Mounting Pressure For A Justice League Film

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Now that Man Of Steel has proven to be a hit at the box office, demand has increased even more for a Justice League film. It’s unfair to Man Of Steel because the natural thing would’ve been for a sequel to that Superman film. It’s also unfair for the Batman franchise being that Christopher Nolan’s Dark Knight trilogy concluded last year. Normally, the focus on the franchise would have been on rebooting it not taking part in a team film.

What is driving the pressure for a Justice League film is the phenomenal success of Disney/Marvel’s film The Avengers. To say that The Avengers was a game changer isn’t a small statement. That film proved that it is feasible to present an entertaining, well crafted film that utilizes many characters from a shared cinematic universe. But it’s not unprecedented. Remember Universal Studios decades ago did this with their horror movie monsters fighting each other in films.

Lost Opportunities

Warner Bros. and DC should’ve gotten the ball rolling years ago and put references of the larger DC Comics universe into their DC films.

satelliteThey did put in very minor references in Batman & Robin (where Batman mentions Superman) and in Superman Returns (a PA announcement could be heard about a Gotham City train), but that was it. Christopher Nolan refused to have any mention of the other DC characters in his Batman films, so that opportunity was lost. Ditto with 2011’s Green Lantern. In Man Of Steel, Superman and Zod battle by a satellite that belongs to Bruce Wayne’s company, so that is a Batman reference. Plus, some there’s a blink-and-you-miss-it Booster Gold reference during a fight scene. Yet all this pales to Nick Fury’s surprise, substantial cameo at the end of Iron Man, which led to more Marvel Comics universe references in other Marvel films that culminated with The Avengers.

DC could go the same route but they don’t have the time. Fans want a Justice League film now. They’ve grown impatient with the studio’s glacial progress. Besides many higher ups in DC and Warner Bros. have stated that they don’t want to copy Disney/Marvel’s formula. Frankly, it would be the best thing to do, but with Disney/Marvel charging ahead and greenlighting films, Warner Bros./DC can’t afford to do that. It becomes a game of catch up and they’re way behind.

Nonetheless, many fans are going insane with the lack of communication from Warner Bros./DC on the status of the Justice League film.

This proves that they are taking this matter seriously and want to put out the best possible film. While there is pressure to make the film already, they don’t just want to rush out and slap something together. Given the failure of Green Lantern, Warner Bros./DC know they cannot alienate fans. Continue reading

The Quicksilver Conundrum

quicksilver and petersThere has been a bit of a combination of both a cold and civil war when it comes to movies based on Marvel Comics characters. But lately things are heating up between movie studios and that’s best seen with the character of Quicksilver, the mutant superhero with superfast powers who is slated to appear in two competing movies: X-Men: Days Of Futures Past and The Avengers 2.

Here’s the background: before Marvel was acquired by The Walt Disney Company, Marvel sold the rights to many of its popular characters to different movie studios like 20th Century Fox and Sony Pictures, who co-produced them with Marvel Studios. That was the main reason characters didn’t crossover into other films. For example, in the Spider-Man films, you wouldn’t see a shot of Thor flying by the Daily Bugle’s windows.

Over time, Marvel Studios began regaining the rights to several characters, most notably the Hulk and Daredevil. These efforts kicked up into high gear after Disney acquired Marvel. The few remaining characters Marvel Studios doesn’t have the film rights to are Spider-Man, the Fantastic Four and the X-Men.

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The studios holding the rights to those characters know a cash cow when they see it and are fighting to retain the rights to the characters. Just recently Sony Pictures adamantly swore that they will never give up the rights to produce Spider-Man films, while Fox toyed with the idea last year to give back the rights to the Silver Surfer and Galactus–two Fantastic Four mainstays, in order to keep the rights to Daredevil.

Trying to get the X-Men characters will be a big problem, which is why Marvel seemed content to let Fox continue making X-Men films. That was until director Bryan Singer’s announcement last week. As the director of the upcoming X-Men: Days Of Futures Past, Bryan Singer stated that he had cast Evan Peters to play Quicksilver for the movie. Fans were excited with this idea, mainly because Joss Whedon announced weeks earlier that the same character will be in the sequel to his blockbuster hit The Avengers.

whedonAt first, it seemed as if this was to be some kind of crossover between the two film franchises but no so fast. Both studios are denying this is an attempted crossover. In fact, while Peters will play Quicksilver in X-Men: Days Of Futures Past, Joss Whedon, after confirming last week that Quicksilver will appear in The Avengers 2, said that he is still casting the role. If any of the two announcements were meant for the other side to blink, well it didn’t work. So the feeling for now is that both studios will just have to share Quicksilver.

The reason for the ability of both studios to use Quicksilver is that while Fox owns the X-Men film rights, Marvel does have the right to use Quicksilver and his sister, the Scarlet Witch, in their films just as long as there isn’t any mention that they are X-Men foe Magneto’s children. Meanwhile, in the X-Men films it cannot be stated that the mutant siblings are members of the Avengers (as is the case in the comic books).

This is a real treat for fans who clamor at the idea of a shared universe of all the Marvel characters. They can enjoy two different incarnations of the same character and imagine that both films take place in different time periods. For now, a completely shared cinematic universe is impossible but this casting conundrum brings that dream one step closer to reality.

Lewis T. Grove

In Defense of Iron Men & Mandarins

 Iron Man

EDITOR’S NOTE: The following will contain major SPOILERS about Iron Man 3. If you haven’t seen the film and don’t want to learn what happens, do not read anymore!

Despite the somewhat mixed reaction to Iron Man 3, the reviews still remained on the positive. I know our fellow Starloggers colleague José Soto enjoyed the film. But there is a vocal base out there of people who loathe Iron Man 3, including our one of our other colleagues Jim McLernon. Much of that dislike has to do with some perceived flaws with the film and the Mandarin (Ben Kingsley).

iron armorsWe’ll be the first to admit that a minor quibble has to do with the high-speed action near the end of Iron Man 3.  At that point, Iron Man/Tony Stark (Robert Downey, Jr.) and Iron Patriot/James Rhodes (Don Cheadle) have a final confrontation with the main villain Aldrich Killian (Guy Pearce) at an oil tanker. Needing help against the super-powered Killian and his Extremis army, Stark calls for back up and a cavalry of remote controlled Iron Man armors arrive. We don’t really get enough time within the dizzying action sequences to view these great Iron Man armors. Sure, we’ll see it in toy stores and production stills, but for a moment, the final fight suffered the same syndrome that plagued Transformers 2–too much blurry metal and things happening so fast that it was hard to follow which armor was which. The final battle takes place at night, so that doesn’t help either.

The rest of the film had clear storytelling and it was great to watch. Shane Black co-wrote and directed this entry with guidance from producer Kevin Feige and original director Jon Farvreau. Iron Man 3 is a solid entry in the Marvel movie universe. Better than the second film and about as enjoyable as the first one.

???????????????????????????????????????????????????????????????????????????????????????We liked how Marvel is treating this film as a conclusion of sorts, yet leaves an opening for future films–hopefully with Robert Downey, Jr. (RDJ), who for many people is Tony Stark. Along with him, Gwyneth Paltrow, Cheadle, and Favreau perform at their expected best and are able to walk that fine line between action, comedy and drama. Pearce and James Badge Dale as the heat-based villain Eric Savin are terrific new additions to the cast and standout as villains. But RDJ carried the film. Just as Christopher Reeve personified Superman perfectly, so does RDJ as Iron Man. His character is suffering from the events of The Avengers and we see the personal impact that those events created on a person. RDJ showed a vulnerability that hasn’t been seen before. It was refreshing and made him more human and identifiable.

The final minutes of Iron Man 3 seemed like a conclusion to a larger story arc about Stark’s life and to the film trilogy. Iron buddiesIt seems as if Stark is done with being Iron Man, he’s purged his inner hang ups (and his armors), grown and no longer has the need to use the armors as crutches. But he concludes his narration by stating “I am Iron Man”,  so hopefully Marvel and RDJ can reach an agreement for him to reprise the role. After all the end credits do reveal that Tony Stark will return.

We liked how this Iron Man film is very self contained without any Avengers appearing during the film (emphasis on the word during :D), yet the film expands on the general Marvel movie universe that Iron Man gets involved with. We see competitor industries like A.I.M. (Killian’s company) and Roxxon, two villainous corporate entities seen in the comic books.

Now on to the Mandarin. His role in the film is very controversial. Supposedly he is considered to be the main Iron Man villain in the comic books but bringing that character to the big screen is problematic.

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In the comic books, he is this Chinese warlord who possesses ten alien rings with different kinds of powers and was created in a less politically correct time. The Mandarin as he is in the comic books is considered to be a negative stereotypical portrayal of Asians. To bring that character into a big budget film would have created a public relations firestorm. There isn’t any way in today’s climate where the U.S. owes China so much money and seems largely content with being indebted to that nation, will a stereotype like the  Mandarin appear on film. Putting politics aside, the film studios will lose a ton of revenue in Asia if they used the traditional Mandarin super villain. Family-friendly Disney (Marvel’s owner) want to expand their appeal with China, not close it. The creative minds at Disney/Marvel wouldn’t allow the Mandarin to be portrayed as in the comic books, so the Mandarin had to be politically correct.

????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????Black and the producers made an acceptable alternative. They had it that the Mandarin was just a British actor hired by Killian to portray a super terrorist. The Mandarin would claim credit for Killian’s terror attacks and Killian gets to manipulate the public and gain more control behind the scenes. In effect, Killian is the Mandarin; he even claims at one point that he is that person.

The bottom line is that the Mandarin doesn’t exist in this film. But honestly, he isn’t a famous villain like Dr. Doom or the Joker so drastically changing the villain wouldn’t turn off the general public. It was a calculated risk that the people behind Iron Man 3 took. We think it was a rather brilliant and daring plot twist but it turned off some vocal fans. That is understandable but they have to be realistic and for now this is the best solution.

But enough with this controversy. Iron Man 3 is still a joyous and energetic film thanks to its many merits. And the recent box office receipts confirm that the appealing combo of Iron Man and RDJ continues to be invincible.

GEO and Waldermann Rivera

Recast Daredevil

 

Bit by bit, Marvel Entertainment is reclaiming its film properties under their own Marvel Studios. The latest acquisition is the blind superhero Daredevil. As recently as this summer Fox, who had the rights to the Daredevil property, tried to greenlight a Daredevil reboot but were unable to pull it off.

Whether or not Marvel Studios will launch their own reboot remains to be seen, but it seems likely given Daredevil’s popularity. Obviously Ben Affleck and the original cast won’t reprise their roles so who would be the best choices to play Daredevil and his gritty supporting cast? These are some possibilities:

 Ben Urich: The hard-nosed Daily Bugle reporter and Daredevil ally needs to be portrayed by someone who exudes integrity and intelligence. Tony Shalhoub should be offered the role in a Daredevil reboot.

 Stick: Daredevil’s blind mentor and sensei who taught him how to fight and use his extraordinary senses was a genuine old bad ass. Many online fans have opined that Scott Glenn would make a great Stick and frankly they are correct.

Bullseye/”Benjamin Pointdexter”: The mysterious master assassin and skilled marksmen is Daredevil’s deadliest adversary. The best actor for Bullseye has to give off a psychotic, vicious presence. He is someone who can be terrifying with his nihilistic demeanor and ability to make anything into a weapon. Jackie Earl Haley, who played a rebooted Freddie Krueger and Rorschach in Watchmen, makes a perfect Bullseye.

 Kingpin/Wilson Fisk: Daredevil’s greatest and most insidious enemy is a rotund powerhouse and master crime lord. Michael Clarke Duncan was an excellent Kingpin in Daredevil, sadly he’s no longer with us so he cannot reprise the role in a Daredevil reboot. Among the many other choices left to play the Kingpin, Philip Seymour Hoffman is the top pick (assuming he’s willing to shave his head or at least wear a bald cap), the actor is large and can do menacing villains, plus he’s one of the best actors around.

 Elektra Natchios: As a master assassin and Daredevil’s conflicted lover, Elektra needs to be played by someone who is strikingly beautiful and athletic. The wrong choice will doom the character from the start. That is one reason many say the original Daredevil didn’t work. There are plenty of superb candidates out there but Olivia Wilde is a dead ringer for Elektra. Tron: Legacy showcased her talents, looks and athletic prowess so she can do the role in her sleep.

 Karen Page: At first seen as a traditional secretary who later became Matt Murdock’s girlfriend, Karen Page has had a tortured history in the comic books. She eventually fell from grace, became a junkie who sold out Murdock’s secret identity before finally being killed off. She’s a tortured soul who needs to be portrayed by an actress who is beautiful and can do pathos. Emilie de Ravin, as seen on Lost, can break ground by bringing Karen Page to life on the big screen for the first time.

 Foggy Nelson: Matt Murdock’s law partner and best friend, Foggy seemed like the comic relief sorely needed by the grim comic book. But the slightly overweight lawyer was written as a complex, sympathetic person and one of Murdock’s strongest allies, who was often there for him when times were tough. Foggy Nelson shouldn’t be played strictly for laughs; check out the extended cut of the original Daredevil to get an idea of how he should be portrayed. For that reason, fan favorite Greg Grunberg seen in Alias and Heroes is an excellent pick for Foggy Nelson.

 Daredevil/Matt Murdock: Casting the blind superhero isn’t an easy task. Directors can’t just go with any stud actor. The person to take over the role of Matt Murdock from Ben Affleck needs to present viewers with a man possessing inner toughness, while having a conflicted nature. At the same time, this actor has to be able to pull off the lawyer act, in other words, he needs to be believably smart and convicted. At one point, one of the assigned directors of Fox’s failed reboot was interested in Tron: Legacy’s Garrett Hedlund. Although he’d be fine as Murdock, a better choice would be James Badge Dale. For comparison check out his roles in 24 (he played Jack Bauer’s junior partner in season three), The Pacific and Lexicon. Dale has all the qualities needed to play Matt Murdock and Daredevil.

The following enemies while not as prominent as say Bullseye would still make interesting secondary foes in a Daredevil reboot. The right casting and writing would make them very memorable. Also, the evil ninja group The Hand must make an appearance at some point in a reboot.

The Gladiator/Melvin Potter: Dwayne Johnson

Mister Fear/Larry Cranston, Alan Fagan: Bob Odenkirk

The Owl/Leland Owlsley: Oliver Platt

The Purple Man/Zebediah Killgrave: Robert Knepper

Typhoid Mary/Mary Walker: Milla Jovovich

José Soto

Spider-Man’s Greatest Moments, Part I

Marvel is celebrating the 50th birthday of their flagship superhero Spider-Man. He’s come a long way since appearing on the last issue of a failing science fiction comic book, but the minute he was introduced in Amazing Fantasy # 15, he became a sensation. Helping to usher in the so-called Marvel Age of Comics, Spider-Man was and is still Marvel’s most popular and iconic superhero. Over the years, our favorite Wall-Crawler has seen his highs and lows when it came to his storylines. There are too many to go through here, so let’s just highlight some aspects of them.

Insurmountable Odds

A hallmark of Spider-Man stories are those where he faces incredibly tough situations or foes. What makes them so special is that Spidey isn’t the most powerful superhero, he can’t shoot beams out of his hands, he can’t even fly. This makes him more relatable to us and is one of the reasons why he is so popular. He’s had to go up against villains that clearly outranked him in power and how he perseveres against them gave us some of the most exciting and hand-wringing stories. Who can forget that two-issue battle against the Juggernaut (The Amazing Spider-Man # 229-230)? Spidey fought this desperate battle against someone who could take on the Hulk. The Wall-Crawler tried everything but couldn’t make a dent against Juggernaut. Still, he wouldn’t give up, and somehow he stopped the Juggernaut by luring him into a bed of wet cement. Then there was his battle with the former Galactus herald Firelord (The Amazing Spider-Man # 269-270), where he shocked the late-arriving Avengers with his sheer will power as he managed to knock out Firelord.

But the best story that showed how determined Spider-Man can be was in the classic comic book The Amazing Spider-Man # 33. In the previous issue, he fought against Doctor Octopus at an underwater base and was left partially buried under tons of rubble and debris with water flooding. Meanwhile, inches away lay a canister containing a cure for his Aunt May’s latest ailment. He spent most of the issue struggling to free himself but failing. He berated himself, resigned to failure. But he couldn’t accept defeat not with his aunt’s life on the line. Spider-Man motivated himself and carefully maneuvered his body to free himself just in time. It was the most dramatic moment seen in a Spider-Man story and copied by others.

Marvelous Team-Ups

Ever since the very first issue of The Amazing Spider-Man, our favorite Web-Head was shown to be an integral part of the Marvel Universe. In the first issue, Spider-Man tried to join the Fantastic Four and ever since, he has butted heads and teamed up with Marvel’s rich roster of superheroes. Some were interesting in that he had unusual pair ups (Howard the Duck, Frankenstein’s Monster, the John Belushi-era Saturday Night Live cast and even Superman in the classic cross-company story Superman Vs. The Amazing Spider-Man) or Spidey was way out of his element (Spider-Man Vs. Wolverine one-shot and Marvel Team-Up # 41-46 where Spidey time travels from the past and into the future).

The most natural friendship he’s had has been with Johnny Storm, the Human Torch. The two heroes tended to behave like college roommates and ranked on each other. Some of their best meetings included the Christmas-themed Marvel Team-Up # 1, Spider-Man/Human Torch #1-5,and most recently with FF # 17. The latter was a hilarious tribute to mismatched buddy comedies like The Odd Couple and Two And A Half Men, where Parker and Storm briefly live together with the expected disastrous results.

But Spidey’s best team-up stories were in J.M. DeMatteis’ run in Marvel Team-Up #111,112, 114-125, 126-133. In those comics, DeMatteis showcased his writing chops with fun, thoughtful, amusing and sometimes poignant yarns that were able to touch a reader’s  soul (Marvel Team-Up #119, 120, 127). The best part is that these issues can be found relatively cheap in comic bins. Continue reading