Top Ten Most Anticipated Films & TV Shows

Aside from the fact that the year 2025 means that this century is now 25 percent complete, this year promises many great genre films and TV shows for our enjoyment. Here is the list of the most anticipated films and TV shows for 2025. But note that as always, some of the projects listed will either be delayed to another year or turn out to be hot garbage and/or won’t necessarily be among the best films or TV shows when the year is complete. With that, let’s check out what 2025 has in store for us.

Films

10. Predator: Badlands

The film Prey turned out to be a great surprise as it jumpstarted the Predator franchise. The director of Prey, Daniel Tracthenberg, returns with a fresh new premise as the new film is told from the point of view of the Predator.

9. Jurassic World: Rebirth

The Jurassic Park/World franchise starts off with a new premise and cast as dinosaurs have become an endangered species. Calamity ensues (as always) when humans try to gather genetic material from the last remaining dinosaurs on an island.

8. Sinners

Black Panther Director Ryan Coogler teams up again with actor Michael B. Jordan in a horror yarn featuring vampires. Jordan plays a dual role as troubled twin brothers who return to their hometown only to discover a deadly evil waiting for them.

7. How to Train Your Dragon

While the idea of adapting beloved animated classics into live-action films has run its course, looking at you Disney, the trailer for this film looks great. It captured the look and tone of the original film from DreamWorks Animation, so let’s hope the film will turn out to be as great as the animated classic.

6. Captain America: Brave New World

The first film of the Marvel Cinematic Universe (MCU) for 2025 would have been more anticipated if not for the unsettling and continuous reports about constant reshoots and poor reactions from screenings. The trailers look great, especially with Harrison Ford playing the Red Hulk and Anthony Mackie’s Sam Wilson fully embracing the legacy role of Captain America. In any event, we’ll see in a few weeks.

5. Thunderbolts*

At first, this loose adaptation of the Marvel Comics anti-superhero team seemed like a poor MCU knockoff of the Suicide Squad. What gave this impression was the lineup of the team of supervillains forced into servitude by the U.S. government. Unlike the comic books, the team is made up of the MCU’s lesser-powered characters. But the interplay among them as seen in the trailers was amusing and could be the highlight of the film.

4. 28 Years Later

The creative people behind the first film, 28 Days Later, return for the third film in the British “zombie” apocalypse film franchise which is set…28 years after the first film. Being that the original director, Danny Boyle, is back, this film should be as tense and horrifying as the original classic. There are many questions about what has happened to the world after the Rage Virus has decimated it or what happened to the main protagonist from the first film since Cillian Murphy will return, but it’s not clear in what capacity.

3. The Fantastic Four: First Steps

After so many flawed live-action versions of Marvel Comics’ First Family, Marvel Studios finally has creative control over the property. The new version of the famed superhero team/dysfunctional family promises to be more faithful to the spirit of the comic books that launched Marvel Comics. A lot is riding on the success of this new Fantastic Four film for the MCU and Marvel Studios because the team will be pivotal players in the MCU’s Multiverse Saga and due to the involvement of the studio’s president, Kevin Feige, to ensure the film’s success.

2. Superman

Filmmaker James Gunn formally launches the rebooted DC cinematic universe with his version of the Man of Steel. Superman promises to veer away from the dark and maligned version of Superman seen in the failed DC Extended Universe. This version of Superman will go back to its optimistic comic book roots and once again serve as a beacon of hope and justice in our world, and lord knows we need someone like Superman now. Superman must be well received, and its chances are high thanks to the talented Gunn fresh from the success of his Guardians of the Galaxy trilogy.

1. Avatar: Fire and Ash

Never underestimate filmmaker James Cameron. He is a truly gifted and imaginary film auteur who has immersed audiences with his past films, including the first two Avatar films. Despite the complaints about the simplistic nature of the Avatar films, they are very immersive thanks to groundbreaking special effects and 3D technology. These aspects helped elevated Avatar and Avatar: The Way of Water into event films that were very popular. Cameron will continue this immersion into an alien world with the third film, Avatar: Fire and Ash, as it further explores the verdant moon of Pandora, the continuing fight against human invaders and has the main characters encountering an evil tribe of Na’vi.

Notable Mentions:

Ash; The Black Phone 2; Companion; Elio; The Electric State; Five Nights at Freddy’s 2; Frankenstein; The Gorge; The Last Battleship; The Legend of Ochi; Lilo & Stitch; Love Me; M3GAN 2.0; Mickey 17; The Monkey; Planet Gliese; Presence; The Running Man; Star Trek: Section 31; Tron: Ares; Wolf Man; Zootopia 2

TV Shows

10. A Knight of the Seven Kingdoms

This third series set in the world of A Game of Thrones looks very engaging with its rich production as seen in clips and its premise about a wandering knight and his squire in the land of Westeros.

9. Peacemaker

The super violent super soldier from DC Comics was portrayed to great comic effect by John Cena, He will reprise his role for the second season with episodes written by James Gunn, who will also direct at least one episode.

8. It: Welcome to Derry

The infamous fictional Maine town of Derry featured in many of Stephen King’s literary works is the setting of this Max series that zeroes in on the evil influence of the malicious entity Pennywise.

7. The Last of Us

The second season of the acclaimed adaptation of the video game continues its story of Joel and young Ellie, survivors of the apocalyptic fungal pandemic that devastated the world. What is not known is if the series will continue to be as faithful to the game as it progresses.

6. Alien: Earth

Noah Haley writes and directs the first TV series based on the Alien franchise. Little is known about this prequel to the original film, other than it involves a ragtag group of soldiers dealing with a deadly threat to our planet after the alien xenomorphs arrive on our planet.

5. Severance

The horrors of the modern office workplace take an even more macabre turn in the second season of Severance. Adam Scott returns as Mark the employee of the mysterious Lumon corporation that erases the memories of its employees each time they go to and from work. The second season should answer many burning questions about Lumon and deepen its mystery.

4. Stranger Things 5

The Stranger Things saga comes to an epic conclusion with its fifth and final season. It has been a couple of years since the last season of Stranger Things, but the talented cast and crew of the popular ode to ‘80s sci-fi/teenage films will be able to pick up where they left off and conclude the show’s storylines. Fingers crossed that it can defy trends and be able to stick the landing with its final episodes.

3. Star Trek: Strange New Worlds

Captain Pike, Spock and the rest of the first crew of the starship Enterprise return in the third season. Thankfully the first episode of the season will conclude the cliffhanger thread that left us screaming at our TV screens when the second season concluded. The rest of the episodes should be able to continue to evoke the adventurous spirit of the original Star Trek with fresh, modern stories as the characters explore strange new worlds.

2. Andor

What set Andor apart from the typical Star Wars fare was its more mature and grounded tone with ambiguous characters and complex situations that fully fleshed out the Star Wars universe. The second and final season of the acclaimed Star Wars TV show about the conflicted Rebel spy Andor (Diego Luna) will lead directly to the classic film, Rogue One: A Star Wars Story. Andor’s second season should be just as complex and mature as the first and continue to set the bar not just for Star Wars but sci-fi TV shows in general.

1. Daredevil: Born Again

The best Netflix Marvel TV series is revived for Disney + and returns many of the beloved actors from the original series starting with Charlie Cox as the blind lawyer/superhero, Matt Murdock/Daredevil, and Vincent D’Onofrio as the evil crimelord Wilson Fisk, who is now the Mayor of New York City. Initially there was some trepidation about the direction of the series as it supposedly strayed from the gritty tone of the Netflix TV show, but Kevin Feige corrected course and had the series reshot nearly from scratch. The result should be a superhero TV show that matches or exceeds the standards of the original Daredevil, which is still considered one of the best superhero TV shows.  

Notable Mentions:

Batman: Caped Crusader; Black Mirror; Doctor Who; Eyes of Wakanda; For All Mankind; Gen V; The Handmaid’s Tale; Invincible; Ironheart; Marvel Zombies; The Sandman; Wednesday; Win or Lose; Wonder Man; Your Friendly Neighborhood Spider-Man; Zero Day

Top Ten Films & TV Shows Of 2024

2024, as with previous years, provided some wonderful and imaginative sci-fi, fantasy and horror films and TV shows, which were quite memorable. Here are the best films and TV shows that came out in 2024, many of which took everyone by surprise. Feel free to comment with your own choices.

Films

10. Sonic the Hedgehog 3

The third film in the Sonic film franchise fully embraces its video game lore with its colorful characters and their engaging backstories. As usual, Jim Carrey stole the film with his performance, as wells as Keanu Reeves who voiced the fan-favorite Shadow.

9. Late Night With the Devil

David Dastmalchian shined in this found footage horror film that took the guise of recordings from a broadcast of a 1970s late-night talk show. The film was genuinely creepy and disturbing as the show’s host, Jack Delroy (Dastmalchian), cameto grips with the realization that the occult-themed episode of his show had unpleasant connections to his own life.

8. Furiosa: A Mad Max Saga

George Miller directed one of his finest films ever with an intense origin story about the breakout character from Mad Max: Fury Road. Anya Taylor-Joy was simply perfect as the younger version of Furiosa, who navigates her way through a brutal post-apocalyptic world overrun by vicious gangs and extreme car chases throughout barren deserts. It’s a Mad Max world at its best.

7. Alien: Romulus

The Alien franchise rightfully returned to its horror roots with this entry that takes place in a claustrophobic space station swarming with alien xenomorphs hunting down the main characters. Even though a lot of the material was familiar and had callbacks to the other films, Alien: Romulus was fresh and inventive with its back-to-basics approach.

6. Nosferatu

The latest remake of the classic German silent horror film version of Dracula was genuinely creepy and disturbing. Director Robert Eggers has emerged as a true master of film horror with his version of Nosferatu that fully utilized disturbing sounds, eerie shadows, dark cinematography and an overall unsettling atmosphere that will keep you up at night.

5. Civil War

This is one of the most disturbing recent films to be released due to its subject matter of a near-future civil war in the United States and its ramifications. While the choice not to explain what caused the war and its apolitical stance may not satisfy everyone, this approach allowed director Alex Garland to focus on the cruelty and insanity of war and its impact on modern-day society. The film was also a powerful and cringe-inducing war film that ramped up intensely in the final act with a distressing, yet pulse-pounding battle in Washington, D.C.

4. A Quiet Place: Day One

The third film in the A Quiet Place franchise, was a prequel that chronicled the early days of the alien invasion that devastated the Earth and brought it to a silent standstill. The film had the smarts to introduce new characters and a new setting which was a terrifying location for the invasion: a noisy New York City that could not help but attract the deadly alien creatures that murder anyone making sounds. Lupita Nyong’o and Joseph Quinn were outstanding as two misfit survivors trying to reach the home of Nyong’o’s character while avoiding the aliens. Their personal stories were the heart of the film and set the template for future installments.

3. Deadpool & Wolverine

The fourth-wall-breaking Merc with a Mouth (Ryan Reynolds) teamed up with everyone’s favorite X-Man (Hugh Jackman) in a violent and humorous road/buddy trip throughout the multiverse. As the sole film release from Marvel Studios’ Marvel Cinematic Universe (MCU) for the year, Deadpool & Wolverine had a lot riding on it given the fact that recent MCU films have struggled. Fortunately, the film delivered a funny and entertaining romp that both serviced the grand MCU plotline about the multiverse and was a love letter to the now-defunct Marvel films from 20th Century Fox.

2. The Wild Robot

Arguably DreamWorks Animation’s greatest film, The Wild Robot is a heartwarming and beautifully animated adaptation of Peter Brown’s novel about a service robot in the future that was stranded on an island populated by animals that distrusted her. Over time, she gained their trust as she adopted and raised a young goose and befriended many of the animals. At the same time, the robot began to develop sentience and emotional attachments to her companions, especially her adopted child, who she must raise and protect.

The Wild Robot was surprisingly engaging with its themes of parenthood, friendship, environmentalism, and empathy. It is too bad that this will be DreamWorks Animation final in-house film since the company has proven it can deliver genuine animated classics as it did with The Wild Robot.

1. Dune, Part Two

Director Denis Villeneuve concluded his grand adaptation of Frank Herbert’s classic sci-fi epic novel about political and religious machinations and war in the distant future. Dune, Part Two actually adapted the second half of the novel and it was a wise decision to split the novel into two films since it allowed Villeneuve the time to fully explore the intricacies of the distinct human cultures across the universe.

While the film was wide-sweeping and bursting with glorious production values and effects, at its core, Dune, Part Two, focused on the burden of its main protagonist, Paul Atreides, who unwillingly became the messianic leader who leads the inhabitants of the desert world called Dune in a holy war. Any viewer could empathize with Paul’s struggle as he faced his destiny despite his doubts about his actions as he sought vengeance for his father’s death and freedom for his adopted people.

Dune, Part Two is a true cinematic epic that demonstrates once and for all, the validity of a solid sci-fi story being successfully adapted into a cinematic masterpiece. The film also establishes that Villeneuve is a true master of sci-fi films who has the bold vision needed to undertake such an adaptation.

Noteworthy Mentions:

Abigail; Beetlejuice Beetlejuice; ElevationFlow; Ghostbusters: Frozen Empire; Godzilla x Kong: The New Empire; IF; Inside Out 2; Kingdom of the Planet of the Apes; The Substance; Transformers One; Venom: The Last Dance

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William Shatner Reunites With Leonard Nimoy For One Last Time In 765874: Unification

There have been numerous fan-made and unofficial Star Trek shorts and films made throughout the years that celebrated the legacy of Star Trek. Some of the more memorable efforts featured the actual actors from the Star Trek TV shows who reprised their famous roles. The latest effort, 765874: Unification, stands out from the rest not just for its production values or topnotch CGI special effects, but because it stars William Shatner in what will most likely be his final performance as Captain James T. Kirk as he reunites with the late Leonard Nimoy as Spock.

Directed by Carlos Baena, 765874: Unification is produced by the VFX studio OTOY in conjunction with the Roddenberry Archive and was released on the heels of the 30th anniversary of the film Star Trek Generations. It serves as a bookend or an epilogue or a post-credits scene to that film as it finally shows us Kirk and his best friend Spock reuniting after their deaths. It is also a sequel of sorts to OTOY’s previous short film, 765874: Regeneration, which featured Leonard Nimoy as Spock reacting to the death of Captain Kirk.

Taking place in the afterlife, moments after Kirk died in Star Trek Generations, the film stars Shatner and Sam Witwer as Kirk, who is jaw-droppingly rendered with CGI and live-action performances. Basically, Kirk wanders through a heavenly afterlife that is similar to what he experienced in the Nexus from Star Trek Generations. During his journey, he comes across many people from his life including Saavik (reprised by Robin Curtis who was digitally aged into an old woman). The film also features numerous Star Trek Easter eggs and characters such as Gary Mitchell (reprised by Gary Lockwood in a performance that was obviously rendered through CG), who plays a role in guiding Kirk during his first moments after his death.

Eventually, Kirk encounters the alien Starfleet officer Yor, who was briefly featured in the Star Trek: Discovery episode “Terra Firma”. For anyone who hasn’t seen that episode, it was revealed that Yor was originally from the Kelvin Universe (the alternate reality where the J.J. Abrams’ Star Trek films take place in) and was stranded in the Star Trek Prime Universe until his death.

As Trek fans know, Spock (as portrayed by Leonard Nimoy) was stranded in the Kelvin Universe and remained there until his death of old age (as noted in Star Trek: Beyond).

Yor serves as a conduit for Kirk to enable him to crossover into the Kelvin Universe. In the final moments of 765874: Unification, Kirk appears at the deathbed of Spock as the two old friends silently watch the sun set with the promise of a new adventure awaiting the both of them in the afterlife.

Aside from the nearly perfect special effects, what made the film stand out was its lack of dialogue, aside from a brief voiceover by Kirk taken from Star Trek II: The Wrath of Khan. But words were not necessary, Shatner and Witwer were able to convey genuine emotions as Kirk explores the afterlife filled with wonder and surprise.

Still, the special effects are just amazing and feature the best use ever of de-aging and CGI to render Kirk as we last saw him in Star Trek Generations and as the more youthful version of the starship captain seen in the original series. The only times the effects falter are in two shots where Kirk walks awkwardly in profile. But other than that bravo to OTOY for their work!

Yes, the use of CGI to bring Spock back to life (through CG and a live-action performance by Lawrence Selleck) and de-aging Shatner and others is controversial for some. But for others, this film is a fitting tribute to the brotherly bond between Kirk and Spock that spans time, space and life itself. Afterall, death cannot destroy relationships or bonds.

More importantly, the short film is a love letter to Star Trek fans, especially those who still appreciate the older more iconic iteration of the sci-fi franchise and have fond memories of those early films and TV shows. After so many years, it feels great to see these two Star Trek legends together for one last time.

Needless to say, whether or not it’s official or canon, 765874: Unification finally gives us the opportunity to say farewell to these two characters as we see the Shatner and Nimoy versions of Kirk and Spock have a final performance together. Using the afterlife as the vessel for their unification is an appropriate and dare say, logical, way to close this chapter of their existence and the landscape for their next great adventure.

José Soto

Exploring The Land Of The Lost

Fifty years ago, the children’s program Land of the Lost premiered on Saturday morning on the NBC television network and surprised many viewers with its well written and imaginative scripts. Even though the production was undeniably low budget and the acting by some of the performers was a bit over the top, Land of the Lost quickly won over many fans thanks to its spirited presentation. The TV show was produced by Sid and Marty Kroft who ruled the Saturday morning TV landscape in the ’70s with many fantasy and comedic live-action programs. Land of the Lost stood out and was their best production because it ditched the juvenile humor seen in their other programs and focused on drama and sci-fi elements. Even though it was a program aimed at children, Land of the Lost had an unexpected mature and serious tone that was appealing to anyone.

The TV show followed the adventures of the Marshall family, Rick (Spencer Milligan) and his children, Will (Wesley Eure) and Holly (Cathy Coleman), who while out whitewater rafting in the Grand Canyon fell through an interdimensional portal that transported them to a timeless world full of dinosaurs. Trapped in the lost land, the trio struggled to survive while trying to find a way home. During their adventures the Marshalls encountered many unusual denizens including Cha-Ka (Phillip Paley), a member of the Pakuni, a primitive tribe of ape-like humanoids, and Enik (Walker Edmiston), an advanced reptilian/insect-like humanoid who was also trapped in the Land of the Lost. What made Enik’s backstory so fascinating was that his race the Altrusians actually devolved into the savage Sleestaks, who were the dominant species in the Land of the Lost. The Marshalls usually met other travelers from different eras who wound up trapped in the land and often found a way to return to their own time period.

The episodes were devoted to plots about environmentalism, family strife, survival and surprisingly imaginative sci-fi concepts, especially time travel. During the show, the Marshalls discovered these interdimensional constructs called pylons that could transport anyone who entered them into different dimensions including modern-day Earth, though navigating them was difficult. These devices were used to explain why Rick Marshall left the show (in reality Mulligan was removed from the TV show due to conflicts over merchandising) as the father was whisked back to Earth unexpectedly at the start of the third season and replaced by Uncle Jack Marshall (Ron Harper). As Jack explained to his nephew and niece, he was trying to find his brother and his children and followed the same route that stranded the Marshalls in the lost land.

By the third season, the scripts were less imaginative and more geared toward children. The storylines took on more fantastical elements as Uncle Jack, Will and Holly encountered the Medusa, fire-breathing dimetrodon, a unicorn and the ghostly captain of the Flying Dutchman ship. Still the first two season were very thought provoking as the Marshalls met an eerie translucent alien called the Zarn, mysterious human visitors, and alternate versions of themselves. One of the reasons why the scripts stood out was because many of them were written by acclaimed sci-fi authors like Ben Bova, Norman Spinrad, Theodore Sturgeon and Larry Niven. Star Trek scriptwriter David Gerrold was the story editor in the first season and recruited fellow Star Trek writers like D.C. Fontana, Margaret Armen and even Walter Koenig to write a few episodes.

Thanks to its dramatic tone, the stories that focused on survival were more impactful and viewers felt the constant dangers the Marshalls faced as they dealt with carnivorous dinosaurs, environmental dangers, temporal and interdimensional dilemmas and the barbaric Sleestaks. One haunting episode, “The Search” had Will and Holly struggling to save their father who was electrocuted by crystals that operated the pylons. Anyone watching it could sense the desperation and panic from the siblings who were forced to face the possibility of their father dying. Another eerie episode “Split Personality”, had the Marshalls encountering alternate versions of themselves who were frozen in time and needed their help.

Even though the series never had a concluding episode, due to the temporal nature of Land of the Lost it can be argued that the Marshalls did find their way back home in the first season finale episode called “Circle”. Inside one of the pylons, the family was able to return back to their home but it was revealed they were trapped in a Mobius loop and another version of themselves wound up trapped in the Land of the Lost by the time the episode concluded. So in a sense, at least one version of the Marshalls returned home and subsequent episodes followed their variants.

In the decades since Land of the Lost stopped airing, the program has maintained a cult following thanks to a heavy syndication run that lasted many years. There were two attempts at remaking Land of the Lost. One included another TV show that aired for two seasons and featured the Porter family who were stranded in another dimension inhabited by dinosaurs and Sleestaks. Then there was a feature film in 2009 that starred Will Ferrell and as expected by the casting was more comedic. The film was a major dud with critics and fans and flopped at the box office. It also featured one of Leonard Nimoy’s last voice performances as he portrayed Enik. Sadly, the film ignored the dramatic survivalist aspects of the original Land of the Lost and insulted the memory of the original with its moronic humor. Regardless of how the remakes were received, Land of the Lost still has many devoted fans who appreciated the bright scripts and its imaginative, dramatic tone that engaged viewers.

José Soto

The Bell Riots, September 1, 2024: A Critical Moment In Star Trek History

Once again reality has caught up and will pass science fiction at the time of this post, in this case with Star Trek: Deep Space Nine. Fans of the TV show know all too well that this date marks the time of the infamous Bell Riots.

In the two-part episode, “Past Tense” Commander Ben Sisko, Dr. Julian Bashir and Lt. Commander Jadzia Dax accidentally time traveled to San Francisco on August 30, 2024, and were pivotal figures in the Bell Riots on September 1, one of the most violent periods in American history.

For anyone who has not seen these episodes, the Bell Riots were an important event in American history that influenced the country to seriously tackle its social problems. During this time period of the 2020s, the homeless and jobless were forcibly housed in so-called Sanctuary Districts, which were essentially walled-off, overcrowded internment camps were the residents were poorly treated and lived under harsh conditions. Things came to a head on August 31, 2024, when Bashir was attacked by a gang of thugs. One man, Gabriel Bell, tried to help Bashir but was stabbed and killed for his action. Bell’s death created a ripple effect in history were the United States deteriorated and ultimately the United Federation of Planets was never formed.

It turned out that Gabriel Bell would have become a key figure in an uprising in the San Francisco Sanctuary District that took place on September 1, 2024. Bell became the face of the riots and his actions by protecting District employees who were taken hostage and giving a sympathetic face to the homeless residents. Unfortunately, Bell was killed by national guardsmen who took back the District, but his actions were publicized and turned public opinion against the Districts and swayed the United States to find long-term solutions to its social problems.

Bell was killed near the conclusion of the first episode and Sisko quickly realized the devastating effect Bell’s death would have on history. Thus, when “Past Tense, Part I” concluded, Sisko and Bashir took part in a takeover of the District’s processing center where the hostages were held and announced that he was Gabriel Bell. The dilemma was that in order to carry out Bell’s life to its conclusion, Sisko had to die. But how was this resolved in “Past Tense, Part II”? Well, this is Star Trek. 😀

“Past Tense, Part I and II” was one of the better time travel episodes in the Star Trek franchise because of its unique nature that it took place during a then-future period in our history (the episodes aired in January 1995, which was a risk. After all, it was very likely at the time of filming that the future portrayed in “Past Tense” would not come to be and fortunately the Districts do not exist in our reality. Obviously, the now-contemporary Earth depicted in those episodes are set in an alternate timeline. Yet, the social issues are still with us.

Homelessness is a major social issue affecting many communities in the United States and is getting worse partly because of the affordable housing crisis. San Francisco has been demonized by many who decry it as the epicenter for urban decay as it faces homelessness. Thankfully, no one has advocated for rounding up the homeless population and dumping them into so-called sanctuaries. Then again if things get worse, this can happen in our future.

At least unemployment is low and not a major issue as depicted in those Star Trek: Deep Space Nine episodes. It should also be pointed out that the episodes did not and could not have predicted that the world was recovering from a pandemic or that a woman was running for president of the United States. But the episodes did hint that democracy was at risk based on the authoritative actions of the California governor in the episodes (who was not Gavin Newsom). Sure it was inevitable that predictions would turn out to be incorrect, but at least it did get correct that housing and homelessness would still be issues and as a bonus the episodes did get correct that the internet would be prevalent in our culture.  

While these episodes of Star Trek: Deep Space Nine may have been a bit heavy handed when it tackled the issue of homelessness and social and economic inequality, it carried out the noble Star Trek tradition of examining current issues facing our society in a sci-fi setting. The backdrop of the social messaging capably added to the tense drama of Sisko and his companions trying to survive a savage period of time. More importantly the issues it brings up were not easily solved and still provide food for thought to this day.