More Genre Film Delays?

Looks like we are heading back to square one with the COVID-19 pandemic. The delta variant of the coronavirus has raised infection numbers worldwide just as it was recovering from the pandemic (thanks maskholes, covidiots, and other morons who either won’t mask up or get vaccinated for stupid reasons). As the COVID-19 cases began to explode in alarming numbers this development seems to be causing film studios to reconsider their release schedule. We all know how severely their original film schedules were thrown out the window when the pandemic first happened last year.

Already, Paramount Pictures announced that they canceled the September 17, 2021 release of Clifford the Big Red Dog to no date certain. While many adult genre fans would not care about that they have to realize the precedent this is setting. The same thing happened last year when the James Bond film No Time to Die had its release date canceled. It was the first major film to be delayed. This eventually caused a ripple effect as the pandemic worsened as we saw that Marvel Studios’ Black Widow was yanked from its May release date with just weeks to go. Can history repeat itself if the film release Shang-Chi and the Legend of the Ten Rings is delayed from September 3, 2021 to who knows when? What about Eternals? What about Spider-Man: No Way Home?

That Marvel Studios/Sony Pictures production is the most eagerly awaited offering from the Marvel Cinematic Universe (MCU) for the year. But we have yet to see a trailer or even acknowledgement about what it is about or who appears in the film. So the speculation about Tobey Maguire and Andrew Garfield will continue. This is concerning for Spider-Man fans because the film is supposed to come out this December and by this time there should have been a trailer, but Sony has not provided any updates on the film. This is fueling speculation that Spider-Man: No Way Home will be delayed.

Adding ammunition to this is that today’s trailer release of Venom: Let There Be Carnage did not have a release date, only the tag: “Exclusively in movie theaters this fall”. The Venom sequel is supposed to be released on September 24, 2021 but by the way things are going, it’s anyone’s guess if this will happen. If Venom: Let There Be Carnage is pushed to October or November this in turn will push Spider-Man: No Way Home’s release date to next year and further delay Sony’s Morbius film.

If Spider-Man: No Way Home is delayed this dominoe will affect the other MCU films slated for future release. Doctor Strange in the Multiverse of Madness is connected to the Spider-Man film and is the first MCU film of 2022. Will this impact the Disney+ MCU TV shows, as well?

Of course, the delays will create even more tension with Marvel Studios, their parent company, Disney, and Sony. Spider-Man: No Way Home is Sony’s biggest film and they want to get the most bang out of their production so they may want to hold off until next summer. As mentioned above this will disrupt Marvel Studios plans for their films creating more delays. On top of that there are reports that Marvel Studios’ president Kevin Feige is not happy with Disney over the way they handled the release of Black Widow. He did not favor its simultaneous release onto Disney+ and in theaters, which caused the film to lose money in the box office. And he was sided with Black Widow’s star Scarlett Johansson, who is suing Disney. This could be the start of the unraveling of the Golden Period of the MCU. Who knows where this will end? Perhaps Feige may eventually jump ship and go work at another film studio. Warner Brothers will take him in a second!

At least for Warner Brothers, their DC Extended Universe (DCEU) films may not be as affected as The Suicide Squad is coming out this week and they don’t have any DCEU films slated for release until next summer. Hopefully by then the unvaccinated will get a clue and we’ll be able to put this disease behind us. Their other genre films like Dune and the new sequel to The Matrix, which were slated for release this year, will also stream on HBO Max. So they might stick to the schedule for the rest of the year. As we have seen throughout the pandemic this release strategy will dampen box office returns. Keep in mind, both Warner Bros. and Disney have announced they will discontinue this practice. That could change if the pandemic doesn’t abide soon.

For now, it is too soon to say where things will end. Perhaps infection and death rates will plummet or booster shots to combat the delta variant will be distributed soon to put the vaccinated at ease. There are reports that vaccination rates are increasing so hopefully by the end of the month we can see better numbers. Of course, this grousing about delayed genre film releases cannot compare to the pain and misery that the coronavirus is causing among us. We all have to do our part, which includes continuing to mask up (even if we’re vaccinated), washing up, social distancing, and the other efforts to stop the spread of the virus. OK, PSA is over, whether or not these films we love get delayed it’s more important to stay safe and enjoy the many other media that is still available for our enjoyment.

About Black Widow’s Box Office…

After what seemed like forever Marvel Studios and Disney finally released on July 9, Black Widow, the first film from the Marvel Cinematic Universe (MCU) since 2019’s Spider-Man: Far From Home. Predictions and projections were all over the place over how the film would perform and be received.

At first, Black Widow performed very impressively, earning $80 million dollars in its opening weekend. This may be small compared to some of the bigger MCU hits, but terrific for a film release during the COVID-19 pandemic, which has cratered the box office worldwide. In fact, Black Widow has set the record for the highest debuting film during the pandemic.

However, the news was quick to turn against the film and Disney when Black Widow had an enormous drop in its second week, earning only $37 million dollars, a drop of 67 percent, the biggest second week drop for an MCU film. This current weekend it earned $11 million dollars, placing it in third place and it actually beat the film that displaced it in its second week, Space Jam: A New Legacy. Currently its box office haul is $315 million worldwide. Yes, that is impressive but it had a budget of $200 million and it looks like it will barely break even if it reaches $400 million by the end of its run. Consider that the average MCU film of late earned roughly $1 billion dollars and its lower earning films averaged around $500 to $600 million. These figures can be used to conclude that Black Widow will be a disappointment in the box office. In fact, there are tons of reports trying to explain its relatively poor performance.

But that is not necessarily the complete picture.

As anyone reading this knows, Disney simultaneously released Black Widow on its streaming platform, Disney+, for $30 dollars on top of a subscription to the app. Many people scoffed at paying such a high price for a film that could be seen in theaters for much less. Yet, it earned about $60 million dollars to date and that is aside from its box office haul. Surely, Disney’s accountants will point out that the streaming haul means that the film’s earnings to date are close to $400 million and anything over that is just profit.

It was also heavily pirated online, which certainly robbed Disney of a lot of revenue. Being that the film was completed over a year ago, there were many opportunities and time for it to be pirated before it was officially released.

Many have correctly pointed out that the online access to Black Widow robbed the film of its full box office potential. Theater owners are enraged that Disney did this because it undercut their business, and set a precedent for film releases going forward, although after the upcoming Jungle Cruise is released both in theaters and premier access on Disney+, the entertainment company will discontinue this practice.

Others have said that the film had limited appeal since it was not a big-event film like Avengers: Endgame and that it came out too late. Yes, given the film’s setting and the main character’s eventual fate, the film should have been released right after Captain America: Civil War in 2016 or 2017. But many circumstances beyond the film’s control prevented that and while the film is just a standalone film and is not perfect, it is a solid MCU entry that shone an overdue spotlight on Black Widow herself and her world.

Of course, the wildcard in the film’s performance is the pandemic. Hardcore MCU fans braved going to the theaters to see the film, while everyone else thought it was safer to pay for online access or waiting. However, at the time of Black Widow was released, the perception was that the pandemic was winding down given the huge drops in COVID-19 infections and deaths. But since many idiots refuse to get vaccinated or others are unable to have access to vaccines, the delta variant of the coronavirus has spread like wildfire and increased cases. In other words, the rising cases and deaths encouraged potential theater goers to stay home instead. With the pandemic it is doubtful that even an Avengers: Endgame would have performed as well as it did pre-pandemic.

So, saying Black Widow underperformed is not so clear cut. Given the many hurdles it faced it performed remarkably well and helped bring the MCU back into theaters. Hopefully the next MCU films will fare better and Black Widow itself will gain in popularity later on like many other MCU films.

The Independent Comics: Unmined Gold For TV & Film

When comic books are brought up in conversation, most people think of the big two comic book publishers, Marvel Comics and DC Comics. Yet, true comic book fans know of the countless independent publishers that put out entertaining and sometimes off-beat comic books that aren’t just about superheroes, but most of the genral public never heard of them. That was until recently, when more and more popular TV shows were revealed to be based on independent comics.

Thanks to the popularity of films and TV shows based on superheroes from DC and Marvel, film studios, television channels and streaming services are now creating their next big superhero film or TV show. The problem for entertainment companies not called Disney or Warner Bros. is that film and TV rights for popular characters like Spider-Man or Batman are off limits. So what can they do to take advantage of the current superhero craze? These companies could create their own characters from scratch as we saw with Heroes and Chronicle. However, the companies do not have to this since there are so many superheroes from independent comic book publishers. What’s more, is that these independent comic books are great treasure troves for other types of genre material from sci-fi to fantasy to horror or a combo of all three.

There have been successful hit films or TV shows based on independent comics that came out years ago, Some examples that come to mind include The Mask (Dark Horse Comics), The Crow (Caliber Comics), and The Kingsman (Icon Comics), but the biggest hit television program based on an independent comic is course, The Walking Dead from Image Comics, the survival saga taking place during a zombie apocalypse. The runaway success of The Walking Dead prompted film and TV studios to mine other properties from independent comics. While these studios did not find the next zombie apocaplyse they found a diverse slew of properties that were begging to be adapted, and yes, this included superhero fare, as well.

Many of these properties are currently airing/streaming and have been well received. These include The Boys (Dynamite Entertainment), Invincible (Image Comics), Jupiter’s Legacy (Image Comics), Resident Alien (Dark Horse Comics), Locke & Key (IDW Publishing) and The Umbrella Academy (Dark Horse Comics). Part of the reason for the success of superhero-related shows like Jupiter’s Legacy or The Boys is because the shows are more graphic and mature compared to the more youth-oriented DC fare airing on The CW, for instance. In other words, they offer a different take on superheroes.

Thanks to the success of these TV shows, even more independent comics are in various stages of development. These include Paper Girls (Image Comics), Ice Cream Man (Image Comics), Port of Earth (Image Comics), Harbinger (Valiant Comics), Oblivion Song (Image Comics), Spawn (Image Comics), and BRZRKR (Boom! Studios). The latter comic book, about a prehistoric immortal warrior, seems to be tailor made for films or TV and it’s no wonder since Keannu Reeves co-wrote it. Any idea who would star in the upcoming television film adaptation from Netflix? The success only confirms that a well-crafted story formed in one medium will be able to crossover to another medium. In this situation, the comic book medium is a great place to find material that is ripe for adaptation.

Of course, there are so many other quality comic books that would make terrific films or TV shows. The list would be exhaustive but should include Saga (though the creators of the comic are not interested in having their sci-fi/fantasy epic being adapted), The Department of Truth, Geiger, Canto, Give Me Liberty, Stray Dogs, The Undiscovered Country, Concrete, Something is Killing the Children, and Astro City.

Thanks to the popularity and success of the live-action adaptations, more and more attention will be paid to the independent comic books. Surveyors will find an impressive and endless trove of reading material spanning a wide variety of subject matter.

The Latest Crazy Internet Rumor: Disney Buying DC

Well, it did not take long for the wild rumors and speculation to begin once it was announced last week that Discovery, Inc. and WarnerMedia. were merging into one company called WarnerDiscovery. The wildest rumor has it that allegedly the Walt Disney Company is going to buy WarnerMedia’s DC Comics or Warner Bros. Being that Disney already owns Marvel Comics this would mean that both comic book companies can be merged into one.

Think about that for a moment.

If this was somehow true, this would be the most shattering development for comic books and related media since comic books were created nearly a century ago. Of course, fans know that DC Comics and Marvel Comics are the two biggest comic book companies with legendary superheroes and other characters. The fact that the two giants are natural rivals adds fuel to rumor fire about the possibility of this merger.

Think of the team up and crossover events. “Crisis on Infinity Secret Wars” or some other overpriced and over-printed epic spanning hundreds of issues per month with spinoff titles and one-shots cluttering comic book shelves in stores. It would blow out recent events like Dark Knights: Death Metal and King in Black in the shear scope. Imagine trying to buy all the tie-ins for that event!

This could spillover into games, books, and yes, films and TV shows. Thought Avengers: Endgame or The CW’s Crisis on Infinite Earths were epic? Guess again and imagine a live-action version of the last, great DC/Marvel crossover, JLA/Avengers or the 1990s’ DC vs. Marvel that pitted the Hulk against Superman or Captain America fighting Batman! Imagine further and think of the possibility of Robert Downey, Jr. sharing the silver screen as Iron Man alongside Christian Bale as Batman. Or Henry Cavill’s Superman meeting Chris Evans’ Captain America.

Let’s come back to Earth now and face reality because it is doubtful any of this will happen. Sure, it is possible, but to date there are not any credible, confirmed sources to back up this claim.

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What Does The WarnerMedia/Discovery Inc. Merger Mean For DC And Warner Bros.?

The news that AT&T divested its ownership of WarnerMedia to Discovery, Inc. for $43 billion to form a new, merged entertainment company may not sound as exciting as when The Walt Disney Company acquired 21st Century Fox in 2019, but it is just as important.

Ever since AT&T acquired Time Warner for $85 billion in 2018. there were many concerns in the entertainment industry, which turned out to be justified. Renamed, WarnerMedia, the entertainment conglomerate was owned by a telecommunications giant that did not have any experience with entertainment media and this resulted in questionable moves by AT&T. The most impactful were the creation of the HBO Max streaming service and fractured relationships with notable genre directors like Christopher Nolan, Denis Villeneuve and James Gunn.

In AT&T’s quest to push HBO Max to be competitive with other streaming apps, all of the films slated for release this year by the movie studio, Warner Bros., were released simultaneously in theaters and the streaming service. On the surface, this took into account the COVID-19 pandemic and the fact that most movie theaters were closed. However, now that the pandemic seems to be winding down (at least in the United States and Europe), this strategy has been questioned. Not only did this move result in diminished box office returns, but it alienated many of Warner Bros.’ top talent.

This first began when Wonder Woman 1984 was streamed on Christmas Day in 2020 instead of delaying the film’s release because of the pandemic. This worked in that it attracted attention (and subscribers) to the streaming app but the film received negative reactions from critics and fans who did not find much original content on HBO Max. Unlike Disney+ or Apple+, HBO Max lacked an attention-grabbing genre TV show like The Mandalorian or For All Mankind to entice fans to stay with the service. The app did stream TV shows that once exclusively streamed on the DC Universe app like Titans and Doom Patrol. But it is baffling that throughout all of the development of the app, no one thought to have an original DC TV show ready. The closest thing to semi-original content being Zack Snyder’s Justice League, which did not stream until this year, months after the app was launched. While Disney+ already streamed the Marvel properties WandaVision and The Falcon and the Winter Soldier, HBO Max has yet to stream original DC content. Its announced Green Lantern TV show seems to be forever in development.

It shoud be noted HBO Max premiered the sci-fi TV show Raised by Wolves when it launched and while it was well done the TV show did not capture much attention. It is a shame because the streaming service is quite good with plenty of content, but its launch was botched and confused people who already subscribed to HBO or used its then-existing apps HBO Now and HBO Go.

Filmmakers such as Nolan and Villeneuve were incensed that films they specifically shot for large screens were to be directly streamed on HBO Max. Not only would this lead to low box office returns but the decision robbed audiences of seeing films meant for the large screens. Denis Villeneuve and Legendary Pictures (the production company which bankrolled Villeneuve’s Dune, Godzilla vs. Kong and other recent genre films) expressed their dissatisfaction to push the streaming service over Warner Bros.’ film schedule. After all, in light of the pandemic, if one is able to access the app, why bother going to the theaters? As it now stands the following genre films either streamed already will do so later this year:

  • Wonder Woman 1984
  • Godzilla vs. Kong
  • Mortal Kombat
  • The Witches
  • Superintelligience
  • The Suicide Squad
  • The Conjuring: The Devil Made Me Do It
  • Malignant
  • Space Jam: A New Legacy
  • Reminiscence
  • Dune
  • the fourth Matrix film

WarnerMedia recently announced that starting in 2022, its films would be released solely in theaters before coming to HBO Max. But the damage has been done as many filmmakers openly expressed their dissatisfaction with WarnerMedia and some were no longer willing to do films for Warner Bros.

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