Ends, The Long Walk, Predator: Killer of Killers, Primitive War, Weapons, Zootopia 2
Television
10. Paradise
This murder mystery that took place in a post-apocalyptic underground town shelter was elevated by great performances by Sterling K. Brown and James Marsden and an engrossing storyline that kept viewers guessing about what happened to the world and who murdered the U.S. president.
9. Star Trek: Strange New Worlds
The third season of the only remaining Star Trek show (for now) had its problems such as its uneven tone and showcasing too much of James T. Kirk (the show is supposed to be about Captain Pike). Still, some of the episodes were true standouts that proved there were still great Star Trek episodes to be presented.
8. Marvel Zombies
Put together classic characters from the MCU and zombie horror and what do you get? A terrifically gory and fast-moving series with some outrageous zombie action that demands a second season! Hopefully there will be more than four episodes.
7. Peacemaker
While the season finale dropped the ball as it turned out to be a drawn-out coda with concert footage, the second season of Peacemaker was for the most part a captivating look exploration of the title character’s wounded psyche as he second guessed his place in the DCU.
6. Stranger Things 5
The final season of Netflix’s breakout sci-fi/horror show was a bit all over the place with multiple characters and such, but it was still a solid sendoff to our favorite young residents of Hawkins as they had their final confrontations with the extra-dimensional horrors of the Upside Down realm.
5. Daredevil: Born Again
Marvel’s premier superhero TV show had a solid comeback in this sequel to the original Netflix show. Even though Daredevil and his crime-ridden world are now firmly part of the MCU, the TV show was just as gritty and grounded as the original. Stars Charlie Cox and Vincent D’Onofrio turn in some of the best performances of their careers as they reprised their roles as Daredevil and Wilson Fisk, respectively.
4. Severance
The sophomore season of this dark psychological workplace thriller threw audiences for a loop with many unexpected plot twists and character developments. It was very easy to relate to the plight of the office worker drones forced to have their out-of-work identities and memories erased and their efforts to fight the cold company they work for.
3. Pluribus
Vince Gilligan (famous for his TV shows Breaking Bad and Better Call Saul) returned to his sci-fi roots with this quietly disturbing slow-burn TV show about a disgruntled novelist (Rhea Seehorn in one of the year’s best performances) forced to fight isolation, her inner demons, and to save humanity after an extra-terrestrial signal transforms nearly everyone into a global hive mind.
2. It: Welcome to Derry
Part sequel, part prequel to the It films from a few years ago, It: Welcome to Derry was one of the best surprises when it came to TV shows. Each episode was horrifying with macabre set pieces and featured rich character development that fleshed out Stephen King’s fictional town. In addition to the characters, the TV show also had many unexpected twists and fleshed out the expansive King multiverse in an organic manner that made us want to further explore it, no pun intended.
1. Andor
No other TV show came close to matching the artistry of Andor, which is easily the best Star Wars television show of all time and one of the best TV shows of any genre. The second and final season was a tense spy thriller set in the Star Wars universe with many brutal and heart wrenching political storylines that echoed our own civil strife as it chronicled the death of democracy and the bitter origins of the resistance to stand against tyranny. Andor also engaged audiences with thought-out character development which showcased their ambivalent nature in their fight for and against the Galactic Empire.
Honorable Mentions:
Alien: Earth, Black Mirror, Doctor Who, The Eternaut, Eyes of Wakanda, Fallout, Foundation, Gen V, The Handmaid’s Tale, The Institute, Invincible, Ironheart, The Last of Us, Murderbot, Wednesday, Your Friendly Neighborhood Spider-Man
Warner Bros. had been up for sale for some time and several major companies expressed interest in buying it, especially Paramount Skydance. Many expected Paramount to purchase Warner Bros. given their public and aggressive efforts to purchase the company but in the end the streaming giant Netflix beat out Paramount and will acquire the film and HBO segments of Warner Bros. as it chose not to purchase the cable TV channels that were part of Warner Bros. Discovery. This acquisition will give Netflix access and ownership to an impressive film and television library and major IPs, including DC, Looney Tunes, Hanna-Barbera, The Wizarding World of Harry Potter, The Matrix, Game of Thrones, Mad Max and more.
Many have watched the bidding war with caution and were concerned with a possible ownership by Paramount, mostly because its CEO, David Ellison, has openly expressed fealty to the Trump Administration to the point that a Rush Hour 4 has been greenlit simply because Trump expressed interest in such a film. This meant that the government has influence on what media entertainment gets released, which leads to First Amendment questions. Imagine if Paramount bought Netflix and the government had a hand in deciding the direction of DC films, TV or comics. A film like Superman, which openly criticized America’s current immigration policies, would never be allowed by Ellison. On the other hand, the purchase by Netflix has opened up another can of worms that has the film industry reeling because of the implications.
Streaming Influence
One possibility of the purchase is that it could lead to the death of cinemas since the majority, if not all, Warner Bros. films could be released straight to streaming. This would create a domino effect with other film studios copying the release model, which would hasten the demise of the theater-going experience.
This has been a growing problem in recent years that was accelerated by the COVID-19 pandemic which caused many film and TV studios to lean heavily on streaming to provide content to consumers. Netflix has upended the conventional model of film releases where films normally had theatrical lives of a few months before being available on digital or for streaming. This has conditioned viewers to skip going to theaters and just wait for a film to appear on a streaming app a short while after its release. Now it is becoming the norm that films would be released on streaming weeks after a theatrical release and even the same day the film premieres in theaters. Many have speculated that Superman might have had a larger box office haul if it was not announced roughly a month after its initial film release that it would be available for home viewing. While short theatrical runs is convenient and deceptively cheaper for consumers (the idea that they will see the film for free on streaming is silly since they still have to pay for the service), this practice is a major issue with theaters with lost revenue and content.
Another supposed plus for Netflix subscribers is that the service will have an even more exhaustive library of content, but now with prestige content. One problem for the streaming company was that recently it did not have easy access to popular content as film and TV companies created their own streaming services. Netflix has been criticized for having a glut of inferior films and TV shows that are just placed on the streaming app with little promotion. It’s true that Netflix has many quality and popular TV and films like Stranger Things, Wednesday, Squid Game, The Witcher, Black Mirror, and KPop Demon Hunters, with the glut of content dumped on the platform a lot of quality product has gotten lost in the overwhelming mixture. How will prestige films and TV shows from HBO and Warner Bros. stand out from the low-budget dreck flooding Netflix’s landing page?
One possibility is that Warner Bros. and HBO could have their own pages or remain as separate streaming services as we see now with Hulu, which is owned by Disney but is its own streaming service that subscribers of Disney+ could access by purchasing a bundle service. This would allow Netflix to have its own prestige platform to stream high-end quality products that stand out in the crowded streaming service.
But do not be surprised when the monthly subscription rate for Netflix increases dramatically to help pay for the $82 billion purchase. Expect to pay up to $50 and more monthly in a few years.
Impact on DC & Other Popular IP
Now the big question genre fans have is what impact will the purchase have on DC Studios and the DC Universe (DCU) and other popular genre IP? For now nothing. There are contracts that have to be honored so projects in production should be safe, so no worries about Man of Tomorrow, Clayface, or Supergirl. However, the head of DC Studios, James Gunn, might get pressured to favor some popular characters like Batman over obscure ones that he favors such as Booster Gold. Let’s hope that Netflix executives learned a lesson from Disney and Marvel Studios, where in the early 2020s the Disney executives forced the film studio to quickly churn out a lot of TV shows and films to fill out content on Disney+ and to announce projects before they were ready. What happened was that a lot of mediocre films and TV shows were released which damaged the reputation of Marvel Studios’ films and TV shows and led to the recent reduced box office haul for some of their films. Sure, Marvel Studios is taking steps to course correct, but they’re still recovering from this misstep.
Getting back to DCU and all things DC, it’s possible Netflix may force Gunn to step up the output of DC films and TV shows since again Netflix wants a return for their investment. Thankfully, The Batman, Part II is about to enter production, which may keep the streaming company off Gunn’s back. On the other, the company might pressure him to make a decision on the DCU version of Batman soon, and casting some of the more popular DC characters in order to greenlight productions already. Despite rumors about Gunn leaving DC Studios, which were rampant when Paramount was actively looking to purchase Warner Bros., it has been reported that Gunn will stay put. Even though there hasn’t been a lot of DCU projects released to date, Superman, Peacemaker and Creature Commandos have been well received and Netflix is not foolish enough to scrap the DCU and go through the trouble to launch another reboot at this time.
One thing to consider is that while the more obscure DC characters may not get the big-screen treatment, they could wind up as straight-to-streaming projects that could be a proving ground for the characters. The main thing is to just let Gunn alone to produce quality product and all should be fine. In fact, this should be the case for all of the film and TV projects.
While it’s very possible that Netflix will greenlight a lot of DC animated films there won’t be a revival of the Snyderverse. After the dismal failure of the Rebel Moon films, Netflix has been moving away from filmmaker Zack Snyder and it is doubtful that the company will approve a revival of his brand of DC films. The slimmest of hope for diehard Snyderverse bros is that some kind of Elseworlds animated film will be made.
Oh yes, expect Stranger Things and DC to have a crossover in the comics, along with comic books featuring Harry Potter and other popular Warner Bros. IP.
As for other IPs like Mad Max, It and related Stephen King works, and Harry Potter, there has not been any word yet about them. But it’s expected that Netflix will take full advantage of their newly acquired IP. Announced projects like the reboot of Harry Potter, more TV shows based on Game of Thrones, and the second season of It: Welcome to Derry will proceed as scheduled and if HBO is kept as a separate streaming platform those prestige projects will stream there first before migrating to Netflix years later. Will we ever see shelved projects like Batgirl or genre TV shows that were removed from HBO Max such as Westworld or Raised By Wolves? It’s anyone’s guess, but consider this: these projects were removed to save on paying residuals or for tax write offs by Warner Bros. Without these burdens and with the need to put out recognizable content, it is possible that these projects may have a second life on Netflix.
Of course, there are a lot of hurdles for Netflix such as government approval so it will be at least two years before we see any impact. For now, the company indicated they will leave things alone, and supposedly commit to theatrical releases for Warner Bros. films, which would be to their and everyone’s benefit.
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