Category Television & Streaming

Aug 9 2026

Top Ten Most Wanted MCU Spider-Man Team-Ups

One of the main features of the Spider-Man films that take place in the Marvel Cinematic Universe (MCU) are that many MCU characters interact with Spider-Man. This made the MCU Spider-Man films unique since the previous films took place in their own universes because Sony Pictures, which owns the rights to live-action Spider-Man films, were not able to feature other Marvel Comics characters not associated with Spider-Man.

The meetings Spider-Man had with MCU characters were something of a mixed bag. On some films, the MCU references and character appearances felt intrusive and did not mesh well with Spider-Man. Other times, as seen with Spider-Man: Brand New Day, the appearances of MCU characters and their interactions with Spider-Man were natural and added to the story. Here are ten other Marvel characters that the MCU Spider-Man should team up with; keep in mind that this list is geared towards characters Spider-Man has not met yet and characters that are currently alive in the MCU,,,or in another universe.

10. Cloak and Dagger

The young runaway duo made their debut in the comic book Peter Parker, the Spectacular Spider-Man #64 and quickly gained a cult following. Eventually they had their own TV show that was not connected to the MCU, but the characters crossed over with another non-MCU Marvel TV show, Runaways. Aside from that the TV show was quickly cancelled and forgotten.

However, the characters are compelling enough to return and become part of the MCU, but recast with younger actors because the actors from the original TV show are aged out. Since they are closely associated with Spider-Man in the comics, they should be featured in a future Spider-Man film where he would serve as kind of a mentor and try to help them.

9. Rocket and Groot

Some of the most memorable moments from Avengers: Infinity War were the interactions of Spider-Man and the Guardians of the Galaxy. In the film, Spider-Man met, briefly fought and ultimately teamed up with the Guardians of the Galaxy. Except he did not meet the full roster. Rocket Raccoon and Groot by that point in the film were off on their own separate adventure. So a story where Spider-Man properly meets and teams up with Rocket and Groot is warranted. For that matter, he may as well team up with the new Guardians of the Galaxy in an outer space adventure.

Actually, Spider-Man’s experiences in space demonstrated his ability to adapt to different environments. Sure he is better suited to operating in cityscapes but he held his own in outer space. It would also be amusing to see Spidey and Rocket trading insults with each other as they use their superior engineering skills to build new devices to help them fight the bad guys. Plus, Groot would be a perfect tree for Spidey to swing from.

8. Wolverine

This is one of the most popular team-ups in comics and for good reason. Wolverine is a savage and caustic character who liked to pick fights with Spider-Man, who proved that he was quite a match to Wolverine’s fighting skills. Once they stopped fighting, the duo turned out to have an engaging buddy-cop dynamic with their opposing personalities.

This kind of opposites-attract chemistry would be perfect for a bromance road film featuring these two heroes. It would be similar to Deadpool & Wolverine where Deadpool’s non-stop banter drove Wolverine insane. The same thing could happen in a Spider-Man/Wolverine team-up where Spidey’s quips and running mouth would be enough to drive Wolverine into a berserker rage. This would be perfect if they’re facing off against an army of disposable henchmen.

7. Ms. Marvel

Kamala Khan would be a great team-up opportunity for Spidey. He represents New York while she represents New Jersey, so the two neignboring superheroes would have a lot in common when it comes to their locales. As seen in her comics and TV show, Ms. Marvel is a huuuge fan of superheroes and while Captain Marvel is her favorite it would be easy to see her relating to Spidey since he’s from across the river.

It should be considered that both heroes are young, eager and have unique powers that would work well in a film. The intense banter would be hilarious to watch especially connsidering that she probably outdoes him when it comes to running her mouth. Who knows, they could even develop unrequited crushes for one another to make things interesting, though we know Peter’s heart belongs to MJ.

6. Deadpool

Another popular team up in comics is Spidey with the Merc with a Mouth. The two superheroes vaguely look similar although one is a deranged and violent killer while the other is your friendly neighborhood Spider-Man. Given Deadpool’s penchant for violence and profanity, such a meeting would land Spider-Man in his first R-rated film!

This team-up would give Deadpool great material to break the fourth wall and quip non-stop about Spider-Man and his complicated live-action film and TV rights. It should be as hilarious as his commentary on the MCU and Marvel Studios in Deadpool & Wolverine. Also, as with Ms. Marvel, despite his gift for gabbing, Spider-Man would have a hard time keeping up with Deadpool’s mouth.

5. Miles Morales

This is so obvious. Marvel Studios and current Spider-Man actor, Tom Holland, are eager to introduce the next generation of Spider-Man to the MCU, But Sony Pictures has so far refused to allow this to happen (aside for a couple of vague references) and prefer to keep Miles Morales in his own animated film series. This is regrettable since Miles played a major role in the Secret Wars comic books and it is hard to see how the upcoming Avengers: Secret Wars would proceed without him.

Still, we can always hold out hope that the ultimate team-up of these two Spider-Men can happen in live action. Sure the animated films are genuine classics but it would be so satisfying to finally seeing Miles Morales in a live-action film. Such a team-up would be a guaranteed box-office hit and a win for fans everywhere.

4. Thor

Aside from Black Widow and Hawkeye, Thor is the only OG Avenger who has not met Spider-Man (he most likely met Black Widow and Hawkeye off screen during the events of Captain America: Civil War). Thor would introduce Spider-Man to the epic cosmic scale of the MCU with outlandish worlds where Spider-Man would demonstrate his gifted intelligence to adapt and thrive in a location outside of his comfort.

Thor would feel a kinship with Spider-Man for his heroic and plucky nature. Meanwhile, Spider-Man’s amazed reaction to Thor, his power and Asgardian trappings would be worth the price of the movie ticket alone. Plus, we would get to find out if Spider-Man is actually worthy enough to lift Thor’s hammer. He is as far as we’re concerned!

3. Venom

Tom Hardy, who portrayed Eddie Brock/Venom in the Venom film trilogy, always wanted to have his anti-hero meet Spider-Man. The two characters were fierce enemies before becoming uneasy allies in the comics, and Hardy hoped this would happen in the films. Sadly this has not happened to date. The best we got was a cameo of Spider-Man appearing on a TV screen in Venom: Let There Be Carnage. Brock appeared in a post-credits scene in Spider-Man: No Way Home but never met Spider-Man.

Sony Pictures at one point planned to have the fourth MCU Spider-Man film feature Venom and a storyline involving Venom’s arch foe Knull, but that never came to be, which was for the best. The storyline of Peter donning the Venom suit was done in Spider-Man 3 but could be remade to feature Hardy as an MCU variant of Brock who ends up with the Venom symbiote. It could lead to a new series of Venom films set in the MCU where he and Spider-Man could fight then team up together.

2. Daredevil

Technically the two New York City-based heroes met onscreen already in Spider-Man: No Way Home, but only in their civilian identities. It was hoped that Daredevil would have appeared in Spider-Man: Brand New Day, but unfortunately, that did not happen, which is not surprising since he is currently in jail. But the film did have more than a few references to the world of Daredevil.

If the two heroes were to team-up in a future film, it should be against their common foe, Wilson Fisk aka the Kingpin. He made his debut in The Amazing Spider-Man #50 but became more known as a Daredevil villain years later. Vincent D’Onofrio and Tom Holland expressed their hopes that Kinpin and Spider-Man would confront each other but aside from a couple of references that has not happened. Come on Marvel Studios have the three characters interact with each other in a future film!

1. Human Torch

It had to be Johnny Storm. He and Spider-Man headlined the very first issue of Marvel Team-Up and years before the two often met each other in the comics. At first the two young hotheads didn’t get along well, but were able to put aside their differences to fight their enemies. It was not long before the two developed grudging respect for each other which turned into a genuine friendship that was so deep that Johnny handpicked Spider-Man to replace him on the Fantastic Four if needed.

One regrettable thing about Fantastic Four: First Steps was that it was not set in the 616 MCU reality where Spider-Man exists, which prevented any meetings between the Human Torch and Spider-Man. However, there is the hope that the upcoming Avengers films will be the perfect vehicle for these two young heroes to meet, argue and become best bros just like in the comics. Also, if Marvel Studios greenlights another FF film, it definetly should feature Spider-Man, even if all he does is argue with Johnny Storm; it could be as hysterical as his interactions with the Punisher in Spider-Man: Brand New Day.

Other MCU characters to consider:

Beast, Black Panther (Shuri), Blade, Falcon Joaquin Torres), Gambit, Ghost Rider, Iron Fist, Jessica Jones, Kate Bishop, Kitty Pryde, Korg, Loki, Luke Cage, Man-Thing, Moon Knight, Mystique, Namor, Nightcrawler, Okoye, Quake, Rogue, Shang-Chi, She-Hulk, Stature, Storm, The Thing, Werewolf By Night

Are there any other characters who should be considered to team-up with Spider-Man? Leave a comment.

Jul 31 2026

Spider-Man: Brand New Day Presents The Most Authentic Version Of Spider-Man Yet

Reeling from recent box office disappointments Marvel Studios brought out its big guns for the newest film set in the Marvel Cinematic Universe (MCU) with the latest Spider-Man film. After slightly over a year since we’ve had an MCU film, Spider-Man: Brand New Day is a return to form for Marvel Comics’ most popular superhero as the latest MCU Spider-Man film presents the character at his most authentic yet.

A common complaint about the MCU version of Spider-Man was that he was basically Iron Man, Jr. and his fawning over Iron Man, over-reliance on MCU references, and outer space trips did not help. This was done to differentiate the character from past versions of cinematic Spider-Men, but now that the character became his own independent solo character by the end of the last film, he was returned to the more grounded comic-book accurate version fans have come to love. Spider-Man/Peter Parker (Tom Holland) is now a lonely young man who scrapes by in a frugal existence and is solely devoted to fighting crime in New York City as your friendly neighborhood Spider-Man.

When Spider-Man: No Way Home, the last Spider-Man film, ended, a magic spell was cast that made the whole world, including his girlfriend MJ Watson (Zendaya) and his best friend Ned Leeds (Jacob Batalon),, forget that Peter Parker existed. This film deals with the consequences of that spell as Peter lives a solitary life in a decrepid rented attic working on upgrading his suit and fighting crime. An opening montage shows how for the past four years since No Way Home ended, Peter kept himself busy fighting assorted supervillains and helping the New York City police. In his down time, he monitors Ned’s social media feeds to keep track of him and MJ. During one incident involving a break-in at the federal detention center for the Department of Damage Control (DODC), Spider-Man goes to help the federal guards and encounters an unseen person (Sadie Sink) who can telepathically possess people, except him. His conflict with the person draws the attention of Frank Castle (Jon Bernthal), an uneasy ally of Spider-Man who is the murderous vigilante called the Punisher. Unlike Spidey, Castle has no inhibition in trying to kill the telepath while Spider-Man wants to try to capture her for the DODC.

As he grapples with this new enemy Peter learns that he is starting to evolve physically; he is able to shoot organic webbing, his senses become overwhelming enhanced to the point they nearly debilate him, and his strength and agility increase. Alarmed by his development, Peter seeks out Dr. Bruce Banner (Mark Ruffalo) for advice. Banner who is also the Hulk, has been able to keep his monstrous personna under control through an inhibitor that Peter hopes to duplicate to dampen his increased powers. At the same time, his intense loneliness drives him to eventually seek out MJ and Ned and try to find some way to reconnect with them. Naturally, all these plot lines converge with disastrous results as Peter has to find a way to come to grips with his emotional and physicaly plight while trying to stop the telepath.

Spider-Man: Brand New Day was directed by Destin Daniel Cretton, the same person who helmed Shang-Chi and the Legend of the Ten Rings and Wonder Man. Unlike the previous director, Cretton brings much needed energy to Spider-Man’s antics which now feels kinetic and literally off the wall. The camera never stops moving and presenting dynamic and colorful scenes that are filmed off kilter, which could be disorienting but better captures the mind set of our favorite wall crawler. Needless to say, it is the best filmed Spider-Man film. The fight scenes and the visceral web swinging are easily the best ever shown in a Spider-Man film. It felt as if you were there with him as he swung through the City that Never Sleeps. BTW, the look and feel of New York City feels authentic and adds to the grounded and frentic nature of the film. There are also many beautifully set up scenes that capture iconic images and covers from the Spider-Man comics that fit in well with the tone of the film and flows perfectly.

But what made the film so special was its emphasis on the emotional core of Spider-Man and the telepath who are both injured and fragile souls that are at odds with the outside world. The narrative is fast paced and holds your attention despite the film’s length.

Spider-Man fits in perfectly with the MCU as its references and characters don’t feel in-your-face unlike some of the previous MCU Spider-Man films. This time, we get a street level connection to the former Netflix Marvel TV shows, especially Daredevil and Daredevil: Born Again (and no despite our hopes Daredevil does not appear in the film), in the form of the Punisher. Both Holland and Bernthal have great chemistry together as their two characters oddly complement each other. Much of the banter and emotions they share are some of the best moments in the film and will bring a smile to your face.

All the actors were at the top of their game in the film. Tom Holland himself turns in his best performance as Peter/Spider-Man who is now more mature and downbeat but is still trying to find a way to connect in the world. The moments Holland has with Zendaya were so involving and feel so genuinely human, it probably helped that the two actors are married in real life! You can just empathize with Peter as he is anguished to know that MJ does not remember him or the love they once shared. It was very haunting and you can sense the distress coming off Peter in those moments.

Of course the film is not perfect. There are a lot of narratives going on which could have collapsed the film if not for Cretton’s steady hand and smart editing. Also, the storyline with the telepath sometimes takes away from the plight of Spider-Man and, without giving anything away, could be seen as just a way to set up other MCU projects, but it was very well done and engaging.

It’s hard to say where Spider-Man: Brand New Day would rank among the other Spider-Man films. It is arguably the best of the MCU Spider-Man films and rivals the early Sam Raimi films, though Spider-Man 2 is still the GOAT. Marvel Studios would be wise to retain Cretton for future Spider-Man films since he is a perfect fit for the superhero. Now on to Avengers: Doomsday!

José Soto

Jul 12 2026

DCU: Fallout From Supergirl

The relatively new cinematic universe, DC Universe (DCU), got off to a solid start with last year’s release of Superman and two TV shows, Creature Commandos and the second season of Peacemaker. However, the DCU and DC Studios, which produces the DCU films and TV shows, have been rattled by the failure of the DCU sophomore film, Supergirl.

It was hoped by DC Studios that Supergirl’s popular cameo appearance in Superman would translate to a healthy and respectable box office performance with her solo film. No one expected it to earn $1 billion dollars but at least it should have earned $400 to $500 million and help cement the DCU. Unfortunately that was not how things turned out and based on BTS stories about how DC Studios struggled with the film’s poor reception during previews is not a surprise. As the film was being put together the film studio and its head James Gunn saw that Supergirl was not scoring well during previews and the film was hastily edited. This resulted in a movie that felt disjointed in its mood. Sometimes it felt like a gritty and somber Mad Max-style action piece. Other times it seemed as if it was trying to ape the atmosphere of a more light-hearted and goofy space adventure like Guardians of the Galaxy.

This doesn’t mean that Supergirl is a terrible film. It has its faults but overall it was a fine superhero film and certainly cannot be compared to those awful Sony films featuring Spider-Man villains or some of the worst of the former DC Extended Universe (DCEU). But in DC Studios’ situation, the film had to be more than fine, it had to stand out and resonate with audiences. Perhaps if they delayed the film to tinker with it some more in reshoots or editing and released it another time it would have fared better. It is maddening to think that Warner Bros. thought that releasing the film in late June sandwiched between the animated juggernauts of Toy Story 5 and Minions & Monsters was a good idea. They could have released the film in early May where it had no competition. It probably would have still received the same negative to mixed reviews but it might have earned much more than it will now. Traditionally, the early May schedule was reserved for films from the Marvel Cinematic Universe (MCU), but this year, there were no MCU films scheduled with only The Devil Wears Prada 2 in the way.

Despite how much Monday-morning-quarterbacking can go on, Supergirl is in the rearview mirror. Where does the DCU go from here? Is it already doomed? Will James Gunn be removed? To answer the last two questions: no the DCU is not in trouble though it took a nasty black eye from Supergirl’s failure and it is too premature to deem the DCU dead or in trouble, and Gunn’s position is safe…for now. Certainly the next DCU film, Clayface, has to do very well, as well as the upcoming TV show, Lanterns. The success of one or both projects will stem all the negativity the film studio is getting until the big test coming with next year’s Superman: Man of Tomorrow.

Fortunately, the previews for Clayface and Lanterns have been received well, especially Clayface’s. What is helping Clayface is that it seems more like a horror film and will come out at a perfect time to take advantage of that perception. Plus, being perceived as a horror film helps distinguish Clayface from standard superhero/comic book films and this is something that DCU needs at the moment. Meanwhile, Lanterns is being marketed as more of a murder mystery which will annoy Green Lantern fans who expected a traditional space adventure, but the more grounded TV show could pull in viewers who are not traditional superhero fans.

Of course, none of that will matter if Superman: Man of Tomorrow does not perform well. Going for it is that like Superman, it is being directed by James Gunn and the reaction to what has been revealed about it has been positive. Given Gunn’s talent, it is unlikely that the film will get negative reception but it has to do at least as well as Superman and earn over $600 million to keep the DCU viable. Its success also will determine the future of the DCU and James Gunn’s position as head of DC Studios.

Gunn’s contract with Warner Bros. will end next spring and no one can say for certain if he will remain as the president of DC Studios. Many have speculated with Warner Bros. being taken over by Paramount Pictures that it will mean that there will be massive executive changes at Warner Bros. Paramount could take a hard look at how the DCU is performing and demand changes or else. Whether or not Gunn will go along with this is unknown, and it has to be considered that he will be wooed by other film studios, starting with Disney. Do not be surprised if news comes out next year after Superman: Man of Tomorrow is released that Gunn will leave DC Studios to work for Marvel Studios with the intent that he could take it over at some point in the future. If that happens what becomes of the DCU? Who will take over and what direction will it take? Obscure heroes like Booster Gold and the Authority will be disregarded for proven popular characters, that is certain. But do not expect a return of the old DCEU or its creator Zack Snyder despite what some fans wish for.

There are many unknowns but expect a hard shift to focus on Batman as the lynchpin of the new DCU. Given the supposed lack of progress in launching a new Batman for the DCU, Gunn could face pressure to just fold The Batman films into the DCU since the first film, was very successful. The only thing is that that grounded version of Batman will be nearly impossible to connect it to the more bright and goofy DCU that Gunn has created. Of course, all this could be moot if the next couple of films and TV shows succeeds.

It is unlikely that the DCU will be dissolved by Warner Bros. anytime soon. It just got started with only two films under its belt. The cinematic universe has not achieved the disastrous results of the DCEU and still has some good will towards it. Some adjustments will have to be made just as Marvel Studios did and continue to do with their MCU films and TV shows. For one, James Gunn will have to step away from actively directing films and concentrate on running DC Studios. Trying to do both is impossible since running a film studio and maintaining the quality of films is a full time position. He has to devote more time to ensuring that what comes out is above average and deserves to be made, otherwise you end up with another Supergirl. Another thing for Gunn to contemplate is that although he loves quirky obscure characters major DCU projects cannot be devoted to them. He should be paying his full attention to the most popular DC characters like Batman, Wonder Woman, The Flash and so on. It’s fine to feature the quirky characters in films about popular characters like Superman did. Doing so would serve as a testbed for the quirky character and see if they are well received by fans, as what happened with Mr. Terrific, who is being considered for a TV show.

So, is it time to panic for DC Studios? Not yet, it’s early, Warner Bros. and the fans just have to be more patient and see how upcoming projects turn out. Yes, Supergirl is a failure but this experience was an opportunity for Gunn and the film studio to learn from the mistakes and make adjustments. Seeing what worked and what doesn’t will guarantee future success for the DCU going forward.

Jun 6 2026

Spider-Noir Shows How To Do The Multiverse

Spider-Noir is the latest superhero TV show now streaming on Prime Video and stars Nicolas Cage as a variant of Spider-Man set in New York City during the 1930s. This time, for legal reasons, his name is Ben Reilly and he is called The Spider instead. Noticeably older and gruffer than the traditional Spider-Man/Peter Parker, Reilly operates as a classic gumshoe private detective in a gritty New York oozing with corruption, crime and notorious gangsters. In other words, this is not your typical Spider-Man story and this is how the Multiverse should have been done by the studios.

When Spider-Noir begins, Ben Reilly operates out of his tiny office in Manhattan as a gumshoe for hire and still grieving over the death of his girlfriend Ruby five years ago, Ever since her death, Reilly retired from being the masked vigilante, The Spider, but all that changed when he is hired to track down a criminal named Addison, who turns out to have pyrokinetic powers. After Addison is killed, circumstances drag Reilly and his associates down a nefarious rabbit hole involving the city’s corrupt mayor (Michael Kostroff), the notorious mob boss, Silvermane (Brendan Gleeson), who runs the city’s underworld with a savage fist, and Cat Hardy (Li Jun Li), a conflicted nightclub singer he is hired to track but falls in love with. Silvermane has superpowered henchman in his employ, such as Flint Marko (Jack Huston), a Sandman variant, Lonnie Lincoln (Abraham Popoola), a more sympathetic version of Tombstone, and Dirk Leyden (Andrew Lewis Caldwell), a version of the obscure Spider-Man villain Megawatt, who all come into conflict with the Spider.

During his investigations, Reilly finds out that the villains are connected to his World War I past and how he got his spider powers. More importantly, Reilly is forced to come out of retirement as The Spider, which brings him to the attention of Silvermane, who wants to consolidate his grip of power in New York City.

As one can tell by the premise and seeing the show itself, Spider-Noir is an inspired homage to the classic 1930s crime films that were once so popular during the Golden Age of Film. The show can be watched either in garish color with popping bright hues or in noirish black and white, which feels more appropriate. The TV show captures many of the elements that made crime noir films so popular: the jaded detective; a dazzling but conflicted femme fatale; struggling people who talk with exaggerated New York accents and read script lines that would make Humphrey Bogart feel right at home; numerous Dutch angles; split focus shots, and scintillating photography that evokes stark existentialist German cinematography. There are so many ways this approach could have approached a satire, but thanks to the skills from everyone involved, Spider-Noir is a respectful tribute to those types of crime noir films. The actors have to be singled out for their innovative performances, especially Cage, who evokes a combination of Bogart and Jimmy Cagney while infusing his performance with the bouts of unpredictable insanity that made him so famous. The other actors turn in commendable work here as well, such as Li whose near-tragic Hardy captivates every scene she’s in and Gleeson, who projects a chilling presence.

The Multiverse is a great concept that allows for the exploration of many famous characters in different settings which provide captivating insights into what makes them work. The comic books from DC and Marvel have produced many memorable works based on variants of their renowned characters, but live-action attempts at exploring the Multiverse have had mixed results. For Marvel’s part, it seemed as if the studios were too afraid to go all out and give us wildly different versions of their characters. Why is that? Perhaps the studio heads fear that doing so will confuse audiences. But they underestimate them all the time. Other times, the efforts were laughably bad, such as Sony’s misguided films starring Spider-Man villains that were dead on arrival. We could have had more inspired Multiverse films and TV shows in the run up to Avengers: Doomsday and Avengers: Secret Wars and even the beloved Spider-Verse films that took greater advantage of the Multiverse concept like Spider-Noir has done. The executive producers of Spider-Noir are Phil Lord and Christopher Miller, who also guided the Spider-Verse films and they should be the go-to guys for more Multiverse works if they ever happen.

Spider-Noir is more than an homage to crime noir films, it is also one of the best superhero TV shows ever done that focuses on character and exciting superheroics. Underneath his cynical exterior, Ben Reilly still has a good heart because he knows that having great power has great responsibility. Even though this setting is unbelievably different than the traditional one seen with Spider-Man lore, it still is a Spider-Man story and one that hints at how the character would be like if he were middle aged. This approach allows the character to be shown in a unique way while sticking to what makes Spider-Man so popular. By going all in with the Multiverse concept, this TV show is able to present a novel approach to the Spider-Man character and see how he would have turned out under a different setting. Spider-Noir, simply put, takes full advantage of the Multiverse concept and how it should be done.

May 25 2026

The State Of Star Wars At 49

Today marks the 49th anniversary of the epic sci-fi franchise, Star Wars. Celebrating the occasion was the weekend release of The Mandalorian and Grogu, the first new Star Wars film in seven years. On the surface, this release should be a cause for celebration and a build-up for next year’s 50th anniversary but the film’s mixed reaction is a symptom of the state of the Star Wars franchise at this moment.

There is nothing wrong with The Mandalorian and Grogu, it’s a fine film that is exciting and fun, but given that we have not had a Star Wars film since 2019, one would think that this event would have yielded more excitement from fans. There are many reasons for this and it largely has to do with how Star Wars has fallen out of favor in recent years thanks to lackluster high-profile TV shows that diluted the brand and of course, the backlash against most of the Disney-era Star Wars films. But despite its merits, one nagging issue with The Mandalorian and Grogu is that it doesn’t feel epic. Sure, it has a solid storyline and terrific action scenes and character moments, especially with Grogu himself as he learns to survive on his own and helps rescue his father. But the relatively low-stakes story of the film could have been told in a new season of The Mandalorian. The fate of the galaxy was not in question, the overall storyline of the main characters, Grogu aside, did not advance significantly, and the same went for the worldbuilding. Again it has to be repeated that The Mandalorian and Grogu is an enjoyable film that is better than some of the recent Star Wars films, it just lacks an epic scale.

The Star Wars films are renowned for their topnotch production values and sweeping storylines that touch on mysticism or intriguing worldbuilding. Sure, this has to be well executed or you lose your audience (see the last couple of Star Wars films), but this is epic nature is why people would go out of their way to go to cinemas and spend lots of money to get immersed in an experience that is can’t be replicated at home. Just as important, the plot has to not just engage audiences but build towards an epic story with high stakes. Supposedly, The Mandalorian and Grogu was to be part of a larger storyline that would have continued in other related Star Wars films that would have culminated in a film where the separate characters confronted Grand Admiral Thrawn, but there is little evidence of a larger story in the debut film of the Mandalorian. Except for a plot line about the Mandalorian hired to track down ex-imperial officers, which is resolved fairly early in the film before it becomes a personal story about the armored bounty hunter and his son in a space version of Lone Wolf and Cub. But whether or not other Star Wars films will deal with this Thrawn plot is in question and depends on the performance of The Mandalorian and Grogu.

Trying to use the TV show, The Mandalorian, as a vehicle to explore a larger storyline was what damaged the TV show in the long run. The show worked best when it did not deal with larger galactic situations such as the founding of the New Republic or the return of the Galactic Empire. Part of the problem was that the overarching storyline was not very interesting as seen in Ashoka and the fact that the dull manner in how the New Republic is presented. The show faltered in its third season when the main character and his son Grogu seemed to take a back seat to other characters and their stories that dealt with wider scale situations. The film corrects this by focusing on the Mandalorian and his son, and by doing so it went back to a more personal story for the duo. But this is is not what Star Wars needs at this time.

To recapture imaginations and more importantly improved box office results, Star Wars films have to aim high and tell a compelling story with several characters and intertwined plots. The more personal and intimate storylines seem to work best with TV shows such as the first two seasons of The Mandalorian, Andor, and Skeleton Crew. The next Star Wars film to come out will be next year’s Star Wars: Starfighter, but it’s not known if it will tell that kind of story, but there is sense of excitement for it, and if it turns out well, it should be a fitting film to release in time of the 50th anniversary of Star Wars. But for now, we have a worthwhile film to help celebrate the 49th anniversary of Star Wars as a build up or placeholder for something more epic and befitting of Star Wars.