Category Television & Streaming

May 9 2026

Daredevil: Born Again Rises Again To Greatness

While many fans of the original Netflix TV show, Daredevil, were elated when the program was revived for Disney+ as Daredevil: Born Again, quite a few had complaints about the new TV show. Originally, the revival was supposed to be a soft reboot of the original Netflix show, but Marvel Studios was not happy with the episodes filmed and retooled it with new footage. The result was a strange hybrid that at times matched the greatness of the original show and other times it fell short. Still, Daredevil: Born Again was a fine TV show with its faults, it just was that it could not compare to the greatness of the Netflix show. That changed, however, with Daredevil: Born Again’s second season.

The second season of Daredevil: Born Again just concluded its eight-episode run and it was very evident from the first episode to the last that it reached the heights of the intense drama and gritty superhero fights that made the Netflix TV show so renowned.

When the first episode “The Northern Star” begins, blind lawyer Matt Murdock (Charlie Cox), who is actually the costumed viglante Daredevil with superhuman senses, operates in the shadows with a dedicated group to undermine the criminal mayor of New York City, Wilson Fisk (Vincent D’Onofrio), who is nicknamed the Kingpin. In the first episode, Daredevil raids a cargo ship approaching Brooklyn that is smuggling weapons and is willfully sunk by its captain during the raid to scrub any evidence linking the shipment to Fisk. As Murdock and his allies try to expose Fisk’s crimes and Fisk uses every means possible to cover up his link to the shipment, a series of events pits Murdock and Fisk into a forceful confrontation that will determine the fate of the city and its citizens.

The overrall storyline of Fisk’s iron grip on the city and the reign of terror caused by his Anti-Vigilante Task Force (AVTF), who are made up of corrupt and violent cops, was much more compelling and distressingly relevant to our times. We are shown how oppressive the AVTF are on the locals, and how they begin to fight back after being cowed for so long. We also witness how Fisk’s rule negatively impacts everyone, including the main characters who either suffer from internal ethical struggles or just do their best to survive and heroically try to expose Fisk.

While the first season struggled with its new supporting characters that really did not engage audiences, here in the second season, they came into their own and added their mark to the series. Take for example, Daniel Blake (Michael Gandolfini), the young deputy mayor of communications. When first introduced last season, Blake came off as naive, easily enthralled by Mayor Fisk, and eager to win Fisk’s approval. But in the second season, Blake comes to fear the tyrannical Fisk and questions his own loyalty especially when it comes to dealing with BB Urich (Geneya Walton), a journalist who is out to expose Fisk. Then there is Heather Glenn (Margatita Levieva), a therapist and former girlfriend of Murdock. She also gets enthralled by Fisk after working for him and later begins to lose her sanity after her ordeal of being kidnapped in the first season by the masked serial killer known as the Muse. How they and other characters wind up by the end of the season felt organic and rounded out the characters so that we understood them better.

Of course, the main characters like Murdock, Fisk, and Murdock’s girlfriend Karen Page (Deborah Ann Woll), were well developed with captivating arcs that explored their inner emotional turmoils. Fisk certainly belongs in the conversation as one of the best live-action villains ever presented on film or TV thanks to how he is written and D’Onofrio’s intense performance. The man is a terrifying mountain of barely controlled rage and sensitivity who more and more becomes unhinged. Meanwhile, Murdock struggles to defend a broken justice system by taking extra-judicial measures to preserve it and barely does so. Yet, thanks to his skill as a lawyer, in one of the most riveting scenes in the series takes place in the final episode “The Southern Cross” Murdock redeems the law when he confronts Fisk in a courtroom. Unlike their previous encounters that ended with bloody fistfights, this confrontation was one of pure will and words, but it was still intensely compelling. How the confrontation ended was one of the most memorable moments in the TV show.

One of the MVPs of the season was hands down the insane assassin Bullseye (Wilson Bethel). Once a disgraced FBI agent manipulated by Fisk in the original series down a path of crime, Bullseye, otherwise known as Benjamin Poindexter, sets off on personal quest of redemption. In the first season of Daredevil: Born Again, Bullseye murdered Murdock’s best friend Foggy Nelson (Elden Henson), and ever since then he wants to amend for his sin. This sets him off an a murderous rampage that culminated in the episode “Gloves Off” where he skillfully takes out an entire team of AVTF agents in a diner. That was one of the most inventively filmed action sequences in the TV show and demonstated how deadly Bullseye is. Thankfully, the series did not salvage him or try to re-invent him to be some kind of anti-hero, but his actions helped significantly propel the show’s narrative.

Another pleasing aspect of Daredevil: Born Again, which fans of the Marvel Cinematic Universe (MCU) should enjoy is its connection to the MCU. It’s not over the top with pointless cameos by established MCU characters but the subtle connections are visible, such as an establishing cityscape shot that features the Avengers Tower or a name drop. More impressive is that this TV show is clearly a continuation of the original Netflix Daredevil with flashback scenes, references and even character appearances. The most joyful returns were characters from other Netflix Marvel TV shows like Jessica Jones (Krysten Ritter) and even Luke Cage (Mike Colter). Their appearances reinforce a sense of continuity and herald an eagerly awaited Defenders reunion that will take place in the third season of Daredevil: Born Again. This is much appreciated and helps cement the relevance of both Daredevil TV shows.

The future is unknown for Daredevil: Born Again after its upcoming third season. The ratings for the second season were not the greatest, which is a shame since it rises to the level of greatness from the Netflix era. Hopefully word of mouth will increase attention to this TV show. Perhaps an appearance by Cox in the upcoming Spider-Man: Brand New Day (which is not a guarantee and do not expect his character to don the Daredevil outfit) or any other MCU film will steer more fans to give Daredevil: Born Again a deserved chance.

José Soto

Apr 3 2026

Star Trek Twilight

As the Star Trek franchise approaches its 60th anniversary in just a few months, and one takes a look at what is going on with it, it is clear that Star Trek is at one of its lowest points, it’s in a twilight phase, which we last saw in 2005.

Filming concluded for the two current Star Trek shows, Star Trek: Strange New Worlds (SNW) and Star Trek: Starfleet Academy, and as of now there are no Star Trek TV shows in production or active development. Supposedly, the franchise’s owner, Paramount Skydance, is reassessing the property and might shift focus to new Star Trek films, and though a reboot was announced a few months ago, we haven’t heard any news. Thus, the latest film project will probably be shelved and the reason for this pessimism is because Star Trek films have not been able to be greenlit since the last decade.

Star Trek has had its ups and downs throughout its existence, and there have been definite dark periods, such as during most of the 1970s when the original TV show was cancelled in 1969 and what kept the franchise relevant in the following decade were an animated TV show and a dedicated fan base that refused to let Star Trek slip into oblivion.

The film era jumpstarted the franchise in 1979 and reunited the original cast of the original Star Trek and delighted fans as many of the films are still considered to be among the best Trek offerings. However, during the peak of Star Trek’s renewed popularity, a new TV show was created that featured an all-new cast of characters. There was a mix of optimism and dread when Star Trek: The Next Generation (TNG) debuted because it did not feature the original cast and many of the early episodes were quite dull and/or bad. But TNG found its footing and heralded the greatest period for Star Trek in the 1990s. Two additional TV shows, Star Trek: Deep Space Nine (DS9) and Star Trek: Voyager, were launched and are beloved to this day with many fans arguing that DS9 was the best Star Trek TV show ever. Also during this decade the TNG cast graduated into their own film series.

Unfortunately, the well began to run dry in the 2000s as those shows ended and the TV series Star Trek: Enterprise showed a decline in quality and interest began to die off. After Star Trek: Enterprise was cancelled in 2005 and the last TNG film, Star Trek: Nemesis, flopped at the box office, the TV franchise went into a dormant period that lasted a decade. Paramount veered back into the films with a reboot that recast the original characters in 2009. This reboot was at first very successful, but it had its detractors who pointed out how dumbed down the new films were because they focused more on action than story. By the time, the third and final reboot film, Star Trek Beyond, premiered the film series came to an abrupt halt as the film failed at the box office.

Amid mergers and other business dealings, Star Trek was ignored at least as a TV series until 2016. During this time period, fandom produced unofficial short films about Star Trek. Unlike in the past, many of these shorts were very well made and even featured the actors from the TV shows with many shorts that served as sequels to past episodes and one of these unofficial series, Star Trek Continues, actually concluded the original five-year mission of the original Star Trek and led into the original film era. It was a golden age for Trek fandom as the fans took the show for themselves and did what the corporate owners were unwilling to do. The best known of these and arguably the most professional-looking short film was Prelude to Axanar, which was told in the format of a documentary feature in the Star Trek universe that chronicled a war with the Klingon Empire. As the short film achieved acclaim, plans were set into motion to create a feature-length amateur film, Axanar, which would have been about this war. Then Paramount got involved.

Of course, good things like this couldn’t last and naturally the corporate owners feared they were being upstaged by fans and even more importantly did not like the fact that the people behind Axanar were actually trying to make a profit from their endeavor. Enter the studio lawyers. On November 2015, the makers of Axanar and many other amateur Trek film makers were slapped with cease-and-desist demands from Paramount’s lawyers, which marred the celebration of Star Trek’s 50th anniversary. Not even the announcement of a new TV show could erase the ill will Paramount created with their lawsuits. Paramount’s position was that they did not want anyone else trying to profit from their franchise or taking attention away from their upcoming TV show. Eventually the film studios and the amateur filmmakers settled and the result was quite severe for fans. They were given very strict guidelines that made it impossible to produce quality films. For example, they could not hire actors who appeared in official Trek TV shows or films, the films’ lengths were limited to about 15 minutes and not be longer than two parts, the word Star Trek could not appear on the film titles and the filmmakers had to use official merchandise and could not profit in any manner from their efforts.

After a good amount of fandom were slighted, Star Trek: Discovery premiered on the streaming app CBS All Access (later renamed Paramount +), and it sharply divided fans. Sure, the production design was gorgeous and rivaled anything seen on film, but the stories and characters were lacking. But more importantly, Star Trek: Discovery did not feel like Star Trek with its cynical characters, the non-stop swearing and focus on dark storylines. Still, it was successful enough to encourage the creation of more Star Trek TV shows, which led to a new age for the TV shows. The quality of the subsequent TV shows varied from great to meh with some series like Star Trek: Picard, Star Trek: Prodigy, Star Trek: Lower Decks, and SNW having both great and mediocre episodes. Eventually, the TV shows came to an end with the last ones being SNW and Starfleet Academy, which have both being cancelled, and nothing certain to follow up.

There are talks about a proposed Star Trek: Year One, which would be about the adventures of a young James T. Kirk during the early days of the Enterprise’s five-year mission, but most fans have their hearts set on a potential show called Star Trek: Legacy. This would be a sequel to Star Trek: Picard, which was very well received in its final season thanks to showrunner Terry Matalas, who understood what made Star Trek work. But for whatever reason, Paramount refuses to consider this even though the reception from fans to Star Trek: Year One has been very lukewarm. The fans have been very vocal that they do not want another series focused on the early days of Starfleet and Captain Kirk, or a series set in the unpopular distant future of Starfleet Academy and Discovery. Instead they want a series set immediately after the TNG/DS9/Voyager era.

Many fans point the blame for the franchise’s current twilight to showrunner Alex Kurtzman. He helped shaped Star Trek: Discovery and is the current executive in charge of Star Trek TV shows. Many of them feel that he does not understand what made Star Trek so beloved in the first place and want a new showrunner for the franchise.

That could come very soon since Kurtzman’s contract will expire in August 2026 and there are rumors that his contract may not be renewed. There are many reasons why Paramount Skydance would not want to renew the contract and it is not necessarily because Kurtzman made Star Trek “woke”. Right-wing critics of current Trek should note that the franchise has usually been progressive ever since the original show. Star Trek famously featured an integrated multiracial crew with people of color in command positions, it’s just that this is the kind of thing that is taken for granted today, but back in the 1960s this was revolutionary. No, the reason for not renewing Kurtzman’s contract and moving away from future TV shows could be blamed on the cost. The current TV shows have topnotch special effects which means they are expensive to produce. The cost would be justified if the ratings for the shows were high, but they are not, Star Trek: Starfleet Academy did not do well ratings well and it was too expensive to continue making it. Perhaps the film studio believes that another mastermind could come in and bring fresh ideas and more importantly be more economical. So who could they hire? Here are some possibilities:


Terry Matalas:The showrunner of the third and best season of Star Trek: Picard is a fan of the franchise and knows how to create great stories and characters. He’s had experience executive producing other sci-fi shows like 12 Monkeys and is currently producing VisionQuest. So depending on how VisionQuest is received (and gets renewed), he may be too busy to tackle Star Trek: Legacy or any other Trek show, but he still must be strongly considered.


Manny Coto: Another executive producer who nearly pulled off a miracle and produced the best season of Star Trek: Enterprise. Sadly the show was cancelled just as Coto helped breath new life into it and he had interesting ideas for future seasons. It’s been a long time since he was involved with Star Trek but his efforts with Star Trek: Enterprise earns him a shot a bringing in a bold new approach to the franchise that respects its core essence.


Jonathan Frakes: The former TNG actor has had a prolific career as a director and executive producer. He directed many acclaimed Trek shows during the 90s and current era and certainly has a handle on crafting compelling stories and characters. His deep Trek background and behind-the-scenes experience should make Frakes a strong contender to take over the Star Trek franchise.


Ronald D. Moore: The legendary showrunner of the popular Battlestar Galactica reboot and the current series, For All Mankind and Outlander, got his start with the TNG era of Star Trek. As executive producer for TNG, Moore wrote some of that show’s best episodes which were grounded yet adhered to Trek’s unique nature. Moore is a fan favorite and his taking over of the franchise would bring back many who have given up on it.

Seth MacFarlane: The prolific writer, producer and actor for all intents and purposes created his own version of Star Trek with The Orville. This show is clearly patterned after Star Trek, but it does not just ape the show but demonstrated that a modern Star Trek show could successfully tell stories that evoke the best aspects of the older Star Trek shows with modern production values and solid scripts and characters.


Mike McMahan: He had great success with the animated Trek comedy Star Trek: Lower Decks, a show which wound up being a love letter to all things Trek. The only drawback is that his show was comedic and the studio heads may hesitate to promote someone with this background to more serious TV shows.


Mike Sussman: This former writer from Star Trek: Enterprise helped conceive a new political Trek drama starring Scott Bakula that would serve as a sequel to Star Trek: Enterprise and focus on its lead character’s time serving as president of the United Federation of Planets. If the show is successful, it could help move Star Trek away from its current concept of starship crews exploring space.

While Star Trek seems to be in its twilight, fans should not despair. The franchise has reached the end of a period and will have to undergo a process of rest to create demand. This period should be used to reflect on how to reinvent the franchise with bold new approaches, stories and characters that will bring back the fans. Fans should keep in mind that Star Trek has had its dormant periods but always bounced back reinvigorated. It’s just a matter of knowing when this will happen. Fingers crossed that we won’t have to wait too long.

José Soto

Feb 9 2026

Requiem For The Sisko

Ever since the Star Trek: Deep Space Nine (DS9) series finale, “What You Leave Behind”, aired in 1999, many DS9 fans wondered what became of Starfleet Captain Benjamin Sisko. In the closing moments of the final episode, Sisko sacrificed himself to prevent his arch-nemesis, Gul Dukat, and the evil Pah-Wraiths from trying to take over the galaxy. But there was more to his final noble act.

Even though Sisko was seemingly incinerated in the Fire Caves of Bajor, he was actually transported into the interdimensional realm within the Bajoran wormhole by the non-corporeal beings that reside there. He was told by his mother (who was actually one of these beings) that he would exist in the timeless realm and become one with the beings who were called Prophets by the Bajorans, who also worshipped them. During the run of DS9, Sisko was seen by the Bajorans as an important religious figure and referred to as the Emissary of the Prophets because of his prophesized connection to the Prophets. We next see Sisko appearing in a vision to his wife Kasidy and he promised to return one day. That was the last time we saw Benjamin Sisko, although in the non-canon comic books, novels and such, he did appear after the events of “What You Leave Behind.”

The mysterious fate of Benjamin Sisko, or The Sisko, as the prophets call him, was the main plot of the fifth episode of Star Trek: Starfleet Academy, which just streamed. The episode “Series Acclimation Mil” focuses on SAM, a holographic or photonic being who is a Starfleet cadet, but is also an emissary to her people. She is struggling to explain corporeal beings to her people, who are all photonics, and she decides to study Sisko since he also was an emissary. Before long, SAM becomes obsessed with trying to solve the mystery of Sisko’s fate.

Spoiler alert: SAM never learns what became of Benjamin Sisko, although she gains new insight into the Star Trek legend, both as a man and as a religious figure. That alone was worth the effort for SAM because her study helped her understand humanity a bit better while the audiences got some intriguing insights to the world of Star Trek: Deep Space Nine after the finale. “Series Acclimation Mil” is littered with many fascinating Easter eggs related to DS9 and Benjamin Sisko and how the show and its main character are remembered far into the 32nd century.

Probably the best part of this episode of Star Trek: Starfleet Academy was when the actor Cirroc Lofton reprised his role of Jake Sisko, Benjamin’s son, but now as a fully grown adult. He appeared first in a hologram where he is interviewed about his father. But more poignantly, he appeared later as an interactive hologram to SAM and we learn that Sisko never returned, although he is still in Jake’s heart as it should be.

Another nugget thrown our way was the revelation that the instructor that helped SAM in her study was a new incarnation of Dax, Illa Dax. She still fondly rembered her old friend Ben, and was played by Tawny Newsome under tons of alien makeup. Then there was the virtual visit to the Sisko Museum in New Orleans, which is littered with many items from the TV show.

The way the episode ended was very touching. As SAM looks off into the sunset and thanks Sisko, we hear a line of poetry from Avery Brooks, who played him. The screen faded to black and the words “Thank you, Avery” appear along with the majestic theme song from Star Trek: Deep Space Nine to accompany the closing credits. It was a a heartfelt tribute that should delight DS9 fans.

It’s a shame that it has taken decades for Star Trek to getting around to revisiting the world of Star Trek: Deep Space Nine, considering that it is regarded by many to be the best Star Trek TV show. Unfortunately given that many actors from the show are no longer with us and Avery Brooks has retired from acting, we may never see a DS9 reunion. However, the powers-that-be could always figure out how to bring back the remaining actors for a special or a limited series. If Paramount could greenlight garbage like Star Trek: Section 31, they can give us a story about DS9. For example, even though recorded history stated that Benjamin Sisko never returned, there could be a story where he did return after Jake made the hologram. Or maybe after Sisko returned, his loved ones like Jake and Dax swore to never reveal this fact. We may never know for certain. This enigma about The Sisko’s fate was one of the best aspects of “Series Acclimation Mil” since it was left as an unsolved mystery and a fitting tribute to both Sisko and Star Trek: Deep Space Nine.

Feb 1 2026

The Unexpected Surprise Of Wonder Man

Wonder Man is the latest Disney+ Tv show based on the Marvel Cinematic Universe (MCU) and it is so unlike the typical MCU project, which can be either a pleasant surprise for some or disappointing for fans expecting your typical superhero fare. No matter how a viewer may judge the show, it has to be admitted that it is different.

Yahya Abdul-Mateen II stars as Simon Williams a down-on-his-luck actor in Hollywood looking for his big break and learns that an ‘80s sci-fi action film, Wonder Man, is being remade by the renowned eccentric director Von Kovak (Zlatko Burić). Simon is eager to be cast in the title role because it was a favorite film of his when he was young. What needs to be mentioned is that he learned about the role from Trevor Slattery (Ben Kingsley), the disgraced actor who was jailed for portraying the terrorist, the Mandarin, in Iron Man 3.

The two actors form an unlikely bromance as the elder actor mentors the younger one about being a true thespian and how to navigate the Hollywood filmmaking landscape. Unfortunately, Trevor was forced to initiate the friendship with Simon because he was arrested by the Department of Damage Control (DODC) for escaping jail and was promised his freedom if he entrapped Simon. The DODC suspects Simon of harboring superpowers and wants to jail him for being dangerous and to meet quotas. Meanwhile, Simon, who actually has superpowers, is desperate to keep his powers a secret from everyone because superpowered people are banned from acting in Hollywood and obviously his acting career would be over if the world learned his secret.

That is basically it about Wonder Man. Anyone expecting superhero escapades and world-ending threats will be sorely disappointed. There are not even any pesky villains or any deep connections to the MCU aside from Trevor and the DODC. So, the TV show can be enjoyed and understood by non-MCU fans. Anyone with an open mind will find out that Wonder Man is an enjoyable and slightly humorous look at the plight of modern actors. In many ways, the TV show is Marvel Studios’ version of Entourage or The Studio but not as comedic, but that’s fine. The emotions are in the right place and anyone can’t help but feel for Simon as he navigates his life and the quirky people he meets. We get enough details about Simon to relate to him, which was best seen in the episode “Pacoima” where Simon visited his mother (Shola Adewusi) for her birthday and had to defend his acting career, especially with his older brother Eric (Demetrus Grosse). Highlighting that episode was the classic sitcom trope of the main character’s buddy, in this case Trevor, tagging along for the family gathering.

What helps Wonder Man tremendously is the terrific and genuine chemistry between Abdul-Mateen II and Kingsley. The two have great rapport with each other and the friendship between them feels very authentic and natural. Kudos, of course, go to both actors, and Kingsley turns in one of his best performances and this MCU vehicle is the best one to showcase Trevor. It would be a crime if we never saw the duo again since they light up every scene they are in.

The future for Wonder Man is unknown at this time, since Marvel Studios has reduced their offerings in light of recent disappointments. Unlike other MCU TV shows, this one was released with all eight episodes simultaneously, which implied that Disney did not have confidence in the TV show. But anyone dismissing it for that reason would be mistaken since it is one of the better MCU TV shows that tried something different that worked thanks to the talent in front and behind the cameras. This is a case where being different worked for Marvel Studios. As long as the talent is there, they should do more of this.

Wonder Man is under the Marvel Spotlight label, which implies it was just a limted series. But even if a second limited series never comes to fruition, Simon and Trevor deserve to be seen again whether dealing with Hollywood politics or L.A. living or just shooting the breeze in a movie theater as they discuss film and TV shows. Besides, without giving anything away about the final episode, anyone who enjoyed Wonder Man should know what else happened to Simon and Trevor.

José Soto

Jan 4 2026

Top Ten Most Anticipated Films & TV Shows Of 2026

2026 looks to be another jam-packed year with all the sci-fi, horror, fantasy and animated projects planned for the year. There are many promising original films and TV shows and returning franchises that will excite any fan. Also, it can be said that 2026 will be do or die for the Marvel Cinematic Universe (MCU), since it has struggled lately. Once their films were guaranteed to rake in the money, but that’s not the case anymore and Marvel Studios is betting it all with the films Avengers: Doomsday and Spider-Man: Brand New Day. On the other hand, the DC Universe is off and running with this year thanks to the success of last year’s Superman film. Now let’s look at the most anticipated films and TV shows of 2026.

Films

10. Toy Story 5

It’s incredible that Pixar has been able to come up with a new angle for a Toy Story film that is very relevant to current times. Tom Hanks and Tim Allen return to voice the iconic toy characters Woody and Buzz as they and their toy companions now have to contend with a tablet that threatens their popularity with their child owner.

8. The Dog Stars

Not a lot is known about this post-apocalyptic film about a pilot, his dog and a disgruntled veteran, but master director Ridley Scott is behind this adaptation of Peter Heller’s novel. Given Scott’s track record with genre classics like Alien, Blade Runner and The Martian, this one should be another winning notch in the director’s filmography.

8. The Mandalorian and Grogu

Earlier this decade, a film based on the TV show, The Mandalorian, would have set fandom on fire. But given how Disney loves to milk their IP to the death, interest in the galactic bounty hunter Mandalorian and his adopted Force-sensitive child Grogu has declined and the timing of this film may be unfortunate. Still, it will be the first Star Wars film released since 2019, so that should generate interest.

7. Supergirl

The next DC Universe (DCU) film features Superman’s drunken cousin, Kara-Zor-El (Milly Alcock) aka Supergirl, in an outer space adventure that supposedly adapts Tom King’s acclaimed comic book mini-series, Supergirl: Woman of Tomorrow. The film gets bonus points for featuring the return of Krypto the Superdog and Jason Mamoa making his DCU debut as Lobo, the intergalactic bounty hunter.

6. Project Hail Mary

The directing team of Christopher Miller and Phil Lord return to live-action with this adaptation of Andy Weir’s novel about a lone astronaut (Ryan Gossling) sent on a desperate mission to another star system to find out why the stars in the universe are suddenly being extinguished. Given the credentials of the directors, who were revered for their work on the Spider-Verse films, and the off-kilter look of the trailer, Project Hail Mary should be a unique and off-beat film that could resonate.

5. Dune, Part Three

The third film adapts the Dune sequel novels, Dune Messiah and Children of Dune and completes the epic sci-fi trilogy by director Denis Villeneuve. The first two films received nearly universal praise from critics and fans for its faithful adaptation of Frank Herbert’s novel about political intrigue and religion in the distant future, which featured stunning visuals, strong performances and engrossing worldbuilding. Dune, Part Three will conclude the spiritual journey of the messiah-like Paul Atreides as he struggles to set a course for humankind in the universe while retaining his own humanity.

4. The Odyssey

The latest film from director Christopher Nolan which is based on the epic Greek fantasy poem by Homer has generated tremendous word of mouth thanks to the meticulous artistry of Nolan and the reputation his films have garnered. The Odyssey is a suitable project for Nolan because of its grand nature, and he is only one of a handful of directors who can do justice to the film. The six-minute trailer that was recently released which focused on the subterfuge of the Trojan Horse increased the fervor for the film given how impressive and large scale the scenes looked on large screens.

3. Disclosure Day

Steven Spielberg, one of the most acclaimed directors of all time, returns to his genre roots with this UAP/UFO-related film that is largely shrouded in mystery. Unlike his previous UFO films that seemed hopeful, Disclosure Day feels more grounded, mysterious and ominous judging by the teaser trailer alone. The teaser implies the film will tackle government conspiracies and spirituality. After a long period of non-genre dramas and musicals, seeing Spielberg tackling aliens once again is a welcome event.

2. Spider-Man: Brand New Day

Following the aftermath of Spider-Man: No Way Home, the latest MCU Spider-Man picks up after Spider-Man’s (Tom Holland) civilian identity has been erased thanks to a magical spell. Not a lot has been revealed about the next MCU Spider-Man film but it features popular Marvel characters like the Hulk and Punisher, a bunch of new supervillains and a mysterious new character played by Sadie Sink. Aside from speculation about Sink’s role, the film is noted for being directed by Destin Daniel Cretton who directed the well-received MCU film Shang-Chi and the Legend of the Ten Rings.

1. Avengers: Doomsday

From the chair announcement trailer to the character teasers, no other film coming out in 2026 has generated the amount of buzz as the first Avengers film since Avengers: Endgame. The film begins the conclusion of the MCU’s Multiverse Saga, which will finish with next year’s film Avengers: Secret Wars. Marvel Studios has a lot riding on the success of this film given how MCU films and TV shows have had uneven reception lately. The film is pulling out all stops to bring back fans to guarantee a box office win with its hard pivot to legacy characters and actors, notably those from the Fox X-Men films and Robert Downey, Jr. who returns not as Iron Man but as the premier Marvel villain Doctor Doom. No matter how it ends up, Avengers: Doomsday will be the event film of 2026.

Notable Mentions:

28 Years Later: The Bone Temple; The Bride!; Clayface; Coyote vs. Acme; Evil Dead Burn; Flowervale Street; Forgotten Island; Godzilla: Minus Zero; Good Luck, Have Fun, Don’t Die: Greenland 2: Migration; Hokum, Hoppers; Iron Lung; The Legend of Aang: The Last Airbender; Masters of the Universe; The Mummy, Primate; Redux Redux, Werwulf, Wildwood

Television

10. Star Trek: Starfleet Academy

Most likely the latest Star Trek TV show will be garbage given the cringy publicity images and clips that highlight cliche teenage angst. Also going against it is that not many fans were interested in a Star Trek show set in the unpopular Star Trek: Discovery era of the 31st century, but it looks well produced and could surprise us.

9. The Boroughs

Fresh off concluding their popular TV series, Stranger Things, the Duffer Brothers follow up that TV show with The Boroughs. This one focuses on middle-aged residents of a suburban community instead of kids who team up to face an unusual threat. Starring Al Molina, Geena Davis, Bill Pullman and others, The Boroughs should echo the same magic that made Stranger Things so well regarded.

8. Monarch: Legacy of Monsters

The second season of the Monsterverse TV show is finally upon us. The first season unexpectedly provided depth and intriguing worldbuilding for the action-oriented Monsterverse films while featuring many appearances by our favorite kaijus like Godzilla. The second season will provide more of this and should develop the Monsterverse storyline further.

7. Neuromancer

Apple TV has turned into the premier streaming service for high-quality sci-fi programs and given recent adaptations of popular sci-fi literary works like Foundation and Silo, it was time for the streaming service to jump into adapting the William Gibson novel that jumpstarted the cyberpunk subgenre. Details are not available but since Neuromancer will stream on Apple TV, it should be a quality adaptation.

6. Spider-Noir

While it is lamentable that this program about an alternate take on Spider-Man set in the 1930s will stream on MGM+ (who actually subscribes to that streaming service?), it offers a unique take on Spider-Man. Filmed in black and white to establish a noir mood, the series will star Nicolas Cage (who voiced the same character in the Spider-Verse animated films) as Ben Reilly, an older and more jaded version of Marvel’s most popular hero.

5. X-Men ’97

After the triumphant first season that redefined the animated X-Men TV shows, this second season takes place right after the events of the first season as the heroic mutants find themselves scattered in different time periods and have to find a way back home. Only this time, the X-Men have to grapple with the mega-villainy of Apocalypse. However, being that Beau DeMayo, the showrunner of the first season, has been fired by Marvel Studios, it has to be seen if the new showrunners can match DeMayo’s work.

4. VisionQuest

This MCU TV show concludes the loose trilogy made up of WandaVision, Agatha All Along, and now VisionQuest. This shows follows the journey of the white android Vision (Paul Bettany) who was imbued with the memories of the original Vision in the final episode of WandaVision and now he has to struggle to find his identity. What makes the concluding part of the trilogy more exciting is that Terry Matalas, who was responsible for the popular third season of Star Trek: Picard, will be the showrunner.

3. Lanterns

The sole DCU TV show coming out in 2026 is a detective show will feature the intergalactic sentinels Green Lanterns Hal Jordan (Kyle Chandler) and John Stewart (Aaron Pierre) investigating a murder in Nebraska that will lead to dark and otherworldly events. Given the success of other DCU TV programs like Peacemaker and Creature Commandos, and the bonafides of the showrunners, including DCU head James Gunn, Lanterns should be another win for the fledgling superhero cinematic universe.

2. The Boys

The final season of the adaptation of Garth Ennis’ comic book series about “superheroes” dominating popular culture and the world itself promises to go all out as a ragtag group of anti-heroes led by Bill Butcher (Karl Urban) have their final confrontation against the twisted and sadistic Homelander (Anthony Starr) who rules the United States in a reign of terror with his lackeys and cohorts. The final season of The Boys promises to be just as brash, graphically violent and sardonic as the previous four seasons and its spinoff TV show Gen V.

1. Daredevil: Born Again

It’s true that the first season of Daredevil: Born Again turned out to be uneven, but the best episodes of that season were produced by Dario Scardapane and directed by Justin Benson and Aaron Moorhead, who were the showrunners of the original Daredevil TV program on Netflix. The second season will be completely done by them and that is reason alone to look forward to it. Another reason is that it will focus on how the blind superhero Daredevil (Charlie Cox) and his allies (including Kristen Ritter reprising her role of Jessica Jones) operate on the streets of New York City under martial law as the police enforce a ban on vigilantes imposed by Daredevil’s nemesis Mayor Wilson Fisk (Vincent D’Onofrio).

Notable Mentions

3 Body Problem, Army of Shadows, Avatar: The Last Airbender; The Beauty, Blade Runner 2099, For All Mankind; Invincible, A Knight of the Seven Kingdoms, One Piece, Paradise; Silo, Star City, Star Trek: Strange New Worlds, Star Wars: Maul-Shadow Lord; Stranger Things: Tales From ’85; The Testaments, Wonder Man, Your Friendly Neighborhood Spider-Man